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Heather Cranmer (2721 KP) rated Then She Was Gone in Books
Apr 27, 2019
Just Okay
I loved I Found You by Lisa Jewell, so when I read the synopsis of her other book, Then She Was Gone, it was a book I knew I had to read. While this book was still a good read, it wasn't great, and I was left feeling a little disappointed.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
Gareth von Kallenbach (980 KP) rated Vacation (2015) in Movies
Jun 19, 2019
It is hard to believe it has been 32 years since Chevy Chase took his family on their now infamous “Vacation” and in doing so launched a series that would eventually spawn four movies.
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
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Charlie Cobra Reviews (1840 KP) rated Maggie (2015) in Movies
Nov 1, 2020
Maggie: More Drama Then Zombies In This Zombie Film (4/10)
Contains spoilers, click to show
Maggie is a 2015 Horror/Drama film directed by Henry Hobson and written by John Scott 3. It was produced by Grindstone Entertainment Group, Gold Star Films, Lotus Entertainment, Silver Reel, Matt Baer Films and Sly Predator and distributed by Lionsgate Films and Roadside Attractions. The movie stars Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
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BankofMarquis (1832 KP) rated Rambo: Last Blood (2019) in Movies
Sep 24, 2019
Not really a "Rambo" flick...but kind of is (if you squint)...
The "final" installment in the Sylvester Stallone as John Rambo series of films (the 5th!) RAMBO: LAST BLOOD is one of those hybrid type of films that is really two 45-50 minute films put together to give you one 1 hour, 45 minute adventure. These two film-ettes are clear throwbacks to 2 other films.
"Oh...you say...they are paying homage to previous RAMBO films, like the first one FIRST BLOOD and the best one RAMBO..." and...that would make sense and give a reason for this character to re-emerge, but this is NOT what is happening here.
The first half of this film has been done better as the Liam Neeson film TAKEN while the 2nd half of this film is a clear homage to HOME ALONE - or as I call it BLOODY HOME ALONE. So, instead of the crooks being comically hurt, they are dismembered, disemboweled, be-headed and run through the middle with pointy stuff.
All with lots and lots of blood spurting everywhere.
Inexplicably, Sylvester Stallone agreed to revise his John Rambo personae after 11 years away from it and he is showing every moment of his 73 years of age in this role. To say that Stallone is a little "long in the tooth" for this type of action/beat 'em up role would be doing a disservice to the term "long in the tooth".
As is fairly typical in these types of films, the plot is fairly straightforward - John Rambo is living a peaceful existence until someone close to him is kidnapped by bad guys south of the border, so Rambo goes in search of her (that's the first half of the film - the TAKEN portion). And...this part of the film is...okay (just...okay). The "good guys" around Rambo are nice (enough) and he is joined by a crusading journalist who also has had someone kidnapped so you think he might be joined by a ragtag group of "frenemies" to fight a common enemy...but...Rambo goes in "mano a mano" (this is a Stallone/Rambo film after all) and this part of the film, ultimately, fails to deliver the goods and falls flat.
Director Adrian Grunberg (the immortal GET THE GRINGO...yeah, I've never heard of it, either) sets up at the beginning of this movie some interesting side characters (the journalist, the one time bad guy who is now out of the bad guy business and might have a redemption-type arc, the plucky teenager) and some interesting character traits (PTSD, Concussion symptoms) that our hero is suffering from. All of these elements should have/could have been utilized to bring some interesting twists to the action scenes - but they are all quickly...and promptly...dropped to show Stallone being macho and killing bad guys on his way to fulfilling the goal of the first half of the film.
And then comes the 2nd half.
The bad guys come to Rambo's Ranch to exact some revenge (I can see a bobby-trapped Halloween-type walk through haunted house coming to a corn field near you this fall). Any pretense of plot, character development, etc. is gone in a hot minute as this part of the film is all about the bloody Home Alone-type booby-traps at the ranch. Wanna see someone get a pitchfork to the face? Check! Wanna see someone get their arm chopped off with a machete? Check! How about falling through a trap door onto some spikes? You got it! And it just gets bigger, bloodier and more comedicly-"awesome-gruesome" as we go. If you enjoy this type of thing (and...I gotta admit...I do) then this is pretty entertaining.
Ridiculous? Yes. Is Stallone too old for this type of film? Yes. Over-the-top? Of course. A good film with strong characters? Heck no.
But that's not what we came to see. If you can get through the fairly slow (and poorly written) first half of this film, the 2nd half is bloody good fun.
Letter Grade: B-
6 stars (out of 10 - just know what kind of film you are watching) and you can take that to the Bank(ofMarquis).
"Oh...you say...they are paying homage to previous RAMBO films, like the first one FIRST BLOOD and the best one RAMBO..." and...that would make sense and give a reason for this character to re-emerge, but this is NOT what is happening here.
The first half of this film has been done better as the Liam Neeson film TAKEN while the 2nd half of this film is a clear homage to HOME ALONE - or as I call it BLOODY HOME ALONE. So, instead of the crooks being comically hurt, they are dismembered, disemboweled, be-headed and run through the middle with pointy stuff.
All with lots and lots of blood spurting everywhere.
Inexplicably, Sylvester Stallone agreed to revise his John Rambo personae after 11 years away from it and he is showing every moment of his 73 years of age in this role. To say that Stallone is a little "long in the tooth" for this type of action/beat 'em up role would be doing a disservice to the term "long in the tooth".
As is fairly typical in these types of films, the plot is fairly straightforward - John Rambo is living a peaceful existence until someone close to him is kidnapped by bad guys south of the border, so Rambo goes in search of her (that's the first half of the film - the TAKEN portion). And...this part of the film is...okay (just...okay). The "good guys" around Rambo are nice (enough) and he is joined by a crusading journalist who also has had someone kidnapped so you think he might be joined by a ragtag group of "frenemies" to fight a common enemy...but...Rambo goes in "mano a mano" (this is a Stallone/Rambo film after all) and this part of the film, ultimately, fails to deliver the goods and falls flat.
Director Adrian Grunberg (the immortal GET THE GRINGO...yeah, I've never heard of it, either) sets up at the beginning of this movie some interesting side characters (the journalist, the one time bad guy who is now out of the bad guy business and might have a redemption-type arc, the plucky teenager) and some interesting character traits (PTSD, Concussion symptoms) that our hero is suffering from. All of these elements should have/could have been utilized to bring some interesting twists to the action scenes - but they are all quickly...and promptly...dropped to show Stallone being macho and killing bad guys on his way to fulfilling the goal of the first half of the film.
And then comes the 2nd half.
The bad guys come to Rambo's Ranch to exact some revenge (I can see a bobby-trapped Halloween-type walk through haunted house coming to a corn field near you this fall). Any pretense of plot, character development, etc. is gone in a hot minute as this part of the film is all about the bloody Home Alone-type booby-traps at the ranch. Wanna see someone get a pitchfork to the face? Check! Wanna see someone get their arm chopped off with a machete? Check! How about falling through a trap door onto some spikes? You got it! And it just gets bigger, bloodier and more comedicly-"awesome-gruesome" as we go. If you enjoy this type of thing (and...I gotta admit...I do) then this is pretty entertaining.
Ridiculous? Yes. Is Stallone too old for this type of film? Yes. Over-the-top? Of course. A good film with strong characters? Heck no.
But that's not what we came to see. If you can get through the fairly slow (and poorly written) first half of this film, the 2nd half is bloody good fun.
Letter Grade: B-
6 stars (out of 10 - just know what kind of film you are watching) and you can take that to the Bank(ofMarquis).
Haley Mathiot (9 KP) rated An Earl to Enchant (The Rogues' Dynasty #3) in Books
Apr 27, 2018
An Earl to Enchant by Amelia Grey
Genre: Historical Fiction, Romance
Rating: 1
After the first two chapters of this book, I was ready to give up. I gave it a little bit more just to see if it was worth it, and I sort of regret it. I could have been reading something else.
I felt like I knew everything after the first chapter, and that there was no reason to keep going. The character spilled her guts, the sexual tension was immediate and way too strong for a first meeting, and it felt typical. I knew what would happen: They’d meet, they’d sleep together, they’d get married, they’d fall in love. In that order. There was no mystery, there was nothing keeping me reading.
The characters seemed dense and melodramatic. For instance, Arianna fainted in the first chapter, and woke being “carried in strong arms” (the Earl). She “felt safe there for some reason.” But I was thinking the whole time, She doesn’t even know the guy. It felt wrong that she was so attracted to him and “felt safe” and “felt at home” when she—and I as a reader—didn’t even know the character very well. Also, after one argument she’s convinced herself that he’s ill tempered—when he’s not—and that keeps her from being open to him.
The writing wasn’t that great, either. The prose felt forced and hard to read, and the dialogue was awkward. It was as if the characters said more than they needed to, and said everything they thought, and described things unnecessarily. For example,
It’s just that I’m so happy to be outside for the first time in such a long time. I seldom left my room on the ship, and this is the first time I’ve been out of your house. Everything looks fresh and new.”
(Page 108, ARC)
I would have said “It’s just that I’m so happy to be outside for the first time in such a long time.” She had seldom left her room on the ship, and it was her first time outside of his house. Everything looked fresh and new. It’s less awkward... or maybe just less wordy.
There was just too much against this book to keep me reading. I will say that from what I read, Grey is good at developing the sexual tension. But that was another thing that was just too much for me.
All in all, I was expecting a lot more from the plot and characters than I got from An Earl to Enchant.
An Earl to Enchant was published April 6th. It got 4- and 5-star reviews on Amazon and Goodreads. Please consider other reviews before making purchase decisions.
Genre: Historical Fiction, Romance
Rating: 1
After the first two chapters of this book, I was ready to give up. I gave it a little bit more just to see if it was worth it, and I sort of regret it. I could have been reading something else.
I felt like I knew everything after the first chapter, and that there was no reason to keep going. The character spilled her guts, the sexual tension was immediate and way too strong for a first meeting, and it felt typical. I knew what would happen: They’d meet, they’d sleep together, they’d get married, they’d fall in love. In that order. There was no mystery, there was nothing keeping me reading.
The characters seemed dense and melodramatic. For instance, Arianna fainted in the first chapter, and woke being “carried in strong arms” (the Earl). She “felt safe there for some reason.” But I was thinking the whole time, She doesn’t even know the guy. It felt wrong that she was so attracted to him and “felt safe” and “felt at home” when she—and I as a reader—didn’t even know the character very well. Also, after one argument she’s convinced herself that he’s ill tempered—when he’s not—and that keeps her from being open to him.
The writing wasn’t that great, either. The prose felt forced and hard to read, and the dialogue was awkward. It was as if the characters said more than they needed to, and said everything they thought, and described things unnecessarily. For example,
It’s just that I’m so happy to be outside for the first time in such a long time. I seldom left my room on the ship, and this is the first time I’ve been out of your house. Everything looks fresh and new.”
(Page 108, ARC)
I would have said “It’s just that I’m so happy to be outside for the first time in such a long time.” She had seldom left her room on the ship, and it was her first time outside of his house. Everything looked fresh and new. It’s less awkward... or maybe just less wordy.
There was just too much against this book to keep me reading. I will say that from what I read, Grey is good at developing the sexual tension. But that was another thing that was just too much for me.
All in all, I was expecting a lot more from the plot and characters than I got from An Earl to Enchant.
An Earl to Enchant was published April 6th. It got 4- and 5-star reviews on Amazon and Goodreads. Please consider other reviews before making purchase decisions.
Kristy H (1252 KP) rated Truly Devious (Truly Devious #1) in Books
Feb 6, 2018
Feisty heroine (2 more)
Great mystery plots
Keeps you guessing
Fun, suspenseful page-turner
Stephanie "Stevie" Bell is very excited when she is accepted to Ellingham Academy, an elite private school in Vermont for free-thinking junior and senior high school students. Ellingham was founded by wealthy Albert Ellingham as a place where students can learn in their own ways, and where puzzle and riddles take center stage. The school became especially infamous when Albert's wife, Iris, and young daughter, Alice, were kidnapped not long after it opened. Shortly before the kidnapping, Albert received a mocking riddle threatening of murder in all sorts of forms via the mail. Now that Stevie is at Ellingham, her goal is to solve Iris and Alice's cold case. A true crime junkie, she knows everything about it and believes that being on the scene is the missing piece she needs to put everything together. But first she needs to get used to being away from home, befriend her eclectic group of housemates, and then deal with a shocking new crime that rocks Ellingham to its core.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.