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Misfit's Manifesto
Book
A self-defined misfit makes a powerful case for not fitting in - for recognizing the beauty, and...
Emma @ The Movies (1786 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
We left off at the end of John Wick 2 with our lead's imminent excommunication. He's been given an hours grace, in a city that's filled with assassins his odds don't look good, but even for John Wick... bad odds are still pretty good.
I've been contemplating the story to this since I watched it. There doesn't feel like much of one. He's attempting to save his life, sure, but that's really the only thing. It feels very much like a set up for the sequel, which depending on what you read is either already planned or not planned at all.
I don't really think we go to see John Wick movies for the plot though, do we? So on that front it delivers spectacularly. The opening was immense, we come in knowing that it's all going to kick off pretty quickly after the last instalment so the anticipation is with you from the off, and it doesn't disappoint. Sheer kick-assery that we've come to expect from the franchise.
As the clock ticks over the hour and John Wick's own time is now running out he dashes through the streets (rather bold for someone with a $14 million bounty on his head) trying to make his way to people who might actually help him. Of course he's spotted by one of the thousands of assassins and villains that seem to litter the streets of New York. He ends up in a handily weaponised building and we see him take on a gang of knife proficient bad guys. The scene in this sequence, with the weapons cupboards, had everyone in the cinema chuckling.
Laughter was a surprising feature of the film, the same chuckling rippled through several scenes and broke up the violence. Some of that violence did also bring out the odd pained "ooh" as we recoiled from the screen in sympathetic pain for the character.
The complexities of the fight scenes are epic, but there was one moment in particular that stuck out as being scripted... yes, yes, I know it's all scripted! We see a very brief pause and the reaction's slow in a moment that was such a departure from everything around it that it was very noticeable to me. (On second viewing, while I still saw it, it wasn't as bad as I had seen it the first time.)
One other fight scene made me pause with a moment of being picky. John and Sofia are fighting every bad guy in Morocco. It was epic, it was fun... but everywhere I looked, "someone's going to fall off that and land on that". The set-up of the scenery was such a giveaway to upcoming action that it took some edge of the action.
The cast is filled to the brim with wonderful actors. Ian McShane, Laurence Fishburne, Lance Reddick and Anjelica Huston were brilliant. I was a little taken aback to see Jerome Flynn appear as Sofia's old boss, Berrada. I winced a little when I noticed that he was playing it with an accent, but I had to take it back because he was rather good with it. There was no one that I thought was "letting the side down", everyone brought their A-game.
There's only one character that did something that disappointed. Zero, played by Mark Dacascos, is a very disciplined man. He's a master with the knife, a master of death, and his action sequences are incredible. He also gets a very funny moment in The Continental before my moment of disappointment. They turn him into a fanboy, and while the contrast has the potential to be amusing it's actually better achieved with characters later in the film. Zero's change felt uncomfortable and out of place.
I shouldn't put all of that in one place, there's one other very short moment in the film that seems out of character/place, and that's at the very end of the film. It felt so odd that I would have ended it a scene earlier. I liked the reveal, but it would have left a bit more intrigue without it.
We can't talk about John Wick without talking about doggos, and these ones were exceptionally good. The two new additions are very talented and look like they get to have a lot of fun. But my heart belongs to Dog though. When he turns up in a taxi... đ˘
Can we all face up to some facts at this point, please? John Wick... super assassin... well, he isn't really is he? He's just really resilient when taking a beating, and very persistent when it comes to shooting things! He'd waste a lot less ammo if he didn't put a minimum of three bullets into every body.
Parabellum was action packed and showed us some very imaginative pieces, but it didn't feel quite as well rounded as either of the other two. I'm still looking forward to what's to come, the pure action is amazing I love to see what they think of next. On the horizon we've got a fourth film, which is listed as Ballerina, and a TV series called The Continental. From this installment I could see some potential routes for the film, but it's the series I'm excited about. I would absolutely love it if each episode was in a different Continental.
What you should do
This movie is an "anyone" kind of thing. Old, young, couples, friends, lone cinema nerds... we were all there. If you love mindless violence and action then you should go and watch this, and look out for the best line of the whole film, "I get it."
If you don't like seeing bad things happen to good books, perhaps don't watch the first ten minutes or so.
Movie thing you wish you could take home
I've been contemplating the story to this since I watched it. There doesn't feel like much of one. He's attempting to save his life, sure, but that's really the only thing. It feels very much like a set up for the sequel, which depending on what you read is either already planned or not planned at all.
I don't really think we go to see John Wick movies for the plot though, do we? So on that front it delivers spectacularly. The opening was immense, we come in knowing that it's all going to kick off pretty quickly after the last instalment so the anticipation is with you from the off, and it doesn't disappoint. Sheer kick-assery that we've come to expect from the franchise.
As the clock ticks over the hour and John Wick's own time is now running out he dashes through the streets (rather bold for someone with a $14 million bounty on his head) trying to make his way to people who might actually help him. Of course he's spotted by one of the thousands of assassins and villains that seem to litter the streets of New York. He ends up in a handily weaponised building and we see him take on a gang of knife proficient bad guys. The scene in this sequence, with the weapons cupboards, had everyone in the cinema chuckling.
Laughter was a surprising feature of the film, the same chuckling rippled through several scenes and broke up the violence. Some of that violence did also bring out the odd pained "ooh" as we recoiled from the screen in sympathetic pain for the character.
The complexities of the fight scenes are epic, but there was one moment in particular that stuck out as being scripted... yes, yes, I know it's all scripted! We see a very brief pause and the reaction's slow in a moment that was such a departure from everything around it that it was very noticeable to me. (On second viewing, while I still saw it, it wasn't as bad as I had seen it the first time.)
One other fight scene made me pause with a moment of being picky. John and Sofia are fighting every bad guy in Morocco. It was epic, it was fun... but everywhere I looked, "someone's going to fall off that and land on that". The set-up of the scenery was such a giveaway to upcoming action that it took some edge of the action.
The cast is filled to the brim with wonderful actors. Ian McShane, Laurence Fishburne, Lance Reddick and Anjelica Huston were brilliant. I was a little taken aback to see Jerome Flynn appear as Sofia's old boss, Berrada. I winced a little when I noticed that he was playing it with an accent, but I had to take it back because he was rather good with it. There was no one that I thought was "letting the side down", everyone brought their A-game.
There's only one character that did something that disappointed. Zero, played by Mark Dacascos, is a very disciplined man. He's a master with the knife, a master of death, and his action sequences are incredible. He also gets a very funny moment in The Continental before my moment of disappointment. They turn him into a fanboy, and while the contrast has the potential to be amusing it's actually better achieved with characters later in the film. Zero's change felt uncomfortable and out of place.
I shouldn't put all of that in one place, there's one other very short moment in the film that seems out of character/place, and that's at the very end of the film. It felt so odd that I would have ended it a scene earlier. I liked the reveal, but it would have left a bit more intrigue without it.
We can't talk about John Wick without talking about doggos, and these ones were exceptionally good. The two new additions are very talented and look like they get to have a lot of fun. But my heart belongs to Dog though. When he turns up in a taxi... đ˘
Can we all face up to some facts at this point, please? John Wick... super assassin... well, he isn't really is he? He's just really resilient when taking a beating, and very persistent when it comes to shooting things! He'd waste a lot less ammo if he didn't put a minimum of three bullets into every body.
Parabellum was action packed and showed us some very imaginative pieces, but it didn't feel quite as well rounded as either of the other two. I'm still looking forward to what's to come, the pure action is amazing I love to see what they think of next. On the horizon we've got a fourth film, which is listed as Ballerina, and a TV series called The Continental. From this installment I could see some potential routes for the film, but it's the series I'm excited about. I would absolutely love it if each episode was in a different Continental.
What you should do
This movie is an "anyone" kind of thing. Old, young, couples, friends, lone cinema nerds... we were all there. If you love mindless violence and action then you should go and watch this, and look out for the best line of the whole film, "I get it."
If you don't like seeing bad things happen to good books, perhaps don't watch the first ten minutes or so.
Movie thing you wish you could take home
The Elements by Theodore Gray
Book and Education
App
Of all the periodic table apps, there is only one which Stephen Fry described as âAlone worth the...
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Letâs face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Maxâs room, or the appearance of an aggravated sea monster which rears up beneath Maxâs little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Maxâs creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Maxâs love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father canât give him.
The other personalities are Judith (Catherine OâHara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Maxâs mood twinned with the surrounding atmosphere. One minute itâs snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Maxâs room, or the appearance of an aggravated sea monster which rears up beneath Maxâs little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Maxâs creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Maxâs love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father canât give him.
The other personalities are Judith (Catherine OâHara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Maxâs mood twinned with the surrounding atmosphere. One minute itâs snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
Heather Cranmer (2721 KP) rated Bad Girls Don't Die (Bad Girls Don't Die, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
When I first came across Bad Girls Don't Die by Katie Alender, I know I had to read this book!! The synopsis sounded right up my straight. I love YA and I love paranormal/horror books, so put them together, and I'm in literary Heaven!
Fifteen year old Alexis and her thirteen year old sister Kasey have always been close until recently. Kasey has started acting different. Even the house feels different; it just feels evil. Alexis questions her own sanity. Is she going crazy or is something actually possessing Kasey?
Bad Girls Don't Die is such a refreshing title for a supernatural book. Usually they have the whole cliched scary title, but this book didn't. I didn't feel that it suited the book that well. I don't really want to go into it because of spoilers, but if you read the story, you'll see what I mean.
How gorgeous is that cover!?! I absolutely love it. It looks a bit ominous. I don't think it really suits the book as gorgeous as it is though. Kasey is obsessed with dolls, so I would've liked to see some dolls on the cover. Perhaps a scarier cover would've been more suited to the book as well.
The world building and setting were fantastic!!! I loved the description of the house. In fact, I'd love to live in a house like the one in the book! The author did a fantastic job of making the whole story come to life through the world building. Even the memories mentioned in the book are written really well.
The pacing was amazing! I devoured this book like I would a pizza (I love pizza)! In fact, I finished this book in less than 24 hours. Every spare minute I had was dedicated to reading this book. It is very fast paced, and each chapter leaves you wanting to read more.
As for the dialogue, there were a few words that I didn't think a 15 year old would use in everyday language, but that's probably more of a personal issue. Plus, it didn't happen often enough to take away from the book. There is mild swearing in this book, but it is very tame and not very often. The characters' dialogue flows freely making this book easy to read.
The characters are all well formed. Alexis comes across as a normal, every day 15 year old girl. She's an outcast at high school, and I think the author did a good job of portraying this. The character of Kasey blew me away! Kasey was my favourite character due to how the author had written her in the story. She's definitely a very strong character. I also loved the character of Megan. I liked how the author didn't make her a stuck-up cheerleader like most authors do when writing about cheerleaders.
All in all, I absolutely loved this book! In fact, after I finished reading Bad Girls Don't Die, I bought the next book in the series. I am definitely in love! This book did an excellent job of combining everything I love into one book.
I'd definitely recommend this book to EVERYONE aged 13+. It is amazing!
Kirk Bage (1775 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Aug 6, 2020
Much like Eurovision itself, this film shouldnât be entertaining in any way, but after watching it for ten minutes it becomes a compelling car crash you kinda have to see out to the end. It doesnât really matter what you think of the songs, you are watching it waiting for the one thing you can make fun of, rubbing your eyes in disbelief that anything so camp and lame can exist.
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad itâs amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesnât want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party â just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, itâs terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesnât matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad itâs amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesnât want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party â just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, itâs terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesnât matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
**This review may contain mild spoilers**
I really enjoyed this book, when someone has been kept prisoner for 8 years you know there is going to be some interesting reasoning behind it. I love psychological thrillers, I like to know what the captors thought processes and why they do what they do. The scary thing though is how devious they can be but also how normal. This book makes you step back and question, who can you really trust?
This is the story of Lily, she has been held captive for 8 years and also conceived her daughter Skye whilst being held prisoner, one evening her captor forgets to bolt the door, once he realises his error, he believes he has conditioned Lily to an extent that she wonât betray him and try to escapeâŚ..Wrong!
I was seriously scared for Lily when she was fleeing the cabin, would she make it? was he waiting round the corner? I was on the edge of my seat (or bed)I mean after 8 years a lot changes, I was worried that her family wasnât living in the same house. I was hoping someone would recognise her and pick her up and tell her she was safe.
The book is told from multiple points of view we have Lily, Rick(Captor), Eve (Mother) and Abby(Twin Sister),this made the book more enjoyable and fast paced.I am a nosey person and want to know everything so this was brilliant for me,I got to understand what life was like for her mother and sister during the past 8 years, what they went through,their grief and how they had become the people they were today.
This book definitely delved into how messy and complicated family life can become, especially when someone has been away for so long and the rest of your family are moving on without you.
I am unsure if I liked Abbyâs character or not. She always believed her sister was alive (like some twin connection)and couldnât get over the grief when people stopped looking, obviously something like this could affect your mental health but I just felt she was too intense! She was a bit of a harsh character, very abrupt and would do things impulsively.
This book is a great debut novel by Hollie Overton, itâs a fast paced psychological thriller with twists and turns that will keep you on the edge of your seat and I recommend reading it. I donât think it is anything like âThe girl on the trainâ as it has been compared to.
Overall I rate this 4 out of 5 stars
**This review may contain mild spoilers**
I really enjoyed this book, when someone has been kept prisoner for 8 years you know there is going to be some interesting reasoning behind it. I love psychological thrillers, I like to know what the captors thought processes and why they do what they do. The scary thing though is how devious they can be but also how normal. This book makes you step back and question, who can you really trust?
This is the story of Lily, she has been held captive for 8 years and also conceived her daughter Skye whilst being held prisoner, one evening her captor forgets to bolt the door, once he realises his error, he believes he has conditioned Lily to an extent that she wonât betray him and try to escapeâŚ..Wrong!
I was seriously scared for Lily when she was fleeing the cabin, would she make it? was he waiting round the corner? I was on the edge of my seat (or bed)I mean after 8 years a lot changes, I was worried that her family wasnât living in the same house. I was hoping someone would recognise her and pick her up and tell her she was safe.
The book is told from multiple points of view we have Lily, Rick(Captor), Eve (Mother) and Abby(Twin Sister),this made the book more enjoyable and fast paced.I am a nosey person and want to know everything so this was brilliant for me,I got to understand what life was like for her mother and sister during the past 8 years, what they went through,their grief and how they had become the people they were today.
This book definitely delved into how messy and complicated family life can become, especially when someone has been away for so long and the rest of your family are moving on without you.
I am unsure if I liked Abbyâs character or not. She always believed her sister was alive (like some twin connection)and couldnât get over the grief when people stopped looking, obviously something like this could affect your mental health but I just felt she was too intense! She was a bit of a harsh character, very abrupt and would do things impulsively.
This book is a great debut novel by Hollie Overton, itâs a fast paced psychological thriller with twists and turns that will keep you on the edge of your seat and I recommend reading it. I donât think it is anything like âThe girl on the trainâ as it has been compared to.
Overall I rate this 4 out of 5 stars
Bong Mines Entertainment (15 KP) rated These Words by Sunny Birla in Music
Jun 17, 2019
Sunny Birla is an up-and-coming singer-songwriter. Not too long ago, he released a bittersweet pop ballad, entitled, âThese Wordsâ, produced by Brett Castro.
âItâs only been a while since weâve been apart. Iâm feeling everything Iâve lost. Over, over again I am wondering if things would change. If only I had just told you that night. It feels like nothing can be more right. I donât need all the planets and stars to align. All I need is to be with you here.â â lyrics
âThese Wordsâ tells an interesting tale of a lovesick young guy who is unhappy because he regrets losing the love of his life.
Apparently, sheâs gone, and all he has left are words which he should have spoken to her when they were together.
Later, he admits that things could have been different between them if he would have acted differently during their relationship.
âThese Wordsâ contains a relatable storyline, ear-welcoming vocals, and charming instrumentation seasoned with a sentimental pop aroma.
From an early age, Sunny Birla, born Anurag Birla, realized music was not merely a hobby, but a calling. Since then, he has since cultivated a voice that emanates directly from his soul.
Armed with this gift and a smorgasbord of inspiration, he works with creative partner Derrick Wan to create honest songs.
Also, he draws inspiration from a lifetime of experiences with love, loss, and battles with demons. His music resonates with anyone whoâs fought their own battles and come out the other side.
https://www.bongminesentertainment.com/sunny-birla-these-words/
âItâs only been a while since weâve been apart. Iâm feeling everything Iâve lost. Over, over again I am wondering if things would change. If only I had just told you that night. It feels like nothing can be more right. I donât need all the planets and stars to align. All I need is to be with you here.â â lyrics
âThese Wordsâ tells an interesting tale of a lovesick young guy who is unhappy because he regrets losing the love of his life.
Apparently, sheâs gone, and all he has left are words which he should have spoken to her when they were together.
Later, he admits that things could have been different between them if he would have acted differently during their relationship.
âThese Wordsâ contains a relatable storyline, ear-welcoming vocals, and charming instrumentation seasoned with a sentimental pop aroma.
From an early age, Sunny Birla, born Anurag Birla, realized music was not merely a hobby, but a calling. Since then, he has since cultivated a voice that emanates directly from his soul.
Armed with this gift and a smorgasbord of inspiration, he works with creative partner Derrick Wan to create honest songs.
Also, he draws inspiration from a lifetime of experiences with love, loss, and battles with demons. His music resonates with anyone whoâs fought their own battles and come out the other side.
https://www.bongminesentertainment.com/sunny-birla-these-words/
Talking Carl
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Kirk Bage (1775 KP) rated The Expanse in TV
Sep 4, 2020 (Updated Feb 11, 2021)
In this particular future, where there exists a cold war tension between the splintered factions of humanity across the solar system, all is not well. Earthers, Dusters (Martians) and Skinnies (Belters) compete for resources and political strength in an ever shifting landscape of trust and betrayal. It is a sci-fi geekâs paradise, full of believable tech, an extensive character list and jargon coming out of the wazoo! Itâs all very complicated⌠and season five just finished airing on Amazon Prime on Wednesday 3rd Feb, so I thought it a good time to talk about it in detail.
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isnât something you watch casually â either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isnât for you; although you suspect it is good and you just didnât make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldnât get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly â the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why⌠he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The showâs main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot â you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isnât going to be for everyone. It is very easy to say âI donât get itâ and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! Itâs far from impossible they will ruin the vibe at some point and it will all fall flat⌠or, it could become the stuff of legend. Iâll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and thereâs also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!
Based on the novel series by James S. A. Corey (actually the assumed name of collaborators Ty Franck and Daniel Abraham), which began in 2011 and has produced one book a year since, the TV version has been on the go since 2015, first at SyFy and then at Amazon after being cancelled unfairly, and to mass uproar from the fans, after Season three. It isnât something you watch casually â either you are into it and make a point of obsessing about it, or you watch a few, feel completely lost and admit it isnât for you; although you suspect it is good and you just didnât make the effort to engage enough. Sci-fi this earnest can be like that: a little unforgiving to tourists and passers-by.
Personally, I went through 2 phases with it. The first was watching it late at night with autoplay on, falling in and out of sleep depending on how exciting what was happening was, missing a lot of the detail and feeling largely lost in space. The second was coming back to Season 4 recently (about 3 weeks ago), after taking in a full recap of the story, and becoming a true fan that couldnât get enough of the complex web of storylines, motives and personalities. Catching up enough to have to wait a week between episodes for the last 4 weeks, which has been tremendously rewarding.
Not that I had a major problem with it from the start. I thought it had a great look and a great mood about it, but lacked some star quality in the cast and was fairly opaque storywise. It always had potential. It was a question of whether you could be bothered to invest in that, knowing that it may go nowhere or even get cancelled very quickly â the TV universe is not known for being kind to sci-fi, as die-hard fans of Firefly still weep about regularly, and quite correctly.
In season one you watch it for the only person onboard that you have heard of, namely Thomas Jane (from The Mist and The Punisher) as det. Joe Miller, a cynical sleuth complete with a great anachronistic hat, who gets wrapped up in a mystery so mysterious it is often hard to work out what he is doing at all, and why⌠he literally comes and goes, for reasons that become apparent in later seasons. A frustrating and yet fascinating entity that must have been a real test to get right.
The showâs main cast also take a lot of time to warm up, to the point where you wonder who they are and whether they will be in it for long? Steven Strait, Dominique Tipper, Wes Chatham and Cas Anvar, as the ragtag collective of a small ship (they eventually name The Rocinante) that finds itself at the centre of a huge political shitstorm as the last bastion of impartial hope and moral reasoning, exude such little charisma at first it all seems doomed to fail. But, something magical begins to happen, by virtue of being in their presence a lot â you start to care. And the more you care the more the subsequent events have the power to stun you sideways!
More than anything else I can think of in recent years, this is a show that rewards patient investment. You will have definite moments of wanting to quit or take a long break, but the more faith you show in it, the more it will reward you in the long run. For me it was the climax of season 3 when I realised I was 100% into it, and that everything that had happened to that point was now starting to make sense in a larger context. Basically, what you think this is and what you assume it is about early doors, is not where it ends up. It goes somewhere way better!
Perhaps because it has the support of the book series as inspiration, the writing and story arc feels stronger and stronger in time. There are to date 9 books, so there is still scope to let this run for a good few years. And it does start to feel like there is a point where it will all completely tie together. Anyway, I am rambling as much as an average episode seems to do here. The point is, there is something right on the tightrope edge of classic or near miss going on with this. The cast have all really grown into their skins and personalities, and there are some moments in seasons 4 & 5 that left me jaw dropped at their dramatic weight!
Look, this isnât going to be for everyone. It is very easy to say âI donât get itâ and move on with this show, but I am a sci-fi veteran , if not full geek, and I now absolutely love it. Cult status then is what we are talking about here. There will be a good wait for season six now, but the cliffhanger is mouth-watering, so I am in! Itâs far from impossible they will ruin the vibe at some point and it will all fall flat⌠or, it could become the stuff of legend. Iâll be there to find out either way. No chance I am doing 5 seasons of something to drop out at that point.
Take away the space and the spaceships and this is a story about division and rights, and the hard work it takes to meet a diplomatic solution to the many differences and grievances that exist between different tribes and factions. What will some do to gain power? What will others do to ensure freedom and justice? How easy is it to waste life in the name of a cause? Oh, yeah and thereâs also the little detail of an ancient alien civilisation that have been leaving tech and artifacts all over the solar system for us to fight over and try to control. As I say, the main story element of it all still feels like a partial mystery, and I love that!