"You know, I think love the antihero a little bit. The one that you just end up going, “Come on, you can make it. You can turn yourself around.” I loved Dead Man Walking. One of [Sean Penn’s] most brilliant performances. The fact that he manages to get you, by the end, wanting him to live, even after the most heinous crimes, is jaw-dropping to me. You start hating him, and you’re like, “You’re despicable.” And then… I just find it amazing. Only Sean Penn could do that. I think he’s amazing."

"The first song on it ['Have You Seen My Baby?'], I don't love, but it was just another one... I just picked that one because I think, on Trouble In Paradise and Little Criminals and Born Again, there's probably songs on there, if you go song-by-song, that I like better, that are more produced. But I think starting maybe with track two or so, I burned that one from vinyl - it has that same effect, that sprawling effect, because it's more primitive, before it got too produced. It's just got that bluesy piano thing, it's well recorded and I don't know, I think at the end of the day, if you listen to an album as one piece - sure, maybe start it at the second track - but it just travels in this sort of good, honky tonk bluesy way. I'd say my record came off more like something like that than 'Baltimore' from Little Criminals. I love that song, but it's very produced, very polished and 12 Songs is more just naturally... it's got it's warts, but they're all pretty beautiful."

"It’s hard for me to narrow it down to my favorite directors and favorite actors, too, but I love Matt Dillon. I love Beautiful Girls and I love Flamingo Kid — he’s responsible for a lot of my favorites, but I’m gonna have to pick Drugstore Cowboy. I saw it when I was a kid and I felt like it was such a different culture than any that I’d ever been exposed to, and I felt like instantly I was a part of it — even though I had no frame of reference. I mean, I wasn’t a “kid,” I was 14 or 15. I had started getting into, you know, that sort of pretentious high school literate phase where you start reading, like, Kerouac and Ginsberg and, I don’t know — I loved that world, that romanticized, thuggy, kind of petty crime world. I really romanticized it myself and just wanted to be a part of that world; there was something exciting about that for me. And I love the way it’s shot. I love the drugged out scenes; I love the way [Gus Van Sant] shoots with cut-outs, those kind of simple, free-floating cut-outs to convey the psychedelic scenes. It was one of my very first exposures to that style of filmmaking that was a lot more patient and took its time and allowed itself to breathe. And from there I got into, like Hal Hartley and the independent movies of the ’90s. But my love of that type of film all started with Drugstore Cowboy."

"Krush Groove is awesome because it has all the old hip-hop people that I like. You know, LL Cool J, Run-DMC, who I love, Fat Boys, Sheila E. One of my favorite scenes in any movie is in that movie when Run comes out and he’s like “We have a whole lot of superstars…” It just gives me goosebumps when I watch it."

"One of my favorite films is the movie Tootsie. I really love Tootsie. I just watched it when I was a kid and for some reason, I just, I’m obsessed with that movie. I think I’ve watched it 100 times. It’s just so funny and fun, and I love it. It’s cool. I like that it’s sort of about women, you know? It’s sort of about how he finds the woman inside himself, so there’s sort of like this feminine aspect to it, and I just love Dustin Hoffman. He’s amazing. I don’t know, I just love that movie. It’s emotionally totally satisfying to me, and it sort of makes me feel good while being interesting and smart."