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Paul McGuigan recommended Chitty Chitty Bang Bang (1968) in Movies (curated)
Emma @ The Movies (1786 KP) rated The Prodigy (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Here we are, a turning point of sorts. I had said to myself that I would try to be less of a scaredy cat and see all the films at the cinema. I'm not at a point where I can happily say "it's a no from me". Horror and I mix fine if I can watch them at home in the daylight and I can shout at the characters when they do dumb things like go into basements and don't turn on lights.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
I wasn't even halfway through the trailers when I realised that sitting in the pitch black where people can appear out of nowhere was not for me. I made a decision to not see Us at the cinema there and then, and the same would be true for Pet Semetary if it wasn't for the fact they announced an Unlimited Screening for it.
Anyway...
I didn't know exactly what this film when I went in, I'd read the smallest of synopsis and that was basically it. It wasn't until I was in the cinema that I realised what I'd got myself into but by that point I was there and that was the end of it, I was staying.
The basic outline of the story is one that I'm certain I've seen in a similar form on other things, but I can't for the life of me remember where. Potentially I'm thinking of things like Criminal Minds.
You know fairly early on where this film is going to take you, I think I jumped in the first minute, along with a couple in front of me.
The way they link the simultaneous events at the beginning if very well done, the timing and the visuals line up perfectly. We then get fast-tracked through his early years and we see how special he is, and how he's just a smidge creepy.
The Prodigy has lots of classic tells from horror sprinkled through it, if I'd been at home I'd have been screaming at the screen. There are little tells everywhere but none of it spoils what's to come.
Overall the brought everything together extremely well to create something that was gripping and just a little scary to everyone around me... apart from the guy behind me who on more than one occasion laughed and gave me the urge to move seats.
The further in we get the more messed up things become for the characters, they're basically all screwed but none of them see it until it's too late. Miles becomes so creepy at one point that I'm assuming they decided that it was too much for the young actor to do. There's a cutaway to his eyes as he's talking but it sounds rather like a voice-over that's unlike the rest of the audio in the film.
At some point I gave up hope for... everything, and just wished someone would do the right thing and do away with him. Had I been watching this at home and shouting at the screen, someone might have listened and saved everyone a lot of heartbreak.
The Prodigy knows how to draw you in. We see Miles hypnotised with a metronome and the sequence makes you want to lean towards the screen for what you know is going to be something important. The constantly moving camera in time with the ticking worked so well.
If you look up Jackson Robert Scott on IMDb you get a delightfully cute picture, but even if I were his own mother I'd be suspicious about having him in the house after seeing this film. He seems to have found a little creepy niche with this and It, and he's pretty good at it. There's something about his mannerisms that don't feel quite right, but had he nailed that then I don't think I'd have ever slept again.
Taylor Shilling works well as Miles' mother, her reactions all help you get that sense of danger she feels and as her emotions ramp up so do ours. I'm not sure that the love of my child would have kept me on board for that long though.
There were mixed offerings from the rest of the cast, not that I'm sure that matters a great deal when the key part of the film is almost entirely focused on Miles and the visuals around that. I particularly like that they consistently show you the two sides of Miles. We see it on the movie posters as well as in the film with effective use of light and dark.
The Prodigy is almost right up my alley, it's basically a Criminal Minds storyline without the FBI, and a little supernatural something thrown in. It probably would have got higher marks from me had it not take every opportunity to make the audience jump. This film also teaches us a very important lesson, when a friendly dog hates a child you should trust its instincts.
What you should do
This is a very good thriller and if you don't mind jumping a bit every now and then it's well worth a watch. I think it's probably worth watching twice, knowing what I know now I'd like to see it again to put the pieces back together.
Movie thing you wish you could take home
I will have the puppy from the beginning of the film, everything else can stay very very far away.
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Darren (1599 KP) rated Allied (2016) in Movies
Jun 20, 2019
Story: Allied starts as Canadian Intelligence Officer Max Vatan (Pitt) lands in Morocco to work with French Resistance Fighter Marianna Beausejour (Cotillard) as they pretend to be married as they complete their mission. The two fall in love for real and return to London to get married against the his superior Frank Heslop (Harris) opinion.
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
After a year of marriage Heslop comes to Max believing Marianna is indeed a spy, this leaves Max questioning, which side of the story to believe and what is the truth.
Thoughts on Allied
Characters – Max Vatan is Canadian intelligence working in Africa, highly skilled he can blend into his environment, but he does fall in love with his undercover wife. When he gets informed she could well be a spy, his life is turned upside down with doubts about what is the truth. Marianna is the French resistance fighter working with the Canadian Max as his fake wife, but she also falls in love with Max and returns to start a family with him. We don’t learn too much apart from that she is a loving wife and mother though.
Performances – Brad Pitt is good for the opening mission, you believe his every decision, but when he becomes the family man, he just doesn’t reach the levels you know he can. Marion Cotillard is good without being her breath-taking best in this role.
Story – The story here follows love and spies during World War II, we see how two people from different sides of the war fall in love and they must decide which side of the war they are supporting. This film doesn’t become as intense as it could be because seeing it from both sides could have heighted the experience and by the end it just doesn’t feel like it reaches the levels it should.
Action/Romance/War – The action during the film is tame with very little being used or looking overly real. The romance doesn’t feel whirlwind like you think it should be either, but the war side comes off strong as we see how the tension between the sides cause most of the issues in the lives.
Settings – The settings look authentic for the time, which does work well for the film.
Scene of the Movie – The truth.
That Moment That Annoyed Me – Just fizzles out in the second half of the film.
Final Thoughts – This is a war romance film that just never reaches the levels it should do, it just seems to go on and becomes one of the average films that you forget by the end.
Overall: Average and disappointing.
https://moviesreview101.com/2019/02/01/abc-film-challenge-oscar-nomination-a-allied-2016/
LoganCrews (2861 KP) rated Lesson of the Evil (2012) in Movies
Nov 15, 2021
*Big band music playing loudly in the background*
Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Takashi Miike's 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 - which, yes, is every bit as messy and overstuffed as that sounds; though I fear that if this were leaner you could miss out on the finer details like the weird German folklore stuff or the fleshy gun with the talking eyeball. The third act here is better than anything in even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰, probably the greatest thing Miike has ever done - just as demented, tasteless, and perfectly staged as reported plus it lasts around a solid, uninterrupted 45 minutes. Simultaneously fun and hard to watch in the sense that you can't believe that not only are they actually going for this, but they're going for it *hard* (given the director, I'd expect no less). I'm confident in saying this has the most straight-up brutal use of the shotgun in film history that I've seen. Hideaki Ito is flawless as this fucked-up closet psychopath who just bleeds raw antihero charisma, this kind of character can tire so easily but him and Miike sell it in full - partly because (and this is one of the things I love most about Miike) there's zero pretension to be found here. The precise type of ethically repugnantly, formally playful, feverish trashy thrills you'd expect out of this are exactly what you get - no clichéd moral handwringing or bullshit pulled punches you see in a lot of Western cinema for this genre. This is the real shit, another bonafide cult classic from one of the masters. Plus it's generally bizarre as hell, too.
Artemis is a story about a woman called Jazz Bashara. She's a porter who lives on the moon and smuggles contraband into the city before taking on a job that endangers not only her, but everyone in Artemis.
What did I think to it? It was okay. It was readable. It had a certain charm. Was it amazing? Unfortunately, for me, it fell a little flat and that's difficult for me to say as I love reading Andy's work.
I don't know whether it's because I'm a woman myself but it was quite clear that she'd been written by a man. There were certain elements about her which were reminiscent of Mark Watney and for me it didn't quite work.
That's not to say that I didn't enjoy the book, but it was slow-paced and didn't really pick up until half way through. It's not likely to be one I'd read again. It had big shoes to fill after The Martian, which remains a steady favorite for me.
I hope Andy isn't too discouraged by my review. I did like reading Artemis, it just wasn't groundbreaking for me. Still, I remain a fan of his work and hope he continues to write more novels.
Update: I read somewhere that Andy said Jazz was more like himself and had more of his personality than Mark did. Andy, if this is true please promise me (if you do this) to stop saying things like "Let's bang." 😛
What did I think to it? It was okay. It was readable. It had a certain charm. Was it amazing? Unfortunately, for me, it fell a little flat and that's difficult for me to say as I love reading Andy's work.
I don't know whether it's because I'm a woman myself but it was quite clear that she'd been written by a man. There were certain elements about her which were reminiscent of Mark Watney and for me it didn't quite work.
That's not to say that I didn't enjoy the book, but it was slow-paced and didn't really pick up until half way through. It's not likely to be one I'd read again. It had big shoes to fill after The Martian, which remains a steady favorite for me.
I hope Andy isn't too discouraged by my review. I did like reading Artemis, it just wasn't groundbreaking for me. Still, I remain a fan of his work and hope he continues to write more novels.
Update: I read somewhere that Andy said Jazz was more like himself and had more of his personality than Mark did. Andy, if this is true please promise me (if you do this) to stop saying things like "Let's bang." 😛
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