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Heather Cranmer (2721 KP) rated The Bird Eater in Books
Sep 13, 2019
I've read some of Ania Ahlborn's work before and loved it. The Bird Eater was no different. I loved this book and was completely enthralled throughout!
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
Becs (244 KP) rated Death of a Salesman in Books
Oct 2, 2019
Wow. Death of a Salesman was a different style of a literary classic that I was honestly never expecting. It grabbed my emotions and pulled on my heartstrings. The plot contained a rollercoaster of events, and I’ll admit, there were a few times I was utterly confused and wanted to throw the book across the room. But towards the end of the ride, I was able to understand what each issue each of the characters had and what it meant to them.
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Understanding the pain that Willy was going through. Understanding the issues Biff has with stealing from jobs. Understanding Happy’s need to sleep around. Bringing to light the issue of a salesman’s career and how the job market was going downhill. Death of a Salesman is worth a read or a couple of rereads!
Genre: Literary Classic, plays
Audience: Young Adult and Adults
Interests: Plays, salesmen, American Dreams, family-ties
Quality: The quality of Death of a Salesman is not one you can take lightly. There are moments throughout the play that a younger version of myself would never be able to understand until I experienced the real world for myself. Now, I understand what it’s like losing a job you hoped to have for the rest of your life. Becoming depressed to the point that you just don’t know what to do anymore regarding your family other than hoping that they can make ends meet when you’re gone.
Insights: Death of a Salesman shows that dreams are not always sunny beaches and sprinkles. But that it contains a dark side that will rip your happiness and everything you’ve lived for into a million tiny pieces that will never be able to be fixed again.
Favorite Quotes: “The jungle is dark but full of diamonds, Willy.”
“I realized what a ridiculous lie my whole life has been.”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don’t want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can’t I say that, Willy?”
Aesthetics: I love how Arthur Miller shows the reader what it’s like in a world as a struggling family. Nonetheless, a struggling middle-aged man in the fifties who is battling depression and the loss of his career. It really shows the reader that anything can happen, that you could possibly lose your career. That you could possibly lose your home or even your loved ones. Anything can happen when life decides to wipe your slate and leave you with nothing in return. So the time we have now, we must cherish it. For we never know how much time we truly have.
“The only thing you’ve got in this world is what you can sell.”
Darren (1599 KP) rated A.M.I. (2019) in Movies
Oct 14, 2019
Characters – Cassie is a high school student that has been through a traumatic experience, being involved in a car crash that killed her mother, while others in her life have moved on, she still suffers daily, her boyfriend doesn’t give her time and always makes excuses, while her closest friends are more interested in her lifestyle and boyfriend than her. Cassie turns to an AI system on her phone, that starts guiding her on a killing spree against everyone that has done her wrong. Greg is Cassie’s father that has neglected her after her mother’s death drinking and trying to seduce younger women including one of Cassie’s friends. Liam is the asshole boyfriend that is more interested in a career in American football and sleeping around over being caring towards his own girlfriend, he is one of the most unsupportive people you will ever see in a film. Ruby and Sarah are the best friends that are not supportive in any way more interested in her boyfriend than her friendship.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Kristy H (1252 KP) rated Left to Chance in Books
Jan 10, 2018
Great characters (3 more)
Strong portrayal of a small town
Some great funny moments
Lovely and powerful moments
Sweet, touching tale
After six years, Teddi Learner returns to her small hometown of Chance, Ohio to photograph the wedding of her best friend's husband, Miles. Miles is getting remarried after the death of his first wife, Celia. Celia and Miles and had one daughter together, Shayna, who is now twelve. Teddi and Shay had a somewhat superficial relationship after Celia's death--a yearly visit in Chicago, Skype calls, etc. But Shay's now nearly a teenager and she's personally asked Teddi to come to town--a place she's never set foot in since her beloved best friend passed away. When she arrives, she finds Chance has grown, and so has Shay, who is struggling with her father's remarriage and fitting in within her teen friend circle. Further, Teddi's memories of Celia are as strong as ever, and so are her feelings for Celia's brother, Beck, whom she was seeing when she fled town after (okay, pretty much during) Celia's funeral. Teddi has a new life now, photographing weddings all over the country for Hester Hotels. She left Chance behind and never looked back. But now that she's here, she can't help but notice all (and who) she left.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I enjoy picking up novels like this sometime because they let me indulge in my Lifetime / Hallmark movie side (I'm a sucker for those, especially at Christmas time). This book was an excellent diversion and while I certainly could predict some areas, it surprised me in others.
Nathan gives us some great characters, particularly Teddi and Shay. Teddi is complicated and a little annoying, at times, but she comes across as realistically human and flawed. Her love for Celia is incredibly strong and you can feel her loss and heartache come across the pages. The novel is a real testament to female friendship. At times you want to push or prod her a bit, but she's also stronger than she thinks. As for Shay, my heart often broke for the poor girl, struggling at the age of being between a girl and a teenager, with the added difficulty of having lost her mom.
Nathan also does a good job of portraying the eclectic cast of characters in small town Chance, with some good foils popping up for Teddi. Some of my particular favorite appearances included Teddi's cousin, Maggie, and childhood friend, Josie. Because it's a small place, Miles' wedding is the talk of the town, and we see how it brings up some bitterness and long held issues among some, including the immediate family.
Overall, I enjoyed this one. The hardest part was some melodrama in the plot and theme, which got to be a little too much at times. Some things seemed to be blown a bit out of proportion and there can be a lot of different plot threads going on at times. However, there are some really lovely and powerful moments and some incredibly funny ones--much of which stem from the strength of the characters. There's a bit of a picture perfect ending, but not the one I expected. This was a sweet, touching tale in many ways and exactly the read I needed at this point in time. 3.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Hazel (1853 KP) rated Birds Art Life Death: A Field Guide to the Small and Significant in Books
May 23, 2017
Unconventional Field Guide
This eBook was provided by the publisher via NetGalley in exchange for an honest review
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, Birds Art Life Death: A Field Guide to the Small and Significant was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, Birds Art Life Death is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
Birds Art Life Death is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
There comes a time when novelists, as with any creative professional, become unmotivated or at a loss as to what to write about – writer’s block. Such an occurrence happened to children’s novelist, Kyo Maclear. Through the work of her songwriter husband, Maclear discovers a musician struggling with the demands of his career in a competitive world, causing anxiety and depression. In order to distance himself from the stresses of his employment, the musician finds solace in bird watching. Intrigued as to what prompted his ardent interest in birds, Maclear tags along with him for a year, and thus, Birds Art Life Death: A Field Guide to the Small and Significant was born.
To preempt any confusion, despite what the title may suggest, this book is not a field guide about birds. When Maclear began talking to the musician (who remains anonymous except for a mention in the acknowledgements), she was completely nescient on the subject of birds and had a lot to learn. Although some facts are stated in the narrative, Birds Art Life Death is more a reflective memoir of the author’s life. Using bird watching as a key example, Maclear explores the ways artists of all kinds have retreated from the pressures of everyday life in order to take time to appreciate the smaller, less celebrated aspects.
Bird watching, in particular, provides the musician and Maclear the opportunity to sit still (literally) and just be. Paying attention to the numerous habitats of the winged-creatures provides the author with a new outlook on life, and fodder to include in future works (hence this book). It also gives her the opportunity to reflect on her past, her parents – particularly her anticipatory grief toward her elderly father – her husband, and her sons. In fact, the author’s own life features as heavily as the bird watching trips she goes on.
Written in chronological order from winter through to autumn, Maclear’s knowledge of birds increases, as does her awareness of the world and life around her. However, her sequence of events is often interrupted by retrospective thought and additional research, which causes the book to head in too many directions at once. It is as though the author’s disorganized mind has been spilled onto the page for everyone to see.
It is clear, however, that Maclear has put an exceptional amount of time into researching the topic of birds. She does not regurgitate factual, mundane information about the species; instead she has delved deeper and from an artistic point of view, to discover so much more than an encyclopedic textbook would provide.
From a myriad of resources, Maclear has pulled out quotes from bird enthusiasts and creative individuals alike to emphasise the effects birds have had on people’s lives and artistic careers. Interestingly, many artists and authors have found the delicate creatures fascinating and included them in their works, for example: Leonardo da Vinci, Charles Dickens, William Faulkner and Iris Murdoch.
Birds Art Life Death is unlikely to increase your knowledge of birds or bird watching, however it may inspire you to take time out to explore and enjoy nature. Whether you are a creative individual in need of a break, or an office worker desperately wanting some fresh air, Maclear encourages you to step back from the trials of life and find pleasure in the little, but highly significant, facts of being.
An imperfect perfect future
October 2014 Book of the Month
I received this book for free through Goodreads First Reads.
It has been over twenty years since Lois Lowry’s controversial children’s story The Giver was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were The Giver that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (The Haunting) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in The Giver being even more shocking and unexpected.
The Giver highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, The Giver and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with The Giver was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
The Giver is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example Divergent by Veronica Roth or Delirium by Lauren Oliver, will be sure to love this series.
I received this book for free through Goodreads First Reads.
It has been over twenty years since Lois Lowry’s controversial children’s story The Giver was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were The Giver that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (The Haunting) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in The Giver being even more shocking and unexpected.
The Giver highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, The Giver and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with The Giver was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
The Giver is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example Divergent by Veronica Roth or Delirium by Lauren Oliver, will be sure to love this series.
Jamie (131 KP) rated Not a Sound in Books
Aug 15, 2017
Engaging story (2 more)
Great cast of characters, a resilient heroine
Handles the subject of disability with delicacy and respect
A compelling thriller about a deaf woman that finds herself entangled in a murder investigation
The story follows Amelia, a former ER nurse left deaf after a horrible accident that is struggling to get her life back together. I greatly appreciated how delicately the subjects of disability, depression, and alcoholism are handled in this book. Amelia is both a sympathetic character and an admirable one, actively learning how to carry on and create a new life for herself after the loss of her hearing. She’s strong-willed, persistent, and resourceful. Her deafness is a part of who she is, but she is not defined by it. This book was incredibly informative both about the impact that deafness can have on a person’s every day functionality, but also the multitude of tools and resources available to help. I learned quite a lot about the services available for the hearing impaired and thought it was great how well researched the topic is. It wasn’t until after I finished reading that I learned that the author herself is hearing impaired and draws from her own experiences to depict Amelia’s journey toward recovery.
Having read a few of Gudenkauf’s books I can’t help but notice a pattern in her stories that bothers me. In every one of her books that I’ve read the main character always has some connection to law enforcement that gets her “in” an investigation, even though she really shouldn’t see or know any of this information legally. Even worse, the main character always ends up interfering in an investigation by giving the police false leads. I don’t mind following an amateur sleuth that makes mistakes in their investigation it starts to feel repetitive with these characters suspecting everyone of everything.
It’s a very obvious attempt at adding some red herrings to the story to keep the mystery going but it becomes very noticeable once you’re acquainted with the author’s writing style. It is because of this that the story becomes a little predictable and the culprit can be guessed almost as soon as they are introduced. It seems that Gudenkauf may have noticed this, at least, as the character is reprimanded for her meddling and I appreciated this.
Despite this, however, the story kept me interested in finding out the how and they why rather than the who. Gudenkauf has a way of immersing the reader into the story and the characters and it is something that I admire about her work. Her skill with pacing is perfect despite the sometimes overwhelming issues with dangerous interference that is present in many of her books. It is because of these two factors that make her books so hit or miss with me.
This book was a definite hit and I’m so glad that I took a chance on it. It’s rare to find a main character that is disabled in some way and so I was happy that I found this book. I love the commentary that this book has about the importance of trust and empathy in the health industry, a topic that I wish was addressed more often. Even with the mild plot issues it’s worthwhile read for the intense mystery and wonderful cast of characters, especially Amelia and Stitch.
Having read a few of Gudenkauf’s books I can’t help but notice a pattern in her stories that bothers me. In every one of her books that I’ve read the main character always has some connection to law enforcement that gets her “in” an investigation, even though she really shouldn’t see or know any of this information legally. Even worse, the main character always ends up interfering in an investigation by giving the police false leads. I don’t mind following an amateur sleuth that makes mistakes in their investigation it starts to feel repetitive with these characters suspecting everyone of everything.
It’s a very obvious attempt at adding some red herrings to the story to keep the mystery going but it becomes very noticeable once you’re acquainted with the author’s writing style. It is because of this that the story becomes a little predictable and the culprit can be guessed almost as soon as they are introduced. It seems that Gudenkauf may have noticed this, at least, as the character is reprimanded for her meddling and I appreciated this.
Despite this, however, the story kept me interested in finding out the how and they why rather than the who. Gudenkauf has a way of immersing the reader into the story and the characters and it is something that I admire about her work. Her skill with pacing is perfect despite the sometimes overwhelming issues with dangerous interference that is present in many of her books. It is because of these two factors that make her books so hit or miss with me.
This book was a definite hit and I’m so glad that I took a chance on it. It’s rare to find a main character that is disabled in some way and so I was happy that I found this book. I love the commentary that this book has about the importance of trust and empathy in the health industry, a topic that I wish was addressed more often. Even with the mild plot issues it’s worthwhile read for the intense mystery and wonderful cast of characters, especially Amelia and Stitch.
Tracy Anderson's 30-Day Method
Genre: Exercise
ISBN: 9780446562041
Published:September 20th 2010 by Grand Central Life & Style
Rating: 4.5
When reviewing fitness books, I look for books that tell the reader how to fully use their bodies. I really like Anderson's method for two reasons:
1. She knows muscles. She knows how they work, she knows how to train them. In the book, the concept of using certain muscles to perform an exercise is clearly explained. This is a crucial part of muscle training.
2. She had a good balance between aerobic exercise and anaerobic exercise, and she has put them together in a good way.
Anderson was a dancer, she also took Pilates (the right way) and I could see both of those influences in her method. Don't get scared away by that—even if you've never seen the inside of a ballet studio, you'd be just fine working her method! But there is a reason that it is said that dancers are the athletes of God: because they are. Combining cardio (aerobic exercise) with Pilates (conditioning) and dance (alternating engage-disengage exercise to increase stamina) is the perfect combination for weight loss and muscle toning.
Now how to get there if you have never experienced any of that?
Anderson breaks the book down into different sections. The exercise portion, where she fully explains every stretch, position, and movement, is well described for the absolute beginner. More athletic users or advanced athletes would benefit also, but they wouldn't have to read the descriptions of the movements in their entirety.
The DVD is very good: It features Anderson working the exercises in the book enough time to hear the description, see all the details, and do it yourself.
There is also a section in the book with some great meals. The first section is a very thorough introduction that I do not recommend skipping! You'll learn tons about your body! I was also amazed at how much research Anderson did to create this method.
The only thing I don't like: The cardio routine has no verbiage. I expected some talking, either voiceover or real time, with some counting or some description of what you should be doing. However, it was just music and Anderson dancing. It would take me, who has been dancing for almost five years, two or three times doing the DVD to get the combination. It would be a lot more difficult and confusing for someone who doesn't have practice taking what they see and converting it for themselves.
The other thing I wanted to see more of was proper stretching techniques. I honestly have yet to find a book that explains how to properly stretch without injury (it is possible!). My recommendation to anyone who uses this awesome program: stretch well. Stretch correctly. Get a dancer or a sports doctor to give you advice if you need it.
Recommendation: Ages 14+ for anyone serious. This program takes time, energy, and commitment. If you can't commit to about two hours of your day, it's not for you. If you use the program, make sure you follow instructions very carefully to avoid injury! doing exercises incorrectly is a very fast way to end up in the physical therapists office (I can tell you that from personal experience, though not experience from this book).
Genre: Exercise
ISBN: 9780446562041
Published:September 20th 2010 by Grand Central Life & Style
Rating: 4.5
When reviewing fitness books, I look for books that tell the reader how to fully use their bodies. I really like Anderson's method for two reasons:
1. She knows muscles. She knows how they work, she knows how to train them. In the book, the concept of using certain muscles to perform an exercise is clearly explained. This is a crucial part of muscle training.
2. She had a good balance between aerobic exercise and anaerobic exercise, and she has put them together in a good way.
Anderson was a dancer, she also took Pilates (the right way) and I could see both of those influences in her method. Don't get scared away by that—even if you've never seen the inside of a ballet studio, you'd be just fine working her method! But there is a reason that it is said that dancers are the athletes of God: because they are. Combining cardio (aerobic exercise) with Pilates (conditioning) and dance (alternating engage-disengage exercise to increase stamina) is the perfect combination for weight loss and muscle toning.
Now how to get there if you have never experienced any of that?
Anderson breaks the book down into different sections. The exercise portion, where she fully explains every stretch, position, and movement, is well described for the absolute beginner. More athletic users or advanced athletes would benefit also, but they wouldn't have to read the descriptions of the movements in their entirety.
The DVD is very good: It features Anderson working the exercises in the book enough time to hear the description, see all the details, and do it yourself.
There is also a section in the book with some great meals. The first section is a very thorough introduction that I do not recommend skipping! You'll learn tons about your body! I was also amazed at how much research Anderson did to create this method.
The only thing I don't like: The cardio routine has no verbiage. I expected some talking, either voiceover or real time, with some counting or some description of what you should be doing. However, it was just music and Anderson dancing. It would take me, who has been dancing for almost five years, two or three times doing the DVD to get the combination. It would be a lot more difficult and confusing for someone who doesn't have practice taking what they see and converting it for themselves.
The other thing I wanted to see more of was proper stretching techniques. I honestly have yet to find a book that explains how to properly stretch without injury (it is possible!). My recommendation to anyone who uses this awesome program: stretch well. Stretch correctly. Get a dancer or a sports doctor to give you advice if you need it.
Recommendation: Ages 14+ for anyone serious. This program takes time, energy, and commitment. If you can't commit to about two hours of your day, it's not for you. If you use the program, make sure you follow instructions very carefully to avoid injury! doing exercises incorrectly is a very fast way to end up in the physical therapists office (I can tell you that from personal experience, though not experience from this book).
Kristy H (1252 KP) rated Before and Again in Books
Mar 10, 2019
Emotional tale but slow and over-the-top
Driving her five-year-old daughter to a playdate, Mackenzie Cooper's life changes in a moment when she takes her eyes off the road to check her phone's GPS. In that second, she runs a stop sign, and as a result, the other driver and Lily are dead. In the aftermath, Mackenzie finds herself divorced, estranged from her mother and brother, on probation, and moving away from her friends and former life. She reinvents herself in the town of Devon, Vermont, now known as Maggie Reid. There, she does makeup for clients at the Devon Inn and Spa, while living alone in a remote cabin with her pets. Maggie has managed to build a new life for herself in Devon, where no one knows about her life as Mackenzie--plus, she likes her job and she has friends. So when one of them, Grace, finds herself in trouble: her fifteen-year-old son, Chris, is accused of hacking some powerful journalists, Maggie stands by her. It doesn't matter if this could affect her probation or her future. And that's not even the end of the trouble: some surprises from Maggie's past are coming back to her haunt her and threaten the private, quiet life she's worked so hard to create.
So, this was a tough one. Parts of this are a heartbreaking, emotional tale. Other parts I found to be far-fetched and so incredibly slow. The novel almost has two storylines, between Maggie's attempts to find some sort of peace in Devon and then the Grace and Chris tale. For me, it was tough connecting the two, despite the fact that both Grace and Maggie were being forced to confront their pasts and the sensationalism of the media. For most of the book, the two stories run parallel without really connecting, and I found it really hard to care or empathize with Grace at all. Her entire plot is a bit over-the-top. Both she and Maggie were difficult characters--prickly, with their protective shells up.
Of course, the book is also achingly hard to read at points, as Maggie's still reeling from the loss of her daughter. As a parent, I found those parts so difficult to read. But, there was so much talking and introspection from Maggie that it felt like the novel dragged on at points. With Maggie's constant reflection and rehashing, I sometimes just wanted to shake her or move things along. (Also, the endless descriptions of how makeup application worked were far too much for me.)
Still, there were definitely moments where the plot was compelling and moved along, especially near the end. I felt for Maggie, for sure, and enjoyed pieces of this novel. But overall, I found this one slow, disjointed, and hard to get into. Oh and for some reason, being someone even mildly into football, it bothered me that Maggie's probation officer was named Michael Shanahan (a former Redskins coach, among others). When things like that start bothering you, you realize it's probably not the book for you! However, this book is pretty much well-loved by most, so please realize it may have just not been a fit for me.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
So, this was a tough one. Parts of this are a heartbreaking, emotional tale. Other parts I found to be far-fetched and so incredibly slow. The novel almost has two storylines, between Maggie's attempts to find some sort of peace in Devon and then the Grace and Chris tale. For me, it was tough connecting the two, despite the fact that both Grace and Maggie were being forced to confront their pasts and the sensationalism of the media. For most of the book, the two stories run parallel without really connecting, and I found it really hard to care or empathize with Grace at all. Her entire plot is a bit over-the-top. Both she and Maggie were difficult characters--prickly, with their protective shells up.
Of course, the book is also achingly hard to read at points, as Maggie's still reeling from the loss of her daughter. As a parent, I found those parts so difficult to read. But, there was so much talking and introspection from Maggie that it felt like the novel dragged on at points. With Maggie's constant reflection and rehashing, I sometimes just wanted to shake her or move things along. (Also, the endless descriptions of how makeup application worked were far too much for me.)
Still, there were definitely moments where the plot was compelling and moved along, especially near the end. I felt for Maggie, for sure, and enjoyed pieces of this novel. But overall, I found this one slow, disjointed, and hard to get into. Oh and for some reason, being someone even mildly into football, it bothered me that Maggie's probation officer was named Michael Shanahan (a former Redskins coach, among others). When things like that start bothering you, you realize it's probably not the book for you! However, this book is pretty much well-loved by most, so please realize it may have just not been a fit for me.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.