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BookwormMama14 (18 KP) rated High As the Heavens in Books
Jan 2, 2019
Kate Breslin's new book is FINALLY here! I have been waiting for this day since the moment I finished Not by Sight. And I am so excited to share my review with you. Filled with raw emotion that will grip your heart, this is not a light read, but it is an AMAZING story!
"How in the midst of all this sorrow"...Can hope possibly be found?*
Kate's books continue to elicit emotions in me that I have rarely felt on such an excruciating level. Set in Belgium during WWI we live through the memories of our heroine. We walk with her through the heartache, the pain, the suffering, but also the joy. Evelyn Marche has seen her fair share of evil and sorrows, but as a nurse she is able to bring peace and comfort to those who are also suffering. Through her work, she is making a difference in more people's lives than she knows. I don't want to say TOO much about Eve's story, because I want you to read it! Be warned though...I was not even half way through and I thought I was going to puke, cry, and throw the book across the room.** THAT is how powerful Kate's words are. There were many times of laugh out loud moments, but this is a book set in a WAR ZONE.
While in the middle of reading this book, I had the opportunity to hear a WWII survivor speak. (I know, I know...different war...but a hero is a hero.) Her name is Marthe Cohn, she is 97 years old. Marthe is a French Jew who served as a spy in Nazi Germany during WWII. She was a nurse. She is a HERO. There are SO MANY PARALLELS to Eve in Marthe's story that it was kind of weird. Marthe was instrumental in bringing about the end of the war. I share this with you because I want to honor those who have served...in any war. Those who would risk their lives daily so that my family may live in peace. The heros who, without them, things could have ended so very different.
Evelyn is a strong and powerful representation of the many women who served in WWI. The heroes who cared for the wounded. The heroes that changed history one day at a time. Eve's independent spirit and tenacity has been an asset throughout the war. But living in "survival mode" can wear a person down. Will she continue fighting in her own strength or will she open her heart to God, and allow Him to carry her burdens? Although I have not seen the same horrors that Evelyn (and Marthe) were faced with, I hope that in the midst of chaos I will stand strong, be a light and do what I can to make the world a better place. To bring hope to those who have none.
*Quotation is from the song Days in the Sun found on the 2017 release of Disney's Beauty and the Beast.
** No books were harmed during the process of reading this book and writing the review.
I received a complimentary copy of High as the Heavens from Bethany House Publishers I was not required to write a positive review. All opinions expressed are mine alone.
"How in the midst of all this sorrow"...Can hope possibly be found?*
Kate's books continue to elicit emotions in me that I have rarely felt on such an excruciating level. Set in Belgium during WWI we live through the memories of our heroine. We walk with her through the heartache, the pain, the suffering, but also the joy. Evelyn Marche has seen her fair share of evil and sorrows, but as a nurse she is able to bring peace and comfort to those who are also suffering. Through her work, she is making a difference in more people's lives than she knows. I don't want to say TOO much about Eve's story, because I want you to read it! Be warned though...I was not even half way through and I thought I was going to puke, cry, and throw the book across the room.** THAT is how powerful Kate's words are. There were many times of laugh out loud moments, but this is a book set in a WAR ZONE.
While in the middle of reading this book, I had the opportunity to hear a WWII survivor speak. (I know, I know...different war...but a hero is a hero.) Her name is Marthe Cohn, she is 97 years old. Marthe is a French Jew who served as a spy in Nazi Germany during WWII. She was a nurse. She is a HERO. There are SO MANY PARALLELS to Eve in Marthe's story that it was kind of weird. Marthe was instrumental in bringing about the end of the war. I share this with you because I want to honor those who have served...in any war. Those who would risk their lives daily so that my family may live in peace. The heros who, without them, things could have ended so very different.
Evelyn is a strong and powerful representation of the many women who served in WWI. The heroes who cared for the wounded. The heroes that changed history one day at a time. Eve's independent spirit and tenacity has been an asset throughout the war. But living in "survival mode" can wear a person down. Will she continue fighting in her own strength or will she open her heart to God, and allow Him to carry her burdens? Although I have not seen the same horrors that Evelyn (and Marthe) were faced with, I hope that in the midst of chaos I will stand strong, be a light and do what I can to make the world a better place. To bring hope to those who have none.
*Quotation is from the song Days in the Sun found on the 2017 release of Disney's Beauty and the Beast.
** No books were harmed during the process of reading this book and writing the review.
I received a complimentary copy of High as the Heavens from Bethany House Publishers I was not required to write a positive review. All opinions expressed are mine alone.
Genesis
Sebastiao Salgado and Lella Salgado
Book
Human (and) nature. Epic journeys to the ends of the earth: Salgado's opus on our planet in its...
Kristy H (1252 KP) rated That Summer in Books
May 27, 2021
A touching and insightful look into the power of the past
On the surface, Daisy Shoemaker has the perfect life: a doting lawyer husband, a loving daughter, and her own cooking business. But underneath, she's full of doubts. Her husband is distant, her teenage daughter resentful, and her business--just something to keep her "occupied." Daisy's been receiving emails lately, meant for another woman named Diana, Daisy's given name. This Diana, a business consultant, seems glamorous and wealthy. When Diana invites Daisy to lunch, she impulsively says yes. But as the two form a friendship, Daisy starts to wonder if their connection was purely accidental. What exactly does Diana want from Daisy?
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
Lee (2222 KP) rated Rose: A Love Story (2020) in Movies
Oct 14, 2020
Married couple Sam (Matt Stokoe) and Rose (Sophie Rundle) are living a quiet, simple life in a remote woodland farmhouse. While Rose spends her days indoors, tapping out a novel on a typewriter, Sam is out in the peaceful, snow-covered woods, setting traps and hunting animals. But, right from the outset, it’s clear that this is anything but a relaxing couples retreat.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
Hazel (1853 KP) rated Mr. Deathmask in Books
Oct 1, 2017
Slightly sadistic
This book was sent to me by the author in exchange for an honest review.
A satanic cult, an angel, a ghost, and lots of murder, Mr. Deathmask is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, Mr. Deathmask becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
Mr. Deathmask is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned Mr. Deathmask as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
A satanic cult, an angel, a ghost, and lots of murder, Mr. Deathmask is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, Mr. Deathmask becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
Mr. Deathmask is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned Mr. Deathmask as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
Hazel (1853 KP) rated Mr. Deathmask in Books
Dec 7, 2018
<I>This book was sent to me by the author in exchange for an honest review.</I>
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
A satanic cult, an angel, a ghost, and lots of murder,<I> Mr. Deathmask</I> is a novel like none other. Horror-novelist Lee McGeorge has created a character that blurs the lines between good and evil. Members of a satanic cult in the heart of London are slowly being killed off one-by-one by a mysterious figure going by the name of Mr Deathmask. The murders shock the community, not only in their brutality but because the worshippers of the “one true Lord” should not be able to be harmed by another living being.
Mr Deathmask, so named for collecting the death masks of his victims, is a man with superhuman strength who is believed to be a “son of light”, i.e. an angel. Accompanied by a ghost of a girl, Magdalena, he plans to seek out and destroy the satanic cult before they can raise the son of the devil.
To begin with, it is not easy to differentiate between the good and the bad. On one side is the anonymous murderer, and the other, the perverted and barbaric sect with unearthly powers. But once innocent lives get tangled up in the violent fiasco, it is clear whom the readers are expected to root for.
Hiding behind the façade of doctors and other professionals in the public sector, the cult easily preys on vulnerable people, resorting to sickening methods to satisfy their abominable desires. Difficult as it is to read about these vile deeds, <i>Mr. Deathmask</i> becomes gripping, the race is on to prevent unnecessary death and get revenge for something that happened centuries ago.
<i>Mr. Deathmask</i> is not for the delicate-minded individual due to its violent and sexual nature. Plenty of expletives and foul terminology make up the narrative, which, although is to be expected in this nature of novel, is not the easiest story to stomach.
Unlike previous books with heavy themes or social connotations, Lee McGeorge has penned <i>Mr. Deathmask</i> as a form of entertainment rather than to challenge morals and judgement of his readers. However, it still has its fair share of shock tactics to keep the story going. It will certainly entertain fans of the author and the genre.
Chris Sawin (602 KP) rated JCVD (Van Dammage) (2008) in Movies
Jun 20, 2019 (Updated Jun 22, 2019)
Jean-Claude Van Damme has pretty much always been known as a cliche action movie star. He's known for his skills in various different types of martial arts and if you haven't seen any of his films, you can pretty much figure out what they're heavy on (and more than likely light on) considering his talents. Along comes JCVD, a film that tells the story of what it's like to be a washed up action star. Between his money problems and his ongoing custody battle for his daughter with his ex-wife, Van Damme has a full plate. So he decides to travel to Belgium, his homeland, to reconnect with his parents and hopefully just get away from all the headaches that come with living a Hollywood lifestyle. Then, a simple trip to the post office turns into a nightmare as Van Damme realizes he may not be walking out of there alive.
JCVD shows a side of Van Damme that nobody has really seen before. His acting chops take center stage this time around and it's incredible how much range he actually has. He's able to showcase the fact that he has a lot more talent than fans or the moviegoing audience actually gave him credit for. There's a six minute monologue that might just be the best scene in the film. You can hear the pain in Van Damme's voice as the anguish he's going through bleeds through the words spilling from his mouth. Tears stream down his face as his face wrenches in torment. And then as quickly as the monologue begins, it ends. The scene itself, along with the way it was pulled off, is really the most memorable part of the film for me.
JCVD highlights all of the potential Jean-Claude Van Damme has as an actor. Not as an action movie star, but as a legitimate actor. Don't go into this expecting the usual bone breaking or face bashing someone may find in a film that Van Damme is usually found in. This film has a kick to it and not in the literal sense. It's an unexpected surprise that could put Van Damme back on top of his game, if played right. It could certainly do for him what The Wrestler did for Mickey Rourke. People who aren't fans of Van Damme's work will more than likely still enjoy this if they're willing to give it a chance.
JCVD shows a side of Van Damme that nobody has really seen before. His acting chops take center stage this time around and it's incredible how much range he actually has. He's able to showcase the fact that he has a lot more talent than fans or the moviegoing audience actually gave him credit for. There's a six minute monologue that might just be the best scene in the film. You can hear the pain in Van Damme's voice as the anguish he's going through bleeds through the words spilling from his mouth. Tears stream down his face as his face wrenches in torment. And then as quickly as the monologue begins, it ends. The scene itself, along with the way it was pulled off, is really the most memorable part of the film for me.
JCVD highlights all of the potential Jean-Claude Van Damme has as an actor. Not as an action movie star, but as a legitimate actor. Don't go into this expecting the usual bone breaking or face bashing someone may find in a film that Van Damme is usually found in. This film has a kick to it and not in the literal sense. It's an unexpected surprise that could put Van Damme back on top of his game, if played right. It could certainly do for him what The Wrestler did for Mickey Rourke. People who aren't fans of Van Damme's work will more than likely still enjoy this if they're willing to give it a chance.
Kelly (279 KP) rated Year One: Chronicles of The One in Books
Jan 8, 2019
Interesting characters (1 more)
Use of fantasy mixed into the apocalypse
Post apocalyptic with a sprinkle of fairy dust!
Originally purchasing this based on my previous purchases, I have to honestly confess that I had never heard of Nora Roberts! How I have missed this author, I do not know. I have thoroughly enjoyed this book, and will definitely be reading the remainder of the series.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Jesters_folly (230 KP) rated Kiss Me First in TV
Aug 1, 2019
Kiss me first is six part T.V. series form 2018 that is (loosely) based on a book of the same title by Lottie Moggach. Set in the near future the series follows Leila, a young woman living alone in the house she shared with her mother, who had recently died. Leila spends most of her time in the Virtual Reality world of Azana where she goes by the name Shadowfax. Whilst in Azana, Shadowfax meets another play known as Mania who introduces her to a group known as ‘Red Pill’. As Shadowfax begins to spend more time with red pill she starts to realise that events in the game are being mirrored in real life.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.