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Kirk Bage (1775 KP) rated What We Do in the Shadows in TV
Jan 22, 2021
Anyone who watched and enjoyed the entirely silly, but mostly genius, original film version of this, written and directed by the same partnership of Jermaine Clement and Taika Waititi, should not miss this show! Although Clement and Waititi step down from acting duties (aside from cameo appearences), they are replaced by the ideal, if not actually better, pairing of Matt Berry and Kayvan Novak, whose previous experience in left-field comedy with an improvisational edge leaves them perfectly placed to make this comedy fly like a startled bat!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
The lead duo are joined in all 20 episodes over 2 seasons so far by relative unknowns Natasia Demetriou, Harvey Guillén and Mark Proksch. The first two do adequate jobs of keeping the laughs rolling and the mood steady. But it is Proksch, who brings some knowledge of a working mockumentary farce from his role as Nate is the US version of The Office, who is the stand-out as Colin the energy vampire, who bores his victims to death, or leaves them drained of the will to live. The many ways that single joke is varied to hilarious effect is a thing of true comedic beauty at all times.
The fine balance between the bizarre and ridiculous world of vampires and other monsters with a situation of utter mundanity like flatsharing affords some wonderful moments of laugh out loud insanity. The writing is terrific all the way through, and the bite sized episode lengths ensure it zips along and the joke only wears thin if you gorge on too many in one go. In fact I would strongly recommend not bingeing this one, but rather savouring 2 or 3 in a sitting then leaving it a while. There is something about missing it and coming back to the joke after a break that works better for me.
Some of the things I love about it are the details of the visual world they live in. The paraphernalia of the flat they live in and the clothes they wear is joyous and ever rewarding. There will be things to spot in the background that you missed first time for sure – and that is a sign to me that they wanted to create a classic here and not something disposable. I also adore the opening credit sequence, and sing along every single time.
Then there is the fabulous use of creative swearing, that manages to reach new and surprising heights episode to episode. Berry is especially proficient in this art, leaving me spitting out my tea many times with the use of a profane phrase off the cuff. It is as much the way he says it as what he says, so it is no surprise to me he has been singled out at recent TV awards shows. I hope he gets the recognition he deserves with a shiny trophy or two.
The fact that it was nominated for 8 Emmys for season 2, after only two nods for season 1, also shows that this is an entity that gets better if you stick with it. At first the pattern of the humour may not gel, but the more you get used to it, the character quirks and various relationships, the rewards as a viewer are exponentially good. And if you watch long enough there are also some tasty cameo parts that turn up… but I won’t spoil the surprises here.
Is it a joke that can run and run? No probably not. But I would like to at least see a third season, to wrap it all up. Especially as season 2 ends on somewhat of a cliffhanger, as much as a puerile comedy like this can do. I am a fan. And I imagine I’ll always be able to go back and enjoy an episode here and there to cheer me up. Brilliant stuff, that has its heart and its funny bones in all the right places. Go on, stick your teeth into it!
Goddess in the Stacks (553 KP) rated An American Family in Books
Jan 11, 2018
Amazing memoir
Like many people, I was inspired by the Khizr Khan's speech at the Democratic Convention last year, and appalled by Trump's reaction. As a Marine wife, the family members left behind when a service member dies get my utmost sympathy and compassion. That was my biggest fear while my husband was in the Marines, and it's still a very emotional memory to look back on. So when I heard that Khan was writing a book, I knew I HAD to read it. I put a hold request in at the library before the book was published, and I'm glad I did. The book is definitely one of my favorites of 2017. (One of my next posts will be a round up of my favorites from this year.)
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com
An American Family follows the Khans' journey from Pakistan, to Dubai, to Texas, Maryland, and finally Virginia. And it's fascinating. He says in the beginning of the book that he wrote it to answer the question he's constantly asked: why do you love America? Why are you a Patriot? He couldn't answer it in a few short sentences. This book is his answer, and what an answer it is. It's impossible to summarize this book - it must be read.
It's a very easy read - it flows beautifully, and Khan tells a story well. It's easy, at least, until you get to the point where their son dies in action. Perhaps it wouldn't have such an emotional effect on someone else, but that, and its aftermath, was pretty hard for me to read about. The event is important, however. Its repercussions ripple out through the Khans' lives and affect everything they touch.
I can't recommend this book highly enough. Especially if you're American, and no matter where on the political spectrum you fall, this book is important. It might give you a different view on immigrants.
You can find all of my reviews at http://goddessinthestacks.wordpress.com
Kristy H (1252 KP) rated Cut to the Bone in Books
Aug 6, 2020
I absolutely love the Sayer Altair series and book three didn't disappoint one bit. What is not to love about an incredibly intelligent kickass black FBI agent who takes no prisoners? While Sayer lost her FBI agent fiancé, Jake, several years ago--something she's still reeling from--she's now surrounded herself by her own makeshift family: Adi; her neighbor, Tino; and Ezra. And, of course, there's her witty and tough grandmother, Nana, who raised Sayer. Coming back to this crew as a reader feels like returning to family. Cooper excels at capturing each character's unique voice, and I'm so fond of them all. We even get an appearance from Sayer's former boss, Holt, who has been kicked out of the FBI in a scandal covered in the previous books.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
The mystery plot here is a really wild but totally engaging case. There are lots of references to Egypt and plenty to keep you on your toes. It is a tense and suspenseful tale and Cooper throws in plenty of well-timed twists and turns. The story turns personal for Sayer, and I was certainly riveted. Cooper writes in a quick, fast-paced style that makes it easy to keep flipping the pages.
All the books in this series are dark, and this one is no exception. They are not especially for the faint of heart. A lot of death and gruesome descriptions. It is easy to see that Cooper, who has a Ph.D. in anthropology and worked as a murder investigator, knows her stuff. For me, the authenticity just makes the story pop off the pages even more.
This book ends with a total boom for Sayer, and I cannot wait for the next installment. As I said, I love this series and adore Sayer and her little family. If you haven't read the entire series, I recommend starting with book one, but this one will standalone, especially if you love a twisty and engaging thriller. 4+ stars.
Sarah (126 KP) rated YouTube: Watch, Listen, Stream in Apps
Aug 14, 2018
I have a love-hate relationship with YouTube.
I love it for how useful it can be when you want to learn to do something as there's nearly always a walkthrough video from someone - handy for me when I'm trying to figure out a tricky stitch or section in a knitting or crochet pattern.
I hate how apparently addictive life hack videos, videos of other people playing games or "unboxing" videos are to kids, haha! While it can be helpful when I need to get something done urgently, I feel like I can recite some of these off by heart...
In all seriousness, it is a great app. As I don't use it so much myself, I sometimes feel like the UI could be a bit more intuitive (I seem to get stuck in a loop on my phone app sometimes), but it's clearly simple enough for kids to use, soooo....
It can be hard to restrict inappropriate content because it isn't always labelled as such, but this is an issue on any platform with user-generated content and just means that as parents/guardians/responsible adults we need to be more aware of what children are accessing and to limit it accordingly and which is, after all, our job!
I love it for how useful it can be when you want to learn to do something as there's nearly always a walkthrough video from someone - handy for me when I'm trying to figure out a tricky stitch or section in a knitting or crochet pattern.
I hate how apparently addictive life hack videos, videos of other people playing games or "unboxing" videos are to kids, haha! While it can be helpful when I need to get something done urgently, I feel like I can recite some of these off by heart...
In all seriousness, it is a great app. As I don't use it so much myself, I sometimes feel like the UI could be a bit more intuitive (I seem to get stuck in a loop on my phone app sometimes), but it's clearly simple enough for kids to use, soooo....
It can be hard to restrict inappropriate content because it isn't always labelled as such, but this is an issue on any platform with user-generated content and just means that as parents/guardians/responsible adults we need to be more aware of what children are accessing and to limit it accordingly and which is, after all, our job!
Relax Sounds - Relaxing Nature & Ambient Melodies - Help for Better Sleep, Baby Calming, White Noise, Meditation & Yoga
Health & Fitness and Lifestyle
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The Relax Sounds App provides relaxing nature & ambient melodies to help you relax and unwind from...
Emma @ The Movies (1786 KP) rated Life Itself (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This film is hard to watch, not because it's not good but because there's a lot of chaos to the story at the beginning. We're then treated to a portion that's entirely in Spanish which kicks off an emotional rollercoaster that brings us into the end.
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
WIW - Sugar Daddy Dating App
Dating, Lifestyle and Social Networking
5.0
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WIW - What I Want The Best app for wealthy and successful sugar daddy meet beautiful and...
ClareR (6001 KP) rated The Dangerous Kingdom of Love in Books
Feb 21, 2022
After reading this book, I’d just like to say that I think Francis Bacon is perhaps one of my favourite characters ever! He has (I should clarify: in this book) the right mix of intelligence, humour and cunning to survive at the court of James I, and to keep me reading!
Francis realises that his place at court is in danger as long as Robert Carr is James I’s bedfellow (it hasn’t been explicitly told in history that James I was having sex with Carr and other young men, but he certainly liked having the young, attractive boys around). Carr is set to marry Frances Howard, and the Howards hate Bacon. Therefore, Bacon decides to find the King a new young man and oust Carr. This part where Bacon supports the rise of Villiers is, I believe, true, so this adds credence to the story.
It’s a love story for Bacon from here. He’s a reluctant romantic where Villiers is concerned (we’ll gloss over the fact that his wife, Alice Barnham, isn’t even hinted at), and realises too late that he doesn’t want to be without him. However this coincides with Bacon’s dramatic fall from grace (which is true).
I love historical fiction that takes the bones of a story and moulds it into something else VERY MUCH! Francis Bacon and all the other characters in this are fully formed people, given personalities, loves, dreams and quirks that you never see in the history books. Yes, it’s good to know what really happened (if that’s your thing), but this book was fun! Francis has a wicked side to him that I fell for. I had to keep reminding myself that this wasn’t the real Francis Bacon, it was Neil Blackmore’s Francis Bacon.
So yes, read this book. It’s bawdy and explicit in places, but oh my! The feels, people! This ticked all of my historical fiction boxes, and more besides!
Francis realises that his place at court is in danger as long as Robert Carr is James I’s bedfellow (it hasn’t been explicitly told in history that James I was having sex with Carr and other young men, but he certainly liked having the young, attractive boys around). Carr is set to marry Frances Howard, and the Howards hate Bacon. Therefore, Bacon decides to find the King a new young man and oust Carr. This part where Bacon supports the rise of Villiers is, I believe, true, so this adds credence to the story.
It’s a love story for Bacon from here. He’s a reluctant romantic where Villiers is concerned (we’ll gloss over the fact that his wife, Alice Barnham, isn’t even hinted at), and realises too late that he doesn’t want to be without him. However this coincides with Bacon’s dramatic fall from grace (which is true).
I love historical fiction that takes the bones of a story and moulds it into something else VERY MUCH! Francis Bacon and all the other characters in this are fully formed people, given personalities, loves, dreams and quirks that you never see in the history books. Yes, it’s good to know what really happened (if that’s your thing), but this book was fun! Francis has a wicked side to him that I fell for. I had to keep reminding myself that this wasn’t the real Francis Bacon, it was Neil Blackmore’s Francis Bacon.
So yes, read this book. It’s bawdy and explicit in places, but oh my! The feels, people! This ticked all of my historical fiction boxes, and more besides!
Kristy H (1252 KP) rated Cool for the Summer in Books
May 13, 2021
A simply wonderful book about finding yourself and love
Larissa "Lara" Bogdan has had a crush on one person for her entirety of high school: Chase Harding, the handsome, beloved football quarterback. But it's not until she comes back from a summer at the Outer Banks that he seems to take real notice of Lara. Like, flirting, asking her out notice. Now, she suddenly has everything she's ever wanted. But Lara can't seem to shake her memories of that Outer Banks summer and the girl she spent it with: Jasmine. Those memories come back in full force when Jasmine unexpectedly shows up at Lara's school on the first day and sees Chase flirting with Lara. Lara finally has Chase now. So why can't she stop thinking about Jasmine?
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
"How do you tell people who've listened to you babble about your crush on a guy for a thousand years that whoops, you spent the summer fooling around with a girl?"
Oh goodness, this was a great book. I'm so jealous there are so many wonderful YA LGTBQIA books out there now, which I would have devoured as a teen, yet incredibly happy too. I absolutely loved Lara as a character. She's sweet and bookish (addicted to romances) and in that stage where she's finding herself and coming out. It's hard not to relate to that. Adler's characters pop onto the pages--Lara, her mother, Jasmine, and Lara's cast of funny, overbearing, and loving friends. And even Chase, who is truly a good guy. (I appreciated that it wasn't "bad guy" versus "good girl" but two good kids, with their own personalities and flaws, whom Lara had to choose from.)
The book is told in a then and now format, starting out with Lara in high school and then flashing back to her summer in the Outer Banks with Jasmine. As someone who has spent some time in the Outer Banks, I loved the beachy setting, and the book just felt fun, summery, and exciting. You could feel the thrill of Lara and Jasmine falling for each other. It's so rare that we get this in our literature, and it brought back memories of my own first love and that fun, scared, happy feeling, along with all that uncertainly of realizing you were feeling these things for another girl. Adler captures it all so perfectly.
"If I somehow got Jasmine back--if I even wanted her back--what would it mean losing when everyone else found out the truth?"
The premise for this book is fascinating and lovely. Lara suddenly has everything she wants: she has pined after Chase for THREE YEARS. She comes back from vacation with a tan, a new haircut, and a newfound confidence (which no one knows the source of) and he suddenly takes notice of her. She should be in heaven--her friends certainly think so. Faced with having to make all these monumental life decisions, to realize whom she loves, and what she is--it's a lot. The book does such an excellent job of portraying bisexuality and the journey of figuring out who who you are. It's very well done, but also funny and witty. All the characters seem real and, for the most part, true to their age.
Overall, I loved this one. It portrays the queer community very well and does an excellent job capturing teens. The story is fun, sweet, and captivating. I feel like it would speak well to teens and adults who remember that spark of falling in love. I have to go read everything else by Adler now... 4.5 stars.
Emma @ The Movies (1786 KP) rated Five Feet Apart (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Firstly, I think it's nice to see a film partnering with a charity and bringing awareness to a wider audience. The advert for the charity before the film was a nice touch too.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.
Secondly, it appears that they shook the Disney tree hard for this one. Cole Sprouse and Moises Arias both had big roles on top Disney shows and Haley Lu Richardson appeared once in a show I've never heard of before.
Five Feet Apart opens really nicely with Stella and her friends. Everything is jolly old teen movie until they leave and Stella's demeanour changes. She isn't happy, her face is instantly one of resolve and sadness. The transformation of the room shows you everything that was hiding behind the camera, homely teen bedroom to sterile hospital room. It's a simple scene but it sets up Stella's character nicely.
This isn't a new tale, the idea is tried and tested over the years. A love story through the battle of illness is a guaranteed tearjerker, and this certainly delivered on that point.
Will's arrival at the hospital intrigues her almost instantly. He's the polar opposite of Stella, she has her reasons to battle through while Will is more for living for the moment, consequences be damned.
It's an enjoyable film, but the thing I think stands in the way for some people is the fact that we've never been in this sort of situation so everything seems farfetched. I can't imagine what it's like, but I can imagine emotions running high and recklessness coming from it. As an adult (ugh) I can't imagine putting my life in danger like the characters do, but I'm certain that teenage me would have done the same things... boy was she an idiot.
During the scene where Stella goes under general anaesthetic she's looking up at a drawing placed on the ceiling above her, as the drugs take hold the picture starts to come to life. It was a little whimsical for the film, but being that they use illustration in different areas it was a nice inclusion.
Stella's optimism and determination in the face of her CF is so strong and Haley Lu Richardson does a great job of dealing with the wide range of emotions that she cycles through. (Am I the only one who was getting Olivia Cooke vibes through this?)
The cheese to Stella's chalk is Will played by Cole Sprouse. Will is the fun-at-any-price sort of rebel so of course those two are perfect for each other. If I'm being brutally honest I always thought Cole Sprouse was the one that couldn't act. His performance in this has convinced me otherwise. As frustrating as I found Will's actions I thought he was an interesting character and that Sprouse brought him to life in a very believable way.
The pair make for a great lead couple, even if we are subjected to a rather condensed romance. I didn't really get much sense of how time flowed in this movie, it could be weeks, months, I couldn't tell. Due to the nature of their condition there's a necessary separation throughout the film and as you watch you wonder how they're going to deal with that when romances are traditionally full of closeness... I didn't think that something so simple could make me cry, but somehow there I was with tears rolling down my face. It was a bizarre idea but it worked really well visually even if it did get a little weird at one point.
At the end we ramp up fairly quickly and we see a swift change in our main characters. Emotions are so high that everything gets a little crazier. While the change in Stella didn't feel quite right to me, Will's change was a nice move and Sprouse's performance really showed the panic and reality behind the situation.
When we come to the conclusion of the film I could not have been more annoyed. If someone did that to me I think I'd punch their lights out, five feet rule or not.
Oh! And that five feet rule, you know, the one in the title of the film? We see it referred to early on and it's actually a six feet rule... that discrepancy annoyed me for longer than it probably should have done.
This might not be groundbreaking in its genre but it was an enjoyable watch. It gives you a different take on this popular medi-romance trend.
What you should do
If you like these devastating romances then this is definitely worth catching at some point.
Movie thing you wish you could take home
There's a lot of artistic talent flying around between the main characters and I'd love to pinch a little bit of that.