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JT (287 KP) rated The Hunter (2012) in Movies

Mar 10, 2020  
The Hunter (2012)
The Hunter (2012)
2012 | International, Drama
6
6.0 (1 Ratings)
Movie Rating
There’s something about Willem Dafoe that unnerves me a little and I’ve never been able to quite understand the reason why? Putting my bizarre fears aside for a second The Hunter is a subtle thriller set against the backdrop of the Tasmanian wilderness.

Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.

Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.

He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.

The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.

It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.

The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
  
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JT (287 KP) rated Pet Sematary (2019) in Movies

Mar 10, 2020  
Pet Sematary (2019)
Pet Sematary (2019)
2019 | Horror
I've always said that the vast majority of horror remakes just don’t better the original, and this one can also join that list. Stephen King adaptations are a bit hit and miss and this new incarnation is no different.

Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel. The film follows the Creed family as they relocate to the outskirts of a quiet town in Maine, called Ludlow. Head of the family Louis (Jason Clarke), is starting a new job at the university hospital and their new home feels like the perfect place to settle.

But it doesn’t take long for things to go pear-shaped when daughter Ellie (Jeté Laurence) stumbles across a Pet Sematary (misspelt). There she meets neighbour Jud Crandall (John Lithgow) who warns her that it is not the place for a young girl to play – despite a procession of creepy children in masks walking through the woods. However, a family tragedy sparks Jud to reach out to Louis and offer him a way to resurrect the past.

Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel

Co-directed by Kevin Kölsch and Dennis Widmyer Pet Sematary skims over family relationships and races right to the tragedy (which was blatantly given away in the trailer) to satisfy the audience by giving them what they want. However, there is not enough time for Kölsch and Widmyer to delve deeper into the pages of King’s novel to extract parts that could have enhanced the narrative even further.

The ending is unsatisfactory and the directors, looking to impart their take on the story, change and leave out significant parts of King’s book. This is both annoying and surprising. That said, the film is not without the odd positive, despite falling just short of being a decent horror remake.
  
The Vanishing Half
The Vanishing Half
Brit Bennett | 2020 | Fiction & Poetry
10
9.0 (2 Ratings)
Book Rating
I read The Mothers, Brit Bennett’s first book, and loved it. So when this popped up on NetGalley, I knew I had to request it, and I was so pleased when I was given the opportunity to read it.

It’s a story about secrets, lies and reinvention - the sacrifices someone has to make in order to get the life they want. Sometimes it works, sometimes it doesn’t.

Stella and Desirée Vignes are identical twin sisters, brought up in a small southern town, where all the inhabitants are black people who could pass for white people if they wanted to (which a very dangerous thing to try and do at the time the story is set).

The twins escape together, and then Stella leaves Desirée. Stella discovers that she can pass as white, and marries a wealthy white man, who knows nothing of her origins. Desirée marries a black man who beats her, and so she escapes back to her mother with her dark skinned daughter, Jude. Jude is never accepted in Desirée’s home town of Mallard, and so she leaves to go to university as soon as she is able to.

This is where Jude’s life unwittingly intersects with that of Stella’s daughter, and secrets that have been kept for so long, are brought out into the open.

I loved everything about this book. The characters and their motivations, the storyline, the way the book was written - everything! I could see why Stella did what she did, and how she felt trapped by her choices, and it’s a great example of how prejudice and racism works in the USA - and potentially here in the UK as well.

I really do highly recommend this book. It’s such a great story that kept me engaged from start to finish. I have to admit to reading it slower to make it last longer - it’s a book that I’ll be recommending to my friends, that’s for sure!
  
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