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FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
ClareR (5879 KP) rated The Long Long Afternoon in Books
Mar 2, 2021
The Long, Long Afternoon really gives a sense of time and place - and I loved that about this book. We’re steeped in the 1950’s suburban world of perfect housewives, dosed up on their happy pills, trapped in their blissful domestic lives, keeping a perfect home and looking their best at all times for their hardworking husbands. Meanwhile, they employ black maids for a pitiful wage, taking advantage of them and treating them appallingly.
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Ruby Wright arrives to start her afternoons work at Joyce Hanley’s house, and instead finds her young daughter outside and a screaming toddler upstairs in her bedroom. When Ruby goes in to the kitchen, she is confronted with a room awash with blood and signs of a struggle.
When the police arrive, they arrest Ruby for murder. After all, she was the first person there - and she’s black.
Detective Mick Blanke takes on the case. It’s an interesting book, because not only is Mick solving the crime (with some considerable help from Ruby), he’s also showing the social divides in the USA at this time - rich and poor, black and white. He’s clearly not comfortable about the way that white people treat black people in Santa Monica, but he’s still not quite brave enough to call people out on their racism.
This is an engaging, quick read - or perhaps I read it quickly because I didn’t want to put it down. It’s a clever, unpredictable story. In all, it’s a book I’d recommend without hesitation!
Mark @ Carstairs Considers (2346 KP) rated Murder on Amsterdam Avenue in Books
Jul 7, 2021 (Updated Jul 7, 2021)
Poisoner on the Lose
Frank Malloy has moved into the house that he and Sarah Brandt will share after they get married, but they have to wait until restoration is done on the house to actually get married, and the workers are taking their sweet time about it. Meanwhile, Sarah accompanies her mother on a condolence call to the home of the Oakes family. Charles suddenly got sick and died a few days later. The Oakes have been friends with Sarah’s family for years, and so, on the visit, Charles’s father asks if Frank will investigate the death. He thinks that something is not right about it. It isn’t long before Frank confirms that Charles was poisoned. But who would poison him?
While these are historical mysteries, history doesn’t always come into play in these books. Here it does in a couple of different ways, and I enjoyed both of them. Fans of the series will be delighted with how the character’s lives are progressing. The mystery was a little slower than most, or maybe it just felt like it to me because I guessed some parts of the plot early on. Even so, I enjoyed some of the twists along the way to the satisfying climax. We get plenty of the supporting characters here, and I am enjoying how they are developing. The characters’ lives are transitioning still in this book, and long-time fans will be happy with how that progresses. This isn’t the strongest in the series, but it will still please fans.
While these are historical mysteries, history doesn’t always come into play in these books. Here it does in a couple of different ways, and I enjoyed both of them. Fans of the series will be delighted with how the character’s lives are progressing. The mystery was a little slower than most, or maybe it just felt like it to me because I guessed some parts of the plot early on. Even so, I enjoyed some of the twists along the way to the satisfying climax. We get plenty of the supporting characters here, and I am enjoying how they are developing. The characters’ lives are transitioning still in this book, and long-time fans will be happy with how that progresses. This isn’t the strongest in the series, but it will still please fans.
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Emma @ The Movies (1786 KP) rated Vivarium (2020) in Movies
Mar 8, 2020
I like the idea of these weird and wonderful takes, when I saw the synopsis I knew it needed to make my LFF shortlist.
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Lyndsey Gollogly (2893 KP) rated Damaged in Books
Nov 24, 2019
Another Amazing book from Martina Cole
When the bodies of missing schoolgirls start turning up, former DCI Kate Burrows is dragged out of retirement.
A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help. She welcomes the distraction from her home life with former gangster, Patrick Kelly, whose long lost son has turned up out of the blue, bringing trouble with him.
It soon becomes clear the killer is on their doorstep and as the body count grows, Kate and Annie face a race against the clock.
But they have no real leads ... and there's more to these murders than meets the eye. Can Kate take the killer down before another schoolgirl dies?
I absolutely love Martina Cole and this series is my favourite! It kicks you in the gut within the first 4 chapters especially if you're a mum to young girls. Martina writes in such a way your scared of what's on the the next page! Although nothing stops you from turning the page!
Following DI Kate Burrows and Pat Kelly's life has been just eye opening and a full on roller coaster. Time to reread !
A new Grantley serial killer is in town and DCI Annie Carr turns to Kate for help. She welcomes the distraction from her home life with former gangster, Patrick Kelly, whose long lost son has turned up out of the blue, bringing trouble with him.
It soon becomes clear the killer is on their doorstep and as the body count grows, Kate and Annie face a race against the clock.
But they have no real leads ... and there's more to these murders than meets the eye. Can Kate take the killer down before another schoolgirl dies?
I absolutely love Martina Cole and this series is my favourite! It kicks you in the gut within the first 4 chapters especially if you're a mum to young girls. Martina writes in such a way your scared of what's on the the next page! Although nothing stops you from turning the page!
Following DI Kate Burrows and Pat Kelly's life has been just eye opening and a full on roller coaster. Time to reread !
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