Search
Charlie Cobra Reviews (1840 KP) rated the PlayStation 4 version of Samurai Warriors 5 in Video Games
Sep 14, 2021 (Updated Sep 14, 2021)
Revamped art style and character designs (1 more)
All new weapon system
Character animations are a bit stiff in scenes with dialogue (1 more)
Battle music can be repetitive
Fantastic Return For The Warriors Series
Samurai Warriors 5 is a 2021 hack and slash, action, "Musou/Warriors" game developed by Omega Force and published by Koei Tecmo. It is available on PS4, Xbox One, Nintendo Switch and PC, with current gen consoles not featuring an upgraded version yet. The fifth installment in the series, it is a re-imagining as almost everything from art style to character designs has been revamped. The story has been redone as well, focusing mainly on Nobunaga Oda and Mitsuhide Akechi, up to the events of the Honno-ji incident.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
Play as the legends of the Sengoku Era of Japanese history in this epic "Warriors" game. Samurai Warriors 5 has been revamped with a new art style and an all new weapon system allowing characters to utilize any weapon in a large arsenal as you mow down hundreds of soldiers from opposing armies. Every weapon has special moves to use in combat and can be upgraded in the blacksmith menu. Characters have a simplistic skill tree and some also have ultimate moves. A stable menu is available to upgrade and train horses you acquire as well. There are two game modes: Musou Mode, which is a mission based story mode and Citadel Mode, which is an extra game mode in which you defend a base while completing different objectives to get the highest score you can.
Utilizing new character designs and a new art style based on Japanese paintings, Samurai Warriors has never looked so good. Musou attacks look great with some ending in a character posing for a painting. Character animations are great in battle but a little stiff in scenes with dialogue, however, the cutscenes are well done.
Battle music can get repetitive but if you love the "Warriors" series it's what you've come to expect. Classic "Warriors" style music with epic rock/metal guitar riffs are mixed with the traditional Japanese style music, although with more emphasis on the latter. Overall the music is very enjoyable. The sound design for weapon combos gives you a good sense of impact too and really makes you feel like you're doing damage.
Samurai Warriors 5 is the tale of Nobunaga Oda, the legendary Japanese Daimyo (Lord) on his quest to unify all the lands of Japan and bring peace to it's people. This game is based off of historical records of Nobunaga's life and that of Mitsuhide Akechi with many liberties taken to romanticize real life historical accounts. The plot follows them through their lives, up to the incident at Honno-ji.
Verdict: [7/10]
A fantastic return to form for the "Warriors" series after the abysmal Dynasty Warriors 9. The new art style is a refreshing take and gameplay innovates while simultaneously not alienating lovers of past games in the series.
Ryan Hill (152 KP) rated Aquaman (2018) in Movies
Jun 8, 2019
"war is coming to the surface"
Aquaman is absolutely a disciple of the superhero formula we've seen used, reused and recycled over the past couple decades...but its formula done right. There's an inherent lunacy to a hero like Aquaman; his myth is built upon a lost Atlantean culture that's simultaneously advanced technologically and heavily influenced by ancient Greek mythology, and his powers included near-Superman levels of strength and invulnerability existing alongside an ability to communicate with marine life. This makes approaching his story from a gritty, realistic perspective damn near impossible.
Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.
It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.
I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.
Instead Wan and the writers behind Aquaman intelligently focus on world-building and following the tried-and-true "heroic journey"; complete with initial rejection of a prophesied role, slow but steady immersion into said role's culture, recognition of the need for growth and change, and eventual assumption of role. It's been seen before and it'll be seen again. But what propels Aquaman ahead of other films like it is the energy that Wan imbues it with. It's goofy without undermining the sincerity of Arthur's journey. It's fast-paced and simple-minded without sacrificing the weight and universality of this particular hero's myth. It's loud and colorful and *full* of CGI everything without reducing itself to an over-commercialized, artless heap of nothingness.
It's a big-ass blockbuster with personality. Momoa has charisma to spare; he owns the physicality and irreverence of this new imagining of the king of the ocean perfectly. Amber Heard is sexy and badass as Mera; something of a victim of a forced romance but also a compelling and strong protagonist in her own right. Patrick Wilson as Oceanmaster (call me....Oceanmaster) is given enough screen-time to develop that he's more than a punching bag for Aquaman; but actually a character with ambitions and a defined, fleshed-out purpose. The origin segment is tightly done and more than enough to set the stage for what is to come. And probably the strongest aspect of this picture, the costuming and world-building, is off the charts. Similar to the enduring fantasy films that precede this (LOTR, Star Wars, Avatar for a few examples) the undersea kingdoms are a place I want to return to. They aren't just my world dressed up with CGI and the occasional costuming flourish; they're entirely foreign and endlessly inventive. Probably a solid third of the film is simply Aquaman, and the audience, being told about this world and shown it by Mera. While that may not be artistically prestigious strategy for engaging audiences, it entertains and fascinates on a "turn off your brain and look at those pretty colors" sort of way. There's a simple glee in seeing sharks ridden like horses or an octopus pounding a war-time set of drums.
I always offer the disclaimer when writing about nerdy films that I love which is this: I am a nerd. While I wasn't particularly attached to Aquaman growing up; his journey, the nature of this sort of film and the cinematic universe he will be growing into are fundamentally important to me, and I like to embrace that bias rather than keep it in check with reduced ratings or "objective" analysis. Whether it be a giant, confusing and chaotic battle between underwater armies or the horrifying descent into "the trench"; you'll always find me looking up at the screen like a little kid. Or moments like Arthur meeting Mera and confronting is past, or taking upon the role of king while wielding the trident; I just love that sort of stuff. I'm a sucker for these beats and this formula; and all signs point to this continuing. So while I may like it more than most; I'd mostly like to say Aquaman still distinguishes itself as a particularly goofy, sprawling, mythic, and metal experience that deserved to be seen on the big-screen, and to be celebrated as the fantasy film it is. It's a great time, and a nice addition to the DC film franchise.
Gareth von Kallenbach (971 KP) rated Fast & Furious (2009) in Movies
Aug 14, 2019
igh adrenaline films have always been a signature of the summer movie season and with a bevy of blockbusters lines up for the summer months, Universal has the opening salvo with the very impressive “Fast and Furious”.
Although the fourth film in the series, the film is in many ways is the first true sequel to the 2001 original as it reunites Vin Diesel and Paul Walker.
The film opens with a spectacular high speed heist where Dominic Toretto (Vin Diesel), and his crew attempt to steal petroleum tankers. The amazing pacing and driving and stunt sequences is easily the best opening sequences in the series and had the audience at my press screening on the edge of their seats.
With the heat on Dominic, he decides to split up the group so they do not get busted when the authorities catch up to him. Unfortunately this means slipping away from his longtime love Letty (Michelle Rodriguez).
At the same time, F.B.I. agent Brian O’Conner (Paul Walker), is under the gun from his superiors to bring down a drug trafficker who has eluded all efforts to indentify much less capture but is known for his reputation for ruthlessness. With lead after lead coming up empty for his task force, O’Conner pursues a name that may just shed some light on the true identify of his target.
When events unfold that force Dominic to return to Los Angeles on a mission of revenge, his path crosses O’Conner and the two men renew the rivalry that has existed between them which hits the high gear when both men find themselves in an illegal street race.
The winner of the race gets to join the driving team of the drug trafficker that O’Conner is seeking, and with Dominic having his own motivations, the intense race through the packed streets is easily one of the most intense racing sequences ever captured.
In time the two men find themselves working with one another to bring down a common foe, but old issues still remaining between the duty driven O’Conner and the outlaw Dominick, especially regarding Dominick’s sister Mia (Jordana Brewster), who had a relationship with O’Conner before he revealed himself to be an undercover agent in the first film.
What follows is a pedal to the metal adventure that sets a breakneck pace and lets up only enough from the audience to briefly catch their breath.
Walker and Diesel make a dynamic team and unlike the previous films in the series, “Fast and Furious” has a plot that does not drag and holds the attention of the audience and serves as little more than filler between action sequences.
Director Justin Lin (Who helmed the last film in the series Tokyo Drift), balances the two leads with the awesome array of racing machines in the film without ever losing fact that this is a character driven story.
With a great cast and amazing driving sequences the film was a very pleasant surprise and has me looking forward to the next chapter in the series. Not only is this a strong comeback for Walker and Diesel but is easily the best film in the series and should delight the fans.
Although the fourth film in the series, the film is in many ways is the first true sequel to the 2001 original as it reunites Vin Diesel and Paul Walker.
The film opens with a spectacular high speed heist where Dominic Toretto (Vin Diesel), and his crew attempt to steal petroleum tankers. The amazing pacing and driving and stunt sequences is easily the best opening sequences in the series and had the audience at my press screening on the edge of their seats.
With the heat on Dominic, he decides to split up the group so they do not get busted when the authorities catch up to him. Unfortunately this means slipping away from his longtime love Letty (Michelle Rodriguez).
At the same time, F.B.I. agent Brian O’Conner (Paul Walker), is under the gun from his superiors to bring down a drug trafficker who has eluded all efforts to indentify much less capture but is known for his reputation for ruthlessness. With lead after lead coming up empty for his task force, O’Conner pursues a name that may just shed some light on the true identify of his target.
When events unfold that force Dominic to return to Los Angeles on a mission of revenge, his path crosses O’Conner and the two men renew the rivalry that has existed between them which hits the high gear when both men find themselves in an illegal street race.
The winner of the race gets to join the driving team of the drug trafficker that O’Conner is seeking, and with Dominic having his own motivations, the intense race through the packed streets is easily one of the most intense racing sequences ever captured.
In time the two men find themselves working with one another to bring down a common foe, but old issues still remaining between the duty driven O’Conner and the outlaw Dominick, especially regarding Dominick’s sister Mia (Jordana Brewster), who had a relationship with O’Conner before he revealed himself to be an undercover agent in the first film.
What follows is a pedal to the metal adventure that sets a breakneck pace and lets up only enough from the audience to briefly catch their breath.
Walker and Diesel make a dynamic team and unlike the previous films in the series, “Fast and Furious” has a plot that does not drag and holds the attention of the audience and serves as little more than filler between action sequences.
Director Justin Lin (Who helmed the last film in the series Tokyo Drift), balances the two leads with the awesome array of racing machines in the film without ever losing fact that this is a character driven story.
With a great cast and amazing driving sequences the film was a very pleasant surprise and has me looking forward to the next chapter in the series. Not only is this a strong comeback for Walker and Diesel but is easily the best film in the series and should delight the fans.
Vectornator Pro
Productivity and Photo & Video
App
Vectornator Pro is the best professional vector graphic software that allows you to create...
Fastlane Street Racing Lite - Driving With Full Throttle and Speed
Games
App
⋆⋆⋆⋆⋆⋆⋆Fastlane Street Racing is back – with 3D HD Graphics!⋆⋆⋆⋆⋆⋆⋆⋆...
Movie Metropolis (309 KP) rated Avatar (2009) in Movies
Jun 10, 2019
James Cameron has had his work cut out trying to eclipse the success of his previous film Titanic, way back in 1997 and to this day it remains the highest grossing film of all time. It’s hard to believe that it’s been 12 years since his name was plastered on the big screen but he’s back with Avatar, a science fiction epic to rival Titanic’s crown.
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Movie Metropolis (309 KP) rated Transformers Revenge of the Fallen (2009) in Movies
Jun 11, 2019
The good, the bad, and the down right ugly return in the sequel to Michael Bay’s 2007 summer blockbuster, Transformers. Revenge of the Fallen picks up 2 years after the events of the first film and really shows why Michael Bay was again the perfect choice to helm this franchise. Speculation about how long the film was going to be has finally been answered. 2 and a half hours for the uninitiated would seem a terrifying prospect as characters are introduced from all corners; but for fans of the bots, it’s a thrill ride from the very start, right up until the end credits role. Shia Le Beouf and Megan Foxx return as Sam Witwicky and love interest Mikeala in a sequel that’s as loud and obnoxious as it is long. As with the first film, the story is a little thin on the ground, but thankfully there is enough here to satisfy even the hardest to please. The Decepticons (the bad guys) are mobilizing once again to take control of Earth, while the Autobots (the good guys) working together with human intelligence try to destroy their feared rivals. It’s based on plastic toy figures, so you can’t expect much more.
Special effects are again outstanding with a finish on them that not even the first movie could hold a candle to, the transformers once more look 100% realistic in their presence, though with a $200m budget, outstanding was the least to be expected. Regrettably, the action sequences sometimes can look messy, with a mash of metal making it hard to distinguish who is attacking who or who has fallen; one heart wrenching scene in particular makes this point even more evident. Acting from all corners is sublime, Le Beouf certainly knows how to do that cocky teenager and Megan Foxx provides a nice bit of lustre to place on the horizon. But, by far the standout is Julie White as Mrs. Witwicky, her performance in the first film was brilliant, but she has exceeded that by a mile in this instalment; utterly hilarious is the only way to describe her acting. Of the robotic kind, Peter Cullen does an excellent job as the voice of Autobot leader Optimus Prime, with the same gravely texture that made him such a hit for the cartoon series in the first place. Hugo Weaving also returns as the voice of arch nemesis Megatron. Bay packs on the slapstick in this sequel, perhaps going a little too far with the humour; after all, it isn’t supposed to be an outright comedy, though some of the funny touches are out-and-out hilarious. The finale is, as with its predecessor a little short and to the point, though many would say it was ‘succinct’, but any longer and the film would have started to drag, Bay obviously learning his lesson from the mess that was Pearl Harbour. Overall then, Transformers: Revenge of the Fallen is an excellent sequel to what promises to be an exciting future for the franchise. Whilst it may not match its predecessor in terms of story and plot, it is a must watch for all action cravers.
https://moviemetropolis.net/2010/10/18/transformers-revenge-of-the-fallen-2009/
Special effects are again outstanding with a finish on them that not even the first movie could hold a candle to, the transformers once more look 100% realistic in their presence, though with a $200m budget, outstanding was the least to be expected. Regrettably, the action sequences sometimes can look messy, with a mash of metal making it hard to distinguish who is attacking who or who has fallen; one heart wrenching scene in particular makes this point even more evident. Acting from all corners is sublime, Le Beouf certainly knows how to do that cocky teenager and Megan Foxx provides a nice bit of lustre to place on the horizon. But, by far the standout is Julie White as Mrs. Witwicky, her performance in the first film was brilliant, but she has exceeded that by a mile in this instalment; utterly hilarious is the only way to describe her acting. Of the robotic kind, Peter Cullen does an excellent job as the voice of Autobot leader Optimus Prime, with the same gravely texture that made him such a hit for the cartoon series in the first place. Hugo Weaving also returns as the voice of arch nemesis Megatron. Bay packs on the slapstick in this sequel, perhaps going a little too far with the humour; after all, it isn’t supposed to be an outright comedy, though some of the funny touches are out-and-out hilarious. The finale is, as with its predecessor a little short and to the point, though many would say it was ‘succinct’, but any longer and the film would have started to drag, Bay obviously learning his lesson from the mess that was Pearl Harbour. Overall then, Transformers: Revenge of the Fallen is an excellent sequel to what promises to be an exciting future for the franchise. Whilst it may not match its predecessor in terms of story and plot, it is a must watch for all action cravers.
https://moviemetropolis.net/2010/10/18/transformers-revenge-of-the-fallen-2009/
Gareth von Kallenbach (971 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 19, 2019
When we last saw former cop turned wasteland warrior Max, it was nearly 30 years ago. Writer/Director George Miller had envisioned a follow up back in 2000, but various factors delayed the film so much that star Mel Gibson believed he had become too old to play the character which opened the door for Tom Hardy to don the knee brace of the famous character.
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
300+ Super Sound Box
Lifestyle and Entertainment
App
The ultimate sound app! Play 300 awesome HIGH quality sound effects with big buttons! Annoy your...