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Richard Curtis recommended Knocked Up (2007) in Movies (curated)

 
Knocked Up (2007)
Knocked Up (2007)
2007 | Comedy, Romance
8.4 (7 Ratings)
Movie Favorite

"I don’t know why because I’m almost never in Los Angeles, but I went to the premiere of Knocked Up. Some cousin of Judd Apatow‘s was going to propose to his girlfriend, but was shy, so what Judd did was brought up the cousin and his girlfriend onto stage and Jack Black hid behind, knelt on the floor behind the cousin, and very noisily proposed to her. So the first time I saw the film I was in a very good mood having had such a brilliant start. But Knocked Up, like The Hangover which is also wonderful, is full of really really funny things; particularly the friends. When that group of friends is together, everyone has a sort of weird idiosyncratic joke which is perfectly expressed every time they appear, from the guy with the beard downwards. There are so many other funny things — when Kristen Wiig is rude to Katherine Heigl when she gets her job, and she’s going on about how lucky she is to get the job, it’s completely hilarious. Both Seth Rogen and Katherine are so charming and funny, and it’s so modern, on the edge and hard; a real romantic film. I think that if romantic comedies are meant to be romantic and funny, then that’s a perfect example. It’s very relaxed and at ease with itself, and doesn’t try too hard, or doesn’t seem to be trying very hard, and I think that’s very much to do with how Judd makes his movies. I’m sure he knows exactly what he wants, but it does have a slightly improvisational edge to it, because he does work with people that he knows very well, so there’s a naturalness to it, and I think it’s a great modern film. I haven’t seen Funny People yet, but I have very high hopes for it, I’m looking forward to it a great deal."

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Kristy H (1252 KP) rated Good Company in Books

Apr 15, 2021  
Good Company
Good Company
Cynthia D'Aprix Sweeney | 2021 | Contemporary, Fiction & Poetry
6
6.0 (1 Ratings)
Book Rating
Well-written albeit slow going look at marriage and motherhood
Flora Mancini has been happily married for twenty years. But that foundation crumbles when she finds her husband's wedding ring--the one he claimed he lost when their daughter was five--in the back of a drawer. Now she wonders what exactly Julian has kept hidden from her all these years. Is their whole marriage, their whole life, based on a lie?

This is such a hard book to review, because I loved Sweeney's THE NEST so very much. And GOOD COMPANY, while a nice book, is just not THE NEST. Don't get me wrong, it's not a bad book, it just did not move me as much as THE NEST.

GOOD COMPANY offers a thoughtful look into marriage and relationships. It's one of those interesting novels where it feels like not much happens, yet it truly covers the span of an entire relationship--a whole marriage. But there is a lot of ruminating, a lot of speculation, and a lot of angst. It's a very New York sort of book, even if Flora and Julian move to Los Angeles when their daughter, Ruby, is young.

This book is well-written, of course. Sweeney is a wonderful writer. It switches between time periods (the present, and going back in Flora and Julian's relationship) and various points of view, which include Flora, Julian, Ruby, and Flora's best friend, famous actress Margot Ledder. I probably felt the most for Ruby--it's hard to really sympathize much for the adults here. And this is a very "theater" book, with Flora, Julian, and Margot all being in the business. If that's not your thing (it's not mine), it's a little harder to feel engaged in some of the story.

Overall, this is an interesting read, but it can be slow going at times and hard to feel engaged with all the characters. If you like introspective, character-driven reads or you're a theater geek, GOOD COMPANY may be for you. 3 stars.
  
Rage Against the Machine by Rage Against The Machine
Rage Against the Machine by Rage Against The Machine
1992 | Rock
9.0 (1 Ratings)
Album Favorite

"It's a unique combination of what Zack de la Rocha is doing with his voice and what Tom Morello [guitarist] is doing. If you separate the two, you find yourself thinking: "Well, how could this possibly work?" But again they were game changers. They came along at a time in Los Angeles when there was nobody else doing that style. I don't think anyone has done anything like that successfully. They were a band that were immersed in different kinds of activism and that was something that definitely caught my attention. Who else was doing that? Who was doing that and selling millions of records? And, of course, by doing that they were able to cross over into different scenes and different generations of people that could listen to that type of music. Some of the stuff on here is still just as relevant today as it was when it was released. It's just the intensity of some of those messages for me as a singer. He performs with such conviction. You have got to believe what Zack is saying and he makes you understand what he's talking about. That's the heart of what Rage is all about. They're all behind exactly what he's saying. There's been a lot made in recent years of the idea that bands don't have anything to say anymore, or that they're ambivalent now, but I think everyone is saying something. Even Priest have made a comment in 'Crossfire', where we talk about religion and gun violence. I think a lot of the time these messages just slip under the radar for some people. Priest have never pushed back from making a comment on things that we see in the world or that affect us and think need to be commented on. So I think it's definitely out there. It's just that bands are now doing it a lot more subtly than Rage did."

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