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Shifting Into High Gear: One Man's Grave Diagnosis and the Epic Bike Ride That Taught Him What Matters
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Shifting Into High Gear charts the course of Kyle Bryant's transformation as he journeys on a...
Treasure, Darkly
7.0
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Seventeen-year-old Clark Treasure assumes the drink he stole off the captain is absinthe… until...
Walking Dead: The Game
Games and Entertainment
App
**NOTE: Compatible with iPad 2 and up, and iPhone 4 and up - WILL NOT RUN ON EARLIER DEVICES** ...
iScout Basketball
Sports
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"The app has exceeded our expectations ... the data capture is great ... so easy, good reports. In...
All Blacks Official
Sports and News
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Welcome to the Official All Blacks App for iOS. An App fit for the Rugby World Champions that brings...
Kyera (8 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 31, 2018
Batman: Nightwalker gives us an origin story for the Caped Crusader that we didn't know we needed - even if it doesn't feel like the dark, gritty Batman we know from the Dark Knight or the comics. Bruce is an eighteen-year-old boy who is still trying to figure out who he is in a world where his parents were murdered when he was a child and he has just come into their vast fortune. He struggles to figure out how to live up to his parents' legacy and finds himself in a dangerous situation.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
Darren (1599 KP) rated Peter Rabbit (2018) in Movies
Nov 29, 2019
Verdict: Poor Film
Story: Peter Rabbit starts as we see how Peter Rabbit and his family and friends had a battle with old Mr McGregor (Neill) after they continued to steal from his garden, until he passes away. The next-door neighbour Bea (Byrne) does try to keep them safe the best she can.
When Thomas McGregor (Gleeson) moves into the house with plans to sell it, which sees the war coming back for Peter and his family, this time it might become deadlier.
Thoughts on Peter Rabbit
Characters – Peter Rabbit is the mischievous little rabbit that always gets his siblings into trouble as they always seem to terrorise the McGregor family, that does seem to be the only thing he does each day, making him out to be a horrible little rabbit. Thomas McGregor is a completely by the book toy store employee wanting to get to management, when he loses his job, he ends up following in his uncle footsteps, getting into a battle with the rabbits. Bea is the nice neighbour that has always tried to look after the animals, loves nature and is an artist.
Performances – Domhnall Gleeson is great along with Rose Byrne are the two main live action stars that both work well with how they act towards the animals. Most of the voice acting is mixed, with the three sisters working well, but James Corden not suiting the character.
Story – The story follows the adventures of Peter Rabbit against the McGregor’s, which just seems to keep escalating. The story is strange because it doesn’t make Peter likeable at all, he just seems to annoy McGregor and never do anything else, surely there would have been another food supply for him. Most of the story revolves around pop culture jokes, which have dated quickly, but by the end the story just becomes boring more than anything else.
Adventure/Comedy – The adventure is just the troubles Peter gets himself in, we don’t seem to go any further, while the comedy is a miss already.
Settings – The film keeps the action in the country, which does seem to have only show how close the war between the two was.
Animation – The animated animals looks solid for the most part, but some of the moments seem weird.
Scene of the Movie – Harrods break down.
That Moment That Annoyed Me – Peter Rabbit.
Final Thoughts – This is a big disappointment because the characters used are loveable for the most part, while this movie just makes them horrible.
Overall: Boring.
Story: Peter Rabbit starts as we see how Peter Rabbit and his family and friends had a battle with old Mr McGregor (Neill) after they continued to steal from his garden, until he passes away. The next-door neighbour Bea (Byrne) does try to keep them safe the best she can.
When Thomas McGregor (Gleeson) moves into the house with plans to sell it, which sees the war coming back for Peter and his family, this time it might become deadlier.
Thoughts on Peter Rabbit
Characters – Peter Rabbit is the mischievous little rabbit that always gets his siblings into trouble as they always seem to terrorise the McGregor family, that does seem to be the only thing he does each day, making him out to be a horrible little rabbit. Thomas McGregor is a completely by the book toy store employee wanting to get to management, when he loses his job, he ends up following in his uncle footsteps, getting into a battle with the rabbits. Bea is the nice neighbour that has always tried to look after the animals, loves nature and is an artist.
Performances – Domhnall Gleeson is great along with Rose Byrne are the two main live action stars that both work well with how they act towards the animals. Most of the voice acting is mixed, with the three sisters working well, but James Corden not suiting the character.
Story – The story follows the adventures of Peter Rabbit against the McGregor’s, which just seems to keep escalating. The story is strange because it doesn’t make Peter likeable at all, he just seems to annoy McGregor and never do anything else, surely there would have been another food supply for him. Most of the story revolves around pop culture jokes, which have dated quickly, but by the end the story just becomes boring more than anything else.
Adventure/Comedy – The adventure is just the troubles Peter gets himself in, we don’t seem to go any further, while the comedy is a miss already.
Settings – The film keeps the action in the country, which does seem to have only show how close the war between the two was.
Animation – The animated animals looks solid for the most part, but some of the moments seem weird.
Scene of the Movie – Harrods break down.
That Moment That Annoyed Me – Peter Rabbit.
Final Thoughts – This is a big disappointment because the characters used are loveable for the most part, while this movie just makes them horrible.
Overall: Boring.
JT (287 KP) rated Dredd (2012) in Movies
Mar 10, 2020
From the opening slow motion bullet to the face and exit wound that leaves a spray of deep red across the screen, it’s clear to see that this Dredd reboot is all about eradicating the memory of Stallone. It also does its best to stay true to the graphic novels in which this Judge Dredd leaves his helmet on for the entirety.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Gareth von Kallenbach (980 KP) rated Greenland (2020) in Movies
Dec 17, 2020
John Garrity (Gerard Butler) is a man trying to put his life in order. Despite being a successful structural engineer; he has recently moved back home with his wife Allison (Morena Baccarin), and their son Nathan (Roger Dale Floyd).
John and Allison are attempting to rebuild their marriage and despite some awkwardness at first they are moving ahead. In the new film “Greenland” life is about to become far more complicated for the Garrity family in the form of a comet that is set to pass very close to earth.
The authorities have told the public there is no cause for concern but John notices a large group of military aircraft in the skies shortly before he receives an automated call from Homeland Security telling him to come to an evacuation location with his wife and son.
Not sure what to make of the message; things become abundantly clear when a “harmless fragment” strikes and destroys a city on live television.
With panic setting in the Garrity family head to the evacuation site only to face complications which leave them separated and facing many dangers and obstacles as they attempt to reunite and get to safety before the big chunk hits in two days.
The film is very engaging and what really stood out for me was how the film relied on the cast versus an array of special effects and action sequences which are so common for films in the disaster genre.
Despite the circumstances the characters were very relatable and the tension of the pending impact helped shape their actions instead of being a countdown to an elaborate array of FX sequences showing cities being devastated. While there is footage of this sort; it is generally confined to news reports versus being the focal points.
Butler was very strong in a departure from his usual action oriented parts as a father trying to make things right in a world that is falling apart around him. It was also nice to hear him using his natural accent for a change as well.
While some may wonder about the timing of releasing a disaster film at the end of 2020 and during the Holiday Season the film is so engaging that it did not matter to me in the slightest.
“Greenland” is a film that came in under the radar in terms of hype and expectation but has delivered an enjoyable and memorable viewing experience that is not to be missed.
John and Allison are attempting to rebuild their marriage and despite some awkwardness at first they are moving ahead. In the new film “Greenland” life is about to become far more complicated for the Garrity family in the form of a comet that is set to pass very close to earth.
The authorities have told the public there is no cause for concern but John notices a large group of military aircraft in the skies shortly before he receives an automated call from Homeland Security telling him to come to an evacuation location with his wife and son.
Not sure what to make of the message; things become abundantly clear when a “harmless fragment” strikes and destroys a city on live television.
With panic setting in the Garrity family head to the evacuation site only to face complications which leave them separated and facing many dangers and obstacles as they attempt to reunite and get to safety before the big chunk hits in two days.
The film is very engaging and what really stood out for me was how the film relied on the cast versus an array of special effects and action sequences which are so common for films in the disaster genre.
Despite the circumstances the characters were very relatable and the tension of the pending impact helped shape their actions instead of being a countdown to an elaborate array of FX sequences showing cities being devastated. While there is footage of this sort; it is generally confined to news reports versus being the focal points.
Butler was very strong in a departure from his usual action oriented parts as a father trying to make things right in a world that is falling apart around him. It was also nice to hear him using his natural accent for a change as well.
While some may wonder about the timing of releasing a disaster film at the end of 2020 and during the Holiday Season the film is so engaging that it did not matter to me in the slightest.
“Greenland” is a film that came in under the radar in terms of hype and expectation but has delivered an enjoyable and memorable viewing experience that is not to be missed.
