Search

Search only in certain items:

Dig Me Out by Sleater-Kinney
Dig Me Out by Sleater-Kinney
1997 | Alternative
9
9.0 (1 Ratings)
Album Rating
Rolling Stone's 272nd greatest album of all time
If I had to put money on it, I would have said Sleater-Kinney were a Celtic rock band, along the lines of Runrig or Wolfstone. I was pleasantly surprised to find they're an all-girl punk band. This was right up my street and similar to other bands I had listened to as part of this list - the likes of "X" and Liz Phair. Very angry, angsty and fast and raw. Great album.
  
Getting to Me by Caroline Rose
Getting to Me by Caroline Rose
7
7.0 (1 Ratings)
Album Rating
She pulls us in right away with her working girl narrative:

“Waitress sets the tables
two and four and six
laying placements
knife fork spoon upon napkin ”
— Caroline Rose

There is a very precise pizzicato counterpoint between strings and dirty guitar; it creates a sort of art-rock melodic swell that feels like Feist being dry with a band. I love the songwriting and there's a Liz Phair sort of resemblance both in terms of being punk pretty and having a tell-all feel to the lyrics. Yes, go on, do tell.

Rose's last release has a top single with almost 1 million plays, after just 4 years. I think this next project will get there even faster because it sounds fantastic.

The sound of the tracks that I've heard so far is light and nuanced and smart and funny and could put her right on stage at The Hotel Cafe, circa now.
  
Liege & Lief by Fairport Convention
Liege & Lief by Fairport Convention
1969 | Rock
9.0 (1 Ratings)
Album Favorite

"My favourite song is 'Farewell, Farewell' which is this beautiful arrangement, awesome songwriting and then Sandy Denny's voice is just so haunting. But that album is masterfully arranged, masterfully recorded and I love the drum sounds. We were always trying to get the drum sounds to be more Fairport - it's so economical but really funky at the same time and they just have a lot of crazy meters that you don't even notice are shifting from 7/8 to 4/4 because it's carried by these strong folk song lyrics and melodies. But that was a big touchstone for us, especially some of the fiddle style parts. I think Richard Thompson is one of the coolest guitarists out there and there's a Richard & Linda Thompson album, I Want To See The Bright Lights Tonight, the title song of which is featured on this HBO show [Enlightened]. I thought. ""Is this a Liz Phair song from 1993, what is this?"" and then you discover it and think this song's fucking awesome. Her voice is definitely not as good as Sandy Denny's but it's probably more suited for that kind of 70s pop rock. But there's also this really great song on that album called 'The Calvary Cross', which could be a Lungfish song. He's just a dude who was way ahead of his time and more interesting than someone like Jimmy Page, who's been played to death and is such a rip-off artist!"

Source
  
Horror Stories: A Memoir by Liz Phair
Horror Stories: A Memoir by Liz Phair
Liz Phair | 2019 | Biography
5
5.0 (1 Ratings)
Book Rating
I wanted so badly to like this book, I really did. I've loved Liz Phair's music since the 90s, and I was pretty excited when I heard she'd written a memoir. But this.....this is not great.

It's a memoir, I KNOW it's a memoir, but there's no cohesive narrative and it kind of drives me nuts. It reads more like a collection of essays detailing specific pieces of her life, and it jumps all over the place. More disappointing, however, is that she comes across as kind of an asshole. I could forgive that, because hey, listen, we were all kind of assholes in our youth, no? But she seems so completely self-centered, self-involved, and spoiled that it rendered some of this very hard to get through, especially as I'd been fangirling about this book for a long time. I wanted to read about a bad ass indie rock queen, not a jerk who cheats on her husband for no discernible reason, thinks that throwing money at a cultural misunderstanding (that she caused) will make it go away, and whines about how the cute stock boy she's flirting with at Trader Joe's is actually engaged.

That being said, one of the final stories in the book very much got to me: she's at a lecture with her aging parents, and she's noticing how many of the attendees have trouble getting around due to their age and mobility issues. One of the older gentlemen attempts to get up to go outside, and he ends up falling in front of everyone, repeating over and over (with tears in his eyes) how embarrassed he is. She sees this, and once the gentlemen is seated next to her, she goes out of her way to bolster him (tells him he "fell like an athlete," then asks if he ever was an athlete), and holds a conversation with him throughout the remainder of the lecture to get his mind off of the entire incident. This act struck me as so kind that it almost redeems her for everything else in the book. And that is how Liz Phair was nearly able to bring me to tears at the tail end of a fairly lackluster memoir.
  
40x40

Britt Daniel recommended To Bring You My Love by PJ Harvey in Music (curated)

 
To Bring You My Love by PJ Harvey
To Bring You My Love by PJ Harvey
1995 | Rock
8.0 (1 Ratings)
Album Favorite

"To Bring You My Love is my favorite PJ Harvey record, I was definitely obsessed with her at that point. She was doing something with the blues that not a lot of artists that I was interested in were doing, sort of making it contemporary. That record had a very natural sound, but it also had a real style to it. It was produced. I still reference To Bring You My Love when we make records. I had really come around to Wire and Talking Heads around this time too, and I started to like that kind of abstract lyrical imagery more than literal story telling. It made it easier to write lyrics, because it was easier to hide behind. At that point, when I was writing lyrics it was all about: What can I sing that won’t embarrass me standing up there onstage? And if you could latch onto something that had a cool meaning to it, that was a bonus. But it wasn’t the primary concern. Sometimes that can lead to a lot of really bad lyrics. And a lot of it is about taste: I didn’t know a lot about what Stephen Malkmus was singing about, but it fucking worked. This is when Spoon’s first album, Telephono, came out, on Matador. In the early ’90s I started noticing that a lot of the records I liked had this Matador logo on the back: Guided by Voices, Pavement, Yo La Tengo, Liz Phair. They were the coolest label. To be able to be in the same company as those people was unreal. So, for a brief time, it was amazing—and then the record came out and nobody cared."

Source