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Tyler Fletcher (8 KP) rated Artemis Fowl (2020) in Movies
Jun 14, 2020
Character development (1 more)
Forgettable story
Another Live-Action Disney Adaption Bomb
Contains spoilers, click to show
What is it about fantasy novels that makes them so difficult to translate effectively to the silver screen? It’s not impossible – J.K. Rowling’s Harry Potter series and Peter Jackson’s The Lord of the Rings adaptations are proof that it can be done. More often than not, however, the result is as limp and truncated as Kenneth Branagh’s Artemis Fowl – a few standout moments set adrift in a sea of underdeveloped characters, incomplete backstory elements, and abbreviated world building. Although the problem lies primarily in the difficulties associated with condensing an epic tale into a short-ish movie, the lack of elegance with which that is accomplished makes Artemis Fowl a failure for anyone hoping for the next great fantasy film.
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
The treatment accorded to Artemis Fowl (the movie condenses elements from the first two volumes of an eight-novel cycle into a single film) recalls a Disney misfire from more than three decades ago. Although The Black Cauldron was animated, it suffered from many of the same problems evident in Artemis Fowl: an oversimplification of the backstory, a rushed narrative with poorly realized characters, and a overall lack of faithfulness to the source material. The Black Cauldron worked better because it at least had a clean ending. Artemis Fowl suffers by trying to both provide a credible stopping point (in case there are no additional films) and offering a lead-in to additional adventures (in case there are additional films).
In the books, 12-year old Artemis (played by Ferdia Shaw, the grandson of Robert Shaw) is presented as an anti-hero (although, over the course of the saga, his villainous attributes fade to be replaced by heroic ones). Here, he’s more of a misunderstood boy-genius whose role as the protagonist is never in question. All of his edges have been smoothed out. The story focuses on Artemis’ efforts to locate and rescue his father, Artemis Fowl Sr. (Colin Farrell), an infamous art thief who has been kidnapped by the twisted evil fairy Opal Koboi. Her ransom for releasing him is that Artemis must locate and obtain a powerful McGuffin. He is joined in his efforts by Lower Elements Police (LEP) fairy police officer Holly Short (Lara McDonnell), giant dwarf Mulch Diggums (Josh Gad), and strongman Domovoi Butler (Nonso Anozie).
Artemis Fowl diverges considerably from the two books that form its basis, Artemis Fowl and Artemis Fowl and the Arctic Incident. Although author Eoin Colfer reportedly “approved” the changes, they push the film into an alternate universe from the one occupied by the novels. Even with the pruning of subplots and condensation of the narrative, 100 minutes is too short to tell the story effectively. None of the characters are well-developed, including Artemis. The boy’s relationship with Holly Short evolves with whiplash-inducing rapidity – one moment, they’re enemies (actually, she’s his prisoner), the next they’re friends. The film’s frenetic pace might work for ADD viewers and preteens but there’s no time for world-building or anything more than the most basic exposition. As a result, Artemis Fowl feels rushed to the point of being exhausting and strangely confusing despite the relatively straightforward storyline.
Kenneth Branagh was undoubtedly selected to direct the film based on his success with two earlier Disney properties: the live-action Cinderella and Marvel’s Thor. Perhaps because Branagh had no input into the screenplay (which was completed before he came on board), the movie lacks the complex psychological qualities he normally brings to his films. Visually, Artemis Fowl is impressive. However, although the fairy world of Haven is beautifully rendered, it appears all-too-briefly. The film’s most impressive sequence, a throwdown with a seemingly invincible troll, is a standout by any definition, but it represents only about five minutes of screen time and there’s nothing else that comes close – not even the muted climax.
As is often the case, Branagh’s presence at the top results in some impressive names in the cast. The young leads are newcomers – this is Ferdia Shaw’s first movie (and it shows – his performance is occasionally wooden) and Lara McDonnell’s third (she’s better, evidencing an indomitable pluckiness) – but the rest of the cast is populated with veterans. Josh Gad, another Disney regular, has the most openly comedic role of the film as Mulch Diggums. Colin Farrell is called on for limited duty as Artemis’ mostly-absent father. Nonso Anozie, who has a history with Branagh, plays Artemis’ protector and advisor. Finally, Judi Dench adds a dose of class as Holly’s no-nonsense boss.
It has taken Artemis Fowl nearly 20 years to traverse the route from page to screen and one senses that neither fans nor newcomers will be especially pleased with the end result. Recognizing that the film faced rough seas, Disney postponed the movie’s originally planned August 2019 release to May 2020 then, when the coronavirus made that impossible, the studio elected to shift the film to its Disney+ platform. Although partially a face-saving gesture (Artemis Fowl would likely have had a similar box office reception to Disney’s underwhelming 2018 release, The Nutcracker and the Four Realms), it at least allows the film to find a large audience in a low-pressure situation.
The bottom line seems to be that, while Disney has shown an aptitude for making many different kinds of movies, fantasy epics aren’t among them. This is one genre the Magic Kingdom should perhaps avoid, leaving such properties to studios that have shown better success (such as Warner Brothers). Artemis Fowl could have been the beginning of a movie franchise but, based on the first installment, it’s more likely a one-and-done outing. Disney can't quite get away from the John Carters can they?
THIS FILM IS AN EXCEPTIONAL BOMB
Movie Metropolis (309 KP) rated Life Of Pi (2012) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Ang Lee has directed some very artistic and emotionally charged films in his career and his new movie, Life of Pi is certainly no exception. But can his take on Yann Martel’s 2001 novel of the same name live up to his usual high standards?
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/
Darren (1599 KP) rated Formula 51 (2002) in Movies
Jun 20, 2019
Story: The 51st State starts in 1971 California where Elmo McElroy (Jackson) getting caught smoking weed losing he recently receive diploma in pharmacy. Move forward 30 years Elmo works as a drug maker for The Lizard (Meat Loaf). We learn that Dakota (Mortimer) owes The Lizard a debt which she pays off with her assassin skills. Elmo has taken it upon himself to escape The Lizard but he doesn’t get the job done, this leads to The Lizard giving Dakota a chance to clean her slate for good by sending her to kill Elmo and the drug dealer who never turned up for the deal Durant (Tomlinson).
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
Next we meet Felix DeSouza (Carlyle) a fellow dealer who is happy to live in Manchester while cheering for Liverpool putting him into conflict when he doesn’t need too. Felix has to deliver Elmo to Durant to help with the latest deal as Elmo brings his product to England but to keep things interesting Dakota just so happens to be Felix’s ex make the assassination attempt difficult due to the personal side.
It is up to Felix and Elmo to try and work out a deal in the city before the time runs out with Dakota trying to track down Elmo to for The Lizard. All this while determined detective Kane (Pertwee) want in on the action and to stop the deal taking place. All these factors lead to the final outcome of the film when we find out just who is playing who.
The 51st State is a film that really made me want to switch it off very early because the needless amount of swearing and aggressive toning of the language just seemed to be there because someone couldn’t think of any real words. I wasn’t the most interested in this film because of the heavy drug use either because I feel drugs over use makes people out to stupid because not everyone needs drugs but the films seems to make the point everyone does. After getting through the opening half of the film and getting used the poorly written script the story does unfold to be quite interesting. We get plenty of twists and turn along the way and the final twist does actually make you smile because of how Elmo has handled it all. (5/10)
Actor Review
Samuel L Jackson: Elmo McElroy is the most wanted chemist in the world of drugs, he decides to leave his old market behind and take his work to England where he gets stuck in the middle of a battle for power between the drug lords. Samuel does end up giving us a performance you would expect but his image if something that will shock with his kilt. (7/10)
elmo
Robert Carlyle: Felix DeSouza is the hot head Liverpool fan who works for a drug lord in the city but when things get out of hand he has to help settle the deal for Elmo and his price tickets to Liverpool v Manchester United. Robert gives the performance you would expect from the British star. (7/10)
robert
Emily Mortimer: Dakota Parker is the deadly beautiful assassin who is working off a debt from The Lizard, she has history with Felix but is working on catching Elmo for The Lizard. Emily does a good job as the assassin with a past. (7/10)
dakota
Meat Loaf: The Lizard is the American drug lord that has been double crossed by Elmo but he isn’t taking it lightly when he sends his best assassin to bring him back to complete the business deal they had going down. Meat Loaf does end up giving a performance you wouldn’t expect from the musician. (7/10)
Rhys Ifans: Iki is the local dealer who can help get the deal done in Liverpool once everything gets out of hand. He is playing both sides because he is the go to guy in the city. Rhys is one of the best over the top crazy performers in the acting work and he shows why here. (7/10)
ike
Support Cast: The 51st State has a supporting cast that includes plenty of different characters involved in the drug world that all help motive our characters.
Director Review: Ronny Yu – Ronny does try to give us a crime caper but does he need to just have the characters swearing for the sake of it. (5/10)
Action: The 51st State has a couple of fights but most of the action is almost happening. (5/10)
Crime: The 51st State puts us in a drug world well giving us a mixture of colourful characters. (8/10)
Thriller: The 51st State doesn’t pull you in as much as it should because we think everything is done and dusted early on and by the time it has changed we are not sure what to think. (6/10)
Settings: The 51st State uses the setting of Liverpool very well making everything feel like a normal day with the crime happening around it. (8/10)
Suggestion: The 51st State is one to try, I think if you are a fan of the genre you will enjoy but otherwise it might end up feeling like too much. (Try It)
Best Part: Final deal.
Worst Part: Too much needless aggressive swearing.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: Early on in the credits.
Oscar Chances: No
Budget: $28 Million
Runtime: 1 Hour 33 Minutes
Tagline: In a world of shady characters and dirty deals, this is just business as usual.
Overall: This is a typical over aggressive drug filled film that has a twist that makes it more enjoyable.
https://moviesreview101.com/2015/12/11/the-51st-state-2001/
Gareth von Kallenbach (980 KP) rated Star Trek (2009) in Movies
Aug 14, 2019
With declining attendance at conventions and a dwindling audience for recent films and the last Star Trek series, Enterprise, Paramount was desperate to find a way to breathe new life into their franchise. So they pinned their hopes on director J.J. Abrams. Even with a string of hit movies and television series under his belt, some believed that Abrams was facing an uphill battle in trying to resuscitate Star Trek, with its legions of rabid fans obsessively protective of the series’ 40-plus years of established history.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
While many fans were thrilled with the choice of Abrams, some of the casting choices of its beloved characters were met with doubt and skepticism. Thankfully, the man behind such motion picture hits as “Cloverfield”, “Mission Impossible 3”, and television series LOST, Alias and Fringe, was more than up to the task and has crafted a visually spectacular action film that combines the best of Trek with groundbreaking effects and creative vitality.
Using a script by Robert Orci and Alex Kurtzman, the new film focuses on the early days of the crew, and how young James. T. Kirk (Chris Pine) went from being a joy-riding, bar-fighting hothead into captain of the Enterprise. Kirk is challenged by Captain Christopher Pike (Bruce Greenwood) to live up to the legacy of his father and make something of his life in Starfleet. Despite his cocky attitude, the young man is able to thrive at the academy despite his arrogant behavior and his womanizing ways.
At the same time, a threat has arisen in the form of a Romulan named Nero (Eric Bana), who seeks to cause massive death and destruction in his quest for vengeance. With danger looming, Kirk and his fellow classmates are pressed into action, and thanks to some skillful work from his friend Leonard Mc Coy (Karl Urban), Kirk finds himself onboard the new Federation flagship Enterprise.
En route to their destination, Kirk realizes they are heading into a trap and warns Captain Pike of his concerns. Naturally this does not sit well with some of the seasoned officers, especially Spock (Zachary Quinto), who sees the emotional Kirk as an unwanted reminder of his human half, which he tries to hide at all costs.
Eventually the Enterprise is confronted by Nero and in an impressive sequence of events Kirk and Sulu (John Cho), lead an orbital skydive mission to thwart Nero’s plot. Spock finds himself commanding the ship and he and Kirk, two polar opposites, disagree over a course of action. Citing insurbordination and dereliction, Spock expels Kirk from the ship onto a frigid and dangerous planet. What follows is an amazing and thrilling adventure that culminates in an impressive finale, that proves that Trek has got plenty of life left in it.
While I loved the film, I found that I had to detach myself from my love of classic Trek to fully enjoy it. The film covers changes in established cannon by setting events in an alternate timeline. Despite the different eras of the previous series and films, there was always a certain continuity to the ships, planets, and characters that always seemed to fit, which I found myself missing in this new incarnation.
In Abram’s version, the Enterprise engine room is awash in catwalks, pipes, and valves that seemed out of place on a ship set in the 23rd century. I also found myself asking why such strategically valuable planets such as Earth and Vulcan would not have massive defense fleets in orbit, and would task only a handful of ships for their defense. There was a suggestion, that the ships of the fleet were amassed elsewhere on another matter of importance, but that does not explain what would leave the planets relatively unguarded. Defense codes aside, I found it hard to believe that automated defenses would be all that was left behind, and that reinforcements were not available.
I also had an issue with what Nero was supposedly doing for 25 years and how he kept such a low profile while he plotted his revenge. The final issue I had was with product placement as I found it hard to believe that Nokia and its familiar ringtone and Budweiser would be around as Trek lore is based on the planet narrowly surviving a nuclear war in the past that nearly destroyed everything. While this may seem like minor criticism, from the perspective of a long time Star Trek fan, it contradicts much of what had been established.
Thankfully, Abrams and crew take the series in a new direction without totally losing sight of where it came from. There are many nods to the series and Abrams clearly respects the original material enough to let fans know that their beloved Trek is still there in the original timeline, with its history intact. By cleverly establishing a different timeline, Abrams has creative freedom to go in any direction he desires.
The cast is strong, with Chris Pine’s Kirk as cocky and entertaining as his predecessor. I loved Anton Yelchin as Chekov and his struggles with the English language, Simon Pegg’s quick quips as Scotty, and the sassy attitude Zoe Saldana’s injects into her Uhura. The amazing visuals and designs of the film are breathtaking and it was clear that the Industrial Light & Magic (ILM) crew pushed themselves to bring everything they had to the film. In the end, Star Trek is a remarkable film that, despite some issues, has a solid new lease on life. Abrams boldly, and triumphantly, goes where fans, old and new, will gladly follow.
Gareth von Kallenbach (980 KP) rated The Dark Knight (2008) in Movies
Aug 14, 2019
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
Movie Metropolis (309 KP) rated Big Hero 6 (2014) in Movies
Jun 11, 2019
Genuinely Moving
The Marvel Studios movie train has been non-stop over the last few years, from Iron Man to The Avengers, it shows no signs of slowing. Now though, a take-over by Disney has ensured both studios enter into rather unknown territory.
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
The first film from this collaboration is Big Hero 6, an animated superhero film in the same vein as Pixar’s The Incredibles. But does it reach those dizzying heights?
Big Hero 6 follows Hiro Hamada, a 14-year-old robotics prodigy as he goes about his life in the fictional city of San Fransokyo alongside his brother Tadashi. Hiro has lost his way after a family tragedy and it takes his brother’s robot Baymax to help find himself again.
The story unfortunately is the film’s weakest link, being predictable at best and downright clichéd at its worst. In this respect, Big Hero 6 falls well short of the standards set by the majority of Pixar’s movies.
Thankfully, the visuals are absolutely stunning, a match for Disney’s best, if not quite up to the level of last year’s How to Train YourBig_Hero_6_Poster_2 Dragon 2. The city of San Fransokyo is beautifully realised in sweeping, gloriously colourful shots that show of the animation best when they’re from above.
The characters themselves are rendered in painstaking detail and in particular sequences it becomes difficult to tell the film apart from a live-action feature.
Vocal performances are also very good. Ryan Potter plays Hiro as a vulnerable, pre-pubescent teen who by the end of the film comes to realise just who he is exceptionally well. James Cromwell, Maya Rudolph and Damon Wayans also lend their recognisable voices to people in the film.
However, by far the stand-out is Baymax, a hilariously funny healthcare robot. Disney’s animators should be given plaudits for crafting a character which despite its lack of facial features and emotive tones is so engaging to watch.
Unfortunately, when Baymax evolves into super-Baymax, his characterisation suffers and the funny, caring nature of him is lost somewhat.
The final third of the film delves into generic superhero fodder, but picks up again just before the end credits role with a deeply emotive.
Big Hero 6 also gets increasingly dark the further into the movie you get, the comedic elements get muddled in a plot which isn’t quite sure which way it wants to go and young children may find it a little to scary to stomach.
Thankfully the negatives here are far outweighed by the positives and Big Hero 6 steamrolls itself into a moving finale which leaves itself open for a sequel nicely.
Overall, from stunning visuals to engaging characters, Big Hero 6 continues Disney’s penchant for creating fun and watchable films. Despite a lack of originality, the character of Baymax makes up for most of the other shortcomings and ensures the generic story is genuinely moving.
https://moviemetropolis.net/2015/02/05/genuinely-moving-big-hero-6-review/
Kyera (8 KP) rated City of Glass (The Mortal Instruments, #3) in Books
Jan 31, 2018
City of Glass sent me on an emotional rollercoaster. You know characters are well written when you viscerally feel the emotions that they are experiencing, you connect with them as if they are real people and cannot help but be completed enamoured with the story. Of course, to get this experience you need to follow the characters on their journey from the first book, City of Bones. This is not a book that you could read by itself and fully understand the immersive and expansive world that Cassie has built.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.
BankofMarquis (1832 KP) rated Roman J. Israel, Esq. (2018) in Movies
Feb 23, 2018
Come for Denzel, stay for...well...there isn't much else to stay for
Denzel Washington is one of the finest actors of his generation. A charismatic screen presence, he commands the viewer's attention whether he is performing a comedy, drama or action film. He has won 2 Oscars as a performer and has been nominated for his acting 6 other times - including (rightfully so) for his performance as the titular character in ROMAN J ISRAEL, ESQ.
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
The nerdy birdie (67 KP) rated Providence: A Novel in Books
Jun 30, 2018
Brilliant!
Thank you to Netgalley and Simon & Schuster for allowing me to read an advance copy of "Providence"in exchange for an honest review ❤️??
Let me start off by saying that I was a bit of a "Nervous Nellie" going into this book because "You" by Caroline Kepnes makes my top ten favorite books of all times, and is by far my favorite thriller to date. I am always looking for a thriller novel to compare and while some have come dangerously close, no cigar.
Having said that...I have seen many mixed reviews regarding the topic of this book versus Kepnes's other novels. The subject varies drastically from her other fast-paced, edge-of-your-seat, pulse pounding reads! This is a book about so many things, including : love, turning a curse from something bad into good, how fate intervenes no matter what we would choose for ourselves, and how all of our lives can change in a split second.
When beginning this book I immediately started thinking ----this is definitely NOT the type of book I would ever pick up--I typically do not enjoy any type of science fiction and all things having to do with superpowers just are NOT my thing! I like villains like Harley Quinn and Joker. But...because it was written by one of my favorite authors ---I stuck around and I'm so happy that I did!
I flew through this book! The entire time I found myself rooting for this stolen boy, this monster, the underdog! I have taken away So many quotes ( you can find a few on my goodreads page) such as ..." Being alive is nothing without being able to live." My Dad faces this every single time he heads to the hospital to get his weekly chemo treatment. I can sympathize with Eggs and his illness and Lo reminding to eat, to check this, check that--- I can also see how a relationship based solely on messaging can supersede any other form of love if it's the right person.
Highly highly recommend this book, I don't want to spoil too much-- thank you for opening up my eyes to another genre. It's action meets romance meets science fiction meets superhuman?
To Caroline Kepnes: thank you for calling those delectable things you put on ice cream jimmies and NOT sprinkles, thank you for opening my eyes to the world of H.P. Lovecraft, for using my favorite quote ever by E.E. Cummings in this novel & and for leaving me with an undeniable urge to hit the store for strawberries, fluff, and a cookie scented candle.
Kepnes has a way of reaching out to you as if you are her only reader no matter what the topic may be--- please give this book a shot, she has proved she isn't a one hit wonder and can write about anything she puts her mind to!
I am Providence.
Let me start off by saying that I was a bit of a "Nervous Nellie" going into this book because "You" by Caroline Kepnes makes my top ten favorite books of all times, and is by far my favorite thriller to date. I am always looking for a thriller novel to compare and while some have come dangerously close, no cigar.
Having said that...I have seen many mixed reviews regarding the topic of this book versus Kepnes's other novels. The subject varies drastically from her other fast-paced, edge-of-your-seat, pulse pounding reads! This is a book about so many things, including : love, turning a curse from something bad into good, how fate intervenes no matter what we would choose for ourselves, and how all of our lives can change in a split second.
When beginning this book I immediately started thinking ----this is definitely NOT the type of book I would ever pick up--I typically do not enjoy any type of science fiction and all things having to do with superpowers just are NOT my thing! I like villains like Harley Quinn and Joker. But...because it was written by one of my favorite authors ---I stuck around and I'm so happy that I did!
I flew through this book! The entire time I found myself rooting for this stolen boy, this monster, the underdog! I have taken away So many quotes ( you can find a few on my goodreads page) such as ..." Being alive is nothing without being able to live." My Dad faces this every single time he heads to the hospital to get his weekly chemo treatment. I can sympathize with Eggs and his illness and Lo reminding to eat, to check this, check that--- I can also see how a relationship based solely on messaging can supersede any other form of love if it's the right person.
Highly highly recommend this book, I don't want to spoil too much-- thank you for opening up my eyes to another genre. It's action meets romance meets science fiction meets superhuman?
To Caroline Kepnes: thank you for calling those delectable things you put on ice cream jimmies and NOT sprinkles, thank you for opening my eyes to the world of H.P. Lovecraft, for using my favorite quote ever by E.E. Cummings in this novel & and for leaving me with an undeniable urge to hit the store for strawberries, fluff, and a cookie scented candle.
Kepnes has a way of reaching out to you as if you are her only reader no matter what the topic may be--- please give this book a shot, she has proved she isn't a one hit wonder and can write about anything she puts her mind to!
I am Providence.
Gareth von Kallenbach (980 KP) rated 3 Days To Kill (2014) in Movies
Jun 19, 2019
Ethan, (Kevin Costner) is a man with some serious issues but oddly enough, his life as a spy and heavy hitter is not one of them. Ethan has a reputation for getting the job done and he is brutally efficient in his craft.
When a mission to stop a government purchasing a Dirty Bomb from a mysterious figure known as “The Wolf” goes awry, Ethan finds his life turned upside down when he learns he is on borrowed time due to a previously undiagnosed illness.
Ethan returns to Paris in an attempt to reconnect with his daughter, Zoe (Haillee Steinfeld), and her mother, Ethan comes home to learn that a group of squatters have taken up residence in his apartment, and under French law, nothing can be done to remove them until the spring arrives.
Since Ethan has been gone for five years, his family is less than thrilled to see him as it has been easier to live their lives without him. Undaunted, Ethan continues to try to make up for lost time.
Complications arise when a top level agent named Vivi (Amber Heard), arrives in Paris and attempts to recruit Ethan to identify and eliminate The Wolf when it is learned that there is a window to remove him over the next 72 hours.
Wanting no part of his past life, Ethan is dragged back into the fold by the offer of cash for his daughter and an experimental drug that will extend his life.
Ethan now must walk a deadly path between dangerous people, his former employers, and the largest danger of all, his teenage daughter and her mother.
Based on a story by Luc Besson who also had a hand in writing the script, “3 Days to Kill” is a fresh and fun film despite its flaws. Director Mc G does a good job of keeping the emphasis on Ethan and his family as that is the core of the story. There is action aplenty and some of it does play out in typical Hollywood fashion, but there is a charm to the story that one does normally associate with this type of film.
Costner does a good job of playing Ethan as a world weary man who is simply trying to do the right thing with what time he has left. Scenes where he has to deviate from his deadly profession to deal with teen trauma and domestic issues are funny as they come across as very natural. Ethan is so frustrated by the duality of his life; he even seeks parenting advice from suspects he is interrogating.
While parts of the film may drag out and some of the plot points stretch credibility, the winning cast makes the film worth seeing and I for one was pleasantly surprised by the film as you may be if you are willing to look past some of the flaws.
http://sknr.net/2014/02/20/3-days-to-kill/
When a mission to stop a government purchasing a Dirty Bomb from a mysterious figure known as “The Wolf” goes awry, Ethan finds his life turned upside down when he learns he is on borrowed time due to a previously undiagnosed illness.
Ethan returns to Paris in an attempt to reconnect with his daughter, Zoe (Haillee Steinfeld), and her mother, Ethan comes home to learn that a group of squatters have taken up residence in his apartment, and under French law, nothing can be done to remove them until the spring arrives.
Since Ethan has been gone for five years, his family is less than thrilled to see him as it has been easier to live their lives without him. Undaunted, Ethan continues to try to make up for lost time.
Complications arise when a top level agent named Vivi (Amber Heard), arrives in Paris and attempts to recruit Ethan to identify and eliminate The Wolf when it is learned that there is a window to remove him over the next 72 hours.
Wanting no part of his past life, Ethan is dragged back into the fold by the offer of cash for his daughter and an experimental drug that will extend his life.
Ethan now must walk a deadly path between dangerous people, his former employers, and the largest danger of all, his teenage daughter and her mother.
Based on a story by Luc Besson who also had a hand in writing the script, “3 Days to Kill” is a fresh and fun film despite its flaws. Director Mc G does a good job of keeping the emphasis on Ethan and his family as that is the core of the story. There is action aplenty and some of it does play out in typical Hollywood fashion, but there is a charm to the story that one does normally associate with this type of film.
Costner does a good job of playing Ethan as a world weary man who is simply trying to do the right thing with what time he has left. Scenes where he has to deviate from his deadly profession to deal with teen trauma and domestic issues are funny as they come across as very natural. Ethan is so frustrated by the duality of his life; he even seeks parenting advice from suspects he is interrogating.
While parts of the film may drag out and some of the plot points stretch credibility, the winning cast makes the film worth seeing and I for one was pleasantly surprised by the film as you may be if you are willing to look past some of the flaws.
http://sknr.net/2014/02/20/3-days-to-kill/