"Raspberry Beret', 'Paisley Park' and the title track was amazing as well. It's a great psychedelic cover, I guess a bit like Sgt. Pepper's…. I love the flute intro on the title track and that was a big goal for the musical - to have each song have this little virtuosic moment, whether it was a harmonised guitar solo or a little flute line or some kind of piano solo. We had a rule that you had to be able to air-play some instrument on any song and if you could do that you could still be excited listening to the album 20 years down the line. It's hard doing fully contemporary music like Yeasayer, where doing something like a guitar solo always seems like a little dated or cheesy - so you want to have that variety, like a saxophone that's going through a weird pedal or being chopped up by a sampler or something, but this was pure "let's get this trumpet solo to be really haunting"."

"I love Scarface. First of all, it’s operatic and it’s funny, to me — Scarface is hilarious. It’s got amazing humor in it. I don’t know if everybody really got the humor when it first came out. It’s about the American Dream. I love the fact that it’s like, if they’re not gonna give it to you, you gotta take it. I’ve grown up watching all the gangster movies and that’s really the essence of all of them: if somebody’s not gonna give it to you, you’ve gotta kick the door down. That’s what that movie is really all about. Both of them [De Palma’s and Howard Hawks’ 1932 original] — both of them were about that. So that’s my love for Scarface; that’s the short answer."

"This is one of the first songs I can remember listening to over and over again as a little kid. I had ‘Puff the Magic Dragon’ and ‘Without You’ and they were my two favourite songs. I remember I would sit on the living room floor with my dad’s big headphones on, we had a massive CD player set and I would put it on and I’d just be… [gasps] I’d listen to it on repeat. “That was my first love of a pop ballad and I think those feelings were my first feelings of love in a way. I would just play it over and over and I think that was my first longing for wanting to create, but maybe not knowing that yet. Just being like ‘Oh my god, this is what I love.’ “It’s quite cool that it was Harry Nilsson, because I was just listening to what my parents were listening to at that time. I fucking love Harry Nilsson, he’s one of my favourite artists. Mariah Carey is a diva and she kills it, but it’s a different experience with the Mariah version. I love a diva and I love a good belt and an intense dramatic thing, but I like the more understated, simpler versions of things sometimes too. It’s like the Dolly Parton version of ‘I Will Always Love You’, there’s something so fucking beautiful and understated about that.”"

"I really love all of Bresson’s movies, but I’m picking this one because it was the first one I saw by him and one of the first VHS tapes I ever bought. I still own that tape. There’s this beautiful, tender, awkward quality to all of Bresson’s movies that I really love. You feel like the actors might forget their lines at any moment . . . but then they don’t, and it just feels so transcendently real . . ."