Search
Movie Metropolis (309 KP) rated Coco (2017) in Movies
Jun 10, 2019
Has pixar got it's mojo back?
Pixar has been on something of a downward trend of late, and that’s something I never thought I’d say. As much as it hurts, films like Cars 3, Finding Dory and The Good Dinosaur just don’t cut the mustard when compared to some of the studio’s greats.
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Hazel (1853 KP) rated The Wolf Road in Books
Dec 14, 2018
3.5 Stars
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
<i>I received this book for free through Goodreads First Reads.</i>
“Any lie can turn into the truth if you believe it long enough.” <i>The Wolf Road</i> is the debut literary thriller by British author Beth Lewis. The post-apocalyptic world is not a very safe place to be, especially for a seven year old during a fierce and dangerous storm. Lost in the woods, a young girl comes across a man who, after naming her Elka, gives her a place to stay for the next ten years of her life. During this time he teaches her how to trap animals, use hunting knives and move silently between the trees – all the vital things needed to survive in the wild. For a long time Elka views this man as a father figure, but on discovering that her beloved Daddy is a serial killer, she realizes she has been living a life of lies.
Desperate to get away from the horrifying realization, Elka runs off deep into the forest with only a hunting knife and the clothes on her back. With nowhere to go, she decides to try and find her birth parents, but although she can easily survive in the wild, she is completely unprepared for the human world. With a childlike innocence, Elka finds herself in trouble on numerous occasions, only feeling at ease once she is back in the woods living the life of wolves. However she soon realizes that she will never be safe no matter how far she travels – not until that murderer is dead himself.
Once you get used to Elka’s colourful dialect, the gripping narrative pulls us into a world with danger around every corner. Elka’s revelation at the beginning of the book seems like a small issue compared with all the trouble she finds herself in later on. The reader will sympathize with Elka as she discovers the evils of man, and admire her strength as well as the development of a conscience after meeting and making her first ever friend. But whilst Elka learns how to walk amongst humans, there is a foreboding sense of doom as evilness keeps her within its sights.
<i>The Wolf Road</i> is a great post-apocalyptic story with a strong protagonist. At times it takes on a similar theme to a western novel, with guns, gold mining, and violence; but it is essentially a thriller built up of lies that are gradually unpicked. There is no psychological element to the book, thus nothing to try and work out for yourself. You simply need to read and discover what happens. As a result this book is the kind you will either love or hate. Some people may find it disturbing or gruesome, whereas others may find it exciting and enjoy reading about the unique main character.
Personally I think <i>The Wolf Road</i> is a great, original piece of work, and it only loses stars because I found a few parts a bit too grisly. Beth Lewis writes well and it cannot have been easy to keep the dialect up for the entire novel. This is an author who definitely has promise for the future.
Hazel (1853 KP) rated The Screaming Staircase: Lockwood & Co. #1 in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Acanthea Grimscythe (300 KP) rated Insidious: Chapter 2 (2013) in Movies
May 12, 2018
For every bit that I enjoyed Insidious, Insidious: Chapter 2 is a complete snoozefest. Harsh, I know, but the sequel takes a path that’s far too common, and does it dreadfully so. It’s redeeming quality comes in the way it weaves into past events, hinting at time running in a completely different way in the Further. It’s an interesting notion, but can it really be called a haunting with what we learn?
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
Character wise, Wilson does a far better portrayal of Josh/Not Josh and, almost as if my complaints were heard (which I know they weren’t), the kids are actually passed off and their disappearance form the film for many scenes thus explained.
The plot of this second installment deals with saving Josh. At the end of Insidious, we learn that it’s not Josh that came back from the Further in his body. Naturally, given that an entity from beyond has taken up habitation in his meat suit, the ghastly things that terrify his family follow them to their new house (or technically, old house since it’s Josh’s childhood home). Thus the goal of this movie is to save Josh (though this reverse damsel-in-distress is fairly amusing).
In Insidious: Chapter 2 we get to see the fun part of a ghost story – because this one is actually a ghost, rather than a demon. The Bride in Black, y’know the ghostly thing that Josh encounters in the first film, has a pretty interesting story behind her and much of this film is centered around discovering that… at a crawl. Worse, there’s not a whole bunch of originality in her, which is where I’ll leave it in order to avoid spoilers.
Once again, it’s the Further that seems to bother me most. We only get glimpses of it and we know next to nothing of it, aside from the fact that time is not linear. I do have to commend the writers for the whole dead body inside living body means the decaying of the latter, because that’s a neat thing that I expect to see in possessions. There’s just not anything that stands out about this film, though, and for me that’s a disappointment.
Phillip McSween (751 KP) rated Toy Story (1995) in Movies
Jan 22, 2018
Classic
Toy Story's magic amazingly manages to hold decades after its 1995 release. Woody (Tom Hanks), a toy cowboy, is used to being king of the roost in owner Andy's home. When a shiny new toy shows up by the name of Buzz Lightyear (Tim Allen), Buzz and Woody have to figure out a way to coexist in Andy's room.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
While the movie largely revolves around the big characters of Buzz and Woody, Toy Story would be nothing without the rest of its fun and lovable crew. My personal favorite was Rex (Wallace Shawn) a T-Rex scared of disappointing any and everyone. His numerous moments of distress keep the comedy level ramped up. He is the antithesis of a film that stresses living in the now as he is always worried about what's going to happen next.
It's an adventure that takes you all over the place while breaking animation barriers in the process. You'll explore an exciting world through the eyes of tiny toys where everything is much bigger. From racing through Pizza Planet and escaping "The Claw" (Ohhhhhhh) to harrowing escapes from attack dogs and evil neighbor kids, you're never bored from one moment to the next. Seriously, what's not to like?
There are so many classic scenes, it's hard to keep track. One scene in particular saw Woody trying to communicate with the other toys from neighbor Sid's window. He's trying to prove that Buzz is still alive but only has Buzz's arm. All hell breaks loose when the other toys realize the truth. The scene is less than two minutes, but easily one of the most memorable.
I saw this film for the first time when I was eleven and the message was lost on me then. Years later, it's staring me dead in the face: It's about not trying to be something you aren't but rather focusing on being the best YOU you can be. It's a magical film that takes us back to a time before video games were everything. The first of one of the best trilogies ever done, I give it a solid 98.
Kyera (8 KP) rated The Call (The Call #1) in Books
Feb 1, 2018
Be prepared for a dark ride that will hit you with every emotion. The book starts off a little slow as it lays the groundwork for a riveting and horrifying novel. Once you are introduced to the various characters and the world they find themselves in, the book becomes a really quick read. This book takes place in Ireland, but the island is separated from the rest of the world. Thousands of years ago, the Irish people banished the Sidhe (fairies) to another world and now they're back for their revenge. The people are trapped and their teens are being taken. The Call lasts for 3 minutes and 4 seconds in our world, but they have to survive a day in Sidhe. Most don't. Those that do usually aren't the same, either physically, mentally, or both. When they reappear after those 3 minutes, they're likely dead and quite horribly mutilated. The Sidhe enjoy twisting and bending their prey into new shapes as a form of amusement. Dark.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Sidhe is beautifully, yet horrifically depicted in the book as a place of nightmarish terrors, distorted humanity and deadly Sidhe (fairies). Humans are twisted and shaped into grotesque beings just as depraved as their creators. The landscape is no more forgiving with acid pits and razor folliage. While well represented, I wouldn't recommend this novel to younger teen readers because its pretty dark. Despite that, you're drawn into the book and just <i>need</i> to know what's going to happen.
One comment I have is that the main characters, Anto, Connor, Nessa, Megan, etc don't read like they're 14 years old and that's how old they're supposed to be. Perhaps it's living in this strange new word where you know you can be called at any moment and likely lose your life which might age you prematurely, but I kept being surprised when I was reminded of their ages. They definitely act older than they are, perhaps 16-18 years of age.
I really enjoyed this book because it wasn't like anything I've read before. Highly recommended for (older) young adult/teen readers who like fantasy, great world-building and don't expect everyone to have a happy ending.
Kyera (8 KP) rated A Darker Shade of Magic in Books
Feb 1, 2018
The first book set up the idea of the different Londons: magic-less grey London, vibrant red London, starving and desperate white London, and decimated, dead black London. Each built upon a foundation of London but developed in completely different fashions. Their cultures, religion, speech, manner and being is so unique in each world.
It was a really intriguing way to build the world and immediately fascinated me. Good world building is so important to books because it is immersive, it pulls you in and makes you forget that its not real. You are living the story with the characters. She even created languages that were utilized by characters from different places, from the magic language of the Antari to the flowing words or harsh tones of the neighboring lands. It shows a passion for authenticity and true love of what she has created.
I love the characters. Rhy with his charm always brightens the room (or a scene). Lila is cunning, ruthless, ambitious and a thief. She doesn't need anyone and she would never admit to needing anything. She takes or does what she wants, no matter the cost with no regrets. She is tough as nails and her grit is inspiring. Her first instinct is to protect herself above all.
Many people may not agree with me, but Lila was probably my least favourite of our main characters. She was smart and tough, but a little too ruthless for my taste. Kell was the character that I liked/related to the most, even though he was a powerful magic user he seemed the most down to earth.
Not only does she introduce us to unique main characters, but she brilliantly gives depths to those in the background. There are some supporting characters that at times I liked even more than some of our leads.
Overall the story is more of a slow-burn/build rather than quick action packed scenes. I think that it worked really well for this story and have no complaints. Highly recommended to young adult/teen readers who enjoy fantasy or magic books with characters that have very diverse personalities/outlooks on life and great world-building.
It was a really intriguing way to build the world and immediately fascinated me. Good world building is so important to books because it is immersive, it pulls you in and makes you forget that its not real. You are living the story with the characters. She even created languages that were utilized by characters from different places, from the magic language of the Antari to the flowing words or harsh tones of the neighboring lands. It shows a passion for authenticity and true love of what she has created.
I love the characters. Rhy with his charm always brightens the room (or a scene). Lila is cunning, ruthless, ambitious and a thief. She doesn't need anyone and she would never admit to needing anything. She takes or does what she wants, no matter the cost with no regrets. She is tough as nails and her grit is inspiring. Her first instinct is to protect herself above all.
Many people may not agree with me, but Lila was probably my least favourite of our main characters. She was smart and tough, but a little too ruthless for my taste. Kell was the character that I liked/related to the most, even though he was a powerful magic user he seemed the most down to earth.
Not only does she introduce us to unique main characters, but she brilliantly gives depths to those in the background. There are some supporting characters that at times I liked even more than some of our leads.
Overall the story is more of a slow-burn/build rather than quick action packed scenes. I think that it worked really well for this story and have no complaints. Highly recommended to young adult/teen readers who enjoy fantasy or magic books with characters that have very diverse personalities/outlooks on life and great world-building.
Lindsay (1706 KP) rated The Castle Tower Lighthouse (Edgar Font's Hunt for a House to Haunt, #1) in Books
Feb 15, 2018
The way I found this book was I had return a book and was looking some books to read. I was that bored. I was scanning my library Children section. I found this in the the there. I picked it up and read the back of the cover. I was interest the by reading the back of the cover that wanted to start reading it as soon as i got home. I did just that by checking it out. Now my thought on this books...
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
Lindsay (1706 KP) rated The Castle Tower Lighthouse (Edgar Font's Hunt for a House to Haunt, #1) in Books
Aug 30, 2018
The way I found this book was I had return a book and was looking some books to read. I was that bored. I was scanning my library Children section. I found this in the the there. I picked it up and read the back of the cover. I was interest the by reading the back of the cover that wanted to start reading it as soon as i got home. I did just that by checking it out. Now my thought on this books...
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
The story starts out by having Audrey and Garret complaint they are bored and they are living with their uncle and aunt. They thinks there Grandpa Edgar is old and boring to be with him all summer. Audrey and Garret do not know what is in story for them when they arrive at Retirement home Edgar Font is staying at.
Edgar Font take this two grandchildren for an adventures though out the book. Their first adventure is at a Castle. Edgar Font see is grandchildren as unadventurous. His answer is to this is to drive them in adventure and make them go though this summer plans.
Edgar Font introduce them to all kinds of ghosts, and outlines their journey, while Edgar is not dead yet. He wants to find a place to live out eternity. Though Audrey and Garret are skeptical in the beginning, They come around be the end of the book----all in the span of a day.
It's a fascinating read, much more fluid than "wandering around the house and picking up clues" might suggest. The character are fleshed out for all age ranges, we learn a little bit more about each character in future installments, as they learn more about themselves. We do not get told where the next adventure is, but there's a photograph marked, "Exploring the site for Adventure Two" in the back, and an arrow showing that it's "just over yonder".
This book can have you guessing along with Audrey and Garret and Edgar Font to solve the Mystery as well. Great for young readers ages 9 and up. I strongly recommend it.
Mark @ Carstairs Considers (2099 KP) rated The Deep End in Books
Aug 14, 2019
I’m glad I Jumped into this Series
Ellison Russell is devoted to her teenage daughter, Grace, and her art. She and her husband are still living together, but that is only because they have decided to wait to get divorced until Grace is out of the house. Part of Ellison’s routine is a swim at dawn in the country club’s pool. On this particular June morning in 1974, she swims into a dead body in the pool. Worse yet, when the police arrive and pull the body out of the pool, she recognizes the victim as Madeline Harper, her husband’s mistress. Ellison knows that she makes a pretty compelling suspect in the woman’s murder, as does her husband. She knows she is innocent and she believes that her husband may be an adulterer, but he isn’t a killer. However, the fact that he’s suddenly left town for parts unknown doesn’t make him appear innocent. Can Ellison figure out what really happened to Madeline?
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.