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Gareth von Kallenbach (980 KP) rated Hancock (2008) in Movies
Aug 14, 2019
Throughout the annals of cinema, the big screen has been home to some of the most larger-than-life heroes ever to spring from the pages of comic books. Recent adaptations of Spider-Man, Batman, and Superman, all went on to box office gold and with several more character adaptations in the works, there seems to be no end to the public’s desire to see tales based on costumed heroes with amazing powers.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
Gareth von Kallenbach (980 KP) rated Borat (2006) in Movies
Aug 14, 2019
One of the funniest and most shockingly outrageous comedies in the history of film has arrived, and it is poised not only to make Sacha Baron Cohen a major star, but also ignite controversy. The film is Borat and it follows Cohen’s Kazakhstan news man, Borat, as he leaves his homeland to film a documentary in New York.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Naturally one would expect a fish out of water story, but fans are treated to much more than this as Borat and his backwards thoughts and practices and given form all over the U.S. often to the shock of those around him as well as howls of laughter from the audience.
You see Borat is a man with a few issues. He is anti-Semitic, a misogynist, ignorant and uncultured, and not ashamed of his actions which grow bolder and more outrageous as the film progresses.
The opening segments in his native land like the entire film is filled with one rapid fire joke after another as Borat introduces us to his family and key people in his town such as the town rapist and his sister the prostitute. As funny as the setup and the settings are, it is the clever comments that Cohen slips in that allows Borat to make some biting social and political commentaries.
Once in America, he travels from New York to Los Angeles making several stops along the way with side splitting results as Borat encounters events ranging from a rodeo, polite society, pop culture, a religious revival and much more.
The amazing thing about the film is that it never grows old and over the roughly 84 minutes of the films running time, there are plenty of jokes and a absence of slow spots which are often so common in comedies today.
Cohen is great at portraying Borat as a likeable guy who does not know any better which makes his comments and actions so easy to take. Cohen who is himself Jewish is able to get away with making jokes about his faith as he is doing it through the persona of someone who is ignorant to many realities in the world.
In a way the film allows us to laugh at ourselves as well as Borat is supposed to be a foreigner who does not know better, but is wiser in some ways due to his ignorance of topics. There is a scene where Borat buys a car is a true look at consumerism in the West as he spells out in graphic detail what he wants in a car and what he expects it to do for his love life.
Not only is the scene outrageous but it underscores the message of sex appeal and desirability that is prevalent in car ads aimed at men. Instead of hinting at it, Borat lifts the lid on the subject and takes it on with no punches pulled.
The film is tricky to review as one of the greatest joys of the film is the sense of discovery and not knowing where or what Borat will say or do next. Suffice it to say, that the film is a comedic masterpiece that will have you shocked and laughing harder than any film in recent memory.
Sophia (Bookwyrming Thoughts) (530 KP) rated Fire and Bone (Otherborn, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (980 KP) rated The Muppets (2011) in Movies
Aug 7, 2019
As a child, I have fond memories of watching The Muppet Show and enjoying the mix of comedy, music, and dance with my family and recapping the show with my friends the following day. Kermit, Ms. Piggy, Fozzie the Bear, and the whole gang were my childhood icons and provided countless hours of entertainment with their brilliant and inspired variety show as well as the three movies that followed. It is hard to believe that 1989 was the last time the gang graced the big screen with “The Muppets in Space”. Thankfully they are back in a big way to delight fans, old and new, this holiday season.
The new films stars Jason Segel as Gary, a mild-mannered guy who has a swell life in his small community. He has been dating the lovely Mary (Amy Adams) for ten years and they are excited to plan their first visit to Los Angeles. Gary has a younger brother named Walter who is a huge fan of the Muppets, having grown up watching the beloved show with Gary. The fact that Walter actually is a Muppet might explain his utter devotion to the show and characters. So when Gary invites Walter to accompany Mary and him on their trip, Walter is ecstatic. At long last, he can visit The Muppet Studios.
Upon their arrival in L.A., Walter is shocked to find the studio in shambles and disrepair. Undaunted, Walter sneaks into Kermit’s old office and accidentally overhears a businessman named Tex Richman (Chris Cooper) plotting to steal the property from the Muppets. Determined to thwart Richman, Walter and Gary look up Kermit the Frog who, despite his reluctance, agrees to reunite the gang to put on a tele-thon to raise the needed money to save the theater.
Along the way there are some great and touching segments where we see what many of the characters have been up to in the recent years, and more than a few laughs and musical numbers also follow. In a race against time, and despite the lack of confidence the network has in their relevance, Kermit must whip the cast and theater into shape for an epic performance.
The movie was an absolute joy. It was so refreshing to see how Segel and director James Bobin have brought the Muppets to a new generation without losing the previous ones and staying very faithful to the characters and to Jim Henson’s vision. Segel, who came up with the story and co-wrote the script, seems to be having the time of his life as he sings and dances his way through several production numbers and gives a very funny, and in turns, tender performance.
Adams is a joy as the sweet, yet determined Mary, and the addition of the new Muppet Walter was a treat. Sure the plot may have been fairly formulaic but there were more than enough moments to keep the adults happy. At our screener, the adults were laughing even lauder than the kids in attendance, especially at the numerous pop culture reference, celebrity cameos, and nostalgic nods to the show.
I do not want to spoil the film but from Beaker doing his take on the Nirvana classic “Smells Like Teen Spirit”, to the Swedish Chef channeling Tony Montana from “Scarface” I was thoroughly entertained. I can honestly say this is not only one of the best of the Muppet movies but it is a perfect film to take the family. Just don’t be surprised if you find yourself enjoying the magic as much, if not more, than the kids.
The new films stars Jason Segel as Gary, a mild-mannered guy who has a swell life in his small community. He has been dating the lovely Mary (Amy Adams) for ten years and they are excited to plan their first visit to Los Angeles. Gary has a younger brother named Walter who is a huge fan of the Muppets, having grown up watching the beloved show with Gary. The fact that Walter actually is a Muppet might explain his utter devotion to the show and characters. So when Gary invites Walter to accompany Mary and him on their trip, Walter is ecstatic. At long last, he can visit The Muppet Studios.
Upon their arrival in L.A., Walter is shocked to find the studio in shambles and disrepair. Undaunted, Walter sneaks into Kermit’s old office and accidentally overhears a businessman named Tex Richman (Chris Cooper) plotting to steal the property from the Muppets. Determined to thwart Richman, Walter and Gary look up Kermit the Frog who, despite his reluctance, agrees to reunite the gang to put on a tele-thon to raise the needed money to save the theater.
Along the way there are some great and touching segments where we see what many of the characters have been up to in the recent years, and more than a few laughs and musical numbers also follow. In a race against time, and despite the lack of confidence the network has in their relevance, Kermit must whip the cast and theater into shape for an epic performance.
The movie was an absolute joy. It was so refreshing to see how Segel and director James Bobin have brought the Muppets to a new generation without losing the previous ones and staying very faithful to the characters and to Jim Henson’s vision. Segel, who came up with the story and co-wrote the script, seems to be having the time of his life as he sings and dances his way through several production numbers and gives a very funny, and in turns, tender performance.
Adams is a joy as the sweet, yet determined Mary, and the addition of the new Muppet Walter was a treat. Sure the plot may have been fairly formulaic but there were more than enough moments to keep the adults happy. At our screener, the adults were laughing even lauder than the kids in attendance, especially at the numerous pop culture reference, celebrity cameos, and nostalgic nods to the show.
I do not want to spoil the film but from Beaker doing his take on the Nirvana classic “Smells Like Teen Spirit”, to the Swedish Chef channeling Tony Montana from “Scarface” I was thoroughly entertained. I can honestly say this is not only one of the best of the Muppet movies but it is a perfect film to take the family. Just don’t be surprised if you find yourself enjoying the magic as much, if not more, than the kids.
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Matthew Krueger (10051 KP) rated Cursed (2005) in Movies
Sep 18, 2020
the cgi (2 more)
production problems
PG-13 not R
Hollywood's Own Werewolves
Cursed- could of been better. It had a good young cast of people. Just the movie itself was so-so. The cgi/visual effects were bad, like really bad. So bad it made the movie bad.
The only thing making this film good is its young cast and the horror.
The plot: In Los Angeles, siblings Ellie (Christina Ricci) and Jimmy (Jesse Eisenberg) come across an accident on Mulholland Drive. As they try to help the woman caught in the wreckage, a ferocious creature attacks them, devouring the woman and scratching the terrified siblings. They slowly discover that the creature was a werewolf and that they have fallen victim to a deadly curse. Now that they have been sliced by the werewolf's claws, they will be transformed into werewolves themselves.
Originally planned for 2003, the film is a notable example of development hell, taking over two more years to be made than originally planned, during which producers Bob and Harvey Weinstein kept asking for reshoots and changes to the plot, re-edited the movie to give a PG-13 rating rather than the original intended R-rating, and fired legendary makeup artist Rick Baker to replace the werewolves he had created with computer-generated ones.
The film was a box-office failure and was panned by critics; Craven himself was very displeased with the final result.
The set used for the high school is Torrance High School, the same used for Sunnydale High on Buffy the Vampire Slayer, and West Beverly High on Beverly Hills, 90210 and its spin-off 90210.
However, the film soon suffered numerous production and script issues and was postponed for over a year. While production was stalled, several cast members had to be replaced due to scheduling conflicts with other films. When the movie was rewritten and reshot, many cast members had been cut entirely, including Skeet Ulrich, Mandy Moore, Omar Epps, Illeana Douglas, Heather Langenkamp, Scott Foley, Robert Forster, and Corey Feldman.
Only about 90% of the original version was filmed, leaving the original ending unfilmed. Although, while filming the original version, producer Bob Weinstein told Wes Craven he was happy with the film, he later changed his opinion and ordered for the movie to be reshot with a new plot. After massive reshoots which included filming a new ending, Weinstein told Craven he didn't like the new ending, leading to another ending where Jake attacks Ellie and Jimmy in their home, despite some incoherence with the rest of the film.
In the fall of 2004, Dimension cut the film to a PG-13 rating instead of the planned R rating. Speaking to the New York Post, Wes Craven commented, "The contract called for us to make an R-rated film. We did. It was a very difficult process. Then it was basically taken away from us and cut to PG-13 and ruined. It was two years of very difficult work and almost 100 days of shooting of various versions. Then at the very end, it was chopped up and the studio thought they could make more with a PG-13 movie, and trashed it ... I thought it was completely disrespectful, and it hurt them too, and it was like they shot themselves in the foot with a shotgun.
Its a decent movie.
The only thing making this film good is its young cast and the horror.
The plot: In Los Angeles, siblings Ellie (Christina Ricci) and Jimmy (Jesse Eisenberg) come across an accident on Mulholland Drive. As they try to help the woman caught in the wreckage, a ferocious creature attacks them, devouring the woman and scratching the terrified siblings. They slowly discover that the creature was a werewolf and that they have fallen victim to a deadly curse. Now that they have been sliced by the werewolf's claws, they will be transformed into werewolves themselves.
Originally planned for 2003, the film is a notable example of development hell, taking over two more years to be made than originally planned, during which producers Bob and Harvey Weinstein kept asking for reshoots and changes to the plot, re-edited the movie to give a PG-13 rating rather than the original intended R-rating, and fired legendary makeup artist Rick Baker to replace the werewolves he had created with computer-generated ones.
The film was a box-office failure and was panned by critics; Craven himself was very displeased with the final result.
The set used for the high school is Torrance High School, the same used for Sunnydale High on Buffy the Vampire Slayer, and West Beverly High on Beverly Hills, 90210 and its spin-off 90210.
However, the film soon suffered numerous production and script issues and was postponed for over a year. While production was stalled, several cast members had to be replaced due to scheduling conflicts with other films. When the movie was rewritten and reshot, many cast members had been cut entirely, including Skeet Ulrich, Mandy Moore, Omar Epps, Illeana Douglas, Heather Langenkamp, Scott Foley, Robert Forster, and Corey Feldman.
Only about 90% of the original version was filmed, leaving the original ending unfilmed. Although, while filming the original version, producer Bob Weinstein told Wes Craven he was happy with the film, he later changed his opinion and ordered for the movie to be reshot with a new plot. After massive reshoots which included filming a new ending, Weinstein told Craven he didn't like the new ending, leading to another ending where Jake attacks Ellie and Jimmy in their home, despite some incoherence with the rest of the film.
In the fall of 2004, Dimension cut the film to a PG-13 rating instead of the planned R rating. Speaking to the New York Post, Wes Craven commented, "The contract called for us to make an R-rated film. We did. It was a very difficult process. Then it was basically taken away from us and cut to PG-13 and ruined. It was two years of very difficult work and almost 100 days of shooting of various versions. Then at the very end, it was chopped up and the studio thought they could make more with a PG-13 movie, and trashed it ... I thought it was completely disrespectful, and it hurt them too, and it was like they shot themselves in the foot with a shotgun.
Its a decent movie.