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Alice (117 KP) rated The Switch in Books
Mar 3, 2021
Thank you to NetGalley and Macmillan Audio and Flatiron Books for early access to this audiobook
I wholeheartedly adored this book! After reading and loving The Flat Share I knew I wanted to read this book as well so when I saw it was available as an audiobook on NetGalley I jumped at the chance to get to read it. Also, the fact that it was narrated by the absolute ICON that is Alison Steadman and Normal People's Daisy Edgar-Jones really sold it to me! I love when audiobooks have multiple perspectives narrated by different actors as I feel like it adds a lot to the story that you don't always get from a single narrator. This was just so charmingly Beth O'Leary and I loved this one just as much - if not more than I loved The Flat Share. I loved all of the characters and this was such a fun read but it also deals with very serious topics as well such as death, grief and abuse but all rolled up in a charming little tale of love, friendship and family. It gave me major Hallmark Christmas movie vibes as in I kind of knew how it was going to end right at the start but it was so fun and sweet and it was nice just to do life with the characters. I couldn't recommend this book enough!
I wholeheartedly adored this book! After reading and loving The Flat Share I knew I wanted to read this book as well so when I saw it was available as an audiobook on NetGalley I jumped at the chance to get to read it. Also, the fact that it was narrated by the absolute ICON that is Alison Steadman and Normal People's Daisy Edgar-Jones really sold it to me! I love when audiobooks have multiple perspectives narrated by different actors as I feel like it adds a lot to the story that you don't always get from a single narrator. This was just so charmingly Beth O'Leary and I loved this one just as much - if not more than I loved The Flat Share. I loved all of the characters and this was such a fun read but it also deals with very serious topics as well such as death, grief and abuse but all rolled up in a charming little tale of love, friendship and family. It gave me major Hallmark Christmas movie vibes as in I kind of knew how it was going to end right at the start but it was so fun and sweet and it was nice just to do life with the characters. I couldn't recommend this book enough!
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Lenard (726 KP) rated Toy Story 4 (2019) in Movies
Jul 4, 2019
For a movie aimed at children, Toy Story 4 deals with many themes. First, there is the multi-generational lines of playthings. You have 1940s era ragdolls, 1950s era porcelain dolls, 1960s era plastic resin movable action figures, 1970s era pullback and action toys, plus Plushies, Mr Potato Head, and new-age DIY toys of this millennium. Like Pixar and its films, it serves to connect the generations of humans and demonstrate the similarities we share no matter how old we are. Also, the older generations are always looking out for the younger generation as demonstrated by the grandmother in this film and Woody.
A second theme is the whole concept of what makes a toy. Does a child's love bring it to life? Can a lonely creative child make her own friends? What happens to the toys we no longer play with or forget about? Another thing I noticed is that in the previous installments the toys remain inanimate among the humans, but this time they meddle in the human world.
Along the way, Woody learns about the outside world. Early in the film, Woody is given a chance to escape with the toy he obviously loves and get "lost." He however cannot give up the job he was given as a favorite toy. Now, years later, he has a new owner and becoming obsolete. He still has a responsibility to protect the new toy Bonnie makes. He reconnects with a lost love. Everywhere he goes, he meets various toys who yearn for the love of a child, something they either have never had or lost long ago. Like Toy Story 3, Toy Story 4 becomes a movie about growing up and moving on when you are no longer dependent on the love of your "parent."
A second theme is the whole concept of what makes a toy. Does a child's love bring it to life? Can a lonely creative child make her own friends? What happens to the toys we no longer play with or forget about? Another thing I noticed is that in the previous installments the toys remain inanimate among the humans, but this time they meddle in the human world.
Along the way, Woody learns about the outside world. Early in the film, Woody is given a chance to escape with the toy he obviously loves and get "lost." He however cannot give up the job he was given as a favorite toy. Now, years later, he has a new owner and becoming obsolete. He still has a responsibility to protect the new toy Bonnie makes. He reconnects with a lost love. Everywhere he goes, he meets various toys who yearn for the love of a child, something they either have never had or lost long ago. Like Toy Story 3, Toy Story 4 becomes a movie about growing up and moving on when you are no longer dependent on the love of your "parent."
Daniel Boyd (1066 KP) rated Mass Effect Trilogy in Video Games
Jul 25, 2017
An Example Of Why Dialogue Options In Video Games Are More Trouble Than They Are Worth
The first Mass Effect game was released 10 years ago this year and it pioneered many RPG mechanics that are still being used in RPG’s today. Like any pioneer, it spawned many clones that tried to emulate the cover based shooting mechanics that the game used, the romance situations that took place between the characters and the infamous dialogue options that the player could choose from during conversation cutscenes.
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?
Mass Effect wasn’t the first game to do it, there are plenty of earlier examples of the mechanic being used before in games, such as the Fallout series. Bioware actually included the mechanic themselves in their earlier game in Knights Of The Old Republic, but its inclusion Mass Effect is what brought it to the mainstream and soon every developer was wanting a piece of the dialogue tree pie.
I never owned the original Mass Effect, the most exposure I got of it was through a few mates that owned the game at the time, but eventually the mechanic did end up creeping into games that I did own including; Alpha Protocall, Deus Ex, any Telltale game, The Amazing Spiderman 2, (for some reason,) and even in Uncharted 4.
As much as I enjoy a good ‘choose your own adventure,’ story and as much as I appreciate the trust that developers put in gamers to be able to tell their own story; whether that be through dialogue options, moral choices or customization options, I want you to tell me your story. I didn’t pay 50 quid to get given a setting and a bunch of characters to tell my own story. You guys get paid to craft amazingly immersive works of fiction, so do your job and suck me in. Whenever I’m playing a game with dialogue options and I am starting to get invested in the story and the characters, the inevitable dialogue tree pops up and takes me right out of the experience.
Sure, there are some movies that I watch and wonder why a writer or a director made a certain creative choice, but even if I don’t agree with the decision, it is the creator’s job to make those tough choices and that is what makes great art. One of my favorite movies of the last decade is Nicolas Winding Refn’s ‘Drive’ and that is purely because of the creative choices that the cast and crew made on that movie. I know people that hate Drive and I’m sure if given the option they would change it to be a less daring, more cookie cutter action thriller, but that wouldn’t have earned my respect like it has. Sometimes creators need to stop handholding the audience and make a tough call, even if it could potentially be a polarizing one.
In fact, when I think about it, all of my favorite stories are adored so much because of the definitive, drastic calls that they dare to make. I already spoke about Drive, Fight Club’s twist took some balls to pull off, the ambitious non linear storytelling of Pulp Fiction makes it iconic, Breaking Bad was consistently shocking and yet brilliant, MGS is insanely unconventional and I love it for it and The Last Of Us delivers a divisive finishing blow that we have no choice but to partake in.
That is how you tell a great story and that is how you stand out as a creator, by doing something that no one else could do, especially not your audience. When I come home after a long day at work, I don’t want to do much thinking. I want to relax and be told a story by the folks that are best at doing so. Personally, I think that you should believe in the story you are telling enough to make a definitive decision and if you don’t, is it really a story that’s worth telling?
James Dean Bradfield recommended 154 by Wire in Music (curated)
BookInspector (124 KP) rated The Lioness of Morocco in Books
Sep 24, 2020
This is a mesmerising story of 2 generation’s lives between London and Mogador, Morocco. The first part tells and incredible story of Sibylla, and her journey through life in new country with new beliefs and traditions. Also, her adjustment and fight for what life throws at her. Life doesn’t really spare her. The relationship with her husband lacks love and understanding, so when handsome acquaintance comes along and sweeps of her feet, she thinks, she finds her love again. But it would be too perfect, and let’s not forget, the plot of this story is happening in Morocco. The second part is more about Sibylla’s children and their way through life. Both parts are very well combined together and make an incredible story of adjustment, love, betrayal. The characters of this book are very diverse, and there is huge variety to choose from in this publication. I always admire strong women characters, who take charge in difficult situations. Sibylla is like that, strong, ambitious and she doesn’t give up easily.
I love reading about different countries and cultures, that’s why all the information about harems was very mesmerising and exotic to me. I loved to see, how women treated each other and their surrounding in Arab country in 19th century. The writing style used in this book was not very easy for me, as it’s written in quite refined and sophisticated manner. Even though it’s quite hard to read this type of writing for me, it gives me a great feeling of the spirit, which the novel should portray. I really loved that all the main characters views and feelings were taken into consideration, and expressed in the book; it was not the story just from one characters perspective. I was really pleased that every chapter had something happening. There were many twists and drama in the book, and it made it really appealing. However, there were few places where plot was quite predictable. The ending was really enjoyable and nicely concluded the story. To conclude, if you would like something exotic, educating, historical and very thorough going book, with strong characters and rebellious women, this is a must read for you.
Was given a review copy for honest opinion about this book.
I love reading about different countries and cultures, that’s why all the information about harems was very mesmerising and exotic to me. I loved to see, how women treated each other and their surrounding in Arab country in 19th century. The writing style used in this book was not very easy for me, as it’s written in quite refined and sophisticated manner. Even though it’s quite hard to read this type of writing for me, it gives me a great feeling of the spirit, which the novel should portray. I really loved that all the main characters views and feelings were taken into consideration, and expressed in the book; it was not the story just from one characters perspective. I was really pleased that every chapter had something happening. There were many twists and drama in the book, and it made it really appealing. However, there were few places where plot was quite predictable. The ending was really enjoyable and nicely concluded the story. To conclude, if you would like something exotic, educating, historical and very thorough going book, with strong characters and rebellious women, this is a must read for you.
Was given a review copy for honest opinion about this book.
Debbiereadsbook (1573 KP) rated The Game (Charleston Condors #2) in Books
Aug 15, 2023
loved Beck and Micah!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Charleston Condors, The Star is book one. While I don't think it's strictly necessary that you read that book first, it will probably help you see what Beck was like, before Micah came back into his life. I gave that book 4 stars.
But this one?? I LOVED this book!
We don't get what happened to Beck and Micah a couple of years ago, but you get clues and hints in The Star. And I put those clues and hints together in the wrong way and was way off base.
What DID happen was heartbreaking for Beck, but for Micah too. But it takes time for Micah to tell Beck what happened fully, and it made me cry when he eventually gets it all out.
What I loved the most about this, was how forgiving Beck was, right at the start. Yes, Micah had hurt him and both men were still hurting from that but Beck could see Micah needed a FRIEND more than anything else. And offering Micah that olive branch was the best thing he ever did.
Loved the whole Vegas thing! Granted they were drunk but not so that they didn't know what they were doing. Granted they BOTH thought on waking that they did NOT want to undo what they did. It takes them time to settle into the husband thing but they really do love each other and want to make it work.
I found myself falling out with Beck's mum at one point, but given the outcome of that, she redeemed herself.
I said in my review for the Star that I really linked that there was very little drama. While the history of Beck and Micah is full of drama, once they get back together, there isn't much here either! And I'm loving that.
I also said in The Star that I didn't like the long descriptive passages about the football games. Now, whether it is because I knew they were coming, or not, I don't know, but I found them less difficult to read here. I'm still not a fan, (and will never be!) and I still didn't understand half of those passages, but I didn't find them as many or as difficult.
There were some characters that helped Micah while he and Beck were apart, I'd like to go back and read about Scott and Asa. And Carter (Beck and Micah's team mate) gets the next book. I'm really REALLY looking forward to reading his story. He's a character here, but I have a strong feeling it's all a freaking front and the man is falling apart underneath.
Beck and Micah really are perfect for each other, and I loved their story.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Charleston Condors, The Star is book one. While I don't think it's strictly necessary that you read that book first, it will probably help you see what Beck was like, before Micah came back into his life. I gave that book 4 stars.
But this one?? I LOVED this book!
We don't get what happened to Beck and Micah a couple of years ago, but you get clues and hints in The Star. And I put those clues and hints together in the wrong way and was way off base.
What DID happen was heartbreaking for Beck, but for Micah too. But it takes time for Micah to tell Beck what happened fully, and it made me cry when he eventually gets it all out.
What I loved the most about this, was how forgiving Beck was, right at the start. Yes, Micah had hurt him and both men were still hurting from that but Beck could see Micah needed a FRIEND more than anything else. And offering Micah that olive branch was the best thing he ever did.
Loved the whole Vegas thing! Granted they were drunk but not so that they didn't know what they were doing. Granted they BOTH thought on waking that they did NOT want to undo what they did. It takes them time to settle into the husband thing but they really do love each other and want to make it work.
I found myself falling out with Beck's mum at one point, but given the outcome of that, she redeemed herself.
I said in my review for the Star that I really linked that there was very little drama. While the history of Beck and Micah is full of drama, once they get back together, there isn't much here either! And I'm loving that.
I also said in The Star that I didn't like the long descriptive passages about the football games. Now, whether it is because I knew they were coming, or not, I don't know, but I found them less difficult to read here. I'm still not a fan, (and will never be!) and I still didn't understand half of those passages, but I didn't find them as many or as difficult.
There were some characters that helped Micah while he and Beck were apart, I'd like to go back and read about Scott and Asa. And Carter (Beck and Micah's team mate) gets the next book. I'm really REALLY looking forward to reading his story. He's a character here, but I have a strong feeling it's all a freaking front and the man is falling apart underneath.
Beck and Micah really are perfect for each other, and I loved their story.
5 full and shiny stars
*same worded review will appear elsewhere
Kristy H (1252 KP) rated The Girl with the Lower Back Tattoo in Books
Feb 1, 2018
Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life is like as a celebrity. In Schumer's, we hear about her life from childhood to her post <i>Trainwreck</i> success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
Phillip McSween (751 KP) rated Mary Poppins (1964) in Movies
Jan 26, 2018
Fun Adventure For the Ages
It's not hard to come to grips with why Mary Poppins is widely considered as a classic. Does the film show you a really good time? Check. Make you laugh? Check. Provide you with important messages that still hold true to this day? Check. All the marks of a film that stands the test of time.
Seriously, how can you not love this woman? She's fair. Kind. The kind of person that would tell you the truth whether you want to hear it or not. Just flat-out someone you would want to hang with. To put it simply: Marry Poppins (Julie Andrews) rocks.
The film is sprinkled with some valuable lessons throughout presented in varying creative scenarios. In one of my favorite scenes, Uncle Albert (Ed Wynn) teaches us the importance of laughter and being happy. Everytime he laughs his infectious laugh, he floats (literally) a little bit higher until he can touch the ceiling.
Poppins shines as an iconic character. And, let's face it, the lady can come out of a chimney like a straight up boss! Though the film got off to a slow start, things quickly gain speed when she comes gliding down so gracefully holding her black umbrella. Andrews deserves all the credit in the world for making this role shine.
Think about the plot on paper: A nanny shows up to whip two jerk kids into shape. I'm already asleep. While this could have very easily been a snooze fest, Disney takes us on a fun adventure into some cool and imaginative places with our great heroine running the helm.
Throughout this magical journey into a brand new world, the beauty of it all is how Poppins is able to maintain a stern attitude while still letting the kids be kids. Plainly put, she runs circles around me as a parent. Quality film for the ages.
I give it an 89. I'm rooting for you, Emily Blount. You have some big shoes to fill.
Seriously, how can you not love this woman? She's fair. Kind. The kind of person that would tell you the truth whether you want to hear it or not. Just flat-out someone you would want to hang with. To put it simply: Marry Poppins (Julie Andrews) rocks.
The film is sprinkled with some valuable lessons throughout presented in varying creative scenarios. In one of my favorite scenes, Uncle Albert (Ed Wynn) teaches us the importance of laughter and being happy. Everytime he laughs his infectious laugh, he floats (literally) a little bit higher until he can touch the ceiling.
Poppins shines as an iconic character. And, let's face it, the lady can come out of a chimney like a straight up boss! Though the film got off to a slow start, things quickly gain speed when she comes gliding down so gracefully holding her black umbrella. Andrews deserves all the credit in the world for making this role shine.
Think about the plot on paper: A nanny shows up to whip two jerk kids into shape. I'm already asleep. While this could have very easily been a snooze fest, Disney takes us on a fun adventure into some cool and imaginative places with our great heroine running the helm.
Throughout this magical journey into a brand new world, the beauty of it all is how Poppins is able to maintain a stern attitude while still letting the kids be kids. Plainly put, she runs circles around me as a parent. Quality film for the ages.
I give it an 89. I'm rooting for you, Emily Blount. You have some big shoes to fill.
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Everyday life can be tolling on your mind, body and spirit. Finding a way to unwind and destress,...