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Daniel Boyd (1066 KP) rated Mass Effect: Andromeda in Video Games
Jul 25, 2017
An Example Of Why There Is No Longer A Place For Mediocrity In The Video Game Industry
For those of you that are Mass Effect fans and are worried after reading the title of the essay that I am going to spend the rest of the essay bashing the game, you can rest easy put your pitchfork down. The only reason that Mass Effect is on the receiving end of my criticism today, is because it is simply the most recent example of a major game being released that doesn’t meet the high standard that we have come to expect from videogames in 2017. Don’t get me wrong though, I think that we should expect a high level of production standard in our games and frankly I think the fact that Bioware have released this game in this abysmal state is nothing less than unacceptable.
If you have been generous enough to read any of my other stuff, you may have seen a piece I wrote around a year ago, where I loosely reviewed the Amazing Spiderman 2 on PS4, but really I just used the review as an excuse to talk about the place for mediocrity in the modern gaming landscape. This essay will essentially be an updated version of that piece, because every now and again something comes along and reminds me that mediocrity is still a present factor in modern gaming. I am aware that not every game released can be a 10/10 masterpiece at the level of The Last Of Us, but gaming has came such a long way in the last few decades that in my eyes there is a standard that must be met at this point and there is no room for mediocrity anymore.
As a quick disclaimer, let me say that I love and miss the mid tier section of the video game market. I love so many Codemasters, Midway and THQ games and the mid tier is the main reason that the PS2 is my favourite console. With that out of the way; in theory, mediocrity in gaming should have went away altogether when the mid tier crumbled in the dying days of the PS2. What we should have been left with is incredible AAA experiences and smaller, innovative indie experiences.
Excuses can be made for some examples of recent mediocre games. Liquid Entertainment and Beenox games are mostly movie tie ins, developed quickly and released to make a fast buck off of the back of another property. Hello Games were a small studio that bit off more than they could chew. Sega is a big studio, but they have been slowly going downhill and losing respect at a steady rate for a while now. Bioware aren’t a mid tier developer, they are one of the biggest game developers on the planet. Mass Effect Andromeda had a budget of 40 million dollars and a five year development cycle, that is where most of the shock regarding the state of this game comes from.
Nonetheless, Andromeda will still go on to sell millions of copies, EA will make their money back and more games will be developed in the series. This is because the majority of fans of the previous Mass Effect games will have already pre ordered the newest entry and hype alone with carry this game through any turmoil it faces. Frankly I don’t specifically care about the future of Mass Effect as I have never really been a fan of that series, but if you are a Mass Effect fan this should concern you greatly. If you are unhappy with the state that this game has been released in, don’t buy it and if you really can’t resist playing it at some point, wait a while and buy it used from a Mom and Grop Shop. That way you aren’t giving EA your money and you aren’t allowing them to continue to rely on reaching their profit goals via a lackluster game. That is how you change the future of your favourite franchise; never underestimate the power that you possess as a consumer.
Like I said though, Mass Effect has never been my thing, my concern lies more on the overall gaming market and the worry that this will bleed out and affect the mindset of other developers. Using a big franchise name alone to sell your game and forfeiting any attempt at creating a well made experience for your audience.
This is an issue that we have to stamp out now, it may sound petty or harsh, but this is how we make gaming better for all of us. There is no longer a place in the industry for mediocrity and it is up to us, the consumers to prove that to developers.
The message that I keep reiterating is backed up again by this topic, stop being an apologist, stop settling for less, don’t be afraid to demand a higher standard. Spreading negativity isn’t necessarily a bad thing if it has a legitimate basis. This is how we push mediocrity out of gaming. Playstation’s best slogan is still, ‘Expect Greatness,’ because we should expect greatness from developers; don’t be afraid to call a spade a spade. The most powerful voice of all lives in your back pocket; your hard earned cash and that is what gives you the right to call for better experiences.
If you have been generous enough to read any of my other stuff, you may have seen a piece I wrote around a year ago, where I loosely reviewed the Amazing Spiderman 2 on PS4, but really I just used the review as an excuse to talk about the place for mediocrity in the modern gaming landscape. This essay will essentially be an updated version of that piece, because every now and again something comes along and reminds me that mediocrity is still a present factor in modern gaming. I am aware that not every game released can be a 10/10 masterpiece at the level of The Last Of Us, but gaming has came such a long way in the last few decades that in my eyes there is a standard that must be met at this point and there is no room for mediocrity anymore.
As a quick disclaimer, let me say that I love and miss the mid tier section of the video game market. I love so many Codemasters, Midway and THQ games and the mid tier is the main reason that the PS2 is my favourite console. With that out of the way; in theory, mediocrity in gaming should have went away altogether when the mid tier crumbled in the dying days of the PS2. What we should have been left with is incredible AAA experiences and smaller, innovative indie experiences.
Excuses can be made for some examples of recent mediocre games. Liquid Entertainment and Beenox games are mostly movie tie ins, developed quickly and released to make a fast buck off of the back of another property. Hello Games were a small studio that bit off more than they could chew. Sega is a big studio, but they have been slowly going downhill and losing respect at a steady rate for a while now. Bioware aren’t a mid tier developer, they are one of the biggest game developers on the planet. Mass Effect Andromeda had a budget of 40 million dollars and a five year development cycle, that is where most of the shock regarding the state of this game comes from.
Nonetheless, Andromeda will still go on to sell millions of copies, EA will make their money back and more games will be developed in the series. This is because the majority of fans of the previous Mass Effect games will have already pre ordered the newest entry and hype alone with carry this game through any turmoil it faces. Frankly I don’t specifically care about the future of Mass Effect as I have never really been a fan of that series, but if you are a Mass Effect fan this should concern you greatly. If you are unhappy with the state that this game has been released in, don’t buy it and if you really can’t resist playing it at some point, wait a while and buy it used from a Mom and Grop Shop. That way you aren’t giving EA your money and you aren’t allowing them to continue to rely on reaching their profit goals via a lackluster game. That is how you change the future of your favourite franchise; never underestimate the power that you possess as a consumer.
Like I said though, Mass Effect has never been my thing, my concern lies more on the overall gaming market and the worry that this will bleed out and affect the mindset of other developers. Using a big franchise name alone to sell your game and forfeiting any attempt at creating a well made experience for your audience.
This is an issue that we have to stamp out now, it may sound petty or harsh, but this is how we make gaming better for all of us. There is no longer a place in the industry for mediocrity and it is up to us, the consumers to prove that to developers.
The message that I keep reiterating is backed up again by this topic, stop being an apologist, stop settling for less, don’t be afraid to demand a higher standard. Spreading negativity isn’t necessarily a bad thing if it has a legitimate basis. This is how we push mediocrity out of gaming. Playstation’s best slogan is still, ‘Expect Greatness,’ because we should expect greatness from developers; don’t be afraid to call a spade a spade. The most powerful voice of all lives in your back pocket; your hard earned cash and that is what gives you the right to call for better experiences.
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Kristy H (1252 KP) rated Dirty Wings (Metamorphoses, #2) in Books
Feb 13, 2018
The second book in Sarah McCarry's Metamorphoses' trilogy, this novel actually goes back in time to introduce us to Cass and Maia - the mothers of the heroines from McCarry's first book, "All Our Pretty Songs." Maia is a lovely, but sheltered, teen - a piano prodigy living with her rigid, overprotective adoptive parents. Cass, meanwhile, is a tough kid living on the streets - she's used to taking care of herself and no one else. But when she meets Maia, everything changes.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
I'll confess that I am somewhat continuing to read this trilogy as it checks off a requirement in a book challenge that I'm doing. But, McCarry's books are always very well-written and interesting, if not a bit strange. I actually enjoyed this one a bit more than the first. The story was a little more clear. Much like book one, I still maintain that I would enjoy these books more without the odd mystical influence hovering in the corners of the pages. In this novel, Maia and Cass eventually meet Jason, with whom Maia falls in love with, and with whom it seems that Minos (the shadowy man from the other world) is trying to lure away... or, as Cass fears, does he just want Maia?
It's all a bit confusing and such a strange side plot to a story of troubled teenagers falling in love and rebelling against the world - which would work just fine on its own. Oh well. I'm still hooked and will read the last book. McCarry has a beautiful voice and this book is very poetical, much like the first. The story flips between present and past in this one, which can be a bit confusing, but also makes the book fly by. It's a compelling read, if not one that will leave you a bit frustrated and wanting more.
Ollie SB (2279 KP) rated A Bat out of Hell: The Musical in Dominion Theatre (London, United Kingdom) in Shows
Aug 14, 2020
The Music (1 more)
The Cast
A Story Out of Hell, Music Out of Heaven
I watched this a few years ago at the Dominion Theatre in London, and will hopefully be seeing it again in January (fingers crossed). I am by no means a massive theatre fan, but I was drawn to this show because of my love for Meat Loaf (the artist not the food). My mum got me and my sister hooked on his music from a young age and it was my sister that convinced me to see this show - I'm glad that she did...
Written by Jim Steinman, who also wrote the original album 'Bat Out of Hell' (one of the greatest albums ever btw) this show tells the story of... well it's kinda confusing... basically, two 18 year olds that fall in love, even though the parents forbid it... but the characters are all stuck at age 18 and never age... and it's set in some post-apocalyptic, dystopian future... yeah like I said, confusing. But as I said, I didn't really see this show for the story, it was the music that carried me through this show.
The story is... okay, but the music is brilliant. It offers a slightly different take on classics such as 'Bat Out of Hell', 'Paradise by the Dashboard Lights' and 'Heaven Can Wait' amongst others. The songs really help you to understand the story a bit better, and are performed brilliantly by the cast.
Overall I would say this show is probably perfect for fans of Meat Loaf, but perhaps lacking in story for avid theatre goers. For someone like me who isn't that invested in theatre culture, but appreciates the music, this show was perfect.
Written by Jim Steinman, who also wrote the original album 'Bat Out of Hell' (one of the greatest albums ever btw) this show tells the story of... well it's kinda confusing... basically, two 18 year olds that fall in love, even though the parents forbid it... but the characters are all stuck at age 18 and never age... and it's set in some post-apocalyptic, dystopian future... yeah like I said, confusing. But as I said, I didn't really see this show for the story, it was the music that carried me through this show.
The story is... okay, but the music is brilliant. It offers a slightly different take on classics such as 'Bat Out of Hell', 'Paradise by the Dashboard Lights' and 'Heaven Can Wait' amongst others. The songs really help you to understand the story a bit better, and are performed brilliantly by the cast.
Overall I would say this show is probably perfect for fans of Meat Loaf, but perhaps lacking in story for avid theatre goers. For someone like me who isn't that invested in theatre culture, but appreciates the music, this show was perfect.
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Leanne Crabtree (480 KP) rated Mind Sweeper (Mind Sweeper #1) in Books
Sep 6, 2019
I won this book via Goodreads' First Reads program (and I'm so happy I did! Thank you for the goodies, too, A.E. :D)
<a href="http://s216.photobucket.com/user/leannecrab/media/DSCN3257.jpg.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/DSCN3257.jpg"; border="0" alt=" photo DSCN3257.jpg"/></a>
4.5 stars.
This book has everything that I like in a paranormal read; action, romance, investigations... I really, really, really liked it!
<a href="http://s216.photobucket.com/user/leannecrab/media/DSCN3258.jpg.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/DSCN3258.jpg"; border="0" alt=" photo DSCN3258.jpg"/></a>
"Happy Reading"? It definitely was for me!
I literally read every word of this, which I don't always do as it is generally just filler/too much information for my liking, but I felt like I would miss something if I missed any one word of this. And still managed to finish it within three days
The case took up all the book and I have to admit that I had no idea who was behind it all but I loved how the author had linked everything together.
The romance was slow growing; it wasn't insta-love and I really felt it happening which was great. I love Kyle and Joe as a couple. I'd love to read more of them (nudge, nudge ;-))
I'm definitely looking forward to reading more books by the author if there is more along this line coming. Great book for a debut!
<a href="http://s216.photobucket.com/user/leannecrab/media/DSCN3257.jpg.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/DSCN3257.jpg"; border="0" alt=" photo DSCN3257.jpg"/></a>
4.5 stars.
This book has everything that I like in a paranormal read; action, romance, investigations... I really, really, really liked it!
<a href="http://s216.photobucket.com/user/leannecrab/media/DSCN3258.jpg.html"; target="_blank"><img src="http://i216.photobucket.com/albums/cc19/leannecrab/DSCN3258.jpg"; border="0" alt=" photo DSCN3258.jpg"/></a>
"Happy Reading"? It definitely was for me!
I literally read every word of this, which I don't always do as it is generally just filler/too much information for my liking, but I felt like I would miss something if I missed any one word of this. And still managed to finish it within three days
The case took up all the book and I have to admit that I had no idea who was behind it all but I loved how the author had linked everything together.
The romance was slow growing; it wasn't insta-love and I really felt it happening which was great. I love Kyle and Joe as a couple. I'd love to read more of them (nudge, nudge ;-))
I'm definitely looking forward to reading more books by the author if there is more along this line coming. Great book for a debut!
Fred (860 KP) rated Bumblebee (2018) in Movies
Mar 16, 2019
G1 Transformers (2 more)
The opening scene on Cybertron
You got the touch!
The stupid "Bumblebee has no voice" crap (1 more)
John Cena is a horrible actor
Robot in disguise
I love the Transformers. I've been a fan since the original cartoon in 1984 & the original comic book run from Marvel. I've loved just about every show & every movie. Yes, they have had their faults, but for pure enjoyment, I loved them too. But now that I've seen Bumblebee, I know that they could have been a lot better.
Yes, this is easily the best of the live-action films. Let's just start by saying G1 versions. That should be enough, but even the story is better than the others. Sure, it's not very original & in one scene there's even a homage (rip off) of the Iron Giant. But it's great entertainment. The action is great, it's funny, but not silly like the others. I like John Cena, when I can see him, but he's terrible in this.But I can overlook it. The Rock has nothing to worry about. My main complaint is they make Bumblebee mute again. So stupid & annoying. Why? What's it bring to the story? Absolutely nothing.
I actually can't wait for the next installment & hope it continues this line instead of the last one.
Yes, this is easily the best of the live-action films. Let's just start by saying G1 versions. That should be enough, but even the story is better than the others. Sure, it's not very original & in one scene there's even a homage (rip off) of the Iron Giant. But it's great entertainment. The action is great, it's funny, but not silly like the others. I like John Cena, when I can see him, but he's terrible in this.But I can overlook it. The Rock has nothing to worry about. My main complaint is they make Bumblebee mute again. So stupid & annoying. Why? What's it bring to the story? Absolutely nothing.
I actually can't wait for the next installment & hope it continues this line instead of the last one.
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TacoDave (3934 KP) rated Withdrawals by Tom MacDonald in Music
Jul 23, 2021
melody (3 more)
production
flow
video
A Beautiful, Sobering Song (Pun Intended)
Tom MacDonald is known for being controversial. And while I'm not a huge rap fan (because I don't like to hear about drugs, violences, or "hoes"), I tend to like most of his songs.
But his newest song "Withdrawals" transcends everything else he has done. It is an honest, sobering, haunting song about going through withdrawals from alcohol or drugs, and you can tell that Tom has really lived through it.
Combining fantastic rap bars with a melodic hook, the song manages to stretch across genres and speak to anyone who has experienced the pain and trauma of trying to kick a bad habit.
The hook/chorus shows the duality present in an addict's mind where he really wants to stop making bad choices, but at the same time he really enjoys using chemicals to numb his mind:
"Deleted all the numbers from my phone, I'm staying home
Really wish that I was drunk with all my friends
I'll either beat it or I won't, and overdose
Really wish that I was high with all my friends."
What a great song, with a powerful message to help others overcome addiction. I love it.
But his newest song "Withdrawals" transcends everything else he has done. It is an honest, sobering, haunting song about going through withdrawals from alcohol or drugs, and you can tell that Tom has really lived through it.
Combining fantastic rap bars with a melodic hook, the song manages to stretch across genres and speak to anyone who has experienced the pain and trauma of trying to kick a bad habit.
The hook/chorus shows the duality present in an addict's mind where he really wants to stop making bad choices, but at the same time he really enjoys using chemicals to numb his mind:
"Deleted all the numbers from my phone, I'm staying home
Really wish that I was drunk with all my friends
I'll either beat it or I won't, and overdose
Really wish that I was high with all my friends."
What a great song, with a powerful message to help others overcome addiction. I love it.