
Gareth von Kallenbach (980 KP) rated Due Date (2010) in Movies
Aug 8, 2019
Zach Galifianakis’s role as Ethan Tremblay is wildly funny, though he plays a role very similar to the one he played in The Hangover, with a slightly more childish demeanor. If his character in the Hangover was a 14 year old in an adult’s body, in this film he is a 7 year old boy.
Peter Highman, played by Robert Downey Jr., is obviously frustrated because he’s trying to get home to his very pregnant wife. This inevitably creates an anger that is only exacerbated by the stupidity and carelessness of Ethan. The minor truces and cease-fires they found during their trip were constantly being broken by something Ethan would do that was hilariously rude and dumb.
This film walked a fine line with both characters, with Ethan pushing the charm up to keep us from totally hating him, all the while allowing Peter be an asshole from time to time to keep us from being too sympathetic to him. In one particularly funny moment, during a side stop soon after they take off from Atlanta, we see Peter discipline a young boy in a ridiculously inappropriate way that makes us question his fitness as a father. It’s during these times that the movie really shines. The chemistry between them was good for the most part, but the inevitable reconciliation between them was rushed at the end, and while the actors more than did their jobs, the script didn’t give them very much cause to act so suddenly benevolent toward each other.
Overall, the movie was funny, but not quite funny enough. Some of the gags were fairly disgusting, and while most didn’t detract from the movie, only a few really came across as well-executed. This movie had the potential to be very funny, but with some unresolved plot holes and some long stretches where nothing much was going on, I wouldn’t really recommend this to my friends, despite the big name actors and hype.

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Bong Mines Entertainment (15 KP) rated New to You by Samie Bower in Music
Jul 10, 2019
“Forget who you thought was around. What you allow? Let me take you outta town. I know you down. I’ma go show you around. Tell me what you wanna do now. I’m in awe, I called out. Staying with you, me and you. I’ma go start on the car now. I’m with tunes and food now. I don’t stall, I pull out. So demanding, yet monotone. I’m all up in there.” – lyrics
‘Tell Me’ tells an interesting tale of a young guy who fears that his significant other will leave him one day for the same guy who she broke up with in order for them to be together.
Now, he’s having doubts, buggin’ out, paranoid, wondering if she will be around in a month’s time. Later, he admits that he doesn’t want her to do him like she did her ex-beau.
Even though they say they shouldn’t be together, neither one of them really wants to leave their problematic relationship.
‘Tell Me’ contains a relatable storyline, harmonious vocals, and melodic instrumentation flavored with PBR&B (R-neg-B Hipster R&B) elements.
“It’s an on-going situation about how the one you left your past for, is now worried you’re gonna leave them and go back to who you left originally. With the chorus saying ‘I don’t want that done to me’ is basically a translation of ‘yeah, you can do that to get to me. But you can’t do it towards me so you leave’. It’s a string of webs for a storyline, but a true situation people go through every day. Being in a good relationship, but then suddenly finding someone else, so you leave to be with the new person. But at the same time, as time goes on, you have second thoughts and think about going back to who you were with originally. Meanwhile, the new person isn’t too happy to see it take place. I see it happen so often, and honestly, it’s a disappointing thing to see, but then again, depends on your perspective.” – Samie Bower
‘Tell Me’ is featured on Samie Bower’s “New to You” album. Check it out below via Spotify.

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