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Mandy and G.D. Burkhead (26 KP) rated Kushiel's Dart (Phèdre's Trilogy, #1) in Books
May 20, 2018
Shelf Life – Kushiel’s Legacy, the Naamah Trilogy, and How Jacqueline Carey Ruined My Ability to Be Impartial About Them
Contains spoilers, click to show
I can honestly say that the nine books that comprise these three trilogies are among the best fantasy available today as well as nine of my all-time favorite books I’ve ever read.
The Spoiler-Free Overview
If you want the shorter, less spoilery answer for what I think of these books: holy crap, yes, they’re as good as everyone says they are. Jacqueline Carey has a way of making me just…feel stuff like no other author can. Plenty of books have caught and held my interest enough that I didn’t want to put them down, but few have made the act of putting them down anyway so torturous. More than once, I hit a point in these stories where I had to drop whatever else I was gonna do that day (that I could realistically drop) just because I had to keep reading to make sure the characters were going to be okay.
This is character-driven fiction at its finest, with people in the pages who come alive and subtly win your heart. More than once, I’ve found reading about their ordeals to be worrying, a little bit painful, and a little bit infuriating (all in a good way, though), and I had to stop and remind myself that these weren’t real people that I was so concerned over and angry for. So if you ever wanted to be really, really invested in the story you’re reading and the people in it, Terre d’Ange is the place to go. All of the eroticism that everyone talks about is just a really nice bonus.
If you want an even shorter answer: do you watch Game of Thrones? Have you read George R.R. Martin’s A Song of Ice and Fire books? Have you at least heard of the fan hype around these stories? The Kushiel and Naamah books are like that, except sexier and with deeper court intrigue. And a lot less incest.
If you want the long answer…
A Dizzying Amount of Adventure Mileage
One thing that has to be said for Kushiel’s Legacy and the Naamah trilogy is that you definitely get your money’s worth of story out of each book. There’s a pattern that I’ve noticed with each of them, which is that you’ll follow the heroine/hero through a massive tribulation, see them endure their hardships and take their small victories where they can, then finally watch matters come to a crux, a climax, and a satisfying resolution…only to realize that you’re only a third of the way through the full page count.
Where most books are content to have one major conflict, Carey packs hers with about three each. The best part is that they’re not laid out in rigid sequence like a series of video game side quests – fight this problem, win, check it off the list, leave it behind and find a new one to fill the word count. No, each new adventure in the same book arises completely organically from the story overall. It makes you realize just how huge a scope these characters’ destinies really are, and just how incredibly wearying it can be and how much seemingly inhuman endurance it takes to be one of the gods’ chosen.
For instance, the first book to kick everything off, Kushiel’s Dart, begins slowly and simply enough. Phedre is an unwanted child who is basically sold into indentured servitude, then trained to be a spy and courtesan while we’re introduced to Terre d’Ange through her eyes over the next couple hundred pages, learning more about the politics and the players in time to watch the drama around them steadily unfold and escalate.
And then her wise mentor gets killed (as wise mentors tend to do), she and her bodyguard companion are betrayed, and the both of them get sold into full-on slavery to the vikings of Skaldia. Plenty of conflict and hardship and planning later, they make their escape and flee into harsh, snowy mountain terrain, falling in love for good measure while they fend off the deadly cold and the pursuit from their enemies. Finally, they make it back to their homeland and clear their names.
This is where most books would be content to stop and maybe leave further contentions for a sequel. Kushiel’s Dart would have been well within its rights to do so as well, and I wouldn’t have complained if it did. But no, it reminds readers, we’re not done yet. There’s a war coming, remember? We talked about this. Catch your breath for a moment, but then we gotta go rally our armies.
So Phedre and Joscelin set off to the wild and secluded island nation of Alba on the other side of an enchanted strait, a body of water where a vengeful, divine power known as the Master of the Straits lives and for some reason prevents almost all contact between the two nations. Arriving safely enough, they find that Alba is also war-torn at the moment, and the armies they had hoped to rally are busy defending their land from another foe. More plotting and intrigue ensues, alliances and promises are made, and with our heroes’ help, the two sides clash in a decisive battle that gains the side we’re rooting for victory as well as gives them their rightful sovereignty back. Now Phedre has the army she needs. After a sudden and unexpected stop at the Master of the Straits’ island, where they learn the secret of his power and guarantee indefinite safe passage between the nations in return for Phedre losing her closest friend, our heroes finally make it back to their homeland again with their army in tow.
Finally! After all of that struggle, we get a happy ending after all. But wait, not yet you don’t, the chunk of pages left at the end remind you. All you did was get your forces together. Good for you. Now you still gotta go actually fight the war with the Skaldi invaders to determine the fate of your entire nation.
So they do. And only after an awesome last-stand battle (the excitement and careful strategy of which will take you completely by surprise if you first entered this book expecting little more than kinky sex scenes) is the story allowed to wrap up in earnest, our heroes finally earning their long-deserved rest. The dangerous and cunning warlord is defeated, the invading army has been pushed back, the new Queen has ascended the throne, Terre d’Ange has been saved, and Phedre and Joscelin are free to finally be together – with the only little niggle being that the real mastermind behind all of their problems is still loose and taunting them. But we can get to that in the next book. Or five.
The Spoiler-Free Overview
If you want the shorter, less spoilery answer for what I think of these books: holy crap, yes, they’re as good as everyone says they are. Jacqueline Carey has a way of making me just…feel stuff like no other author can. Plenty of books have caught and held my interest enough that I didn’t want to put them down, but few have made the act of putting them down anyway so torturous. More than once, I hit a point in these stories where I had to drop whatever else I was gonna do that day (that I could realistically drop) just because I had to keep reading to make sure the characters were going to be okay.
This is character-driven fiction at its finest, with people in the pages who come alive and subtly win your heart. More than once, I’ve found reading about their ordeals to be worrying, a little bit painful, and a little bit infuriating (all in a good way, though), and I had to stop and remind myself that these weren’t real people that I was so concerned over and angry for. So if you ever wanted to be really, really invested in the story you’re reading and the people in it, Terre d’Ange is the place to go. All of the eroticism that everyone talks about is just a really nice bonus.
If you want an even shorter answer: do you watch Game of Thrones? Have you read George R.R. Martin’s A Song of Ice and Fire books? Have you at least heard of the fan hype around these stories? The Kushiel and Naamah books are like that, except sexier and with deeper court intrigue. And a lot less incest.
If you want the long answer…
A Dizzying Amount of Adventure Mileage
One thing that has to be said for Kushiel’s Legacy and the Naamah trilogy is that you definitely get your money’s worth of story out of each book. There’s a pattern that I’ve noticed with each of them, which is that you’ll follow the heroine/hero through a massive tribulation, see them endure their hardships and take their small victories where they can, then finally watch matters come to a crux, a climax, and a satisfying resolution…only to realize that you’re only a third of the way through the full page count.
Where most books are content to have one major conflict, Carey packs hers with about three each. The best part is that they’re not laid out in rigid sequence like a series of video game side quests – fight this problem, win, check it off the list, leave it behind and find a new one to fill the word count. No, each new adventure in the same book arises completely organically from the story overall. It makes you realize just how huge a scope these characters’ destinies really are, and just how incredibly wearying it can be and how much seemingly inhuman endurance it takes to be one of the gods’ chosen.
For instance, the first book to kick everything off, Kushiel’s Dart, begins slowly and simply enough. Phedre is an unwanted child who is basically sold into indentured servitude, then trained to be a spy and courtesan while we’re introduced to Terre d’Ange through her eyes over the next couple hundred pages, learning more about the politics and the players in time to watch the drama around them steadily unfold and escalate.
And then her wise mentor gets killed (as wise mentors tend to do), she and her bodyguard companion are betrayed, and the both of them get sold into full-on slavery to the vikings of Skaldia. Plenty of conflict and hardship and planning later, they make their escape and flee into harsh, snowy mountain terrain, falling in love for good measure while they fend off the deadly cold and the pursuit from their enemies. Finally, they make it back to their homeland and clear their names.
This is where most books would be content to stop and maybe leave further contentions for a sequel. Kushiel’s Dart would have been well within its rights to do so as well, and I wouldn’t have complained if it did. But no, it reminds readers, we’re not done yet. There’s a war coming, remember? We talked about this. Catch your breath for a moment, but then we gotta go rally our armies.
So Phedre and Joscelin set off to the wild and secluded island nation of Alba on the other side of an enchanted strait, a body of water where a vengeful, divine power known as the Master of the Straits lives and for some reason prevents almost all contact between the two nations. Arriving safely enough, they find that Alba is also war-torn at the moment, and the armies they had hoped to rally are busy defending their land from another foe. More plotting and intrigue ensues, alliances and promises are made, and with our heroes’ help, the two sides clash in a decisive battle that gains the side we’re rooting for victory as well as gives them their rightful sovereignty back. Now Phedre has the army she needs. After a sudden and unexpected stop at the Master of the Straits’ island, where they learn the secret of his power and guarantee indefinite safe passage between the nations in return for Phedre losing her closest friend, our heroes finally make it back to their homeland again with their army in tow.
Finally! After all of that struggle, we get a happy ending after all. But wait, not yet you don’t, the chunk of pages left at the end remind you. All you did was get your forces together. Good for you. Now you still gotta go actually fight the war with the Skaldi invaders to determine the fate of your entire nation.
So they do. And only after an awesome last-stand battle (the excitement and careful strategy of which will take you completely by surprise if you first entered this book expecting little more than kinky sex scenes) is the story allowed to wrap up in earnest, our heroes finally earning their long-deserved rest. The dangerous and cunning warlord is defeated, the invading army has been pushed back, the new Queen has ascended the throne, Terre d’Ange has been saved, and Phedre and Joscelin are free to finally be together – with the only little niggle being that the real mastermind behind all of their problems is still loose and taunting them. But we can get to that in the next book. Or five.
Gareth von Kallenbach (980 KP) rated Coco (2017) in Movies
Jul 11, 2019
PIXAR movies have a formula that expertly combines an adorable hero/heroine with a story that tugs at the heartstrings. There is always a moment or two where you have to reach for tissue or surreptitiously dash a few tears away with your sleeve. With writers and directors from Finding Nemo, the Good Dinosaur, Toy Story 3 and Monsters University, Coco is no exception.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
Coco is the colorful tale of a young boy named Miguel who dreams of becoming an accomplished musician like his idol, the late Ernesto de la Cruz, despite his family’s ban on music that has spanned multiple generations
When an opportunity arises for him to prove his talent, Miguel finds himself in desperate need of a guitar. So desperate, that the plan he devises ends up taking him to the colorful Land of the Dead.
In the Land of the Dead, Miguel teams up with Hector, a trickster voiced by Gael Garcia Bernal, who promises to help him meet the great Ernesto de la Cruz, voiced by Benjamin Bratt, and get back to the Land of the Living.
Anthony Gonzalez infuses Miguel with charm and earnest determination which, of course, you can’t help but root for. Bratt brings a perfect blend of suave and smarm to Ernesto while Bernal brings a good dose of mischief to warm-hearted Hector.
Rich with cultural lessons, stunning animation and beautiful music, Coco is simply a delight. I learned a lot about Dia de Los Muertos, the Day of the Dead, which is very similar to my own culture’s observance of All Souls Day and All Saints Day in the Philippines.
Coco’s winsome depiction of what honoring our departed loved ones means is incredibly heartwarming, and honestly if the Land of the Dead is truly how PIXAR imagines it, I hope they are right.
Much like Moana, so much of the family in Coco reminded me of my own that I left the theater emotionally compromised at the end. You will, too, especially if you’re easily touched by sweet songs and tender moments between parents and their children. Coco is a moving lesson about the love of family and believing in yourself and how one can strengthen the other in turns.
Debbiereadsbook (1460 KP) rated First Snow (Northbound #2) in Books
Jan 9, 2024
If Arttu has to get on his knees for a murderer, so be it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Northbound series, but it can be read as a stand alone. There is a minor on-going story arc that can be quickly picked, with most being recapped in this book.
I loved book one, Midnight Sun, and while I really REALLY enjoyed this one, it doesn't quite meet up to book one's grab-you-and-not-let-go kinda vibe, and it pains me, deeply, to say so!
I liked Arttu, I really did. He wants to find out what happened to his friend in London and if he has to get on his knees for a murderer, so be it. But Jareth is so much than the skin he wears. Yes, he has killed beings and people that break the rules, but never in cold blood. He is Half-Fae, a Lord of his people, and as such wears a glamour most of the time. When Arttu finally sees Jareth true form, he isn't quite sure what he is seeing, but he knows he needs Jareth, in any form.
Jareth, not so much. I don't know why, but my overwhelming feeling about Jareth is "I don't like you!" That said, I did like how drawn he was to Arttu. He knows Arttu is keeping secrets, he is a master at that himself, but still. He wants Arttu in a way he never wanted anyone before.
I liked that Jamie and Finn pop up (from book one) I liked the supporting cast, both the support for Arttu and Jareth is great in very different ways.
I'm still not sure quite what happened with Lord Briar and his wife though!
And I thank you, Saga Nansen, for the glossary at the end!! I found in immensely helpful!
I'm sorry I couldn't love it as much as Midnight Sun, but I did thoroughly enjoy it.
4 very VERY good stars
*same worded review will appear elsewhere
This is book 2 in the Northbound series, but it can be read as a stand alone. There is a minor on-going story arc that can be quickly picked, with most being recapped in this book.
I loved book one, Midnight Sun, and while I really REALLY enjoyed this one, it doesn't quite meet up to book one's grab-you-and-not-let-go kinda vibe, and it pains me, deeply, to say so!
I liked Arttu, I really did. He wants to find out what happened to his friend in London and if he has to get on his knees for a murderer, so be it. But Jareth is so much than the skin he wears. Yes, he has killed beings and people that break the rules, but never in cold blood. He is Half-Fae, a Lord of his people, and as such wears a glamour most of the time. When Arttu finally sees Jareth true form, he isn't quite sure what he is seeing, but he knows he needs Jareth, in any form.
Jareth, not so much. I don't know why, but my overwhelming feeling about Jareth is "I don't like you!" That said, I did like how drawn he was to Arttu. He knows Arttu is keeping secrets, he is a master at that himself, but still. He wants Arttu in a way he never wanted anyone before.
I liked that Jamie and Finn pop up (from book one) I liked the supporting cast, both the support for Arttu and Jareth is great in very different ways.
I'm still not sure quite what happened with Lord Briar and his wife though!
And I thank you, Saga Nansen, for the glossary at the end!! I found in immensely helpful!
I'm sorry I couldn't love it as much as Midnight Sun, but I did thoroughly enjoy it.
4 very VERY good stars
*same worded review will appear elsewhere
Whatchareadin (174 KP) rated Hit Count in Books
May 10, 2018
Lloyd liked to hit hard and he taught his brother, Arlo, everything he knows.
Arlo makes the junior varsity football team his freshman year which is almost unheard of. Since Lloyd had taught Arlo everything, Arlo is good at hitting hard. A sophomore on the JV team, Dinos befriends Arlo and teaches him about conditioning. Football is more than just hard hitting, you have to be able to last the whole game. Arlo's dad was a proud papa. Lloyd, was jealous that he didn't make is as far as Arlo had. And Arlo's mom, was not into the game at all. She was so fearful of head injuries that she kept "The File" that had every bit of information that had anything to do with traumatic brain injury. None of this kept Arlo from playing and becoming "Starlo". He excelled at the sport throughout his high school career. He treated his body like a temple and always stayed in top physical condition. But is all of this enough to avoid the effects of the "Hit Count"?
I love football. My family and I watch our favorite team every Sunday, Monday, or Thursday, or whatever day they are playing during the season. I'm not a big fan of high school football, but I have attended a few games as a student. I have always had a fear of my child playing a sport like football where being slammed around is part of the objective. While they have made many strides in improving the equipment used, it's hard to avoid concussions when you are constantly hit.
I liked this book more than I thought I would. From other reviews, I thought it was going to be more oafish. This is a good YA novel that I would recommend to high school boys.
**I received this book from NetGalley in exchange for an honest review.**
Arlo makes the junior varsity football team his freshman year which is almost unheard of. Since Lloyd had taught Arlo everything, Arlo is good at hitting hard. A sophomore on the JV team, Dinos befriends Arlo and teaches him about conditioning. Football is more than just hard hitting, you have to be able to last the whole game. Arlo's dad was a proud papa. Lloyd, was jealous that he didn't make is as far as Arlo had. And Arlo's mom, was not into the game at all. She was so fearful of head injuries that she kept "The File" that had every bit of information that had anything to do with traumatic brain injury. None of this kept Arlo from playing and becoming "Starlo". He excelled at the sport throughout his high school career. He treated his body like a temple and always stayed in top physical condition. But is all of this enough to avoid the effects of the "Hit Count"?
I love football. My family and I watch our favorite team every Sunday, Monday, or Thursday, or whatever day they are playing during the season. I'm not a big fan of high school football, but I have attended a few games as a student. I have always had a fear of my child playing a sport like football where being slammed around is part of the objective. While they have made many strides in improving the equipment used, it's hard to avoid concussions when you are constantly hit.
I liked this book more than I thought I would. From other reviews, I thought it was going to be more oafish. This is a good YA novel that I would recommend to high school boys.
**I received this book from NetGalley in exchange for an honest review.**
Caribou recommended Music for 18 Musicians by Steve Reich in Music (curated)
Phillip McSween (751 KP) rated Smallfoot (2018) in Movies
Jan 8, 2019
Surprisingly Awesome
A yeti freaks out his entire community when he sees a mythical “smallfoot” (human) for the first time. Since no one believes him, he decides to go on a journey to prove that they are real.
Acting: 10
Solid cast all around. Channing Tatum is the lead yeti Migo and his voice matches the over-the-top innocence of his character. His father Dorgle is voiced by Danny DeVito who I thought delivered the best performance. You can feel that he loves his son and wants to protect him because he wants the best for him. DeVito is heartfelt and feels like a true dad.
Beginning: 3
The beginning had me wondering what the heck I had gotten myself into. It starts off extremely slow and I can’t help but think there might have been a better way to introduce the yeti and their community. There is much to love once the film progresses, however.
Characters: 10
Cinematography/Visuals: 8
Conflict: 8
Genre: 7
Memorability: 10
Smallfoot is pretty hilarious at times. The visuals are strong (watch this baby in 4K), especially when you’re looking at the lighting inside the caves and the beautiful sunrises. Perhaps the most memorable aspect of this movie, though, is its strong message. It revolves around finding truth and seeking peace. I love it when animated films give you something to think about.
Pace: 5
Plot: 10
Resolution: 10
Overall: 8
1A great family film that does more than just entertain; it teaches us something. With beautiful visuals and a powerful message, Smallfoot was definitely a pleasant surprise in 2018.
Acting: 10
Solid cast all around. Channing Tatum is the lead yeti Migo and his voice matches the over-the-top innocence of his character. His father Dorgle is voiced by Danny DeVito who I thought delivered the best performance. You can feel that he loves his son and wants to protect him because he wants the best for him. DeVito is heartfelt and feels like a true dad.
Beginning: 3
The beginning had me wondering what the heck I had gotten myself into. It starts off extremely slow and I can’t help but think there might have been a better way to introduce the yeti and their community. There is much to love once the film progresses, however.
Characters: 10
Cinematography/Visuals: 8
Conflict: 8
Genre: 7
Memorability: 10
Smallfoot is pretty hilarious at times. The visuals are strong (watch this baby in 4K), especially when you’re looking at the lighting inside the caves and the beautiful sunrises. Perhaps the most memorable aspect of this movie, though, is its strong message. It revolves around finding truth and seeking peace. I love it when animated films give you something to think about.
Pace: 5
Plot: 10
Resolution: 10
Overall: 8
1A great family film that does more than just entertain; it teaches us something. With beautiful visuals and a powerful message, Smallfoot was definitely a pleasant surprise in 2018.
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