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Gareth von Kallenbach (977 KP) rated The creator (2023) in Movies
Sep 28, 2023
Taken from the pages of today’s headlines; “The Creator” presents a fresh yet complicated look at A.I. and how it may play into the future.
Director Gareth Edwards presents a future where A.I. has evolved to be incorporated into all aspects of society ranging from medical to production and the military.
When a deadly attack hits Los Angeles, the United States declares war on A.I. units and not only bans them but looks to hunt down and eliminate all units worldwide.
This causes an issue with the Asian Block where A.I. units are manufactured and actively incorporated into society with zero prejudice or concerns.
Joshua (John David Washington), sits out the conflict in Asia content with his wife and the pending birth of their child. When a U.S. raid arrives it is revealed that Joshua is actually undercover for the military and his wife sees this as a betrayal and flees with her allies and A.I. units but is killed in the process.
Years later Joshua is recruited to take part in a raid to eliminate the person behind the A.I. and take out the new weapon they have reportedly constructed. Unwilling at first; Joshua is convinced by the possibility that his wife survived the attack.
During the raid, it is revealed that the weapon is a robotic child Joshua named Alphie (Madeline Yuna Voyles) and Joshua is forced to flee with Alphie and in doing so; has divided loyalties as his focus is to find his wife despite the U.S. forces in hot pursuit and destroying all the communities with A.I. they encounter.
While parts of the film do tend to run a bit long; the cast is top-rate and the film provides an interesting debate on A.I. and its use in society and does so with a solid amount of action in the process.
4 stars out of 5
Director Gareth Edwards presents a future where A.I. has evolved to be incorporated into all aspects of society ranging from medical to production and the military.
When a deadly attack hits Los Angeles, the United States declares war on A.I. units and not only bans them but looks to hunt down and eliminate all units worldwide.
This causes an issue with the Asian Block where A.I. units are manufactured and actively incorporated into society with zero prejudice or concerns.
Joshua (John David Washington), sits out the conflict in Asia content with his wife and the pending birth of their child. When a U.S. raid arrives it is revealed that Joshua is actually undercover for the military and his wife sees this as a betrayal and flees with her allies and A.I. units but is killed in the process.
Years later Joshua is recruited to take part in a raid to eliminate the person behind the A.I. and take out the new weapon they have reportedly constructed. Unwilling at first; Joshua is convinced by the possibility that his wife survived the attack.
During the raid, it is revealed that the weapon is a robotic child Joshua named Alphie (Madeline Yuna Voyles) and Joshua is forced to flee with Alphie and in doing so; has divided loyalties as his focus is to find his wife despite the U.S. forces in hot pursuit and destroying all the communities with A.I. they encounter.
While parts of the film do tend to run a bit long; the cast is top-rate and the film provides an interesting debate on A.I. and its use in society and does so with a solid amount of action in the process.
4 stars out of 5
Gareth von Kallenbach (977 KP) rated Collateral (2004) in Movies
Aug 14, 2019
Max (Jamie Foxx), is a man with ambition. He toils his evenings driving a cab in Los Angeles while dreaming of opening his own limo company and making it big. Sadly Max is also a man who is hampered by indecision, as he is unable to take the final step to move towards his dream preferring for the comfort of always dreaming rather than achieving.
In the new Drama “Collateral”, Max is about to have his notion of life and the world turned upside down by a passenger named Vincent (Tom Cruise), who is a polar opposite of Max in every way. Vincent is a well-dressed business man who hires Max for the evening as he needs to make five stops in order to complete what he says are real estate deals. Although reluctant at first, the thought of $600.00 for a few hours work soon convinces Max to take the job and ferry Vincent around Los Angeles.
En route to the first stop, Vincent questions Max about why he is waiting to start his company when he could easily lease a Town car to get started and expand from there. The question unsettles the usually mild Max as what the stranger is saying makes a lot of sense but it also undermines the fact that Max is uncomfortable with taking the next step be it in his business ventures or in his social life such as calling an attractive attorney who was clearly interested in him.
While waiting for Vincent after the first stop, the sky literally falls upon Max’s word when a body crashes on his cab and Vincent forces Max at gunpoint to hide the body and continue driving him around. Vincent has one evening to complete his rounds and each stop will result in another death despite Max’s best efforts to intervene. No matter what Max attempts to get out of the situation or to again help, Vincent is always one step ahead of him and able to manipulate Max.
It does not take long for the tense situation to escalate as the result of Vincent’s work has not gone unnoticed by the police largely due to Max’s involvement, and this only causes Vincent to become even more focused and even more of a danger to Max as he needs to complete his tasks before morning and stay ahead of the police and other potential dangers.
“Collateral” is a gripping and intense thriller that contains some of the best work Cruise has done in his career as he portrays Vincent as a complex character who does not find fault with what he does and has no qualms about taking life, yet is amazed by Max and his unrealized dreams and moved by a performance at a local Jazz club.
One could almost call Vincent a Gentleman bandit were it not for the vast amounts of death and destruction he leaves in his wake. He is clearly an intelligent person who makes no apologies for what he does as he sees it as an insignificant blip in the vast universe.
Foxx meanwhile plays off character as he plays a very quite and withdrawn individual that has to be forced out of his shell. After years of playing brash and outrageous characters it was refreshing to see this talented actor turn in an emotional yet restrained performance that shows that he is a talent on the rise and if properly used, can be a gigantic star as not only is he capable of humor and drama, he can easily move to action when it is warranted and looks comfy and competent doing so.
The film also has some impressive visuals as Director Michael Mann gives viewers some amazing shots of the L.A. skyline at night, and the way he shoots the streets and back alleys with a neon glow gives the film a very natural look. On more than one occasion, I go a sense of déjà vu as the natural manner in which the surrounding city and citizens behave and look like a day in the life of rather than a movie set.
The film does drag a bit roughly ¾ in and some may find the ending a bit pat, but that being said, “Collateral” is a solid action drama and one of the best films of the year.
In the new Drama “Collateral”, Max is about to have his notion of life and the world turned upside down by a passenger named Vincent (Tom Cruise), who is a polar opposite of Max in every way. Vincent is a well-dressed business man who hires Max for the evening as he needs to make five stops in order to complete what he says are real estate deals. Although reluctant at first, the thought of $600.00 for a few hours work soon convinces Max to take the job and ferry Vincent around Los Angeles.
En route to the first stop, Vincent questions Max about why he is waiting to start his company when he could easily lease a Town car to get started and expand from there. The question unsettles the usually mild Max as what the stranger is saying makes a lot of sense but it also undermines the fact that Max is uncomfortable with taking the next step be it in his business ventures or in his social life such as calling an attractive attorney who was clearly interested in him.
While waiting for Vincent after the first stop, the sky literally falls upon Max’s word when a body crashes on his cab and Vincent forces Max at gunpoint to hide the body and continue driving him around. Vincent has one evening to complete his rounds and each stop will result in another death despite Max’s best efforts to intervene. No matter what Max attempts to get out of the situation or to again help, Vincent is always one step ahead of him and able to manipulate Max.
It does not take long for the tense situation to escalate as the result of Vincent’s work has not gone unnoticed by the police largely due to Max’s involvement, and this only causes Vincent to become even more focused and even more of a danger to Max as he needs to complete his tasks before morning and stay ahead of the police and other potential dangers.
“Collateral” is a gripping and intense thriller that contains some of the best work Cruise has done in his career as he portrays Vincent as a complex character who does not find fault with what he does and has no qualms about taking life, yet is amazed by Max and his unrealized dreams and moved by a performance at a local Jazz club.
One could almost call Vincent a Gentleman bandit were it not for the vast amounts of death and destruction he leaves in his wake. He is clearly an intelligent person who makes no apologies for what he does as he sees it as an insignificant blip in the vast universe.
Foxx meanwhile plays off character as he plays a very quite and withdrawn individual that has to be forced out of his shell. After years of playing brash and outrageous characters it was refreshing to see this talented actor turn in an emotional yet restrained performance that shows that he is a talent on the rise and if properly used, can be a gigantic star as not only is he capable of humor and drama, he can easily move to action when it is warranted and looks comfy and competent doing so.
The film also has some impressive visuals as Director Michael Mann gives viewers some amazing shots of the L.A. skyline at night, and the way he shoots the streets and back alleys with a neon glow gives the film a very natural look. On more than one occasion, I go a sense of déjà vu as the natural manner in which the surrounding city and citizens behave and look like a day in the life of rather than a movie set.
The film does drag a bit roughly ¾ in and some may find the ending a bit pat, but that being said, “Collateral” is a solid action drama and one of the best films of the year.
Diners & Drive-Ins TV Unofficial Guide
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Welcome to the best-selling guide to the hit TV show Diners, Drive-Ins, and Dives. 980 Diners...
Gareth von Kallenbach (977 KP) rated The Lincoln Lawyer (2011) in Movies
Aug 7, 2019
Mick Haller (Matthew McConaughey) is a criminal defense attorney who works out of his Lincoln Town Car in Los Angeles, hence the title of the movie and book “The Lincoln Lawyer” by Michael Connelly. Mickey defends all kinds of criminals and all he expects from his clients is that they pay him. While he may be a rather shifty lawyer, he is a loving father to his daughter Hayley (Mackenzie Aladjem) and he obviously still cares for her mother Maggie McPherson (Marisa Tomei).
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
Now although he has many clients, none are really big money clients. That changes one day when Louis Roulet (Ryan Phillippe), a rich Beverly Hills playboy, is arrested for assault & attempted rape and he wants Mick to defend him. At first Mick believes that he will be able to easily get his client acquitted, but as he and his investigator Frank Levin (William H. Macy) dig deeper, they discovery disturbing information about the case and it’s possible link to another.
In his quest to win the all mighty “Not Guilty” verdict, Mick has many obstacles (both professional and personal) placed before him that he must successfully navigate around, and treachery hiding in the shadows that he must bring into the light or else he may lose more than just a case.
While the entire cast was incredible, Matthew McConaughey and Ryan Phillippe gave equally amazing performances (this is especially true for any scene that they were both in). The characters were well-developed, believable and for the most part likable, heck I even liked the biker Eddie (Trace Adkins). The storyline was intriguing with a twist or two that I did not see coming and it also had some very nice humor sprinkled in. I did find that in a few scenes the dialogue seemed to be a bit unnatural for what was going on but it didn’t really detract from the overall scenes in question. Personally I hope this film does well enough that they make a sequel (I believe the book’s sequel is The Reversal) because I would like to see more of these characters in action.
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Charlie Cobra Reviews (1840 KP) rated Dora and the Lost City of Gold (2019) in Movies
Jul 7, 2020
A Fun Family Film For Everyone
Dora and the Lost City of Gold is a 2019 adventure comedy movie directed by James Bobin and producer Kristin Burr, with screenplay by Nicholas Stoller and Matthew Robinson from a story by Tom Wheeler and Nicholas Stoller. It is a loose based continuation and live-action adaptation of the kids show created by Chris Gifford, Valerie Walsh Valdes and Eric Weiner and produced by Paramount Players, Nickelodeon Movies, Walden Media, Media Rights Capital and Burnt Productions with distribution by Paramount Pictures. The film stars Isabela Moner, Eva Longoria, Michael Pena, Jeff Wahlberg and Eugenio Derbez.
Spending her days going on adventures with her cousin Diego (Jeff Wahlberg), her monkey friend Boots (Danny Trejo) and imaginary friends "Map" and "Backpack", Dora (Isabela Moner), daughter of explorers, Cole (Michael Pena) and Elena (Eva Longoria) lives deep in the Peruvian jungle. Diego leaves to be with his family in Los Angeles one day while Dora's family remains searching for Parapata, the lost Inca city of gold. 10 years later, Dora's parents decide to send her to live with her cousin Diego in LA when they decipher the location of Parapata. While on a class trip, Dora and others are lured and captured by mercenaries who fly them to Peru where they plan to force her to find her parents for them.
I was pleasantly surprised with this movie. I guess that happens when you really don't have any expectations at all. I thought this movie was pretty funny and also pretty good for expanding on what was originally a 30 minute kids show that was mostly educational. The girl playing Dora, Isabela Moner, did a great job in her role of Dora. She was optimistically upbeat the whole film even when things didn't go her way but still showed a fragile side to her at the same time that she did incredible feats. Eugenio Derbez was also incredibly funny and did an awesome job as well. The movie was everything you expect for a fun family film and at the same time had good lessons or values to take away from it at the same time. I give this movie a 6/10.
Spending her days going on adventures with her cousin Diego (Jeff Wahlberg), her monkey friend Boots (Danny Trejo) and imaginary friends "Map" and "Backpack", Dora (Isabela Moner), daughter of explorers, Cole (Michael Pena) and Elena (Eva Longoria) lives deep in the Peruvian jungle. Diego leaves to be with his family in Los Angeles one day while Dora's family remains searching for Parapata, the lost Inca city of gold. 10 years later, Dora's parents decide to send her to live with her cousin Diego in LA when they decipher the location of Parapata. While on a class trip, Dora and others are lured and captured by mercenaries who fly them to Peru where they plan to force her to find her parents for them.
I was pleasantly surprised with this movie. I guess that happens when you really don't have any expectations at all. I thought this movie was pretty funny and also pretty good for expanding on what was originally a 30 minute kids show that was mostly educational. The girl playing Dora, Isabela Moner, did a great job in her role of Dora. She was optimistically upbeat the whole film even when things didn't go her way but still showed a fragile side to her at the same time that she did incredible feats. Eugenio Derbez was also incredibly funny and did an awesome job as well. The movie was everything you expect for a fun family film and at the same time had good lessons or values to take away from it at the same time. I give this movie a 6/10.