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Emma @ The Movies (1786 KP) rated Lucky Grandma (2019) in Movies
Nov 7, 2019
The synopsis for this sounded okay but I can't say I was blown away. I popped this in my third tier films to watch at the London Film Festival, the "I'll try and see this if there's a gap" films. There was a gap so this ended up being my first film of the festival.
Grandma Wong doesn't have a lot to live on, her son wants her to move in with his family but she likes her independence. When her doctor/fortune teller says she's got a change in fortunes coming she decides to throw caution to the wind and test this new luck out. The experiment goes well until she crosses paths with Mr Lin, a member of the Red Dragon gang.
Tsai Chin is a delight, a grumpy delight as Grandma. She's a face I recognised but of course I couldn't remember from what... to IMDb... Two Bond films! I'm a terrible movie viewer right now. As well as those there are lods of other films and shows to her name, lots that you'd recognise. Her portrayal of Grandma is wonderful, she's hardened but funny, her reaction to everything was hilarious to me. This is exactly how I see myself being as an old lady, without the life threatening situations... probably. Chin brought just the right feeling to this role and captured all her ups and downs with just the right amount of stubborn.
The reltionship forged with Big Pong, plays by Hsiao-Yuan Ha, is lovely. The strange little friendship is a sweet inclusion and even when it take a turn they manage to make it through. Big Pong is her bodyguard, it was never a conventional employer/employee relationship and their interactions are very protective towards each other. Big Pong has a real moment of sheer joy when eating Grandma's food and that expression along with a lot of Ha's performance brought me a really happy feeling.
Michael Tow as Little Handsome deserves a special mention, the pure nutball rage is really quite insane and I don't know how someone would manage to do that.
There are some great montages that sum up Grandma's life. The one at the beginning is amusing but the next proves to be a brilliant contrast after her luck has changed. I like its consistency and how it managed to accomodate the story without affecting her day to day life too much.
On a whole the film felt just the right length, it moved along fairly quickly and the quirky relationships keep you interested. It potentially could have focused on some more of the peripheral characters a little, but I actually enjoyed the main focus. The shots are quite traditional but there's one shot of Grandma's apartment as she hears intruders, it captures the whole apartment and we see her edge into shot hiding. It created a really tense moment and if gave the instinctive desire to try and look round the corner.
I'm sure this won't be to everyone's taste as there are a fair amount of subtitled bits but it really doesn't distract that much from the film.
What you should do
It's a fun little film and if it makes it into a release somewhere then it would be something fun to watch.
Movie thing you wish you could take home
A big bag of money wouldn't go amiss.
Grandma Wong doesn't have a lot to live on, her son wants her to move in with his family but she likes her independence. When her doctor/fortune teller says she's got a change in fortunes coming she decides to throw caution to the wind and test this new luck out. The experiment goes well until she crosses paths with Mr Lin, a member of the Red Dragon gang.
Tsai Chin is a delight, a grumpy delight as Grandma. She's a face I recognised but of course I couldn't remember from what... to IMDb... Two Bond films! I'm a terrible movie viewer right now. As well as those there are lods of other films and shows to her name, lots that you'd recognise. Her portrayal of Grandma is wonderful, she's hardened but funny, her reaction to everything was hilarious to me. This is exactly how I see myself being as an old lady, without the life threatening situations... probably. Chin brought just the right feeling to this role and captured all her ups and downs with just the right amount of stubborn.
The reltionship forged with Big Pong, plays by Hsiao-Yuan Ha, is lovely. The strange little friendship is a sweet inclusion and even when it take a turn they manage to make it through. Big Pong is her bodyguard, it was never a conventional employer/employee relationship and their interactions are very protective towards each other. Big Pong has a real moment of sheer joy when eating Grandma's food and that expression along with a lot of Ha's performance brought me a really happy feeling.
Michael Tow as Little Handsome deserves a special mention, the pure nutball rage is really quite insane and I don't know how someone would manage to do that.
There are some great montages that sum up Grandma's life. The one at the beginning is amusing but the next proves to be a brilliant contrast after her luck has changed. I like its consistency and how it managed to accomodate the story without affecting her day to day life too much.
On a whole the film felt just the right length, it moved along fairly quickly and the quirky relationships keep you interested. It potentially could have focused on some more of the peripheral characters a little, but I actually enjoyed the main focus. The shots are quite traditional but there's one shot of Grandma's apartment as she hears intruders, it captures the whole apartment and we see her edge into shot hiding. It created a really tense moment and if gave the instinctive desire to try and look round the corner.
I'm sure this won't be to everyone's taste as there are a fair amount of subtitled bits but it really doesn't distract that much from the film.
What you should do
It's a fun little film and if it makes it into a release somewhere then it would be something fun to watch.
Movie thing you wish you could take home
A big bag of money wouldn't go amiss.
Darren (1599 KP) rated The Good Liar (2019) in Movies
Nov 26, 2019
Verdict: Tense Thriller
Story: The Good Liar starts as we meet Roy Courtnay (McKellen) a con man that has mark out his latest target, a widow Betty McLeish (Mirren) who he gets to romance getting close before presenting his plan with his partner Vincent (Carter).
Betty is happy to welcome Roy into her life despite her grandson Stephen (Tovey) not being as welcoming, only for this job to become one that will finally put Roy against his toughest match.
Thoughts on The Good Liar
Characters – Betty is a widow teacher that has always been smart with her money, with her only remaining relative being a grandson that always makes sure she is safe, she is looking for companionship with Roy and wants to remain her own confident self while making decisions with her money. Roy is a conman that is always working on his latest scheme to steal people’s money, he targets wealthy widows with Betty being the latest target, he always presents himself as a kind gentleman and even with the deals he is doing, he does have a violent side to him which he only shows when he needs to, making him a very dangerous man. Stephen is the grandson of Betty, he is always wanting to make sure she is safe and not being taken advantage of, not taking to fondly to Roy. Vincent is the partner of Roy, he is there for any final deal playing the person that will broker the deals, he does try to play into the human side of Roy too.
Performances – Helen Mirren and Ian McKellen are absolutely brilliant together, seeing the two legends dominate the screen through the film. Russell Tovey and Jim Carter do well through the film to try and keep up with the legends too.
Story – The story here follows a veteran conman that is still working on his cons with his latest target being a widow, worth millions, only this time he is meeting his match. This is a con man story that shows how one man has turned it into an art never fearing the job will go wrong, but Betty isn’t going to be an easy target. The big problem with this story comes from the fact you know this needs to have a twist and you are just waiting to see if you can figure it out before it is revealed, luckily it is a wonderful twist which can make the story revisited to pick up on the little clues being left through the film. It might not break the wheel with how everything unfolds because it is one where he learn and want Roy to get what he deserves through the film.
Thriller – The thriller side of the film plays into the conman mindset being explored through the film, we are kept guessing, while we don’t need to have too many intense scenes.
Settings – The film uses the locations to the advantages, with busy life of London, which Roy enjoys, to the quiet life which always makes him uncomfortable.
Scene of the Movie – Underground meeting.
That Moment That Annoyed Me – You are left waiting for the twist to happen.
Final Thoughts – This is one of the thrillers that can be enjoyed, it is smart, slick and has two legends of the industry shining through the film.
Overall: Entertaining Thriller.
Story: The Good Liar starts as we meet Roy Courtnay (McKellen) a con man that has mark out his latest target, a widow Betty McLeish (Mirren) who he gets to romance getting close before presenting his plan with his partner Vincent (Carter).
Betty is happy to welcome Roy into her life despite her grandson Stephen (Tovey) not being as welcoming, only for this job to become one that will finally put Roy against his toughest match.
Thoughts on The Good Liar
Characters – Betty is a widow teacher that has always been smart with her money, with her only remaining relative being a grandson that always makes sure she is safe, she is looking for companionship with Roy and wants to remain her own confident self while making decisions with her money. Roy is a conman that is always working on his latest scheme to steal people’s money, he targets wealthy widows with Betty being the latest target, he always presents himself as a kind gentleman and even with the deals he is doing, he does have a violent side to him which he only shows when he needs to, making him a very dangerous man. Stephen is the grandson of Betty, he is always wanting to make sure she is safe and not being taken advantage of, not taking to fondly to Roy. Vincent is the partner of Roy, he is there for any final deal playing the person that will broker the deals, he does try to play into the human side of Roy too.
Performances – Helen Mirren and Ian McKellen are absolutely brilliant together, seeing the two legends dominate the screen through the film. Russell Tovey and Jim Carter do well through the film to try and keep up with the legends too.
Story – The story here follows a veteran conman that is still working on his cons with his latest target being a widow, worth millions, only this time he is meeting his match. This is a con man story that shows how one man has turned it into an art never fearing the job will go wrong, but Betty isn’t going to be an easy target. The big problem with this story comes from the fact you know this needs to have a twist and you are just waiting to see if you can figure it out before it is revealed, luckily it is a wonderful twist which can make the story revisited to pick up on the little clues being left through the film. It might not break the wheel with how everything unfolds because it is one where he learn and want Roy to get what he deserves through the film.
Thriller – The thriller side of the film plays into the conman mindset being explored through the film, we are kept guessing, while we don’t need to have too many intense scenes.
Settings – The film uses the locations to the advantages, with busy life of London, which Roy enjoys, to the quiet life which always makes him uncomfortable.
Scene of the Movie – Underground meeting.
That Moment That Annoyed Me – You are left waiting for the twist to happen.
Final Thoughts – This is one of the thrillers that can be enjoyed, it is smart, slick and has two legends of the industry shining through the film.
Overall: Entertaining Thriller.
Emma @ The Movies (1786 KP) rated Last Christmas (2019) in Movies
Dec 8, 2019
I ummed and erred about how to start this review, should I burst into song? Should I be writing it while adorned with fairy lights? None of that is needed though, and I'll tell you why in a moment.
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Darren (1599 KP) rated A Street Cat Named Bob (2016) in Movies
Dec 18, 2019
Verdict: Delightful
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
Lee (2222 KP) rated Bad Boys for Life (2020) in Movies
Jan 20, 2020
The first Bad Boys movie came out in 1995, with the second arriving in 2003. So, 17 years on and these Miami bad boys are sure to be showing signs of age, following a career of fast cars and extreme action. Thankfully, Bad Boys for Life acknowledges that fact, even if we do get to hear the phrase "we're getting too old for this shit", or variations of, on many occasions throughout. Marcus Burnett (Martin Lawrence) is becoming a grandfather, keen to move on from being a bad boy in order to try and become a "good man" instead. Meanwhile, Mike Lowrey (Will Smith) isn't quite there just yet, continuing to try and live his shallow bad boy life at full throttle, dying his greying goatee beard in denial. When Mike becomes the target for a badass Mexican drug-lord (Kate del Castillo) and her ruthless son, his past comes back to haunt him and both boys have no choice but to get back together in order to take down the bad guys one last time.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
JT (287 KP) rated Fast & Furious 6 (2013) in Movies
Mar 10, 2020
I've been a fan of this franchise since the very first film, and while Tokyo Drift might have been a little blip, or bump in the road, there is no denying that the films have delivered box office success. Fast and Furious 6 is the second film to be left on a cliffhanger (we’ll get to that later) and delves deep into the story of the mystery surrounding Letty’s (Michelle Rodriguez) death a few films ago. I don’t regard that as a plot spoiler as it’s in the trailer. Having demolished most of Rio and now living peacefully in a country with no extradition Dom and new dad Brian think that they have put all their troubles behind them.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
After the opening credits montage, agent Hobbs (Johnson) comes knocking. His offer requires all the team converge once again, this time they have to track down and capture a ruthless mercenary called Owen Shaw (Luke Evans). Hobbs and Toretto have to stand side by side working together to take down the villain. Letty of course has returned and is working for the bad guys but has no memory of her past life. If you’re a true fan then the plot will reveal more back story and as it turns out part six is practically a sequel to part four with past villains announcing a few home truths.
The film and action is set in the heart of London which, includes a car chase that defies belief, a ménage à trois of fist fights on the underground, shoot outs and a drag race that drifts through Piccadilly Circus. The action is pulsating and over the top but you shouldn’t care in the least about that. What were you expecting the film to do? Each vehicular sequence is more mind bending than the next.
Take the opening chase for example. A modified F1 style car pursued by Toretto and his crew as well as local police weaves its way through the streets with the ability to flip oncoming cars. Justin Lin who directed the last four films is well in control and more than happy to up the action.
Fast and Furious 6 is guilty of plot holes, but these will only be deconstructed by people who have nothing better to do. That said, even I was left wondering what distance the longest runway in the world was? There is a good level of humour with Tyrese Gibson’s Roman providing much of the light heartedness that the film needed. Let’s face it The Avengers had the same level of action and humour mixed and that seemed to work.
One of the dangers for this was having a cast that was pretty extensive, regrouping the team meant that there was jostling for position. But on the whole everyone has their time to shine and no one is really cast to the shadows. Evans does a good job as the main antagonist and Gina Carano also proves her worth after the abject Haywire a few years back.
Fast and Furious 7 takes place back in LA after the events of this film and has a teasing post credit sequence that will bait those fans to come back once again. James Wan steps into the directors chair for the seventh film switching from the comfort of the horror genre. I found Fast and Furious 6 to be a highly entertaining film, and you’ll need to check your brain in at the door. To quote a cliché it ‘does what it says on the tin’, and doesn’t take itself too seriously.
Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Gareth von Kallenbach (971 KP) rated Jack Ryan: Shadow Recruit (2014) in Movies
Aug 6, 2019
This is not your father’s Jack Ryan; but it should’ve been.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
Gareth von Kallenbach (971 KP) rated Madagascar 3: Europe's Most Wanted (2012) in Movies
Aug 7, 2019
After being shipped from New York to Madagascar and then leaving Madagascar only to end up stranded in Africa, our four favorite zoo animals are back and causing a ruckus once again, but this time in Europe.
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!