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Sophia (Bookwyrming Thoughts) (530 KP) rated Eona: The Last Dragoneye (Eon, #2) in Books
Jan 23, 2020
Apparently when Eona and Co. are on the run, things get mighty interesting and there's almost never a dull moment. There's the ten dead Dragoneyes, an entire army of Sethon's supposed minions (who knows if they're actually loyal to the dude, anyways?), and a supposed-to-be emperor by the name of Kygo who's also on the run from being brutally murdered as well.
Goodman starts out the whopping 600-paged book with a "primary" source from Teacher Prahn, quickly summarizing the events at the imperial palace in the ending of Eon, and it's helpful for those who haven't the first book in a long while (unless you have a fantastic memory, which I sometimes have. Epiphany!). The second and last book to the duology starts out shortly after those events, with Eona and her friends on the run from Sethon and the hunt for Kygo. Goodman brings us outside of the imperial palace and into other parts of the Empire of Celestial Dragons, places that were briefly mentioned in book one and now play a bigger role in book two.
I personally disliked Eona back when she was Eon, and I don't like her any better as a girl either. Back as Eon, Eona just seemed to desperate to fit in and trying to prove herself worthy – those sun drug scenes? The worst of Eon. I even vowed to DNF this book if Eona decided to run around with the sun drug again; it was that bad.
In a way, I do like Eona: she's not desperate, she's <s>Taylor Swift</s> fearless (all those odds stacked against her!) – she's a lot better when compared to Eon, when she trying to fully disguise herself as a guy and being a slinky. Eona just argues a lot with Kygo when she finally finds him, and I mean a huge emphasis on "argues a lot." I'm pretty sure if I get a dollar for every time they argued, I could actually pay my rent. Though compared to the <s>lovely</s> love triangle with Ido (thank you, so-called prophecy), I fully ship Kygo and Eona, even though Eona seems very mopey when it comes to whether or not Kygo truly loves her.
<blockquote>"What if I said you could have either me or my power? Which one would you choose?"</blockquote>
Eona certainly makes up for the many dull moments in pacing from its predecessor, where the beginning is a little interesting, the middle is extremely draggy and the decent ending is very fast and rapid. The pacing in the final book of Goodman's Eon duology is much better and engrossing, bringing us a fantastic end to two very long books.
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Original Rating: 4.5 out of 5
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Goodman starts out the whopping 600-paged book with a "primary" source from Teacher Prahn, quickly summarizing the events at the imperial palace in the ending of Eon, and it's helpful for those who haven't the first book in a long while (unless you have a fantastic memory, which I sometimes have. Epiphany!). The second and last book to the duology starts out shortly after those events, with Eona and her friends on the run from Sethon and the hunt for Kygo. Goodman brings us outside of the imperial palace and into other parts of the Empire of Celestial Dragons, places that were briefly mentioned in book one and now play a bigger role in book two.
I personally disliked Eona back when she was Eon, and I don't like her any better as a girl either. Back as Eon, Eona just seemed to desperate to fit in and trying to prove herself worthy – those sun drug scenes? The worst of Eon. I even vowed to DNF this book if Eona decided to run around with the sun drug again; it was that bad.
In a way, I do like Eona: she's not desperate, she's <s>Taylor Swift</s> fearless (all those odds stacked against her!) – she's a lot better when compared to Eon, when she trying to fully disguise herself as a guy and being a slinky. Eona just argues a lot with Kygo when she finally finds him, and I mean a huge emphasis on "argues a lot." I'm pretty sure if I get a dollar for every time they argued, I could actually pay my rent. Though compared to the <s>lovely</s> love triangle with Ido (thank you, so-called prophecy), I fully ship Kygo and Eona, even though Eona seems very mopey when it comes to whether or not Kygo truly loves her.
<blockquote>"What if I said you could have either me or my power? Which one would you choose?"</blockquote>
Eona certainly makes up for the many dull moments in pacing from its predecessor, where the beginning is a little interesting, the middle is extremely draggy and the decent ending is very fast and rapid. The pacing in the final book of Goodman's Eon duology is much better and engrossing, bringing us a fantastic end to two very long books.
-----------------
Original Rating: 4.5 out of 5
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Hazel (1853 KP) rated Glass Sword in Books
May 25, 2017
Good Sequel
This ARC was provided by the publisher via NetGalley in exchange for an honest review
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting Red Queen series by Victoria Aveyard – perfect for fans of The Hunger Games, The Selection series and Divergent. Continuing from the exact point the previous book closed on, Glass Sword is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in Glass Sword, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, Glass Sword is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst Glass Sword continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Hazel (1853 KP) rated The Upside of Unrequited in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Hazel (1853 KP) rated Glass Sword in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
It is finally here; the second book in the riveting<i> Red Queen</i> series by Victoria Aveyard – perfect for fans of <i>The Hunger Games, The Selection</i> series and <i>Divergent</i>. Continuing from the exact point the previous book closed on, <i>Glass Sword</i> is packed with action, suspense and emotional entertainment.
To recap, the world is divided by blood colour: Red (inferior) and Silver (superior); but it is the reason why Silvers consider themselves better that is important. Silver-blooded people are born with a superpower; Reds are not. Until Mare Barrow, that is. By pure accident, Mare discovers she can wield electricity with her bare hands, is forced to pretend she is a Silver living with the royal family, and is finally betrayed by someone she thought was on her side.
Now, in <i>Glass Sword</i>, teenage Mare is in hiding with the Scarlet Guard – Red-blooded rebels – with the knowledge that there are other people out there just like her: “Newbloods,” Red blood with Silver abilities. Mare and her companions are determined to find all of these people and train them to use their powers, however the Silver king is doing the same, with the intention of destroying them all. What makes it worse is Mare no longer knows whom she can trust; anyone could betray her.
Unlike the previous book, <i>Glass Sword</i> is one battle after another. There are no more pretty dresses, royal parties or grand castles. From beginning to end there is not a moment when Mare is not in danger; it is easy to lose count the number of times she narrowly escapes death. But as with any form of violence, someone always ends up injured or killed, resulting in some very upsetting outcomes.
Fans of the first book will already be aware of the love triangle that developed – one that made the conclusion so shocking. Whilst <i>Glass Sword</i> continues with the romantic theme, it is barely perceptible underneath all the bloodshed, arguments and warfare. So, do not expect a romance novel within these pages.
The constant action prevents the story from becoming slow or boring. There is a surprise around every corner; every page, to keep the reader engaged. This however has a downside. With conflict running into conflict it is easy to get confused and struggle to follow the course of the action. This is particularly the case in one of the final, most significant, attacks against the Silvers. The quick pace of the narrative results in the violent scene only taking up the space of a few pages, thus not giving the reader time to develop a clear picture in their head or fully understand what they are reading.
Naturally Mare’s story ends on yet another cliffhanger, so now we await the third installment. It must be difficult to provide a sequel as equally entertaining as the first, but Aveyard has gone above and beyond to create something far better than could be imagined. We can only hope this brilliance continues into the following books.
Louise (64 KP) rated Nirvana (Nirvana #1) in Books
Jul 2, 2018
I received an advanced readers copy of this book from NetGalley in exchange for an honest review.
To start off, the cover of this book is beautiful, it’s so inviting and definitely would catch my eye in store or even on-line. This book is a Young Adult dystopian novel.
Extinction is the world as never seen before. It first started when the bees disappeared, without the aid of the bees for pollination, the crops and animals started to die. With windstorms and drought, earth is a desert where no one can exist.
Hexagon is the newly reformed government that provide people with their basic needs, living in bunkers and working for pittance, apart from the rich. The rich get to live in the ‘bubble’, which is where they still have pretty much the same lifestyle. They also run what is called ‘The Farm’ which is where they are growing their own crops and have siphoned off their own water reserve for crops and the bubble. Hexagon also monitors everybody, with camera’s, surveilance and bugs set everywhere, nothing gets past them.
Nirvana is a virtual reality, where the population can pay half of their wages for 15 minutes in the holographic world, they are able to choose certain situations such as earth, the moon, space whatever they want really, however this is all monitored by Hexagon.
Kenders is a 17-year-old animal activist and also a lead singer for a band named Sixty Sextet, before extinction she was singing lyrics about liberation, however nowadays she is working in Nirvana as ‘help support’ for Hexagon. Andrew her long-term boyfriend has gone missing, it’s a journey of Kenders trying to find out what really happened and whats going on and who she can really trust.
Andrew is a holographic/virtual reality designer, with a high-profile job for Hexagon, however he’s not really happy with how things are panning out. Then all of a sudden he goes missing, assumed dead. He starts contact with Kenders through Nirvana giving her clues.
There were a few things that let this book down for me, there was not much world building, it could have been more fleshed out and could have got a real feel for the world. The characters were bland they didn’t really have any characteristics. The romance was just blah! It was an easy read and a short novel of 186 pages. There were things that were not properly explained and then parts which just had a quick explanation and then it was moving on again. It was very plot driven. There was a bit near the ending which was a bit cheesy and made me cringe a little(this might only be me though).
The ending was left on a bit of a cliffhanger, however I wasn’t really left wanting more. It was just a Meh ending. I just feel like the next book is just going to be the same all over again.
If you are a fan of dystopian, romance with a bit of a love triangle going on, this might be the book for you.
Overall I rated this book 2.5 out of 5 stars
To start off, the cover of this book is beautiful, it’s so inviting and definitely would catch my eye in store or even on-line. This book is a Young Adult dystopian novel.
Extinction is the world as never seen before. It first started when the bees disappeared, without the aid of the bees for pollination, the crops and animals started to die. With windstorms and drought, earth is a desert where no one can exist.
Hexagon is the newly reformed government that provide people with their basic needs, living in bunkers and working for pittance, apart from the rich. The rich get to live in the ‘bubble’, which is where they still have pretty much the same lifestyle. They also run what is called ‘The Farm’ which is where they are growing their own crops and have siphoned off their own water reserve for crops and the bubble. Hexagon also monitors everybody, with camera’s, surveilance and bugs set everywhere, nothing gets past them.
Nirvana is a virtual reality, where the population can pay half of their wages for 15 minutes in the holographic world, they are able to choose certain situations such as earth, the moon, space whatever they want really, however this is all monitored by Hexagon.
Kenders is a 17-year-old animal activist and also a lead singer for a band named Sixty Sextet, before extinction she was singing lyrics about liberation, however nowadays she is working in Nirvana as ‘help support’ for Hexagon. Andrew her long-term boyfriend has gone missing, it’s a journey of Kenders trying to find out what really happened and whats going on and who she can really trust.
Andrew is a holographic/virtual reality designer, with a high-profile job for Hexagon, however he’s not really happy with how things are panning out. Then all of a sudden he goes missing, assumed dead. He starts contact with Kenders through Nirvana giving her clues.
There were a few things that let this book down for me, there was not much world building, it could have been more fleshed out and could have got a real feel for the world. The characters were bland they didn’t really have any characteristics. The romance was just blah! It was an easy read and a short novel of 186 pages. There were things that were not properly explained and then parts which just had a quick explanation and then it was moving on again. It was very plot driven. There was a bit near the ending which was a bit cheesy and made me cringe a little(this might only be me though).
The ending was left on a bit of a cliffhanger, however I wasn’t really left wanting more. It was just a Meh ending. I just feel like the next book is just going to be the same all over again.
If you are a fan of dystopian, romance with a bit of a love triangle going on, this might be the book for you.
Overall I rated this book 2.5 out of 5 stars
Louise (64 KP) rated The Incredible Adventures of Cinnamon Girl in Books
Jul 2, 2018
**I received a copy of this book from the publishers and Netgalley in exchange for an honest review**
The Incredible adventures of Cinnamon girl takes place in a small town in Australia, nothing ever happens in Eden Valley until one day a YouTube video goes viral. Ned Zebidiah has predicted an apocalypse and the only safe haven is the one and only Eden Valley.
17-year-old Alba loves her little town in Australia where nothing much happens, however she is at a stage in her life when she needs to make decisions, life changing ones. Alba wishes everything could remain the way it is, her friends and family all in one place as she likes it. Her friends on the other hand have different ideas, the majority of them cannot wait to say goodbye to Eden Valley and see more of the world. With an impending apocalypse, the return of an old friend and decisions to be made, can Alba keep it together?
I really like Alba's character, she is artistic, witty and loveable. She is at the stage of her life when she has just finished school and she has to make decisions about what to do with her life, should she go to college? work? travel? Alba also has curves and a healthy figure which is portrayed in this story really well, there is no self-consciousness with the way she looks, she is confident and it's so refreshing to see this in a YA book especially as the younger audience are so impressionable. Alba also loves to draw and Cinnamon girl is her creation, drawing frame after frame trying to get her image right or the background just so. I have recently started being interested in comics and I loved the idea of someone creating them and the illustrators thought processes. Alba was a great strong protagonist and very relatable.
Grady is Alba's best friend in the whole wide world they have grown up and done everything together. Grady has his flaws like most of the characters in this book but he is such a nice boy, knowing what he wants to do with his life and being there for Alba giving her encouragement with her drawings of Cinnamon girl.
One character I didn't like was Daniel, he just appeared to be egotistical, very self-conscious and a bit of a sleaze. With masses of people flocking to the safe have of Eden Valley, Daniel returns years after moving away and has become a bit of star in TV and is stirring a lot of emotions within Alba and Grady.
This book is so cute, it has a slow burn romance with no love triangle, the writing style is amazing and loved that it was set in Australia. I really like that the book incorporated comics and a few famous comics/names were mentioned such as Fiona Staples and Persepolis. This was my first Melissa Keil novel and have been recommended life in outer space
I recommend this book to anyone who reads YA with a slow burn romance, art/comic content.
Overall I rated this 4 out f 5 stars.
The Incredible adventures of Cinnamon girl takes place in a small town in Australia, nothing ever happens in Eden Valley until one day a YouTube video goes viral. Ned Zebidiah has predicted an apocalypse and the only safe haven is the one and only Eden Valley.
17-year-old Alba loves her little town in Australia where nothing much happens, however she is at a stage in her life when she needs to make decisions, life changing ones. Alba wishes everything could remain the way it is, her friends and family all in one place as she likes it. Her friends on the other hand have different ideas, the majority of them cannot wait to say goodbye to Eden Valley and see more of the world. With an impending apocalypse, the return of an old friend and decisions to be made, can Alba keep it together?
I really like Alba's character, she is artistic, witty and loveable. She is at the stage of her life when she has just finished school and she has to make decisions about what to do with her life, should she go to college? work? travel? Alba also has curves and a healthy figure which is portrayed in this story really well, there is no self-consciousness with the way she looks, she is confident and it's so refreshing to see this in a YA book especially as the younger audience are so impressionable. Alba also loves to draw and Cinnamon girl is her creation, drawing frame after frame trying to get her image right or the background just so. I have recently started being interested in comics and I loved the idea of someone creating them and the illustrators thought processes. Alba was a great strong protagonist and very relatable.
Grady is Alba's best friend in the whole wide world they have grown up and done everything together. Grady has his flaws like most of the characters in this book but he is such a nice boy, knowing what he wants to do with his life and being there for Alba giving her encouragement with her drawings of Cinnamon girl.
One character I didn't like was Daniel, he just appeared to be egotistical, very self-conscious and a bit of a sleaze. With masses of people flocking to the safe have of Eden Valley, Daniel returns years after moving away and has become a bit of star in TV and is stirring a lot of emotions within Alba and Grady.
This book is so cute, it has a slow burn romance with no love triangle, the writing style is amazing and loved that it was set in Australia. I really like that the book incorporated comics and a few famous comics/names were mentioned such as Fiona Staples and Persepolis. This was my first Melissa Keil novel and have been recommended life in outer space
I recommend this book to anyone who reads YA with a slow burn romance, art/comic content.
Overall I rated this 4 out f 5 stars.
Sophia (Bookwyrming Thoughts) (530 KP) rated An Ember in the Ashes (An Ember in the Ashes #1) in Books
Jan 23, 2020
GUYS, THIS IS THE LAST REVIEW I'M EVER WRITING THIS YEAR. (Totally not the last post.)
In the Martial Empire, Laia lives as a scholar – until her brother is arrested by Masks. To save her brother, Laia looks for the rebellion, going undercover as a slave in an academy for Masks and spying for the rebellion in exchange for her brother's safety. She meets Elias, a soldier at the academy who has no desire to become one of them.
<i>An Ember in the Ashes</i> took forever to <span style="text-decoration: line-through;">read</span> listen – and I mean <em>forever</em> (which basically means two months).
I'm not exactly as hyped as everyone else. Primarily, I think this is just due to the fact <i>An Ember in the Ashes</i> is <em>sooo</em> bleeping long and my attention span is equivalent of a fly's when it comes to debut novels that are really long (I'm a lot more tolerant to authors whose works I'm familiar with). In Tahir's case, though, I just feel the descriptions and details are a little too long – but I certainly can't complain about it because I adore details that mean world building is taking place.
I will, however, complain about the academy in general, and the love triangle. Favoritism by the Commandant is obviously being played here – there are just so many levels of wrong when no explanation is needed when you're caught doing something wrong. >_<
And well... Keenan. He still feels like a stranger to me, so if I'm going to ship, I'll go ship Laia and Elias. I understand Elias, and I understand Laia. I secretly adore them, even if the book is whoppishly huge. And I will go down with that ship until I warm up to stranger boy Keenan who seems to not have a desire to be a part of a corrupt-ish rebellion, but does not seem to have a life otherwise.
And if the sequel does not have me warming up to stranger boy, then I will make a stranger danger sign.
Anyways, not jumping on the hype train.... (aside from best title ever).
It could also just be due to the fact Fiona Hardingham and Steve West (the entire narration, honestly) are just really, really quiet and I had to bring the volume to top notch to even hear clearly. I know audiobooks are more quiet compared to music – I just think bringing the volume up to the maximum is a horrible, horrible thing for me to have to do for clarity (it's all about my ears). In all honesty, though, they're not bad narrators – they bring out the perfect amount of accent without being too heavy.
Hands down, though, I think I would have enjoyed <i>An Ember in the Ashes</i> immensely if it weren't so daunting and didn't take so years.
<a href="https://bookwyrmingthoughts.com/audiobook-review-an-ember-in-the-ashes-by-sabaa-tahir/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In the Martial Empire, Laia lives as a scholar – until her brother is arrested by Masks. To save her brother, Laia looks for the rebellion, going undercover as a slave in an academy for Masks and spying for the rebellion in exchange for her brother's safety. She meets Elias, a soldier at the academy who has no desire to become one of them.
<i>An Ember in the Ashes</i> took forever to <span style="text-decoration: line-through;">read</span> listen – and I mean <em>forever</em> (which basically means two months).
I'm not exactly as hyped as everyone else. Primarily, I think this is just due to the fact <i>An Ember in the Ashes</i> is <em>sooo</em> bleeping long and my attention span is equivalent of a fly's when it comes to debut novels that are really long (I'm a lot more tolerant to authors whose works I'm familiar with). In Tahir's case, though, I just feel the descriptions and details are a little too long – but I certainly can't complain about it because I adore details that mean world building is taking place.
I will, however, complain about the academy in general, and the love triangle. Favoritism by the Commandant is obviously being played here – there are just so many levels of wrong when no explanation is needed when you're caught doing something wrong. >_<
And well... Keenan. He still feels like a stranger to me, so if I'm going to ship, I'll go ship Laia and Elias. I understand Elias, and I understand Laia. I secretly adore them, even if the book is whoppishly huge. And I will go down with that ship until I warm up to stranger boy Keenan who seems to not have a desire to be a part of a corrupt-ish rebellion, but does not seem to have a life otherwise.
And if the sequel does not have me warming up to stranger boy, then I will make a stranger danger sign.
Anyways, not jumping on the hype train.... (aside from best title ever).
It could also just be due to the fact Fiona Hardingham and Steve West (the entire narration, honestly) are just really, really quiet and I had to bring the volume to top notch to even hear clearly. I know audiobooks are more quiet compared to music – I just think bringing the volume up to the maximum is a horrible, horrible thing for me to have to do for clarity (it's all about my ears). In all honesty, though, they're not bad narrators – they bring out the perfect amount of accent without being too heavy.
Hands down, though, I think I would have enjoyed <i>An Ember in the Ashes</i> immensely if it weren't so daunting and didn't take so years.
<a href="https://bookwyrmingthoughts.com/audiobook-review-an-ember-in-the-ashes-by-sabaa-tahir/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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BankofMarquis (1832 KP) rated The Graduate (1967) in Movies
Jun 16, 2019
Career Defining Turn by Bancroft
On the surface, THE GRADUATE is a story of a young college graduate who has an affair with an older woman. But look beneath the surface and this film becomes much, much more.
Directed by Mike Nichols, THE GRADUATE tells the tale of Benjamin Braddock a recent College Graduate who returns home to figure out what to do with his life. He enters the film in a malaise and is paralyzed into inaction by no clear direction to his life. Taking advantage of this young man's vulnerability, family friend, Mrs. Robinson, seduces Benjamin but Benjamin realizes that he is in love with Mrs. Robinson's daughter, Elaine.
Sounds pretty straight forward, right? But under the smart, understated Direction of Mike Nichols (who won an Oscar for his work), this film becomes much, much more - subverting the notion of love and lust while driving a narrative that shines a light on the generational gap between parents and adult children in a time of great change in America - oh...and doing it in a subtly comedic way (the screenplay was wonderfully written by the great Buck Henry who makes a cameo in this film as a Hotel clerk).
Nichols, smartly, casts then relative unknown Dustin Hoffman as Benjamin because he was able to play the comedy of the awkwardness of the character (especially early on in the seduction/sex scenes with Mrs. Robinson) as well as showing emotion in emotionlessness. His Benjamin is empty - but not lacking of personality or interest - a tough tightrope to walk, but Hoffman plays it well and earned an Academy Award nomination for his work. His character does become...if I'm being honest...less interesting and more "stalker-ish" (certainly from a 21st Century perspective) as he pursues Elaine in the 2nd half of the film, so this diminishes this performance just a bit.
Also earning an Academy Award nomination is Anne Bancroft who dons a career-defining role as Mrs. Robinson. She was having trouble with the part until Director Nichols reminded her that Mrs. Robinson is seducing Benjamin not out of love or lust, but out of anger at the direction her life has drifted. We find out that Mrs. Robinson was an Art Major in College but gave up anything resembling a career when she got pregnant shortly before marrying Mr. Robinson. You can see the seething anger and resentment in the way Bancroft performs this character, with just a tinge of regret. This is a woman trying to take some control over her life - by controlling her relationship with Benjamin. And, when Benjamin decides it is time to take control of his own life, she resents it and digs her claws in deeper. It is a tour-de-force performance, one of the all-time great female performances in film.
The third side to this triangle is Elaine Robinson and as written - and portrayed by Katherine Ross - this is the most problematic of the characters. Elaine appears to be a well adjusted young woman finishing off her college career and is forced into a "date" with Benjamin at the insistence of Benjamin's parents and Elaine's father (Elaine's mother - Mrs. Robinson - is, understandably, silent on this). There is a good scene in the middle of the film where Benjamin and Elaine make a connection (which spurs Benjamin into his obsession with Elaine) but I couldn't really see what was in it for Elaine. Sure, there is the "break away from the carefully crafted life that my parents have set up for me" angle (and, surely, her desire to NOT marry the pre-Med student that she is engaged to lines right up with that) but I just didn't understand/buy her infatuation with Benjamin. Despite this, Ross earned the 3rd acting Nomination from this film.
Credit all 3 of these performances to Director Nichols who finds the right balance in every scene along with an interesting visual style that punctuates the loneliness and isolation that Benjamin is feeling. Add to that the haunting songs/sounds of the Simon and Garfunkel soundtrack - just about the only music in this film - and you have a funny, haunting and important film that is an interesting look at a time in America (the late '60's) where great change was happening and the "Generation Gap" was never more noticeable.
One last note - I LOVED the closing shot of this film. Nichols let the camera roll just a little longer than the actors expected and the look on their faces change, subtly, from surety of their decision and direction to a more "unsure" look. It is a perfect, ambiguous, way to end and I applaud Nichols for making this strong choice.
Come for the seduction, stay for the subtle humor and to watch a Director at the top of his game.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)
Directed by Mike Nichols, THE GRADUATE tells the tale of Benjamin Braddock a recent College Graduate who returns home to figure out what to do with his life. He enters the film in a malaise and is paralyzed into inaction by no clear direction to his life. Taking advantage of this young man's vulnerability, family friend, Mrs. Robinson, seduces Benjamin but Benjamin realizes that he is in love with Mrs. Robinson's daughter, Elaine.
Sounds pretty straight forward, right? But under the smart, understated Direction of Mike Nichols (who won an Oscar for his work), this film becomes much, much more - subverting the notion of love and lust while driving a narrative that shines a light on the generational gap between parents and adult children in a time of great change in America - oh...and doing it in a subtly comedic way (the screenplay was wonderfully written by the great Buck Henry who makes a cameo in this film as a Hotel clerk).
Nichols, smartly, casts then relative unknown Dustin Hoffman as Benjamin because he was able to play the comedy of the awkwardness of the character (especially early on in the seduction/sex scenes with Mrs. Robinson) as well as showing emotion in emotionlessness. His Benjamin is empty - but not lacking of personality or interest - a tough tightrope to walk, but Hoffman plays it well and earned an Academy Award nomination for his work. His character does become...if I'm being honest...less interesting and more "stalker-ish" (certainly from a 21st Century perspective) as he pursues Elaine in the 2nd half of the film, so this diminishes this performance just a bit.
Also earning an Academy Award nomination is Anne Bancroft who dons a career-defining role as Mrs. Robinson. She was having trouble with the part until Director Nichols reminded her that Mrs. Robinson is seducing Benjamin not out of love or lust, but out of anger at the direction her life has drifted. We find out that Mrs. Robinson was an Art Major in College but gave up anything resembling a career when she got pregnant shortly before marrying Mr. Robinson. You can see the seething anger and resentment in the way Bancroft performs this character, with just a tinge of regret. This is a woman trying to take some control over her life - by controlling her relationship with Benjamin. And, when Benjamin decides it is time to take control of his own life, she resents it and digs her claws in deeper. It is a tour-de-force performance, one of the all-time great female performances in film.
The third side to this triangle is Elaine Robinson and as written - and portrayed by Katherine Ross - this is the most problematic of the characters. Elaine appears to be a well adjusted young woman finishing off her college career and is forced into a "date" with Benjamin at the insistence of Benjamin's parents and Elaine's father (Elaine's mother - Mrs. Robinson - is, understandably, silent on this). There is a good scene in the middle of the film where Benjamin and Elaine make a connection (which spurs Benjamin into his obsession with Elaine) but I couldn't really see what was in it for Elaine. Sure, there is the "break away from the carefully crafted life that my parents have set up for me" angle (and, surely, her desire to NOT marry the pre-Med student that she is engaged to lines right up with that) but I just didn't understand/buy her infatuation with Benjamin. Despite this, Ross earned the 3rd acting Nomination from this film.
Credit all 3 of these performances to Director Nichols who finds the right balance in every scene along with an interesting visual style that punctuates the loneliness and isolation that Benjamin is feeling. Add to that the haunting songs/sounds of the Simon and Garfunkel soundtrack - just about the only music in this film - and you have a funny, haunting and important film that is an interesting look at a time in America (the late '60's) where great change was happening and the "Generation Gap" was never more noticeable.
One last note - I LOVED the closing shot of this film. Nichols let the camera roll just a little longer than the actors expected and the look on their faces change, subtly, from surety of their decision and direction to a more "unsure" look. It is a perfect, ambiguous, way to end and I applaud Nichols for making this strong choice.
Come for the seduction, stay for the subtle humor and to watch a Director at the top of his game.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank (ofMarquis)