Search
Hadley (567 KP) rated In Cold Blood: A True Account of a Multiple Murder and Its Consequences in Books
Aug 2, 2020
The writing (1 more)
The flow
In the 'Introduction' of Capote's true crime novel In Cold Blood, American writer Bob Colacello states: "Capote was one of the first who dared to elevate journalism to the level of art. In Cold Blood is a work of great discipline and even greater restraint, a tale of fate, as spare and elegiac as a Greek tragedy, as rich in its breadth and depth as the classic French novels of Stendhal and Flaubert. 'We all have our souls and we all have facades,' Truman Capote told his friend Kay Meehan a year or so before he came upon the news that would inspire his masterpiece, 'and then there's something in between that makes us function as people. That's what I have the ability to communicate.' "
The novel, which was published in 1965, is an eyewitness account of Capote's visitation to the scene of the murder as well as meetings with the murderers and townspeople- - - a retelling of the crime and aftermath, mostly from the eyes of those affected, by hundreds of hours of interviews and interrogations. The novel, ultimately, was the end of Capote which led him to alcoholism that took his life in 1984.
Like most small-town murders, a tension between residences is created when a well-known and well-liked family of four is brutally murdered, and everyone begins to point a finger at the other: "But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again - - - those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers." Fortunately, the KBI (Kansas Bureau of Investigation) didn't allow these accusations to keep them from finding the real killers.
" 'Deep down,' Perry continued, 'way, way rock bottom, I never thought I could do it. A thing like that.' " Perry Smith, one of the murderers, confesses to his cohort and partner-in-crime, Richard Hickock, about murdering the Clutter family. "Presently, he said, 'Know what it is that really bugs me? About that other thing[Clutter murder]? It's just I don't believe it- - - that anyone can get away with a thing like that.' And he suspected that Dick [Richard] didn't, either. For Dick was at least partly inhabited by Perry's mystical-moral apprehensions. Thus: 'Now, just shut up!' "
Capote writes clearly of the impact that Smith's and Hickock's past may have played leading up to the murders, mostly focusing on Smith's traumatic childhood. During the trial portion of the book, a psychologist is brought in to point out how the two murderers may not have been responsible for their actions due-to instances in their past - - - a horrific car crash in Hickock's that left him with a lop-sided face and black-out spells, as well as Smith being physically and emotional abused by his alcoholic mother and father. In exploring these traumas, In Cold Blood leaves the impression that these two men were merely ticking time bombs and that the Clutter family, unfortunately, had to pay for it.
The trauma shared by Hickock and Smith help to shape the two murderers into actual human beings rather than monsters throughout the novel: one scene, where we get to read a letter to Smith from his last living sister, readers get to see how he was perceived by his family members, as his sister goes on to degrade him to the maturity level of a child and that she is above him because of that- - -but she also reveals her jealousy of their father loving him more than he ever loved her (despite the excessive abuse). A close friend of Smith's tells him to be careful writing her anymore because he believes that: 'they can only serve to increase your already dangerous anti-social instincts.'
Part of the narrative, too, is the KBI agent in-charge of the Clutter murder, Alvin Dewey: One day while visiting Holcomb's well-known cafe (Hartman's) where Dewey is told he looks awful from weight loss and fatigue - - - Dewey recalls that he had spent: 'two wearying and wasted days trying to trace that phantom pair, the Mexicans sworn by Paul Helm to have visited Mr. Clutter on the eve of the murders.' And then he gets heckled by a local, who wants to know why he hasn't found the people responsible yet,but Dewey simply smiles and walks away, having put up with numerous people being angry that the murders were taking so long to solve.
But it wasn't footwork that got the pair arrested, it was an old cellmate who had given Hickock the idea that there was $10,000 in a safe at the Clutter farm that came forward: (read this on my blog because I had to cut it out since my review was too long!).
Meanwhile, readers also get to experience Hickock and Smith's troubles as they are on the run after the murders which is done masterfully by Capote. And although one would assume that the killers would stay as far away from Kansas as possible, the two end up back there, only to miraculously get out before the police can catch up with them. The pair decide to head to Florida, where, on December 19, 1959, an entire family was murdered in the exact same way as the Clutters; Hickock and Smith both adamantly denied that they were involved with it - - - and back in 2012- - - Hickock and Smith's bodies were exhumed to compare their DNA with a profile found on one of the victim's clothing: they were not a match. The case remains unsolved til this day.
" Presently he[Smith] came across an inner-page story that won his entire attention. It concerned murder, the slaying of a Florida family, a Mr. and Mrs. Clifford Walker, their four-year-old son, and their two-year-old daughter. Each of the victims, though not bound or gagged, had been shot through the head with a .22 weapon. The crime, clueless and apparently motiveless, had taken place Saturday night, December 19, at the Walker home, on a cattle-raising ranch not far from Tallahassee."
Not soon after the pair leave the Florida beaches, they are arrested on what they believe to be parole violations, but it's clear, when the arresting officers are KBI agents that they had been caught for the Clutter murders. " 'Listen good, Perry. Because Mr. Duntz[KBI agent] is going to tell you where you really were...' Midway in the questioning, after he'd[Smith] begun to notice the number of allusions to a particular November weekend, he'd nerved himself for what he knew was coming, yet when it did, when the big cowboy with the sleepy voice said, 'You were killing the Clutter family' - - - well, he'd damn near died. That's all. "
The confession that follows is the most intense part of the book, given in it's entirety, readers finally get to know what happened to the Clutter family that cold night in November, 1959. Smith reveals that he never had the intention to kill anyone in the home, and that when the safe hadn't been found, he had fully intended to leave, even without Hickock, but what kept him there was Hickock threatening to rape Nancy Clutter. Smith states that he hates people who can't control themselves sexually, and that he didn't allow his partner to touch her at all. He also reveals that he thought about killing Hickock afterwards,stating: " no witnesses."
Capote didn't write 'In Cold Blood' until after Hickock and Smith were executed. The amount of interviews, court room appearances, and even witnessing the executions of both murderers shines through in this novel. But the book has also brought about doubters; a handful of people have since come forward to state that Capote's masterpiece is either 'not the full story' or 'completely wrong.' Just as recent as 2017, a man came forward with a 'manuscript' of a book that Hickock was writing, that contained a different confession on how and why the murders took place- - - Hickock states in this unpublished manuscript that a man by the name 'Roberts' had hired him and Smith to kill the Clutters.
Whether or not you believe that Capote wrote the whole truth or some of the truth, this novel is flawless and beautiful. The writing is poetic and the flow of the story keeps moving, page after page, never stopping long enough to bore the reader. I highly recommend this book as a MUST READ for anyone who loves the True Crime genre.
The novel, which was published in 1965, is an eyewitness account of Capote's visitation to the scene of the murder as well as meetings with the murderers and townspeople- - - a retelling of the crime and aftermath, mostly from the eyes of those affected, by hundreds of hours of interviews and interrogations. The novel, ultimately, was the end of Capote which led him to alcoholism that took his life in 1984.
Like most small-town murders, a tension between residences is created when a well-known and well-liked family of four is brutally murdered, and everyone begins to point a finger at the other: "But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again - - - those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers." Fortunately, the KBI (Kansas Bureau of Investigation) didn't allow these accusations to keep them from finding the real killers.
" 'Deep down,' Perry continued, 'way, way rock bottom, I never thought I could do it. A thing like that.' " Perry Smith, one of the murderers, confesses to his cohort and partner-in-crime, Richard Hickock, about murdering the Clutter family. "Presently, he said, 'Know what it is that really bugs me? About that other thing[Clutter murder]? It's just I don't believe it- - - that anyone can get away with a thing like that.' And he suspected that Dick [Richard] didn't, either. For Dick was at least partly inhabited by Perry's mystical-moral apprehensions. Thus: 'Now, just shut up!' "
Capote writes clearly of the impact that Smith's and Hickock's past may have played leading up to the murders, mostly focusing on Smith's traumatic childhood. During the trial portion of the book, a psychologist is brought in to point out how the two murderers may not have been responsible for their actions due-to instances in their past - - - a horrific car crash in Hickock's that left him with a lop-sided face and black-out spells, as well as Smith being physically and emotional abused by his alcoholic mother and father. In exploring these traumas, In Cold Blood leaves the impression that these two men were merely ticking time bombs and that the Clutter family, unfortunately, had to pay for it.
The trauma shared by Hickock and Smith help to shape the two murderers into actual human beings rather than monsters throughout the novel: one scene, where we get to read a letter to Smith from his last living sister, readers get to see how he was perceived by his family members, as his sister goes on to degrade him to the maturity level of a child and that she is above him because of that- - -but she also reveals her jealousy of their father loving him more than he ever loved her (despite the excessive abuse). A close friend of Smith's tells him to be careful writing her anymore because he believes that: 'they can only serve to increase your already dangerous anti-social instincts.'
Part of the narrative, too, is the KBI agent in-charge of the Clutter murder, Alvin Dewey: One day while visiting Holcomb's well-known cafe (Hartman's) where Dewey is told he looks awful from weight loss and fatigue - - - Dewey recalls that he had spent: 'two wearying and wasted days trying to trace that phantom pair, the Mexicans sworn by Paul Helm to have visited Mr. Clutter on the eve of the murders.' And then he gets heckled by a local, who wants to know why he hasn't found the people responsible yet,but Dewey simply smiles and walks away, having put up with numerous people being angry that the murders were taking so long to solve.
But it wasn't footwork that got the pair arrested, it was an old cellmate who had given Hickock the idea that there was $10,000 in a safe at the Clutter farm that came forward: (read this on my blog because I had to cut it out since my review was too long!).
Meanwhile, readers also get to experience Hickock and Smith's troubles as they are on the run after the murders which is done masterfully by Capote. And although one would assume that the killers would stay as far away from Kansas as possible, the two end up back there, only to miraculously get out before the police can catch up with them. The pair decide to head to Florida, where, on December 19, 1959, an entire family was murdered in the exact same way as the Clutters; Hickock and Smith both adamantly denied that they were involved with it - - - and back in 2012- - - Hickock and Smith's bodies were exhumed to compare their DNA with a profile found on one of the victim's clothing: they were not a match. The case remains unsolved til this day.
" Presently he[Smith] came across an inner-page story that won his entire attention. It concerned murder, the slaying of a Florida family, a Mr. and Mrs. Clifford Walker, their four-year-old son, and their two-year-old daughter. Each of the victims, though not bound or gagged, had been shot through the head with a .22 weapon. The crime, clueless and apparently motiveless, had taken place Saturday night, December 19, at the Walker home, on a cattle-raising ranch not far from Tallahassee."
Not soon after the pair leave the Florida beaches, they are arrested on what they believe to be parole violations, but it's clear, when the arresting officers are KBI agents that they had been caught for the Clutter murders. " 'Listen good, Perry. Because Mr. Duntz[KBI agent] is going to tell you where you really were...' Midway in the questioning, after he'd[Smith] begun to notice the number of allusions to a particular November weekend, he'd nerved himself for what he knew was coming, yet when it did, when the big cowboy with the sleepy voice said, 'You were killing the Clutter family' - - - well, he'd damn near died. That's all. "
The confession that follows is the most intense part of the book, given in it's entirety, readers finally get to know what happened to the Clutter family that cold night in November, 1959. Smith reveals that he never had the intention to kill anyone in the home, and that when the safe hadn't been found, he had fully intended to leave, even without Hickock, but what kept him there was Hickock threatening to rape Nancy Clutter. Smith states that he hates people who can't control themselves sexually, and that he didn't allow his partner to touch her at all. He also reveals that he thought about killing Hickock afterwards,stating: " no witnesses."
Capote didn't write 'In Cold Blood' until after Hickock and Smith were executed. The amount of interviews, court room appearances, and even witnessing the executions of both murderers shines through in this novel. But the book has also brought about doubters; a handful of people have since come forward to state that Capote's masterpiece is either 'not the full story' or 'completely wrong.' Just as recent as 2017, a man came forward with a 'manuscript' of a book that Hickock was writing, that contained a different confession on how and why the murders took place- - - Hickock states in this unpublished manuscript that a man by the name 'Roberts' had hired him and Smith to kill the Clutters.
Whether or not you believe that Capote wrote the whole truth or some of the truth, this novel is flawless and beautiful. The writing is poetic and the flow of the story keeps moving, page after page, never stopping long enough to bore the reader. I highly recommend this book as a MUST READ for anyone who loves the True Crime genre.
Phillip McSween (751 KP) rated Lost In Translation (2003) in Movies
May 13, 2018
Solid Film
When a famous actor hops over to Tokyo to shoot a commercial, he meets a young woman that fills an empty void in his life.
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Acting: 10
Beginning: 10
My son hates dramas and rightfully so as he's a thirteen-year-old boy. He wants to see things blowing up and people getting thrown through walls. Yet somehow, the first ten minutes of Lost In Translation sucked him in as much as it did me prompting him to watch the whole thing. From the time he touches down in Tokyo, Bob Harris (Bill Murray) sucks you in and holds on to your attention for dear life. You're anxious to see what this man is going to do next.
Characters: 10
Staying on Bob for a moment, his character made the film. His dry sense of humor and pure disinterest in everything going on around him is so sincere and captured just perfectly. He's torn between his sense of duty with work and family, so much so that he's almost forgotten how to enjoy life. When Charlotte (Scarlett Johansson) comes along, everything changes for him. Charlotte is innocent and sweet and is somehow drawn to Bob like a moth to a flame. Like most "opposites attract" relationships, the two fit extremely well together and add a sense of appeal to the film. Watching them both interact with the Japanese people and try to bridge cultural and language gaps was easy comedy that works everytime.
Cinematography/Visuals: 10
Conflict: 7
Genre: 10
Memorability: 9
There are a number of memorable scenes that stick out in my head with a couple of favorites I keep replaying. The first is where he's trying to shoot his commercial. The director is trying to relay something to Bob in Japanese which a translator is telling Bob in English. The scene is only five minutes long and had me cracking up from start to finish. In my other favorite scene, Bob has a run-in in his hotel room with a Japanese prostitute. Again, the language disparity makes the entire interaction one hilarious situation.
Outside of memorable scenes, Lost In Translation gives you a pause for introspection and contemplative thought. Oftentimes we wander aimlessly through the relationships in our lives...but what do they really mean? What are relationships without happiness or closeness? What is the real meaning of a connection?
Pace: 9
Plot: 10
Had this film's story taken place in North America somewhere, it wouldn't have been nearly as impactful. With the setting in Japan, it throws a monkey-wrench into a plot that could have been extremely simple and makes it way more intriguing. Are Bob and Charlotte truly falling for each other or are they just connecting because they are lonely and so far from home? Definite food for thought.
Resolution: 8
Ah, the famous ending of Lost In Translation. What did she say? What does it all mean? How does the story end anyway? The ending, while it does leave you hanging, is an intriguing one for sure. I understand the ambiguity and I don't love it, but I'm ok with it.
Overall: 92
Bill Murray is like the Marvel Cinematic Universe...on steroids. They have been putting out hits for a decade now. Murray has been starring in classics for decades. This film is another notch on his belt. Loved it!
Lee (2222 KP) rated Eighth Grade (2018) in Movies
Apr 10, 2019
Eighth Grade had its US release back in July last year and since then, I've seen nothing but praise and high ratings for it online. Only now is it heading to UK cinemas and, for some reason, the powers that be have decided to go and release it at the same time as Avengers: Endgame later this month. Cineworld showed it earlier this week as one of their unlimited screenings, so I thought I'd give it a go before it gets lost among all the Avengers hype when it goes on general release.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Eighth Grade is the directorial debut of comedian and former YouTube star, Bo Burnham. It stars Elsie Fisher as Kayla, a young girl lacking in confidence, awkward around her fellow students at school and generally very quiet by nature. So quiet she even lands the award at school for being the quietest, nominated by fellow students in an awards ceremony held during assembly. The movie basically follows the daily struggles of Kayla and her life as a teenager. By night she endlessly scrolls through social media feeds and records her own YouTube videos. Her posts are confident, self help motivational videos about teenage issues, but rarely get more than a single like. She spends her days attempting to follow her own advice and dealing with the anxiety and heartbreak that brings. You feel genuinely awkward with her and spend the majority of the movie totally rooting for her, hoping she'll make it through this tough period of life. Even at home she struggles - mum is no longer on the scene and conversations with her dad are just strained and awkward. All of what makes this feel so natural and believable is down to Elsie Fisher, who is incredible as Kayla, a real star in the making. It all goes to show that growing up can be so hard, girls can be real bitches and boys can be absolute dicks!
I guess your overall enjoyment of the movie kind of depends on whether you can relate to, or appreciate, any of the experiences or feelings that Kayla has. Being a socially awkward father of two daughters, I guess I was hoping to find a lot more to relate to and enjoy than I actually did. To be fair, there are plenty of perfectly observed, wonderfully acted and genuinely beautiful moments throughout, but the movie plays too much like a documentary and that worked against it for me. Far too many moments, particularly around the middle section, when the movie really dragged. And at only 93 minutes long, I shouldn't really be checking my watch and hoping for it to end in the way that I did.
Probably only about 15 or so people attended the large screening of this at my local Cineworld, and around half a dozen of those got up and left during the movie. I wondered if this was indicative of the other screenings around the country but, judging by the reaction online afterwards, approximately 90% of Cineworld Unlimited members seem to have really loved it, with many declaring it their favourite movie so far this year! So I guess this is one of those movies that's really going to divide people. Worth checking out though, and hopefully you'll enjoy it a lot more than I did.
Movie Metropolis (309 KP) rated The Grey (2012) in Movies
Jun 10, 2019
Is there ever a better match up than Liam Neeson and a good solid action flick? This reviewer thinks not and this is exactly what we have here. However, Joe Carnahan’s latest offering, The Grey is a lot more than the formulaic paint by numbers action movie.
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
Emma @ The Movies (1786 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I can guarantee that Everybody Knows was woefully under scheduled in cinemas across the country. I luckily got to see this while I was travelling for work, there's the occasional handy perk!
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
Emma @ The Movies (1786 KP) rated Booksmart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Due to terrible scheduling I managed to miss the Booksmart Unlimited Screening. (Who puts them on a bank holiday?!) Thankfully it appeared again in the listings and I pootled off out to see it!
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Amy and Molly are about to graduate and do amazing things with their lives. They've worked hard, studying was their lives, but what soon becomes evident is that even those students that partied are going on to ivy league schools and getting their dream jobs. Have they wasted their high school lives thinking they couldn't have it all? More importantly, can they turn it around and see out their school career with the ultimate 180?
It's safe to say that the internet is obsessed with Booksmart. Olivia Wilde is making her film directorial debut, the cast is chock-full of talented actors and the subject matter is a continually popular one, so really that fact the internet has gone wild is a bit of a no brainer.
Beanie Feldstein and Kaitlyn Dever play our leads, Molly and Amy. Both of them are particularly good and their chemistry is incredible. There was no point where I didn't believe they were best friends trying to deal with their situations. Even though Amy is the "back seat" friend in her relationship with Molly she thankfully gets a lot of screen time. Dever is probably my favourite bit of this film, she's very funny and creates a surprisingly laid back Amy despite all the drama.
The support cast is strong and I only had a couple of quibbles which was more to do with the characters than the acting. Jessica Williams as Miss Fie was a stand out for me, and I love the idea that she's that close with her students. Her part in the ending of the film was particularly amusing.
Going into Booksmart I was expecting funny, but I really wasn't prepared for the emotion. The party is a climax for a lot of the story points and we see Molly and Amy going for their own high school wins. As you'd expect, this leads to a bit of conflict. The way this is handled is thoughtful and stops the final scene from this sequence being over the top with the script.
Booksmart captures the larger than life high school experience and the only thing that might be a little too much is the fact that the character traits are all knocked up a couple of notches, they go get a little close to the line.
While I liked a lot of things about Booksmart I was surprised at how the beginning took so long to really get going. It wasn't until their scheme was underway that I started to enjoy it a bit more. It's an entertaining comedy with some surprise emotion thrown in but something didn't quick click and I'm not sure if it's the slow start or the sudden dose of reality at the end that's done that.
I kept thinking of other things to mention but I could have gone on for ages so I'll just add a couple of out of context comments: Barbies, pizza guy and "motherf***ing homework".
What you should do
Definitely one to watch, it's amusing and slightly awkward so perhaps choose your cinema buddy wisely.
Movie thing you wish you could take home
I would like Gigi's clearly superhero powers.
Debbiereadsbook (1202 KP) rated Nothing Serious in Books
Jul 15, 2019
really kinda cute!
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Mark finally admits to himself and his partner of 9 years, that he is gay. While Rachel is devastated, she knows things have not been right between them for a long time. Mark moving out of their home seems the best thing to do, but they will remain friends. On moving day, Jamie shows up with his brother, and Mark feels an immediate attraction to the younger man. When Jamie drops a box contains some. . .personal items, Mark is mortified but Jamie finds the blush on Mark’s face adorable, and all kinds of sexy. But neither man is looking for anything serious right now, so they can just help each other out, right?
This book, right here, landed in my queue just when I needed it to, cos its far too stinking cute for its own good!
It’s a wonderfully well written tale of a newly out of the closet man, finding himself and all about his sexuality, with a willing young man who wants to help. Jamie finds Mark attractive, but he doesn’t want anything serious, last time he ran away when *serious* was talked about, so helping Mark explore all the joys of sex with a man, seems a good way to get close to Mark, while keeping his distance.
Mark has an immediate attraction to Jamie, and when Jamie suggests a friends with benefits type arrangement, Mark is keen to get to know Jamie.
What neither man expected, or wanted, was their emotions to get involved, and when they both realise this is what was happening, Mark and Jamie struggle with ways to talk to each other about it!
It’s not overly explicit, but it is all kinds of sexy! There is no real drama, save the guys finally admitting to themselves, at least, what they feel for each other.
It really is one of those books you just fall into and lose a few hours. It’s only short, some 154 pages, but it packs a hefty punch of cuteness! I listened to this, it’s just over 4 hours.
Michael Pauley narrates.
I have, in the past, found Pauley a bit hit and miss, for me, personally. Here, however, he really nails it!
Pauley’s voices for Mark and Jamie are different enough to be easily identifiable when they are talking, for all the characters, actually. His reading voice is clear and even, and I had no trouble keeping up. There were no dips in the sound to put me off, which has happened with Pauley before. It’s just where he lowers his voice, for thinking or musing, really but here, there is no dipping.
I loved how Pauley gets all the things running around in Mark and Jamie’s heads across, you genuinely sort of fall in love with them, as they fall in love with each other!
I’ve shelved it on my *kinda creeps up on ya* shelf, simply because, that’s what happens!
Love creeps up on Mark and Jamie and it was a pleasure listening to that happen.
4 stars for the book
5 stars for the narration
4.5 stars overall.
**same worded review will appear elsewhere**
Mark finally admits to himself and his partner of 9 years, that he is gay. While Rachel is devastated, she knows things have not been right between them for a long time. Mark moving out of their home seems the best thing to do, but they will remain friends. On moving day, Jamie shows up with his brother, and Mark feels an immediate attraction to the younger man. When Jamie drops a box contains some. . .personal items, Mark is mortified but Jamie finds the blush on Mark’s face adorable, and all kinds of sexy. But neither man is looking for anything serious right now, so they can just help each other out, right?
This book, right here, landed in my queue just when I needed it to, cos its far too stinking cute for its own good!
It’s a wonderfully well written tale of a newly out of the closet man, finding himself and all about his sexuality, with a willing young man who wants to help. Jamie finds Mark attractive, but he doesn’t want anything serious, last time he ran away when *serious* was talked about, so helping Mark explore all the joys of sex with a man, seems a good way to get close to Mark, while keeping his distance.
Mark has an immediate attraction to Jamie, and when Jamie suggests a friends with benefits type arrangement, Mark is keen to get to know Jamie.
What neither man expected, or wanted, was their emotions to get involved, and when they both realise this is what was happening, Mark and Jamie struggle with ways to talk to each other about it!
It’s not overly explicit, but it is all kinds of sexy! There is no real drama, save the guys finally admitting to themselves, at least, what they feel for each other.
It really is one of those books you just fall into and lose a few hours. It’s only short, some 154 pages, but it packs a hefty punch of cuteness! I listened to this, it’s just over 4 hours.
Michael Pauley narrates.
I have, in the past, found Pauley a bit hit and miss, for me, personally. Here, however, he really nails it!
Pauley’s voices for Mark and Jamie are different enough to be easily identifiable when they are talking, for all the characters, actually. His reading voice is clear and even, and I had no trouble keeping up. There were no dips in the sound to put me off, which has happened with Pauley before. It’s just where he lowers his voice, for thinking or musing, really but here, there is no dipping.
I loved how Pauley gets all the things running around in Mark and Jamie’s heads across, you genuinely sort of fall in love with them, as they fall in love with each other!
I’ve shelved it on my *kinda creeps up on ya* shelf, simply because, that’s what happens!
Love creeps up on Mark and Jamie and it was a pleasure listening to that happen.
4 stars for the book
5 stars for the narration
4.5 stars overall.
**same worded review will appear elsewhere**
Midge (525 KP) rated Shallow Water in Books
Jan 23, 2019 (Updated Jan 23, 2019)
Lots of suspense (1 more)
Great lead characters
Nail-biting Thriller!
"Shallow Water" is a nail-biting, edge-of-your-seat story that has a bit of everything. From tension, fear, and panic to drama, romance and conflict, and joy and sorrow, there really is something for everyone. It is a suspenseful, psychological thriller fiction novel set in wonderfully scenic Pt. Redwood on California’s rural Mendocino coast.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
What’s really likeable about it straight-away are the opening chapters that draw you into the main character, Clara Kendrick. She is a strong, feisty, sexy, confident, badass, journalist, but is living her life under the shadow of the past. She partially blames herself for the terrible unsolved murder of her best friend Ruthi eight years ago, memories of which continue to haunt her.
Clara receives a telephone call from a relative begging her to go and visit her sick mother who she hasn't seen since she fled from her home town all those years ago. She can't bear the thought of seeing her first-love and old flame Sean again. Relationships are put to the test when she does return and past issues are brought to the fore.
But not long into her return to Pt. Redwood, another teenage girl is found on the beach in similar circumstances to Ruthi. Clara and Sean find themselves at the centre of the investigation. Is there a serial killer at large, or is the second murder a coincidence?
I felt instantly on her side of the emotional and impulsive Clara, particularly in her initial dealings with Sean, her handsome, bad-boy first-love. You can immediately sense there is something still going on, and one of the highlights of the book is following how they deal with their emotional baggage. Sean is, at first, hard to work out but you gradually get to know him as the story unfolds and see that he has many surprising qualities. Both the plot and the character development are excellent, and the story-line is very believable. The story is both captivating and engaging. It held my interest from start to finish, and I found myself rooting for both Sean and Clara as they tried to deal with all of the accusations being made against them and the courage they showed in confronting their challenges.
"Shallow Water" was an interesting novel particularly for the interplay of the different characters - a distant and indifferent mother, a group of exceptionally bitchy grown-up teenagers and a judgemental, close-knit community. Plenty of twists and turns ups and downs along the way and plenty of surprises. I loved the authors writing style which I found very easy to read and the suspense at times had me scared and almost afraid to read on. I loved it!
I did figure out who was behind the murders but not until very near the climax of the book and I was very satisfied with the ending. I have been inspired to read more from Amanda J. Clay and I highly recommend this book. I suggest wholeheartedly that you add it to your reading list.
Thank you to LibraryThing and the author, Amanda J. Clay for a free ARC of this book in exchange for a voluntary, honest review.
Emma @ The Movies (1786 KP) rated The Turning (2020) in Movies
Mar 2, 2020
On reflection, I'm going to have to apologise to Like A Boss for saying it was the worst film I saw in January.
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html
Another adaptation of another classic novel... I'll get this broken record fixed at some point, I promise. Though not until after Dolittle, oh and The Invisible Man, oh and The True History Of The Kelly Gang... you know what? Never mind!
Kate is looking for a different challenge and so she quits her teaching job to become governess to a young girl living on her uncle's estate with his housekeeper after her parent's tragic death. Life in the house is strange even before her brother arrives home suddenly from boarding school. There's something untoward going on but everything defies logic. Can she get out without it slowly eating away at her sanity?
But Emma, this is a horror and you don't like going to horrors at the cinema! No, you're right, but I'm still trying to be brave... but my god do I wish I'd picked a better film.
The first thing I would query is the time jump this film makes from its source material. I can understand wanting to modernise something to get a new audience, I really can, but its setting in 1994 didn't make a lot of sense and at the same time wasn't very noticeable. Within the house and grounds you'd be forgiven for thinking it was a period thriller because there was little to remind you it wasn't. Why not just go the whole hog and set it in the present day? The house could still have been off the grid, it would have allowed for extra backstory being inserted by her researching (I suspect the inclusion of Kate's friend was to allow for extra story details) and then in the climax of the film she could have been cut off from her access to the outside world. There's nothing quite like making an audience fear the technology they hold dear like that.
1 hour and 34 minutes, that was the entire runtime. Normally that's something to be applauded, but in this instance it was an agonising 94 minutes of programming. There was nothing in the film that gripped me, mild intrigue at times, but there was nothing to sustain that interest through any major sections of the film. Jump scares seemed to be the way it wanted to go but even I, the scardiest scaredy cat there ever was, could see them coming, meaning they made no impact.
Both Mackenzie Davis and Finn Wolfhard are good actors but there was no chemistry on screen. I felt no genuine tension between the two at all even though Miles was the certainly playing the creeper card a lot.
If you're talking about The Turning then you have to address the style of ending. A film that leaves you able to interpret what you want from certain events is something to be treasured and is a stroke of genius when done correctly. It's a great marketing tool because your audience are still thinking about the film and discussing it with people long after they've seen it. But for that discussion to be positive you need to have a film that hooks you in and The Turning just didn't do that for me.
Sometimes suspense works better as the written word.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-turning-movie-review.html