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Gareth von Kallenbach (980 KP) rated The Hobbit: The Battle of the Five Armies (2014) in Movies
Aug 6, 2019
It’s been thirteen years since Director Peter Jackson first took us to middle earth and showed movie
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
audiences that large scale fantasy could be done right on film with The Lord of the Rings Trilogy. And
now the final trek through middle earth is here with the third and final film in the Hobbit series.
Picking up at the climatic conclusion of 2013’s The Desolation of Smaug, The Battle of the Five Armies is
less about the journey and more about the war between the various armies of middles earth over the
massive riches in the mountain home they journeyed to reclaim. After the exciting beginning that serves
to tie up the previous film and sets to table for this one, we begin to see the brotherhood between the
dwarfs, a wizard, a few elves and a Hobbit that focuses on the bonds of friendship and loyalty. This
builds on itself as it leads to the climactic battle of the five armies. The battle is on the grand scale you
would come to expect from these middle earth films, only at times this battle seems to rely on a bit too
much CGI and thus almost plays out cartoonish. Granted, this is a fantasy world were Dwarfs, Elves and
Men are fighting Orcs so it is really not that hard to suspend disbelief in the first place. Thus the film is
entertaining in its own right as it wraps up one trilogy and bridges to another.
This bridge is what surprised me most. We received a bit more insight to some of the higher beings and
their understanding that villain in the Lord of the Rings trilogy is slowly returning to power. These
sequences are entertaining and great for fan service, but they seem to be handled a bit to simply as it
makes us wonder, if they knew this dark figure was alive, why did they wait so long (The Lord of the
Rings Trilogy) to do something about it. Still, it is nice to see the story wrapped up into one complete
adventure that viewer could connect all the way through.
In the end, those fans of the books and previous films will be pleased with the action, pace and way this
film wraps everything up. Other than the sequence of Bilbo’s interaction with Smaug in the last film, The
Hobbit: The Battle of the Five Armies is the best film in the Hobbit Series.
Gareth von Kallenbach (980 KP) rated Alvin and the Chipmunks: Chipwrecked (2011) in Movies
Aug 7, 2019
Alvin and the Chipmunks are back in an all new adventure along with Dave and the Chipettes. Directed by Mike Mitchell, this is the third installment in the new Chipmunk franchise. The voices of the Chipmunks and Chipettes include none other than Justin Long (Alvin), Matthew Gray Gubler (Simon), Jesse McCartney (Theodore), Amy Poehler (Eleanor), Anna Faris (Jeanette), Christina Applegate (Brittany), Alan Tudyk (Simone), David Cross (Ian ) and of course we can’t forget Jason Lee (Dave) . This installment, like the other two, are jam-packed with great actors and comedians who together have made an entertaining film not only for children but for adults as well.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
The Chipmunks and the Chipettes are on their way to performing at the International Music Awards and are taking a small vacation before their big show to relax. At least that is what the plan was, until good ol’ Alvin, who always has to be the risk taker, changes the plans. Because of his crazy antics he ends up causing himself, his brothers, the Chipettes, Dave and the ships pelican mascot to go over board and get subsequently marooned on a deserted island. Dave and the pelican mascot end up on a different part of the island than the Chipmunks and Chipettes and both groups think they are doomed and will never be found. As luck would have it, they meet Zoe (Jenne Slate). Zoe has been on the island for quite a few years after being marooned herself and has made it her home. When the island is in trouble when a sleeping volcano begins to wake up; it is up to everybody to get over their inhibitions and help each other get to safety. Along the way everybody learns some life lessons but will Dave ever get to see the Chipmunks again and make it to the music awards?
The plot of this film is very simple and a bit short, but you have to remember that it is geared mainly to children. I still enjoy the Chipmunks and it is such a treat after having grown up watching the cartoons and seeing what modern filmmaking offers a new generation of kids. Most adults may not like the new songs and may find it annoying. I on the other hand love it, with some of the songs being performed better by chipmunks than the actual artists. This movie is recommended for families and the young at heart for a great afternoon movie. Although the first two movies in the franchise are my favorite, this installment is entertaining and will for sure put a smile on your face.
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Gareth von Kallenbach (980 KP) rated Logan Lucky (2017) in Movies
Jul 11, 2019
Jimmy Logan (Channing Tatum) just got fired from his job and found out that his ex-wife is moving his daughter to another state. He lives for his daughter and needs to get money fast to pay for a lawyer to fight the move. He decides that the best way to get this fast cash is to rob his previous employer, the Charlotte Motor Speedway. He enlist the help of his brother Clyde Logan (Adam Driver), his fast driving sister Millie Logan (Riley Keough), and explosives expert Joe Bang (Daniel Craig). Together they hatch a plan to rob the cash vault under the NASCAR track during the biggest race of the year. It won’t be easy for the crew as they must overcome many obstacles along the way. For one they only one of them who can blow the massive safe, Bang, is currently in prison. Bang also insists that his two inept brothers be included in the heist. There is also the matter of a large private police force patrolling the track. But the biggest hurdle may be the Logan family curse. Something bad is seemingly always happening to the family. Jimmy was destine to go to the NFL before a freak accident ruined his knee and ended his football career. Clyde was on his way back home from deployment in the Army and was hit by a roadside bomb and lost his arm. If they can overcome all of this they can walk away with a fortune.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.
Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
Heather Cranmer (2721 KP) rated You Won't Know Her Name in Books
Feb 17, 2022
When I first heard of You Won't Know Her Name by Santi Hershenson, there was just something about the synopsis that was calling to me to read it. The synopsis really sucked me in, and I found myself wanting to know more about The Girl. I ended up loving this book!
You Won't Know Her Name is certainly not for the faint of heart. With heavy themes such as bullying and sexual assault, I knew the plot would be a dark read. However, Hershenson writes like a pro, and the way she incorporates these themes into her story didn't put me off reading. The plot is solid and interesting if a little sad at what The Girl had to go through. I loved that there were no chapters, only poems and that each poem started with a title of what the short poem would be about. Each poem flows well into the next. It really made my heart hurt for all the injustices done to the girl (and her sister). What angered me the most was how the school failed this child. Unfortunately, many schools fail bullied children every day. (I speak from personal experience). I would say that there is a plot twist in this story, but there are no cliff hangers. It's just sad that there are so many people (children and adults alike) that have to go through such horrible bullying.
The characters in You Won't Know Her Name felt very realistic. We are told early on by the author that names aren't important so no names are ever mentioned in this story. We have "The Girl" who I felt so bad for. She didn't deserve any of the hate and the uncaringness she got. I just wanted to protect her so much throughout the story and tell "The Person" (The Girl's bully) to just back off. The Person acted in such a vile way toward The Girl and her sister. It made me wonder about The Person's background though. Was The Person being bullied at home to act out that way in school? I am, by no means, excusing The Person's behavior though.
Trigger warnings for You Won't Know Her Name include sexual assault (not graphic), profanity, talks of suicide, and violence. The author has included trigger warning notices at the start of each poem that could possibly trigger some readers though.
You Won't Know Her Name is a sad but a good read. There is some good to come out of it though. You Won't Know Her Name is a thought provoking read about a subject that, sadly, many children (and adults) have to deal with although they shouldn't.
Overall, You Won't Know Her Name is a well written piece of poetic literature that everyone should read. I would highly suggest that parents read it with their child and discuss it. If you are a librarian, buy this book for your library. It's not a long book either, so even the most hesitant reader could get a lot from it. I would definitely recommend You Won't Know Her Name by Shanti Hershenson to those aged 14+. Trust me, this is a book that needs to be read.
You Won't Know Her Name is certainly not for the faint of heart. With heavy themes such as bullying and sexual assault, I knew the plot would be a dark read. However, Hershenson writes like a pro, and the way she incorporates these themes into her story didn't put me off reading. The plot is solid and interesting if a little sad at what The Girl had to go through. I loved that there were no chapters, only poems and that each poem started with a title of what the short poem would be about. Each poem flows well into the next. It really made my heart hurt for all the injustices done to the girl (and her sister). What angered me the most was how the school failed this child. Unfortunately, many schools fail bullied children every day. (I speak from personal experience). I would say that there is a plot twist in this story, but there are no cliff hangers. It's just sad that there are so many people (children and adults alike) that have to go through such horrible bullying.
The characters in You Won't Know Her Name felt very realistic. We are told early on by the author that names aren't important so no names are ever mentioned in this story. We have "The Girl" who I felt so bad for. She didn't deserve any of the hate and the uncaringness she got. I just wanted to protect her so much throughout the story and tell "The Person" (The Girl's bully) to just back off. The Person acted in such a vile way toward The Girl and her sister. It made me wonder about The Person's background though. Was The Person being bullied at home to act out that way in school? I am, by no means, excusing The Person's behavior though.
Trigger warnings for You Won't Know Her Name include sexual assault (not graphic), profanity, talks of suicide, and violence. The author has included trigger warning notices at the start of each poem that could possibly trigger some readers though.
You Won't Know Her Name is a sad but a good read. There is some good to come out of it though. You Won't Know Her Name is a thought provoking read about a subject that, sadly, many children (and adults) have to deal with although they shouldn't.
Overall, You Won't Know Her Name is a well written piece of poetic literature that everyone should read. I would highly suggest that parents read it with their child and discuss it. If you are a librarian, buy this book for your library. It's not a long book either, so even the most hesitant reader could get a lot from it. I would definitely recommend You Won't Know Her Name by Shanti Hershenson to those aged 14+. Trust me, this is a book that needs to be read.
Heather Cranmer (2721 KP) rated Then She Was Gone in Books
Apr 27, 2019
Just Okay
I loved I Found You by Lisa Jewell, so when I read the synopsis of her other book, Then She Was Gone, it was a book I knew I had to read. While this book was still a good read, it wasn't great, and I was left feeling a little disappointed.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
The plot for Then She Was Gone was interesting enough although I did predict the mystery of why Poppy looked like Ellie early on. There were a couple of plot twists that I didn't see coming though of which I was thankful. I was constantly trying to figure out what Floyd's endgame was when it came to Laurel. I was also always hopeful that Ellie would return home safely. I thought the ending was done nicely. It tied up all loose ends and provided me with enough closure to be satisfied.
The one thing that bothered me, and I know it's a personal preference, was how the book was written in present tense aside from when Ellie and Noelle were telling their side of the story. It just really irks me when books are written this way. That really seemed to take away from the story for me.
The characters in Then She Was Gone were mostly believable. I had a hard time believing Noelle's side of things could actually happen for as long as they did when it came to Poppy. I also had a hard time believing Noelle could stay a virgin for so long. Poppy seemed very intelligent for her young years to not have been in some kind of advanced schooling. Poppy came across more of an adult than a child in every scene she was in. The author does attempt to explain why Poppy is the way she is, but I still found Poppy a bit unrealistic for a little girl. I liked Laurel, and I could only imagine her pain, but I felt like she was too uncaring toward her daughter Hanna and her son Jake. Maybe I'd have to be in Laurel's shoes to understand what it's like (although I pray I never am). It would have been nice to get a glimpse of Hanna's and Jake's point of view of things. Jake is hardly ever mentioned in the book, and there were many times I had to rack my brain to remember who Jake was whilst reading Then She Was Gone. It seems like Jake was put in as an afterthought to quickly tie up some loose ends. I enjoyed the character of Paul, Laurel's ex-husband. I admired his sunny disposition. Sara-Jade was another character I liked a lot although she wasn't in the book often enough. I liked Floyd and felt he was a well fleshed out character, but I was always wary when it came to him.
The pacing was done well enough. My interest never wavered, and I found myself needing to know what happened next to see if my predictions were correct. Then She Was Gone is definitely a page turner. I'll give it that.
Trigger warnings for Then She Was Gone include profanities, sexual situations (although not graphic), kidnapping, drinking alcohol, violence, death, murder, and miscarriages.
Overall, Then She Was Gone is just a decent read. The plot is interesting enough, and some of the characters are well written. For me, the present tense use really took away my enjoyment of the book. I would still recommend Then She Was Gone by Lisa Jewell to those aged 17+ especially to those who like thrillers.
Gareth von Kallenbach (980 KP) rated Vacation (2015) in Movies
Jun 19, 2019
It is hard to believe it has been 32 years since Chevy Chase took his family on their now infamous “Vacation” and in doing so launched a series that would eventually spawn four movies.
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
The well-meaning but unlucky Griswold family gave new meaning to family trips and Europe, Christmas, and Las Vegas will never be the same.
In the new version, Rusty (Ed Helms) works away as a pilot for a commuter airline which ensures he is home each evening to see his beloved wife Debbie (Christina Applegate) and their sons Kevin and James.
The family tradition has been to go to as cabin for the Memorial Day weekend but after hearing that their neighbors recently went to France and that Debbie yearns for a break from the cabin, Rusty opts to take the family on a road trip to Wally World, where he has fond memories from the trip he took as a child.
The idea of spending a long week in a car does not sit well with his family but they decide to indulge their father and hit the road.
It does not take long for the Griswold legacy to start and after a series of hysterical and outrageous encounters along the way ranging from an ill-fated Sorority reunion, an awkward father and son conversation at a pool, running afoul of a trucker, and some hysterical car problems, and more, the crew make it to Texas to see Rusty’s sister Audrey (Leslie Mann) and her husband Stone (Chris Hemsworth).
Rusty has always had a distrust of Stone as he flirts with his wife and shows off his toned physique whenever he can, and touts his success to all.
Naturally some more mishaps ensue on this visit and Rusty and his family continue their trip with stops to the Grand Canyon and Four Corners.
There are plenty of other moments but suffice it to say that challenges and mishaps are the Griswold way whenever a trip is involved and Rusty has to seek help from his parents which sets up a great finale as Chevy Chase and Beverly D’Angelo add to the fun.
The film has plenty of nods to moments from the series but is very much its own film and not a reboot. The humor in the film is a bit raw for those used to the recent PG-13 efforts from the series, but I think returning the series to the R-Rated origins of the original film was a good idea as it allows the unexpected and outrageous to happen more often and it does many times during the film.
I went in hoping for an amusing continuation of the series and what I got was a film that had me laughing throughout and had some cringe-worthy moments where my wife alternated between laughing and hiding her eyes from the outrageous antics.
The cast did a great job of carrying on the Vacation tradition while establishing their own characters. They are not retreads of Ellen and Clark, as Rusty and Debbie are very much their own people with everyday concerns.
Here is hoping we see this group down the Holiday Road again in the future.
http://sknr.net/2015/07/29/vacation/
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
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