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Janeeny (200 KP) rated The Constant Rabbit in Books
Jul 10, 2020
I was given an ARC of this book in exchange for an honest review.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
Lowen Ashleigh's life is basically falling apart. She's a broke writer who hasn't left her home in days, maybe weeks. Her mom had been living with her while sick with colon cancer, including hospice for the last three months. Now Lowen's mom has passed away, and Lowen is emerging back into the real world--financially broke and somewhat emotionally broken. Her agent calls her to a meeting, where she's asked to ghost write the final books in a series for the popular author Verity Crawford. Verity--who has been seriously injured in a car wreck--is unable to complete her books, and her husband, Jeremy, wants to hire Lowen. Lowen needs the money, so she agrees. She also finds Jeremy attractive and interesting, and she arrives at the Crawford home to go through Verity's office and manuscripts. There she finds an unfinished autobiography of Verity's--one that sheds light on how her twin daughters passed away, her relationship with Jeremy, and more. Lowen finds its chapters horrifying and hides it, but as her feelings for Jeremy grow, she wonders if he should see its contents. And she wonders if Verity is as truly injured as she seems.
"I'm not looking for my fifteen minutes of fame. I'm looking for a paycheck."
So I've never read anything by Colleen Hoover, but so many of my Goodreads friends were raving about this romantic thriller. When I saw that I could read it via Kindle Unlimited, I jumped at the chance. It was definitely an interesting read and one that really picked up in the second half. It's a different sort of tale, too, which made it a refreshing read. Be prepared for a dark story--Verity and Jeremy have lost both of their young twin daughters, and now Verity is injured as well. Verity's autobiography is not light reading, and overall, the story is a creepy, bleak tale.
"I think Verity might have made up the term. After our daughters died, she said we were Chronics. Prone to chronic tragedy. One terrible thing after another."
When Lowen comes to the Crawford home, she picks up on some of this eerie energy that permeates the book. However, Hoover makes sure that we know that Lowen is an unreliable narrator as well. She's a sleepwalker, often so tired that she herself isn't sure if she's sure of what she's seeing or hallucinating from exhaustion. As a reader, we aren't sure who to trust. It makes for an engaging story, where you are never sure what (or who) to believe.
"My mother used to say that houses have a soul, and if that is true, the soul of Verity Crawford's house is as dark as they come."
Overall, I'm not sure I can rave about this one quite as much as some reviews I've read, but I did enjoy it. It's a quick read, it's ominous and spooky, and there are some great dramatic twists and turns. The ending makes up for a lot, so I would certainly say it's worth a read. I know that a lot of Hoover's books are not quite like this one, but I still look forward to reading some of her other books.
"I'm not looking for my fifteen minutes of fame. I'm looking for a paycheck."
So I've never read anything by Colleen Hoover, but so many of my Goodreads friends were raving about this romantic thriller. When I saw that I could read it via Kindle Unlimited, I jumped at the chance. It was definitely an interesting read and one that really picked up in the second half. It's a different sort of tale, too, which made it a refreshing read. Be prepared for a dark story--Verity and Jeremy have lost both of their young twin daughters, and now Verity is injured as well. Verity's autobiography is not light reading, and overall, the story is a creepy, bleak tale.
"I think Verity might have made up the term. After our daughters died, she said we were Chronics. Prone to chronic tragedy. One terrible thing after another."
When Lowen comes to the Crawford home, she picks up on some of this eerie energy that permeates the book. However, Hoover makes sure that we know that Lowen is an unreliable narrator as well. She's a sleepwalker, often so tired that she herself isn't sure if she's sure of what she's seeing or hallucinating from exhaustion. As a reader, we aren't sure who to trust. It makes for an engaging story, where you are never sure what (or who) to believe.
"My mother used to say that houses have a soul, and if that is true, the soul of Verity Crawford's house is as dark as they come."
Overall, I'm not sure I can rave about this one quite as much as some reviews I've read, but I did enjoy it. It's a quick read, it's ominous and spooky, and there are some great dramatic twists and turns. The ending makes up for a lot, so I would certainly say it's worth a read. I know that a lot of Hoover's books are not quite like this one, but I still look forward to reading some of her other books.
Emma @ The Movies (1786 KP) rated Second Act (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Second Act is what I'm going to call a proper romcom, despite the fact that romance isn't actually that prominent in the story. Jennifer Lopez has the knack of this sort of film, she never seems to age either so I'm hoping that we can get a lot more of these on our screens over the next few years.
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
There's no doubt for me that Lopez is a master in this category of film, she probably has several of the top ten slots, so apart from saying that she was yet again a great leading lady I don't want to bombard you with all the reasons why. What I do want to do is talk about how some of the supporting actors nailed their roles.
Leah Remini as Maya's best friend Joan... yeeeeeees. I can totally identify with Joan, the performance that Remini gives is so entertaining. The swearing, the jeans button, just everything. She's the comic relief, and I know that sounds odd to say about someone in a comedy film but I just mean that you know you're going to get something great from her character.
Dave Foley gets the line of the movie though... "Coxswain my ass." His delivery is perfect and you can guarantee great return for him if you give him one liners like that.
Despite loving this romcom it is a little light on the rom. One of the only notes I made about the romance angle was the fact that I didn't really understand how that whole part of the film played out. I don't think it's really a spoiler to say that they're together, some stuff happens and then they break up... after all that's basically what you'd expect from a romcom. In this genre's world, woman make terrible choices, go out and do things for themselves and then realise what a terrible mistake they've made somewhere along the line. (I may be living in a romcom... I don't want to think about it.) Second Act sticks to that premise really well but I think that it's actually more to do with the rest of her life than the romance side which really just feels like it's there to be able to kick start the rest of the story.
If you love classics like Maid In Manhattan and When Harry Met Sally I honestly think you'll enjoy this, there's something very nostalgic about it that sets it apart from modern attempts at the genre.
(On a separate note, if anyone fancies some crazy dancing to Salt-N-Pepa's Push It please let me know.)
What you should do
This is perfect girls' night out fodder. It's a very enjoyable watch and something a little more light hearted in this bleak January schedule.
Movie thing you wish you could take home
The dress that Maya wears to her interview at F&C is incredible. One of those please!
"The only thing stopping you is you." - This is something I think we should probably all take home from this film
BankofMarquis (1832 KP) rated Terminator: Dark Fate (2019) in Movies
Nov 6, 2019
Good (enough) conclusion to the Franchise
After a few attempts at resurrecting this franchise, James Cameron has (wisely) decided to bury the franchise with one last TERMINATOR film starring the original Terminator himself, Arnold Schwarzenegger. TERMINATOR: DARK FATE is a direct sequel to T2: JUDGEMENT DAY (or so says Producer/Writer Cameron) as it ignores the 3rd and 4th movies in this series (as well as the television show THE SARAH CONNOR CHRONICLES).
And that is a wise move as it simplifies things and just lets us get on to what a Terminator movie does best - fantastic action sequences, state of the art CGI, a killer robot that will stop at nothing to accomplish it's mission, and a plucky hero or 2 to battle said killer robot.
Oh...did I mention that they recruit a Terminator to help them stop the Terminator?
And it all works well...enough. Set in this year (2019), TERMINATOR: DARK FATE tells the tale of what happens next after Sarah and John Connor stopped Judgement Day in the 2nd Terminator film. A deadly - even more dangerous - Terminator (version 9!) returns to 2019 to kill a single woman (Natalie Reyes). This time she is helped by an augmented human from the future (Mackenzie Davis) and...Sarah Connor! Returning to this film, all buffed up and aging, is a craggy voiced Linda Hamilton as Sarah, who brings an adequate amount of world-weary, "been there, done that" attitude to the proceedings that pretty much carry the first half of the film.
And...just as the film was beginning to sag in the middle, along comes Arnold.
Playing an aging Terminator (which is explained, well enough, in the plot), Arnold plays the Terminator (who has been living with humans for over 20 years) with a wink in his eye and a sense of humor about him. Yep...this is a Terminator with a funny bone. And - I'll be darned - it works! Thanks to the performance of Mr. Schwarzenegger. He knows exactly what kind of film he is in and brings the right amount of energy, muscle and humor to the proceedings. He pretty much carries this film on his broad shoulders for the 2nd half - and he carries it with ease.
Credit Director Tim Miller (DEADPOOL) for keeping things light, simple and moving along crisply. He, too, understands the type of film he is making (and the audience that will go see this type of film) so he keeps the dialogue light and snappy, the plot at it's simplest and the action as high as he can go - blowing things up at a moment's notice. It's not sublte art by any stretch of the imagination, but it is art - in a way - and art that he does well.
If this is the last Terminator film (and I hope it is), then it is going out on a high (enough) note. I was surprisingly entertained (and not preached to) and, I think that is all I could have hoped for in a Terminator flick.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is a wise move as it simplifies things and just lets us get on to what a Terminator movie does best - fantastic action sequences, state of the art CGI, a killer robot that will stop at nothing to accomplish it's mission, and a plucky hero or 2 to battle said killer robot.
Oh...did I mention that they recruit a Terminator to help them stop the Terminator?
And it all works well...enough. Set in this year (2019), TERMINATOR: DARK FATE tells the tale of what happens next after Sarah and John Connor stopped Judgement Day in the 2nd Terminator film. A deadly - even more dangerous - Terminator (version 9!) returns to 2019 to kill a single woman (Natalie Reyes). This time she is helped by an augmented human from the future (Mackenzie Davis) and...Sarah Connor! Returning to this film, all buffed up and aging, is a craggy voiced Linda Hamilton as Sarah, who brings an adequate amount of world-weary, "been there, done that" attitude to the proceedings that pretty much carry the first half of the film.
And...just as the film was beginning to sag in the middle, along comes Arnold.
Playing an aging Terminator (which is explained, well enough, in the plot), Arnold plays the Terminator (who has been living with humans for over 20 years) with a wink in his eye and a sense of humor about him. Yep...this is a Terminator with a funny bone. And - I'll be darned - it works! Thanks to the performance of Mr. Schwarzenegger. He knows exactly what kind of film he is in and brings the right amount of energy, muscle and humor to the proceedings. He pretty much carries this film on his broad shoulders for the 2nd half - and he carries it with ease.
Credit Director Tim Miller (DEADPOOL) for keeping things light, simple and moving along crisply. He, too, understands the type of film he is making (and the audience that will go see this type of film) so he keeps the dialogue light and snappy, the plot at it's simplest and the action as high as he can go - blowing things up at a moment's notice. It's not sublte art by any stretch of the imagination, but it is art - in a way - and art that he does well.
If this is the last Terminator film (and I hope it is), then it is going out on a high (enough) note. I was surprisingly entertained (and not preached to) and, I think that is all I could have hoped for in a Terminator flick.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Mark @ Carstairs Considers (2200 KP) rated Murder from Scratch in Books
Apr 11, 2019
Sally Must Look Closely to Find a Killer
Sally Solari gets the news from her father that her distant cousin Jackie has died of a drug overdose. While Sally is sad, she and Jackie weren’t close – in fact, they hadn’t spoken in years and she hadn’t met Evelyn, Jackie’s twenty-year-old daughter, who happens to be blind. Evelyn was still living with her mom, and she can’t face trying to live in the house alone right away, so she winds up moving into Sally’s spare room for a little while. The two women hit it off, and are soon plotting home cooked meals and plans for Evelyn’s twenty-first birthday.
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
A stop by Evelyn’s house to pick up a few things she needs bring some surprises to light. Things are out of place. Since Evelyn is blind, she and her mother kept everything in the same spot so that Evelyn could always find what she is looking for without needing help. Evelyn suspects this means someone else was in the house when her mom died. The police have ruled it a suicide by drug overdose, but is Evelyn right? If so, can Sally see the clues to find the killer?
There is a solid mystery here with several viable suspects. I did feel the pacing was a bit off, but I loved how Sally pieced things together and how the climax played out. Sally’s group of family and friends is wonderful, and a couple of sub plots allow us to see more of them. The book is set in the beginning of December; while it doesn’t have a lot of Christmas spirit, there is some, and it adds a fun touch to the book. The standout character here is Evelyn. Through her, we get a look at modern life for a person who is blind, and I found that fascinating. We get five recipes at the end, and they sound delicious if a bit ambitious for this lazy bachelor to attempt to make. (Not that I ever make any of the recipes in the culinary cozies I read.)
Cyn Armistead (14 KP) rated Charmed (Ghost Hunters, #0.5; Winston Brothers, #2) in Books
Mar 1, 2018
I picked up this book to read just one of the four novellas, "Pandora's Bottle" by Eileen Wilks, because I've enjoyed her Lupi books. Honestly, it was the weakest of the four. (Seriously—why would a djinn's magic be tied in any way to Halloween?)
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
Ordinarily, I would have moved on to another book right away. <i>Charmed</i> is very clearly a romance anthology, and I'm not a romance fan.
On the other hand, I was doing something involving a lot of waiting, and <i>Charmed</i> happened to be the book that was in my hands. I decided to try something new for me, so I read the other stories and tried to judge them <b>as</b> romance stories. Failing that, I tried to at least be less annoyed at the standard romance "stuff" (look, it's almost 5am and I do not know where my thesaurus is).
So—Jayne Castle's "Bridal Jitters" was set in a world I'd like to know more about. The relationship barrier was a bit contrived, but at least it was relatively fresh (to me).
Julie Beard's "Man in the Mirror" started with a handicap: I detest all those modern-person-goes-back-to-good-old-days stories, <b>especially</b> the romances. She saved the tale from total suckage by turning things around a bit.
Finally, "Tangled Dreams" by Lori Foster is our obligatory ghost story. The ghosts are the good people here, and they're matchmaking merrily while trying to warn the living occupant of their house that all is not well. From her prose, I have to wonder if Ms. Foster really thinks that the scenes she describes are "kinky" to most people? There's nothing to get your harness in a knot over, though, just a little light bondage.
So the volume wasn't torturous, and it did provide me with some distraction. Changing my attitude almost certainly helped me enjoy these stories a bit more. I don't think I'm likely to start seeking out romances, but with so much "paranormal romance" all over the shelves, I should probably get used to having somebody's romance in my fantasy.
BookwormMama14 (18 KP) rated The Captain's Daughter in Books
Jan 2, 2019
I grew up with a deep (DEEP) appreciation for theatre. I have been in several productions personally. And musicals are my lifeblood (my hubby and I are going to see Phantom of the Opera in a couple weeks). So you can imagine my surprise when I discovered that not only is this book set in one of the most fascinating time periods, (Queen Victoria was pretty amazing! Check out the new Masterpiece Series from BBC
"Victoria" Yes, I know they over dramatized some aspects in this...But it is still AMAZING...and Jenna Coleman...'nough said.) but that we also get an exclusive behind-the-scenes look at the life of the theatre in 1873. An era where an occupation on the stage was heavily frowned upon. Not to mention that the operettas written by Gilbert & Sullivan are the productions we find in The Captain's Daughter. I had the opportunity to see Pirates of Penzance, oh my lands! I adore it! By the way, for all my love of the theatre, I had NO idea why it is called "the lime light". If you don't know either, you can find out more on Wikipedia.
Falsely accused, Rosalyn finds herself in London. Without a penny to her name she makes her way to the very theatre that Nate is working at(you will understand the significance of this when you read the book). Both Nate and Rosalyn must make peace with the past in order to move on. As Nate tries to earn forgiveness for his mistakes, he learns that forgiveness can not be earned. Our Heavenly Father gives it freely. All we have to do is ask.
Swept into the sea of romance, song, lights, costumes, and scandal...I found myself dancing through the pages (or at least swaying) as the anticipation builds for the ending that I was HOPING would play out a certain way. Forgiveness, true love, and living the life that God has called you to live are the main themes that struck my heart.
I received a complimentary copy of The Captain's Daughter from Bethany House Publishers through the Litfuse Tour. I was not required to write a positive review. All opinions expressed are mine alone.
"Victoria" Yes, I know they over dramatized some aspects in this...But it is still AMAZING...and Jenna Coleman...'nough said.) but that we also get an exclusive behind-the-scenes look at the life of the theatre in 1873. An era where an occupation on the stage was heavily frowned upon. Not to mention that the operettas written by Gilbert & Sullivan are the productions we find in The Captain's Daughter. I had the opportunity to see Pirates of Penzance, oh my lands! I adore it! By the way, for all my love of the theatre, I had NO idea why it is called "the lime light". If you don't know either, you can find out more on Wikipedia.
Falsely accused, Rosalyn finds herself in London. Without a penny to her name she makes her way to the very theatre that Nate is working at(you will understand the significance of this when you read the book). Both Nate and Rosalyn must make peace with the past in order to move on. As Nate tries to earn forgiveness for his mistakes, he learns that forgiveness can not be earned. Our Heavenly Father gives it freely. All we have to do is ask.
Swept into the sea of romance, song, lights, costumes, and scandal...I found myself dancing through the pages (or at least swaying) as the anticipation builds for the ending that I was HOPING would play out a certain way. Forgiveness, true love, and living the life that God has called you to live are the main themes that struck my heart.
I received a complimentary copy of The Captain's Daughter from Bethany House Publishers through the Litfuse Tour. I was not required to write a positive review. All opinions expressed are mine alone.
Born a Crime: Stories from a South African Childhood
9.2
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The compelling, inspiring, (often comic) coming-of-age story of Trevor Noah, set during the twilight...