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Uptown Oracle (24 KP) rated No Ordinary Star in Books
Jun 30, 2017
Decent book - but too short and lacks action
I first wanted to read No Ordinary Star because I was promised a big library within its pages. I wasn't disappointed. Although, it took a while to get to the Library. In 2524, books are 'weapons' due to the ideas that can be got from them. The new world has no need for new ideas. Plus,women and children aren't allowed to learn how to read or write. There's strict governance on who is in charge and superior within this world.
Although the book was short, it was packed full of information about this new future world. The new world was so strange yet extensive. There were so many advancements in medicine and lifestyle. You don't need to drink, eat or sleep because you can live off small tablets. Scientists create and genetically modify children. The government has removed music, art and love from humanity. There was the issue that no action was taken within the book - it will probably be within the next book that the pace is picked up.
This future brings up so many discussion points and thoughts when reading. Are all these advancements moral? Is this the right thing to do? There's separation of men and women, as men treat women as an inferior species. This book just makes you think so much about what you actually want for the future.
This book also brings up so many questions plot wise. Some questions were answered by the end, such as who is the 'fairy girl' in the first chapters? Other questions, such as why is the Clock so important will hopefully be answered in future installments? I'm excited to read the next book to see how it evolves!
Although the book was short, it was packed full of information about this new future world. The new world was so strange yet extensive. There were so many advancements in medicine and lifestyle. You don't need to drink, eat or sleep because you can live off small tablets. Scientists create and genetically modify children. The government has removed music, art and love from humanity. There was the issue that no action was taken within the book - it will probably be within the next book that the pace is picked up.
This future brings up so many discussion points and thoughts when reading. Are all these advancements moral? Is this the right thing to do? There's separation of men and women, as men treat women as an inferior species. This book just makes you think so much about what you actually want for the future.
This book also brings up so many questions plot wise. Some questions were answered by the end, such as who is the 'fairy girl' in the first chapters? Other questions, such as why is the Clock so important will hopefully be answered in future installments? I'm excited to read the next book to see how it evolves!
LeftSideCut (3776 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 20, 2019
A pretty solid sequel
Contains spoilers, click to show
The first Maleficent is a film that could quite easily be a one and done type deal. It doesn't particularly need a sequel, but diving back into this world is huge heaps of fun.
The narrative is a little faffy to begin with, as it establishes the story, introducing us to new characters, and re-introducing us to others.
But once it gets going, it easily manages to re capture everything that was good about the first film.
Angelina Jolie, Elle Fanning, and Sam Riley are Greta as they were before, and newer characters played by the likes of Warwick Davis, Ed Skrein, Robert Lindsay, and Chiwetel Ejiofor all have their place and fit alongside everyone else nicely.
Michelle Pfeiffer is also a fun villain , starting off as a thorn in the side and evolving into full mad queen by the end.
The expiration of the larger world surrounding Maleficent is a nice route to take for the most part. There are some pacing issues around the mid section, and sometimes it feels like Maleficent is sidelined in favour of other it strands.
These are minor annoyances though, as the film heads towards it's hugely entertaining finale.
The third act is fantastic. The action is thrilling, the visuals are stunning, and the stakes actually feel quite high. It plays out at times like a PG version of The Red Wedding!
The CGI throughout is top quality, and much like the first, the various settings seen throughout feel fully realised and vivid.
Mistress of Evil is a sequel that perhaps didn't need to happen, but I'm glad that it did, and the two films together stand head and shoulders above any other live action adaption that Disney have put out in recent years.
The narrative is a little faffy to begin with, as it establishes the story, introducing us to new characters, and re-introducing us to others.
But once it gets going, it easily manages to re capture everything that was good about the first film.
Angelina Jolie, Elle Fanning, and Sam Riley are Greta as they were before, and newer characters played by the likes of Warwick Davis, Ed Skrein, Robert Lindsay, and Chiwetel Ejiofor all have their place and fit alongside everyone else nicely.
Michelle Pfeiffer is also a fun villain , starting off as a thorn in the side and evolving into full mad queen by the end.
The expiration of the larger world surrounding Maleficent is a nice route to take for the most part. There are some pacing issues around the mid section, and sometimes it feels like Maleficent is sidelined in favour of other it strands.
These are minor annoyances though, as the film heads towards it's hugely entertaining finale.
The third act is fantastic. The action is thrilling, the visuals are stunning, and the stakes actually feel quite high. It plays out at times like a PG version of The Red Wedding!
The CGI throughout is top quality, and much like the first, the various settings seen throughout feel fully realised and vivid.
Mistress of Evil is a sequel that perhaps didn't need to happen, but I'm glad that it did, and the two films together stand head and shoulders above any other live action adaption that Disney have put out in recent years.
Rob P (30 KP) rated Dog Soldiers (2002) in Movies
Jan 23, 2019
Great British cast (3 more)
Black/dark humour throughout
Great one liners
One of the last films I remember to use makeup, costumes, and what looks like actual sausages for special effects and gore.
There is no Spoon
Contains spoilers, click to show
This is just one of those films from my youth that will never look back on with anything but pure joy.
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob
Phil Leader (619 KP) rated The Nightlife: New York (The Nightlife #1) in Books
Nov 21, 2019
When Aaron sees a beautiful woman being shaken down by two corrupt cops on the streets of New York he steps in to try to help her. But Michelle does not need his help and is well able to deal with the police. However in the fracas Aaron is accidentally shot and fatally wounded. Michelle feels guilty and feels she has to save his life the only way she can - by turning him into what she is. A vampire.
Michelle teaches Aaron about his superhuman powers and how he has to live now but there is trouble brewing as Aaron comes to terms with his new life, the control Michelle has over him and letting go his old existence, the two corrupt police officers are determined to track Michelle down and make her pay.
Along the way there is plenty of sex. Vampires have always been sexy and the recent romantic resurgence of vampires has only emphasised this. Luedke takes this one step further. Vampire bites induce sexual arousal in their victims and Michelle teaches Aaron to use this with care, except when they are together when they are able to withstand each other's bites.
It would have been easy for the sex scenes to overwhelm the book but Luedke manages to keep everything as an integral part of the plot which evolves neatly throughout the course of the book as the various plot strands come together.
There are some terrific action scenes too with the vampires' hightened abilities resulting in some sequences that reminded me of The Matrix complete with 'bullet time'.
So if you want your vampires sexy and powerful and your stories thrilling and full of action this is the story for you.
Rated: Scenes of sex and violence. Frequent swearing.
Michelle teaches Aaron about his superhuman powers and how he has to live now but there is trouble brewing as Aaron comes to terms with his new life, the control Michelle has over him and letting go his old existence, the two corrupt police officers are determined to track Michelle down and make her pay.
Along the way there is plenty of sex. Vampires have always been sexy and the recent romantic resurgence of vampires has only emphasised this. Luedke takes this one step further. Vampire bites induce sexual arousal in their victims and Michelle teaches Aaron to use this with care, except when they are together when they are able to withstand each other's bites.
It would have been easy for the sex scenes to overwhelm the book but Luedke manages to keep everything as an integral part of the plot which evolves neatly throughout the course of the book as the various plot strands come together.
There are some terrific action scenes too with the vampires' hightened abilities resulting in some sequences that reminded me of The Matrix complete with 'bullet time'.
So if you want your vampires sexy and powerful and your stories thrilling and full of action this is the story for you.
Rated: Scenes of sex and violence. Frequent swearing.
JT (287 KP) rated Beverly Hills Cop (1984) in Movies
Mar 10, 2020
Strange to think that if things had been different Sly Stallone could have taken the role of Axel Foley in Beverly Hills Cop, thankfully he didn’t! As much as I am a fan of Stallone he wouldn’t have had the charisma to pull off this role with the wise-cracking appeal that Eddie Murphy had.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
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Experience Puzzle Fighter action like never before. Assemble a team of legendary characters from...