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ClareR (5551 KP) rated A Throne of Swans in Books
Jan 7, 2020
A Throne of Swans is set in a kingdom where the nobility have the ability to change in to giant birds. Aderyn prematurely takes over the role of Protector of Atratys, a dominion within this kingdom, after her fathers death. Her ancestral bird is a swan, but she finds that she’s no longer able to transform into one, after she and her mother are attacked by hawks - and her mother is murdered. This is a very dangerous position to be in. As one of the flightless, she could have Atratys taken from her, and she could be exiled or, worse still, executed.
Aderyn is dumped into a hotbed of distrust, lies and barely concealed violence, when she is expected to go capital city by order of the King, her uncle. She is wanted by her cousin, the princess, to be one of her bridal party at her upcoming nuptials. All is not as it seems though, and Aderyn finds that both she and her dominion of Atratys are very much at risk of harm.
I love a book with courtly intrigue, and this has loads! Aderyn has to watch every word she says and who she says it to - she can trust no one. She has gone from being a protected, shut away child, to being the one who must protect all of those in her care - she does seem to have the courage for it though. She’s a fighter, that’s evident throughout.
I’m very much looking forward to the second book in this duology - there are some serious loose ends to tie up!
Thanks to Readers First for my copy of this great book to read and review.
Aderyn is dumped into a hotbed of distrust, lies and barely concealed violence, when she is expected to go capital city by order of the King, her uncle. She is wanted by her cousin, the princess, to be one of her bridal party at her upcoming nuptials. All is not as it seems though, and Aderyn finds that both she and her dominion of Atratys are very much at risk of harm.
I love a book with courtly intrigue, and this has loads! Aderyn has to watch every word she says and who she says it to - she can trust no one. She has gone from being a protected, shut away child, to being the one who must protect all of those in her care - she does seem to have the courage for it though. She’s a fighter, that’s evident throughout.
I’m very much looking forward to the second book in this duology - there are some serious loose ends to tie up!
Thanks to Readers First for my copy of this great book to read and review.
The Container Principle: How a Box Changes the Way We Think
Alexander Klose and Charles Marcrum
Book
We live in a world organized around the container. Standardized twenty- and forty-foot shipping...
Salvaged (Releasing the Magic #2)
8.0
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Book
What do you do when you find out you’re the thing you fear most?Seven months ago, the Void Virus...
Think of Me
10.0
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A heartbreaking new novel of grief, family and the enduring power of love from the author of We Must...
World War 2 North Africa Historical fiction Post war Britain
The Surreal Life of Leonora Carrington
Book
In 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared...
Lenard (726 KP) rated The Kitchen (2019) in Movies
Sep 2, 2019
Hell's Kitchen 1977... the Irish mob takes care of the neighborhood, but times are tough these days. The economy created a new term: stagflation where prices rise, unemployment increases, and the economic growth slows. The supply of gas was cut off. There was a serial killer on the loose. The Irish mob had just experience a change in leadership that changed the dynamic of the neighborhood. The old leader was arrested doing a job as well as his associates. The mob could not afford to take care of the "widows." Using the education of one, the street sense of another, and the killer instinct of the third, they begin to operate their own gang in the neighborhood. A gang that will actually protect the neighborhood from street thugs. But going against the Irish mob is never a good idea no matter how weak they are, so a couple of pacts are sealed and Fate is tempted.
"The Kitchen" is based on a graphic novel series. Multiple story threads and divergent schemes are explored. The whole thing is much better suited for a miniseries or limited series than a feature film. Nowadays there is a cinematic quality to certain shows on pay channels so it wouldn't even lose the visual quality Andrea Berloff wants. This is the only problem with the film. The acting is top-notch, especially character actor Bill Camp. The writing is good. The story just needed a lot more space to grow. Ruby is an extremely complex character that would have benefited from character development inherent in a long-form series. A girl from Harlem who had the softness beaten out of her who has a long game which could have been explored in more depth especially considering the co-conspirators she acquires.
"The Kitchen" is based on a graphic novel series. Multiple story threads and divergent schemes are explored. The whole thing is much better suited for a miniseries or limited series than a feature film. Nowadays there is a cinematic quality to certain shows on pay channels so it wouldn't even lose the visual quality Andrea Berloff wants. This is the only problem with the film. The acting is top-notch, especially character actor Bill Camp. The writing is good. The story just needed a lot more space to grow. Ruby is an extremely complex character that would have benefited from character development inherent in a long-form series. A girl from Harlem who had the softness beaten out of her who has a long game which could have been explored in more depth especially considering the co-conspirators she acquires.
Surge: Gay Dating App
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Discover hot gay men nearby with the fastest-growing gay dating and social networking app on Apple...
Rachel King (13 KP) rated Spy Glass (Glass, #3) in Books
Feb 11, 2019
I finally got around to finishing this series, and I am glad I did. While the series sometimes seemed to drag on and on, and I often found Opal's character frustrating, she finally figures out her own purpose in life in the final book, as well as ties up all of the loose ends of her life.
Forgiveness seems to be a central theme in this series, but most especially in the final book with Opal's interactions with Devlen's character. While I am still conflicted over their relationship, I tend to take the position that if the main character is happy with it, I'm happy with it, too. Devlen's changes seem to pose the question: Do people really change? We like to believe they do in theory , but when it comes to those who perform the really evil crimes, few people are willing to accept that it's truly possible. Opal actually did finally believe this about Devlen, which makes her a rare individual.
Opal's character can be quite confusing at times - she can be very emotional and reactive, but at the same time she has endured unimaginable circumstances and has made herself into a battle-hardened warrior. How many females today can do what she can - even without the magic included? She has certainly earned the right to make her own decisions - and handle whatever consequences come along.
I loved the two children she picks up along the way, and how they help her to understand her own magical abilities. They bring out the maternal instincts in her, which I always appreciate in literature of this nature. The cult that these two were members of fits the stereotype very well, at times both disgusting me and making me want to jump in and rescue those poor people myself.
The coolest part of the book was when Valek taught Opal how to be a proper spy - it reminded me of the Study series by Maria V. Snyder that I loved so much. Valek is such an enigmatic character that he deserves his own trilogy!
Forgiveness seems to be a central theme in this series, but most especially in the final book with Opal's interactions with Devlen's character. While I am still conflicted over their relationship, I tend to take the position that if the main character is happy with it, I'm happy with it, too. Devlen's changes seem to pose the question: Do people really change? We like to believe they do in theory , but when it comes to those who perform the really evil crimes, few people are willing to accept that it's truly possible. Opal actually did finally believe this about Devlen, which makes her a rare individual.
Opal's character can be quite confusing at times - she can be very emotional and reactive, but at the same time she has endured unimaginable circumstances and has made herself into a battle-hardened warrior. How many females today can do what she can - even without the magic included? She has certainly earned the right to make her own decisions - and handle whatever consequences come along.
I loved the two children she picks up along the way, and how they help her to understand her own magical abilities. They bring out the maternal instincts in her, which I always appreciate in literature of this nature. The cult that these two were members of fits the stereotype very well, at times both disgusting me and making me want to jump in and rescue those poor people myself.
The coolest part of the book was when Valek taught Opal how to be a proper spy - it reminded me of the Study series by Maria V. Snyder that I loved so much. Valek is such an enigmatic character that he deserves his own trilogy!
JT (287 KP) rated The Wolfman (2010) in Movies
Mar 10, 2020
As what we would describe as the classic monster horror, this remake of the 1941 black and white picture in some way does itself and the original some justice.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.