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Carma (21 KP) rated Up by Five (Just Everyday Heroes: Night Shift, #5) in Books
Jun 17, 2019
The only person that would be capable of taming the wild Connor Dixon is Gabby Evans. Up by Five is the final story in the Just Everyday Heroes: Night Shift (previously Counting on Love series). In this final story Connor, who has been a part of the series from back in the Day Shift books (previously Bradford series), gets his moment in the spotlight. Once again Erin Nicholas hits it out of the park with Connors story. 5 stars from this Dixon fan!!
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
Connor is a man people love, to hate. He is cocky, annoying, brash, bossy, arrogant, dickish and totally runs his sisters lives. He is the only boy to his brood of sisters and he like being in charge of their lives, or so he thinks. He believes he walks on water at the very least. His sisters love him but think he needs to get his own life. He doesnt think he needs to change at all, who doesnt love him? Hes got girls falling all over him, his own bachelor pad, what more does a guy need? One apartment fire answers that question for him very quickly.
Gabrielle Gabby Evans doesnt need anyone to help her do anything. Her brothers constantly underestimate her and she is tired of it. When her apartment burns down she has little options of what to next. Connor Dixon steps up and offers to share his apartment while she gets back on her feet. She doesnt think she can do that, since she is wildly attracted to him, has been for a while now. But it would be safe, since he doesnt seem the least bit attracted to her. Working together for so long, they have a familiarity, a friendship that has seen its fair share of drama, she knows this can work. Right?
Both Connor and Gabby have met their match in each other and right from the start anyone can see they were made for each other. Furniture testing aside, they play off each others strengths and weaknesses with ease. Sure there are some bumps in the road but hello thats how relationships work.
The continuation of relationships from the previous novels, both day and night shift help add to the hysterical interactions splattered throughout the book. Connor and Mac could have their own stand up tour. I also loved the Candy Land (Medical version) in the book, which just shows again the camaraderie they all feel with each other. Connor is a man you love to hate but just love at the end of the day.
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Rob Halford recommended Paranoid by Black Sabbath in Music (curated)
BankofMarquis (1832 KP) rated Annihilation (2018) in Movies
Feb 24, 2018
Just didn't work for me
I like "Intelligent Science Fiction". You know, like Alex Garland's other Directorial effort 2014's EX MACHINA or Jeff Nichols’ involving 2016 film MIDNIGHT SPECIAL. These are the types of films that uses the backdrop of Science Fiction to delve deeper into character, concepts or ideas, leaving time for the audience to take it all in and to really think about what is being shown on the screen and to wrestle with the concepts brought forth. So, I was really excited when I found out the Garland would be helming a film of the first book in Jeff VanderMeer's SOUTHERN REACH trilogy, ANNIHILATION - a trippy sci-fi book series about an alien presence that starts tearing away at the very fabric of human existence. I was convinced that this marriage of source material and filmmaker would create another cinematic gem.
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Boy, was I wrong.
ANNIHILATION fails in all the ways that these types of films could fail. It is self-indulgent, favors style over substance, mood over momentum and has long, long, loooong scenes of dialogue (or non-dialogue) that is supposed to convey a sense of dread and, for me, just made me want to yell at the screen "get on with it!"
ANNIHILATION tells the story of a group of women who comprise the 12th group of explorers entering "the shimmer" - an unknown phenomenon in a remote part of the US that is growing and will soon start engulfing populated areas. None of the other groups have returned (save for 1 soldier). This 12th group, led by the mysterious Dr. Ventres, tries to get at the heart of what the shimmer is and succeed where others failed. Once inside "the shimmer" the group must fight with their own nightmares and what makes them human.
Sounds like a really good premise for an intelligent Sci-Fi film doesn't it? Unfortunately, Director and Writer Garland is more interested in the sights, sounds and moods of "the shimmer" and fails to create any interesting characters - or circumstances - for the audience to follow.
Natalie Portman stars as Lena - a biologist (and former military) who's husband (the great Oscar Isaac) is the lone returning solider (though not all of him, mentally, has returned). The pairing of these two strong, interesting actors should have been enough to propel this film forward, but all they do is stare at each other and "not say" anything. They look at each other like something is wrong, but the never say or do anything. Compounding things is the weird portrayal of the weird Dr. Ventres by Jennifer Jason Leigh - an actress not known from shying away from weird. Her portrayal would have worked, I think, if she had some "normal" folks to play against - or if her character had some sort of climax, but she doesn't, she just sort of peters out. Joining these two are Tessa Thompson (losing the goodwill she earned in THOR:RAGNAROK) as a physicist that "has secrets" and Gina Rodriguez (channelling her inner Michelle Rodriguez) as a gung-ho "kick-ass" paramedic (you can guess how that is going to turn out). Only Tuva Novotny as scientist Cass Sheppard has anything approaching an interesting character, but she is on all too briefly.
Also wasted in this film is Benedict Wong (DOCTOR STRANGE) as the "Basil Exposition" of this film (explaining things to the audience) and David Gyasi (INTERSTELLAR) as a pseudo-love interest for Lena.
Maybe I'm just not "artsy" enough to enjoy this. If you are and you enjoy this, let me know what I missed. As it is, I have an early, leading contender for "Worst Film of 2018".
In the meantime, I'm going to rewatch EX MACHINA or MIDNIGHT SPECIAL, two intelligent Science Fiction films that work.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated The Lion King (2019) in Movies
Jun 20, 2020
It's difficult to know where to begin. I have strong feelings about Disney remakes in general, I was open to the idea until I saw some. I can understand remaking some that stand a chance of being mainly actual live-action like Cinderella and Beauty & The Beast, and I'm looking forward to Mulan despite its lack of Mushu... but... remaking something as "live-action" with realism when you have to include things that aren't realistic (talking animals) it seems pointless to me.
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
Entertainment Editor (1988 KP) rated Kiddo by Jessie Reyez in Music
Feb 6, 2018 (Updated Feb 6, 2018)
"I told you I'm a loco Colombian, now" Toronto-raised Jessie Reyez proclaims on "F**k It," the opening track of her new EP, Kiddo.
New school R&B tends to operate in this kind of "profanity as verisimilitude" mode, but whether one subscribes to that performance method or not, it's not hard to find something to like on the singer-songwriter's much anticipated, seven-track release.
Kiddo deals in equal parts emotional availability, intelligence and vulnerability. Previously heard tracks "Shutter Island" and "Figures" are multifaceted echoes of her soul, glimpses of emotion and reason that depict a fully realized individual who's greater than the sum of her parts. The EP follows along this wavelength, as Reyez expounds her forthright views on life, love and the connective emotional tissue in-between.
"Toronto is my city," she declares, setting the locale on the anthemic energizer that is "Blue Ribbon." The boom-bap of "Gatekeepers" explores the potential price of fame, symbolically and literally speaking, taking its lyrical and melodic cues from House of Balloons-era Abel Tesfaye. Closing things out are the interlude "Voice Mail" and the pop-minded "Great One," its piano strains underscoring its all-or-nothing metric when it comes to love.
With Kiddo, Reyez proves she's musically fearless yet frank, ripping open emotional convention to mine the prickly realities that lie beneath. It's the reason she is generating buzz and momentum as she works towards her inevitable and anticipated full-length release.
Critic - Ryan B. Patrick
Original Score - 8
Read the Original Review Here - https://exclaim.ca/music/article/jessie_reyez-kiddo
Kiddo deals in equal parts emotional availability, intelligence and vulnerability. Previously heard tracks "Shutter Island" and "Figures" are multifaceted echoes of her soul, glimpses of emotion and reason that depict a fully realized individual who's greater than the sum of her parts. The EP follows along this wavelength, as Reyez expounds her forthright views on life, love and the connective emotional tissue in-between.
"Toronto is my city," she declares, setting the locale on the anthemic energizer that is "Blue Ribbon." The boom-bap of "Gatekeepers" explores the potential price of fame, symbolically and literally speaking, taking its lyrical and melodic cues from House of Balloons-era Abel Tesfaye. Closing things out are the interlude "Voice Mail" and the pop-minded "Great One," its piano strains underscoring its all-or-nothing metric when it comes to love.
With Kiddo, Reyez proves she's musically fearless yet frank, ripping open emotional convention to mine the prickly realities that lie beneath. It's the reason she is generating buzz and momentum as she works towards her inevitable and anticipated full-length release.
Critic - Ryan B. Patrick
Original Score - 8
Read the Original Review Here - https://exclaim.ca/music/article/jessie_reyez-kiddo
Frank Turner recommended Killers by Iron Maiden in Music (curated)
Kara Skinner (332 KP) rated By Magic Beguiled in Books
Sep 10, 2019
Many a man has died of longing for one such as her. For her skin has the flavor of honey which contains a magic all its own. Once a man’s lips taste her nectar, he is bound to her for all his days. Be forewarned, then, for her spell cannot be broken. Look for the sign of the cradle moon above the mound of Venus. Be it pale, you might yet escape with our heart and mind intact. But be it crimson, she is of royal blood, and too strong for a mortal man’s resistance.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
Brigit Malone can paint anything she sees, and uses that skill to get herself and her best friend, Razor Face Malone, off the streets. Living the straight life is good until an old enemy kidnaps Raze and demands Brigit forge a privately owned painting, switch the fake for the original, and deliver it. But that painting is the prize possession of Adam Reid, a good man betrayed one too many times. Not only that, but Brigit has seen him before in her dreams. Hurting him is unbearable, but so is leaving Raze in danger.
Neither of them realize the images in the painting are actually a message from the twin sister Brigit doesn’t know she has, a message calling her back to the enchanted kingdom of Rush, where the two half fay twins are destined to put down the usurping Dark Prince Tristan and restore peace to their home, the distant land of Rush.
This book was just what I needed. It’s an epic adventure with romance, deception, and magic. Adam Reid is breath-takingly sexy, and Brigit is wonderfully strong and graceful, like a fairy should be.
However, Adam isn’t inclined to believe in love, let alone fairies. After his terrible childhood with an abusive father, his money was stolen by his ex wife, leaving him a jaded and cynical man about the world and very distrustful of humans. His sadness translates really well on the page and it’s really easy to feel for him, even when he’s complaining about only being able to afford a once-a-week cleaning service instead of a live-in maid. Despite his crankiness and need to be a cynic, you can’t help but want him to find true love and happiness.
Brigit is similarly disillusioned about life. After living homeless on the streets for several years, she succumbed to be an art forger to care for Raze, an old man who had saved her from a fire, and acted like a father to her. Now she was struggling to put the past behind her by running a florist shop. Unfortunately she will have no choice but to go back.to being an art forger to save Raze from one of her old enemies. And this means she needs to rob Adam Reid of the painting.
Adam’s first impression of Brigit is well illustrated and on point with the magic ability of fairies, especially those of royal blood.
She was incredible, and because her eyes sucked him in like quicksand, and because he had the oddest feeling that he knew her. Or should know her.
I love that this story isn’t insta-love, despite the Lure that Brigit gives off, magic that makes men fall in love with her. Yes, Adam does obsess with her a bit at first, but there is so much distrust in him that he doesn’t fall to her charms too quickly. And the plot is fantastic, right up to the heart-wrenching climax. Even though there’s very little magic and supernatural elements in the first book of this duo, it’s still there. Adult fantasy and fairytale lovers will enjoy this book as much as I did.
Leanne Crabtree (480 KP) rated The Professional (The Game Maker, #1) in Books
Sep 5, 2019
3.5 stars.
*I received this copy via Netgalley in exchange for an honest review*
As a huge fan of Kresley Cole and her Immortals After Dark series, I was interested to see what this new book would be about since it was a contemporary romance.
From the first chapter I was fascinated by Natalie and her “manalyzer”, managing to figure out every guy in the bar just by watching them for a few seconds. That is, apart from Sevastyan who she can’t read and instantly catches her attention. Things quickly move along after this and she get’s spirited away to Russia to meet her family, but not without a few hot–and I do mean HOT–scenes between her and Sevastyan.
One thing I did like about the book was that the author didn’t do the typical Mafiya man as Natalie’s dad. In fact, I quite liked the man that was described; he seemed like a nice guy who had a love of clocks and family.
For the first half of the book it was kind of serene, everything was going well. Okay, that’s not quite true. There’s a sexual tension between Natalie and Sevastyan that despite the distance they’ve put between them is only growing and I have to tell you I couldn’t wait for it to blow.
I feel about now that I should mention that I’m not the hugest fan of erotica; I tend to get bored of the continuous sex. Depending on what’s going on and how much I like the characters is how I judge the scenes between them. I happened to like both Sevastyan and Natalie and the sex between them but the dirty talk while in bed always had my eyes rolling. That, I’m not a fan of.
After the half way point it seemed to concentrate more on the sex and the BDSM lifestyle, which I found a little boring after a while. BDSM is not one of my favourite things to read about and in small doses I don’t mind but it took up a fair bit of the book.
With about 15% to go, I got a little excited as some information came out that had me wondering what Natalie would do with it. Relationship difficulties coming to a head I wanted to know how it would all play out. And after another round of sex, we found out some things about Sevastyan’s past.
I’m glad I read this, simply because Kresley Cole is a great author and I was interested in reading something of hers that wasn’t paranormal. I read books for the romance and like to see it happening on paper/screen. The first half was great, it just wasn’t quite for me with all the sex and BDSM themes running through. If you’re a fan of it, then I’d check this out.
*I received this copy via Netgalley in exchange for an honest review*
As a huge fan of Kresley Cole and her Immortals After Dark series, I was interested to see what this new book would be about since it was a contemporary romance.
From the first chapter I was fascinated by Natalie and her “manalyzer”, managing to figure out every guy in the bar just by watching them for a few seconds. That is, apart from Sevastyan who she can’t read and instantly catches her attention. Things quickly move along after this and she get’s spirited away to Russia to meet her family, but not without a few hot–and I do mean HOT–scenes between her and Sevastyan.
One thing I did like about the book was that the author didn’t do the typical Mafiya man as Natalie’s dad. In fact, I quite liked the man that was described; he seemed like a nice guy who had a love of clocks and family.
For the first half of the book it was kind of serene, everything was going well. Okay, that’s not quite true. There’s a sexual tension between Natalie and Sevastyan that despite the distance they’ve put between them is only growing and I have to tell you I couldn’t wait for it to blow.
I feel about now that I should mention that I’m not the hugest fan of erotica; I tend to get bored of the continuous sex. Depending on what’s going on and how much I like the characters is how I judge the scenes between them. I happened to like both Sevastyan and Natalie and the sex between them but the dirty talk while in bed always had my eyes rolling. That, I’m not a fan of.
After the half way point it seemed to concentrate more on the sex and the BDSM lifestyle, which I found a little boring after a while. BDSM is not one of my favourite things to read about and in small doses I don’t mind but it took up a fair bit of the book.
With about 15% to go, I got a little excited as some information came out that had me wondering what Natalie would do with it. Relationship difficulties coming to a head I wanted to know how it would all play out. And after another round of sex, we found out some things about Sevastyan’s past.
I’m glad I read this, simply because Kresley Cole is a great author and I was interested in reading something of hers that wasn’t paranormal. I read books for the romance and like to see it happening on paper/screen. The first half was great, it just wasn’t quite for me with all the sex and BDSM themes running through. If you’re a fan of it, then I’d check this out.







