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Ivana A. | Diary of Difference (1171 KP) rated Captain Hook: Villain or Victim in Books
Feb 3, 2020
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<b><i>Has it ever occurred to you that there might be another version to Peter Pan’s story? Would you want to see Captain Hook’s point of view? If so, then you will truly enjoy this lovely short read: Captain Hook: Villain or Victim by Ellwyn Autumn. </i></b>
I have always loved Peter Pan and this fairy tale is without a doubt my favourite fairy tale. The world is unique, and the story is amazing. Maybe Peter Pan was the reason I was always so in love with England. I will never know.
When Ellwyn introduced me to her book, I knew I had to have it. I had to read it and find out what Captain Hook’s story might be. The book is quite short, but full of adventures throughout. We follow the journalist, David J. Locke, who sails through the seas searching for Captain Hook. When he finally gets a clue, he dives into the story of Captain Hook and discovers truths that have never been told before.
Even though there were times when the Captain Hook’s story seems like a side-story to David J. Locke’s adventures, it was a pleasure to read it, and I read it in one sitting. The book keeps you interested throughout, and the fiction of the re-telling is quite smart and uniquely thought through. I am very happy that I read this book! I would recommend it to all of you that love retellings and love fairy tales.
A huge thank you to Ellwyn Autumn, for sending me a paperback copy of this book in exchange for an honest review.
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<b><i>Has it ever occurred to you that there might be another version to Peter Pan’s story? Would you want to see Captain Hook’s point of view? If so, then you will truly enjoy this lovely short read: Captain Hook: Villain or Victim by Ellwyn Autumn. </i></b>
I have always loved Peter Pan and this fairy tale is without a doubt my favourite fairy tale. The world is unique, and the story is amazing. Maybe Peter Pan was the reason I was always so in love with England. I will never know.
When Ellwyn introduced me to her book, I knew I had to have it. I had to read it and find out what Captain Hook’s story might be. The book is quite short, but full of adventures throughout. We follow the journalist, David J. Locke, who sails through the seas searching for Captain Hook. When he finally gets a clue, he dives into the story of Captain Hook and discovers truths that have never been told before.
Even though there were times when the Captain Hook’s story seems like a side-story to David J. Locke’s adventures, it was a pleasure to read it, and I read it in one sitting. The book keeps you interested throughout, and the fiction of the re-telling is quite smart and uniquely thought through. I am very happy that I read this book! I would recommend it to all of you that love retellings and love fairy tales.
A huge thank you to Ellwyn Autumn, for sending me a paperback copy of this book in exchange for an honest review.
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Lottie disney bookworm (1056 KP) rated The Tempest Sea in Books
Oct 25, 2021
I so very nearly fell out with Robin D Mahle over this book... I still might... They're so close to breaking my heart!
The Tempest Sea is the incredible second novel in The World Apart series, whisking us away from Ceithren and across the Tempest Sea to the other side of the world.
The adventure is again told from Clark and Addie’s POV but this time we are also treated to snippets from Xavier and Nell's past.
These tidbits allow the side characters to tell their story right up to the present situation, (almost) dissolving their untrustworthy nature in the readers eyes but not ruining the tension within the plot line.
I also loved how the chapters were labelled rather than named (ie Xavier is The Protector) as this really reflected how these "off screen" moments have shaped the characters and made them grow into something much more than their assumed role.
As well as our favourite characters from The Fractured Empire *side eyes Gunther* we also get to spend a lot more time with Locke, Nell and we are finally properly introduced to the infamous general. Alongside a plethora of side characters ranging from a pirate ship full of badass women to a fair few men we love to hate, Robin D Mahle really spoils us.
This fast paced sequel is jam packed full of action, flying ships, pirates and danger: its a wonder there is any time for romance! Addie and Clark may have been through the ringer but the tension and their magnetism throughout this book will have you screaming at them to open their eyes and just accept the attraction. That would be way too easy though... You know they're just going to wind each other up and fall out a few more times 😊
With the foundations set in The Fractured Empire, Robin D Mahle could really have fun with The Tempest Sea and I think this shows. The action and suspense rolls off the page, dragging us along for the ride. There are some darker moments (big trigger warning for sexual abuse) but these serve to make the characters stronger. They'll certainly need it for the next stage of their journey!
The Tempest Sea is the incredible second novel in The World Apart series, whisking us away from Ceithren and across the Tempest Sea to the other side of the world.
The adventure is again told from Clark and Addie’s POV but this time we are also treated to snippets from Xavier and Nell's past.
These tidbits allow the side characters to tell their story right up to the present situation, (almost) dissolving their untrustworthy nature in the readers eyes but not ruining the tension within the plot line.
I also loved how the chapters were labelled rather than named (ie Xavier is The Protector) as this really reflected how these "off screen" moments have shaped the characters and made them grow into something much more than their assumed role.
As well as our favourite characters from The Fractured Empire *side eyes Gunther* we also get to spend a lot more time with Locke, Nell and we are finally properly introduced to the infamous general. Alongside a plethora of side characters ranging from a pirate ship full of badass women to a fair few men we love to hate, Robin D Mahle really spoils us.
This fast paced sequel is jam packed full of action, flying ships, pirates and danger: its a wonder there is any time for romance! Addie and Clark may have been through the ringer but the tension and their magnetism throughout this book will have you screaming at them to open their eyes and just accept the attraction. That would be way too easy though... You know they're just going to wind each other up and fall out a few more times 😊
With the foundations set in The Fractured Empire, Robin D Mahle could really have fun with The Tempest Sea and I think this shows. The action and suspense rolls off the page, dragging us along for the ride. There are some darker moments (big trigger warning for sexual abuse) but these serve to make the characters stronger. They'll certainly need it for the next stage of their journey!
Merissa (11726 KP) rated Prince of Flowers (Wild Hearts #1) in Books
Oct 13, 2022
PRINCE OF FLOWERS is the first book in the Wild Hearts series and we are introduced to a world that is both contemporary and magical. It was a little weird to start with when Playstations are being discussed but it soon turned to the magical side, and all was right for me.
I say for me because it certainly wasn't for Sylvain. Locke is a summoner, a super senior summoner as he has been at Wispwood for years. His father was a big name and it's a lot for him to live up to but, to be honest, it didn't sound as though he was that bothered about doing the work either. Yes, he wants his Summoner's Crest but the only reason that is mentioned is so he can get his hands on his inheritance.
He summons Sylvain and can't understand why Sylvain is a bit perturbed. Sylvain, quite rightly, wants to know what's going on and why. The "Humanoids" have been summoned in the past, but it isn't common," line didn't sit that well with me. It didn't seem quite right. Maybe that's just me.
The spark is there between the two of them from the start - although whether it is attraction or being contrary to each other is up to you to figure out. I did enjoy how they worked things out and ended up working together.
I really did enjoy this book and certainly want to continue with the series. I am hopeful that in subsequent books we will get more world- and character-building than we got here. Although there was some, it just didn't feel as though it was enough. I want to know more about the magical side, about Locke's relationship with his father, about where his father went, about Evander Skink, so much more!
All in all, this was a great read and a brilliant start to a new series. Individual and quirky, I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I say for me because it certainly wasn't for Sylvain. Locke is a summoner, a super senior summoner as he has been at Wispwood for years. His father was a big name and it's a lot for him to live up to but, to be honest, it didn't sound as though he was that bothered about doing the work either. Yes, he wants his Summoner's Crest but the only reason that is mentioned is so he can get his hands on his inheritance.
He summons Sylvain and can't understand why Sylvain is a bit perturbed. Sylvain, quite rightly, wants to know what's going on and why. The "Humanoids" have been summoned in the past, but it isn't common," line didn't sit that well with me. It didn't seem quite right. Maybe that's just me.
The spark is there between the two of them from the start - although whether it is attraction or being contrary to each other is up to you to figure out. I did enjoy how they worked things out and ended up working together.
I really did enjoy this book and certainly want to continue with the series. I am hopeful that in subsequent books we will get more world- and character-building than we got here. Although there was some, it just didn't feel as though it was enough. I want to know more about the magical side, about Locke's relationship with his father, about where his father went, about Evander Skink, so much more!
All in all, this was a great read and a brilliant start to a new series. Individual and quirky, I have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Daniel Boyd (1066 KP) rated Wheelman (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Grillo is great (1 more)
Decent script
One Hell Of A Night
Wheelman is a Netflix movie that unfortunately debuted on the same date as the hotly anticipated Stephen King adaption, 1922. Though Wheelman deserves more than to be overlooked and although I didn't expect much going into it, I came away afterwards pleasantly surprised.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
Kara Skinner (332 KP) rated In Debt to the Enemy Lord in Books
Jun 11, 2019
Contains spoilers, click to show
My rating: 3 out of 5 stars
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.
Average Goodreads Rating: 3.62 out of 5 stars
Genre: Historical
Page Count: 288 pages
Anwen, bastard of Brynmor, has fought hard to find her place in the world. But she’s forced to rethink everything when she’s saved from death by her enemy Teague, Lord of Gwalchdu. Instead of releasing her, he holds her captive.
Teague trusts no one. So, which ominous messages threatening his life, he must keep Anwen under his watch, no matter how much her presence drives him wild.
And when passionate arguments turn to passionate encounters, Teague must believe that the strength of their bond will conquer all!
Anwen, the main character, was really cool. She was very strong, sarcastic, and always pushes Teague for answers about why he’s keeping her captive. She also keeps trying to escape so she can go back home and protect her sister from her abusive father.
However, after she falls in love with Teague, her reservations about him were a little frustrating. Even after finding out that he wasn’t the Great Traitor everyone thought he was, she still didn’t want him to be part of her life. Her only reason was that she didn’t want take orders from a domineering tyrant, but Teague was never tyrannical to her. He only held her captive to make sure she wasn’t the person attacking his home. After that, the only demands he ever made of her were for her own protection. She grew up under a tyrant, so it’s understandable that she would be a little wary, but he was never the villain she kept making him out to be.
Teague was pretty cool overall. He definitely has issues, but they’re understandable considering his rough childhood, including having his mother dying at an early age and having everyone think he’s the devil because he has an epileptic aunt. He has a lot of trust issues and really doesn’t trust anyone except his brother.
As much as I liked both Anwen and Teague, I didn’t like them together. They had a little actual sexual tension at first, but their love story is really forced. Teague is complete anti-love at the beginning and then falls head over ass for Anwen for no real reason. And sure, she still has some baggage holding her back, so they’re not both completely hypnotized but for fuck’s sake did he drink a love potion?
I was so disappointed by the two of them together. It’s Harlequin, so I wasn’t expecting an epic love story or anything, but I was expecting a love story.
On top of that, the sex scenes were pretty weird. I kept getting pulled out of the story because I couldn’t figure out the logistics of the positions or even picture what was happening. The dialogue during the sex scenes was delightfully cringy, like a romance novel parody.
I liked Teague’s brother, Rain, more than Teague. He had a lot less baggage and I would have found it much more believable if he was the one who fell in love with Anwen instead of Teague because Rain trusts people.
This book wasn’t horrible, and it’s certainly not the worst romance I’ve ever read, but it wasn’t great. However, I really didn’t see the ending coming, so I give Nicole Locke huge props for that.
Gareth von Kallenbach (971 KP) rated Green Room (2015) in Movies
Aug 6, 2019
After a fruitless tour, a punk group, The Ain’t Rights, find themselves out of money and stealing gas to get back home. When a recommendation from a fan looking for an interview leads them to play one more show out in the backwoods of Oregon to a crowd of white supremacists, they become witnesses to a murder and barricade themselves in the green room. With no clear escape, they enter into a deadly battle of wills with the owner of the club, and his band of skinheads, and quickly discover that they have no intention of letting them leave alive.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.