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When Will There Be Good News? (Jackson Brodie, #3)

Kate Atkinson

10.0 (4 Ratings) Rate It

Book

In a quiet corner of rural Devon, a six-year-old girl witnesses an appalling crime. Thirty years...

RED (2010)

7.9 (45 Ratings) Rate It

Movie

When his peaceful life is threatened by a high-tech assassination attempt, former black-ops agent...

Sherlock - Season 1

9.3 (65 Ratings) Rate It

TV Season Watch

The world’s only consulting detective, Sherlock Holmes (Benedict Cumberbatch, Star Trek Into...

Timeless: Recreate the Most Iconic Looks from 100 Years of Beauty

Louise Young

10.0 (1 Ratings) Rate It

Book

This is a beauty bible for the golden ages of style. From the dark, smouldering eyes of the jazz-age...

Moll Flanders: An Authoritative Text, Contexts, Criticism

Albert J. Rivero and Daniel Defoe

(0 Ratings) Rate It

Book

This Norton Critical Edition is again based on the first edition text (1722), the only text known to...

R.I.P.D. (2013)

4.8 (13 Ratings) Rate It

Movie Watch

Veteran lawman Roy Pulsifer (Jeff Bridges) works for the R.I.P.D., a legendary police force charged...

Nicky Wire recommended Rattlesnakes by Lloyd Cole / Lloyd Cole and the Commotions in Music (curated)

"“Louise is the girl with the perfect skin/ She says turn on the light, otherwise it can't be seen/ She's got cheekbones like geometry and eyes like sin/ And she's sexually enlightened by Cosmopolitan”. To think that was a hit record! It can be done. It can be done. I can remember everything. Again, it’s one of my favourite covers ever - the mystery of this story of a hazy door - are you going to open it and enter this world of student bedsit literary excellence? It’s a really underrated album and I absolutely adore it to this day. I’ve been trying to get my kids into it, but they’re not having it. It’s all Daft Punk for them."

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Paul Morrissey recommended The Scarlet Empress (1934) in Movies (curated)

The Scarlet Empress (1934)

1934 | Classics, Drama

(0 Ratings)

Movie Favorite

"This fifth film from von Sternberg and Dietrich is their apotheosis, delirious and excessive, with the most perfectly controlled photography (by Bert Glennon) of any black-and-white film ever made. Dietrich never looked more beautiful, nor flaunted her signature decadent Dietrich persona more fully. Their sixth and final film, The Devil Is a Woman, harshly photographed by von Sternberg himself, just didn’t work. But after The Scarlet Empress, it’s not surprising that neither director nor actor had anywhere better to go, as this film summed up and concluded the greatest actor-director collaboration in film history. And the supporting performances by Louise Dresser, as the empress, and Sam Jaffe, as the mad emperor, are really superb."

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