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The Longest Holiday
The Longest Holiday
Paige Toon | 2013 | Contemporary, Fiction & Poetry
7
7.0 (1 Ratings)
Book Rating
Paige Toon is an author I am diligently working my way through. I think I'm about 80% done with her catalogue now, though she has got a new release out which I haven't got my hands on yet.

So this one starts with Laura flying off to Miami for two weeks with her friend Marty and one of Marty's close friends, Bridget, as she tries to escape her life in London after finding out her new husband, Matthew, got another woman pregnant on his stag night. The girls head down to Key West to enjoy the sunshine and beaches and sign up for a SCUBA diving course where Laura meets Leo, an attractive man she caught sight of a few days earlier. There's an instant attraction between them but when Leo finds out she's married he keeps her at arms length and since Laura is pretty determined her marriage is over, she finally gets him to give in. What follows is a bit of a rollercoaster of emotions as Laura stays in Key West for longer than the two weeks in what becomes the Longest Holiday.

I was really into this until near the end when we started to see things from Leo's POV. The end bit got a little hard to read when Leo goes to London to see Laura and I didn't think that bit was drawn out enough, though I was crying like a baby at times. It hit me in the feels big time.

And then we got the epilogue and we see Laura happy for the first time in months.

I grew to like a lot of the characters in this: Laura, Leo, Bridget, Jorge and even Mike. Pretty much everyone else seemed to be pro-Matthew which annoyed (me and) Laura, which I totally understood.

I'll be reading more of this author's books soon I'm sure.
  
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Butch Vig recommended track London Calling by The Clash in London Calling by The Clash in Music (curated)

 
London Calling by The Clash
London Calling by The Clash
1979 | Rock
8.8 (10 Ratings)
Album Favorite

"London Calling is probably my favourite rock record of all time. It’s incredibly powerful and diverse, it’s social, political and has all sorts of musical genres - punk, rock, ska, ballads, jazz and dub - rolled into the song arrangements. The Clash were at their peak when they made it and the kick-off track is the most anthemic song they ever wrote. It’s got everything, brilliant lyrics, a brilliant performance, it just sounds killer and Mick Jones’ guitar playing is phenomenal, when you hear that guitar riff it’s like a fire alarm going off. ‘London Calling’ is like a call to arms, it makes the hair on the back of my neck stand up every time I hear it, it’s that powerful. I went to see them on that tour at the Aragon Ballroom in Chicago and it was absolutely rammed. The second they started playing the entire room started jumping up and down and I thought the building was going to collapse, you could feel the whole place shaking. It was an old theatre and I was watching from the balcony, thinking we should maybe get to a safer location but I became so immersed in the music I forgot about it, it was a fantastic show. There were obviously differences between the British and US punk bands and some of that is in the sound of the records. The British records had a bit of a darker sound to them and that could be due to technical stuff in the mastering, but a lot of it had to do with the performances. To me, the British bands have always been ground-breaking, as a whole there were better new wave and punk bands coming out of the UK than the US, it was like the second British invasion. There was a great scene in New York, The Ramones, Talking Heads, Television and Blondie were ground-breaking at the time, but England, a country with a much smaller population than the US, had a larger percentage of iconic bands from that era."

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