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Lucy Buglass (45 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Jun 20, 2019
Dark comedy at its finest
This review discusses dark topics such as death and suicide. Reader discretion advised.
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Getting comedy right is difficult enough, let alone trying to do it with sensitive topics. But Dead In A Week (or your money back) hits the nail on the head. After several failed suicide attempts, William (Aneurin Barnard) signs a contract with veteran assassin Leslie (Tom Wilkinson), who promises he’ll be dead within the week. This simple concept results in 1 hour and 30 mins of pure entertainment.
Though explicit in the way it discusses suicide, there is a reason for this. Right from the start, William is positioned as an incredibly depressed, isolated failed writer, who is struggling to see the point in living. He is very open about this fact, and spends a lot of time planning ways he could do it, accompanied by a darkly funny montage of the ways he’s tried. He is a troubled character that you can’t help but feel sorry for.
What makes this film even more interesting is the way it makes you sympathise with both target and killer. Leslie is trying his best to avoid retirement, and sees William as an answer to his prayers. If he kills him, he’ll fill his quota, and all will be well. This creates a paradox where you want both men to succeed, but you know that’s impossible.
William changes his mind about the contract when a publisher takes interest in his novel, and he begins to fall in love with Ellie (Freya Mavor), the assistant who called him regarding his latest story. This encounter comes with some rather frank and heartwarming messages about life, reminding us how precious life can be if you give it a chance.
Of course, the film doesn’t just end there. After William’s 360, Leslie is having none of it, and for the rest of the film we see this young writer trying to outrun a seasoned assassin. Leslie’s boss Harvey (Christopher Eccleston) is hot on his tail as well, tired of giving the old man too many chances. It’s a classic tale of a failed assassin, flipped entirely on its head.
Filled with some brilliant twists and turns, the script is formulaic yet hugely entertaining, with some laugh out loud moments throughout. It will certainly appeal to those who like their humour a little darker, with its use of comedic timing and deadpan delivery. It addresses so much in a short space of time, adding depth where needed.
Leslie’s wife Penny (Marion Bailey) adds her own comic relief to the situation, with a delightful satire on middle-class culture. Whilst her husband is trying to keep a dangerous job he loves so much, she’s more concerned about beating her church rivals in a cushion competition. The parallels between the couple are simultaneously heartwarming and awkward, and I enjoyed the way they bounced off each other throughout.
This was a thoroughly enjoyable film, with some unexpectedly touching moments. I really connected with certain characters and loathed others, allowing me to become fully invested in the film. The encounter between these two men should have ended one way, but the two embark on a journey that changes their lives for the better. Underneath all the humour comes an understanding of mental health issues, and sympathy for those who struggle.
This was Tom Edmund’s feature length debut, after directing a few short films. It’s an impressive first film with good pacing, solid characters, and a well-polished look throughout. It was an ambitious first feature length, but it certainly delivered.
https://lucygoestohollywood.com/2019/05/06/dark-comedy-at-its-finest-my-thoughts-on-dead-in-a-week-or-your-money-back/
Suswatibasu (1703 KP) rated A Life of My Own: A Biographer's Life in Books
Nov 29, 2017
A stunning memoir of a life well lived
A biographer's autobiography makes for fascinating reading. Claire Tomalin attempts to recount the past 84 years of her life to the best of her ability, revealing tragic losses without self-pity, and an enduring spirit.
From an unstable childhood, moving from place to place during the war, with her family living across several countries, to having an unstable marriage. She describes her unusual relationship with her first husband, the renowned journalist Nick Tomalin, who was killed while covering the Yom Kippur war in 1973. His constant fleeting from his family to other women, and abusive behaviour is dark and quite a difficult read. In this instance, Tomalin appears to be stuck in a pattern of staying with her abuser for the sake of her children, a common occurrence in the 1960's. In between the chaos of her life, she loses a baby only one month old and has another who is permanently disabled.
In the same way, the dark, inexplicable suicide of her youngest daughter is laid bare, but out of it comes a change of direction of life dimension as Claire's vocation as a literary biographer floods in to fill the gap. These are, ironically, the most touching and well-written scenes. Through her own writings of women such as Mary Wollstonecraft, and Charles Dickens' affair with Ellen Ternan, we see Tomalin's own creativity and resilience. She copes because she must, and because she can.
The literary name dropping is everywhere because it is woven into the huge patchwork quilt of her long life. The candour of her resentment for the Murdoch empire is matched by the awe and admiration she has for Harold Evans and her mother.
One of the final scenes, in which she describes her father's great grandchildren dancing unknowingly on the bed, where he himself lay dead in his coffin only hours before, encapsulates the spirit of this beautiful book. A truly wonderful look into her life.
From an unstable childhood, moving from place to place during the war, with her family living across several countries, to having an unstable marriage. She describes her unusual relationship with her first husband, the renowned journalist Nick Tomalin, who was killed while covering the Yom Kippur war in 1973. His constant fleeting from his family to other women, and abusive behaviour is dark and quite a difficult read. In this instance, Tomalin appears to be stuck in a pattern of staying with her abuser for the sake of her children, a common occurrence in the 1960's. In between the chaos of her life, she loses a baby only one month old and has another who is permanently disabled.
In the same way, the dark, inexplicable suicide of her youngest daughter is laid bare, but out of it comes a change of direction of life dimension as Claire's vocation as a literary biographer floods in to fill the gap. These are, ironically, the most touching and well-written scenes. Through her own writings of women such as Mary Wollstonecraft, and Charles Dickens' affair with Ellen Ternan, we see Tomalin's own creativity and resilience. She copes because she must, and because she can.
The literary name dropping is everywhere because it is woven into the huge patchwork quilt of her long life. The candour of her resentment for the Murdoch empire is matched by the awe and admiration she has for Harold Evans and her mother.
One of the final scenes, in which she describes her father's great grandchildren dancing unknowingly on the bed, where he himself lay dead in his coffin only hours before, encapsulates the spirit of this beautiful book. A truly wonderful look into her life.
Whatchareadin (174 KP) rated The Guest Room in Books
Apr 9, 2019
Richard and his younger brother, Philip could not be more different. Even so, Richard decides to use his home for his brother's bachelor party. Knowing how Philip and his friends are, he expects that this will be a wild party, but out of respect for his wife and child, he hopes it doesn't get too terribly wild. So when two strippers show up with their two bodyguards(apparently they're supposed to keep the men in check)this does not alarm Richard. What does alarm him though, is how young they look and the things Philip are doing with them even with the bodyguards present. When the girl, named Sonja jabs a knife into the neck of one of the bodyguards, all of the men are in total disbelief. Even more shocking are the two gunshots heard after. Sonja along with the other stripper/dancer/call girl, Alexandra, make their escape in the truck they arrived in. Richard is left with two dead men in the middle of his living room and a lot of explaining to do to his wife, Kristen.
The Guest Room will have you quickly turning pages to determine what is going to happen next. Told from two perspectives, third person narrative giving us the story as it unfolds through each character and first person narrative, told by Alexandra in which she tells her entire life story including the fateful night where her life changed forever.
I have read two of Chris Bohjalian's books previously. I was first introduced to his writing through a book club selection of Midwives. After that I added all of his books to by TBR. So far, this has been my favorite, but I'm just a juvenile in reading his books. This book had me go through a whole host of emotions. At the end, I cried. This is an amazing book that everyone will enjoy. One of the best books I have read this year.
The Guest Room will have you quickly turning pages to determine what is going to happen next. Told from two perspectives, third person narrative giving us the story as it unfolds through each character and first person narrative, told by Alexandra in which she tells her entire life story including the fateful night where her life changed forever.
I have read two of Chris Bohjalian's books previously. I was first introduced to his writing through a book club selection of Midwives. After that I added all of his books to by TBR. So far, this has been my favorite, but I'm just a juvenile in reading his books. This book had me go through a whole host of emotions. At the end, I cried. This is an amazing book that everyone will enjoy. One of the best books I have read this year.
Janeeny (200 KP) rated Hazel and Holly in Books
May 9, 2019
I received and ARC of this book from Netgalley in return for an honest review
Holly and Hazel are two Witch sisters living in an idyllic little community called the Grove where Witches and Warlocks practice elemental magic.
However Hazel is unsettled in their comfortable little lives, as their estranged father has turned to the dark magic of Necromancy and trapped their dead mothers soul.
Hazel needs to muster all the strength she can, both magical and emotional to travel outside the safety of their little community to find their father and free their mother. With a little help from her sister Holly, a couple of Warlock brothers and a Cellar Gnome, of course.
This was a really enjoyable read, Hazel and Holly were both very well thought out characters that you couldnt help getting involved in their adventure. At one point whilst doing some housework I actually found myself thinking I wonder how Holly and Hazel are getting on? So I was definitely engaged. So it came as no surprise to me, whilst reading the authors notes, to learn that this was originally a flash fiction story that the author then expanded and serialised on her blog. Its that style of writing, that feeling of anticipation you get for the next part of the book that I feel keeps the reader engaged and wanting to read more.
Unfortunately Ash and Willow (Holly and Hazels parents) werent really substantial enough for my liking, despite the fact that the whole story revolves around the acts of these two characters there wasnt a lot of depth in them. However this doesnt detract from the story as Hazel and Holly (and also Hemlock and Hawthorn the two warlock brothers) are big enough characters in their own right to carry the story.
There is a promise of potentially more to come from these Sisters, I look forward to it.
Holly and Hazel are two Witch sisters living in an idyllic little community called the Grove where Witches and Warlocks practice elemental magic.
However Hazel is unsettled in their comfortable little lives, as their estranged father has turned to the dark magic of Necromancy and trapped their dead mothers soul.
Hazel needs to muster all the strength she can, both magical and emotional to travel outside the safety of their little community to find their father and free their mother. With a little help from her sister Holly, a couple of Warlock brothers and a Cellar Gnome, of course.
This was a really enjoyable read, Hazel and Holly were both very well thought out characters that you couldnt help getting involved in their adventure. At one point whilst doing some housework I actually found myself thinking I wonder how Holly and Hazel are getting on? So I was definitely engaged. So it came as no surprise to me, whilst reading the authors notes, to learn that this was originally a flash fiction story that the author then expanded and serialised on her blog. Its that style of writing, that feeling of anticipation you get for the next part of the book that I feel keeps the reader engaged and wanting to read more.
Unfortunately Ash and Willow (Holly and Hazels parents) werent really substantial enough for my liking, despite the fact that the whole story revolves around the acts of these two characters there wasnt a lot of depth in them. However this doesnt detract from the story as Hazel and Holly (and also Hemlock and Hawthorn the two warlock brothers) are big enough characters in their own right to carry the story.
There is a promise of potentially more to come from these Sisters, I look forward to it.
Mark @ Carstairs Considers (2434 KP) rated Steamed Open in Books
Dec 24, 2018
Closing a Beach Leaves Everyone Steamed
Lou Herrickson, a beloved member of the Busman's Harbor community, has recently died. Lou has left everything to her late husband's grandnephew, Bart Frick. That includes the mansion where she lived and the lighthouse and beach connected to it. Lou had always left the beach open to the public, but the first thing Bart does is fence off the beach. The locals who make a living by clamming are the first to discover this when they arrive to start their morning of work, and that's when Julia Snowden becomes concerned. Her family uses clams harvested from this beach in the Snowden Family clambake. Hoping to resolve things faster than a court challenge will allow, Julia goes to talk to Bart the next morning only to find him closed to reopening the beach. A few hours later, Bart is dead. The suspects range from those impacted to by closing of the beach to any potential heirs to a couple obsessed with lighthouses. Can Julia help find the killer?
I absolutely love this series, and this is another excellent entry. The mystery is strong with several competing suspects and motives to keep us from seeing the truth until Julia figures it out. A couple of sub-plots carry over from the previous book, and I liked how they were woven into the main mystery. No, you don't have to have read the previous book to understand what happens here, but it certainly helps. The characters are strong, with layers to them that unfold as the book progresses. This makes the characters introduced here more complex than in many of the series I read, and I love them more for it. We also learned a bit more about a series regular here, and I loved that added insight. There are four recipes for you to enjoy once you've finished the book, two featuring clams and two baked goods.
I absolutely love this series, and this is another excellent entry. The mystery is strong with several competing suspects and motives to keep us from seeing the truth until Julia figures it out. A couple of sub-plots carry over from the previous book, and I liked how they were woven into the main mystery. No, you don't have to have read the previous book to understand what happens here, but it certainly helps. The characters are strong, with layers to them that unfold as the book progresses. This makes the characters introduced here more complex than in many of the series I read, and I love them more for it. We also learned a bit more about a series regular here, and I loved that added insight. There are four recipes for you to enjoy once you've finished the book, two featuring clams and two baked goods.
ClareR (5996 KP) rated The Witch Elm: A Novel in Books
Oct 16, 2019 (Updated Oct 16, 2019)
A psychological thriller that had me guessing along with the main character!
After a night out with his friends in Dublin, Toby Hennessy walks home alone and goes to bed. He’s woken up in the early hours by two men burgling his flat and when he confronts them, they attack him viciously and leave him for dead. He doesn’t die, and after a long period of time in hospital, he returns to his flat, clearly suffering from PTSD and a brain injury. Luckily for him (but not so lucky for his uncle) his uncle, Hugo, is diagnosed with terminal brain cancer. So Toby and his girlfriend Melissa move in to help keep him company, and ultimately to care for him.
They’re a close family, who meet every Sunday for dinner, and Toby and his cousins Leon and Susanna spent every summer at their Uncles house, living pretty much unchecked - every teenagers dream.
This idyllic life is brought abruptly to an end when a skeleton is found inside the trunk of one of the Wych elms in the back garden. It’s complicated further by the fact that Toby’s head injury from the burglary means that his memories are ropey, to say the least.
I really liked this book: I liked the slow build up and learning about the family and the relationship between the cousins. As for the skeleton, well that mystery had me guessing right up to the end.
Incidentally, this is sold as ‘The Wych Elm’ in the UK - ‘Wych’ is an alternative spelling in old English of ‘witch’, and it also means pliant or supple. The words ‘wicker’ and ‘weak’ come from this word too (yes, I looked it up, and this will join all of the terribly interesting, yet relatively useless, information that accumulates in my head 🤷🏼♀️).
This is my first Tana French novel, and based on this book, it won’t be my last.
Many thanks to NetGalley and Penguin for my copy of this book.
They’re a close family, who meet every Sunday for dinner, and Toby and his cousins Leon and Susanna spent every summer at their Uncles house, living pretty much unchecked - every teenagers dream.
This idyllic life is brought abruptly to an end when a skeleton is found inside the trunk of one of the Wych elms in the back garden. It’s complicated further by the fact that Toby’s head injury from the burglary means that his memories are ropey, to say the least.
I really liked this book: I liked the slow build up and learning about the family and the relationship between the cousins. As for the skeleton, well that mystery had me guessing right up to the end.
Incidentally, this is sold as ‘The Wych Elm’ in the UK - ‘Wych’ is an alternative spelling in old English of ‘witch’, and it also means pliant or supple. The words ‘wicker’ and ‘weak’ come from this word too (yes, I looked it up, and this will join all of the terribly interesting, yet relatively useless, information that accumulates in my head 🤷🏼♀️).
This is my first Tana French novel, and based on this book, it won’t be my last.
Many thanks to NetGalley and Penguin for my copy of this book.
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