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Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
Halt and Catch Fire
The Predator- love the first one, hated the second one, liked the reboot/remake in 2010 and this one well could of been better. Let me explain the predator franchise is a intrest franchise, mixing togther horror, sci-fi, action and comedy all togther. Sometimes it works like in the oringal one and the 2010 verison, sometimes it doesnt like the sequel. So how does this one hold up. Well all i can say is that its a mix bag. Sometimes the comedy works and sometimes it doesnt. Mostly it doesnt. The sci-fi, action and horror work mostly, kind of, not really. This movie fails as a reboot and fails to live up to the oringal and the 2010 version.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
Kyera (8 KP) rated Isla and the Happily Ever After (Anna and the French Kiss, #3) in Books
Feb 1, 2018
In the third novel of the sries, we return to enchanting Paris. Isla, who we were introduced to in the fist novel now takes centre stage. Familiar characters like John and Rashmi's younger sister Sanjita join her. We didn't know much about the artistic Josh beyond his love of snogging and frequent altercations with his girlfriend Rashmi. I am pleased to be able to watch his character develop.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
The banter, or lack thereof, between Isla and Josh just makes you smile. They're both endearingly awkward and adorable together. When they go to the comic book store and Josh finds out Kurt isn't her boyfriend, the interaction is very authentic. You can almost feel his dismay turn to confusion and then happy relief.
Despite the fact that Isla has had a crush on Josh for three years, its nice to see that it doesn't come between her and her best friend, Kurt. (Well, most of the time.) Loyalty is very impotant and she won't let anyone treat him badly. Her only other relationship ended because the boy she was dating couldn't get along with Kurt. She's not the best at confronting people and speaking up, but she never lets people take advantage of her best friend or mistreat him. That person will no longer be a part of her life.
Unlike Anna, when I read about Isla and Josh they feel like the shy, exhuberant high schoolers that they are. They experience the awkwardness of first live and the misunderstandings or insecurities that come with not being entirely confortable in a relationship yet. Falling so hard and so fast, but faced with the crippling fear that the rug is going to be pulle out from under you. Isla and Josh experience it all.
Just as I hoped, the Olympics brought the gang back to Paris - plus their new additions. The inseperable Anna and St. Clair, Meredith, lovebirds Lola and Cricket, and Josh. They claim they're back for the Olympics, but something even more important and magical happens. A proposal, in Paris, on the famed bronze marker. It was a return to the city where Anna and Etienne found their other halves and officially began their happily every after. It was a simple, yet touching scene.
I'm glad we find out how Calliope does in the Olympics, although there is very little detail given. I think her story would lend itself well to a novella. But, I'll be happy with what we were given even if that does not happen.
Despite all of the struggles and heartbreak, insecurities and mistakes - Isla and Josh still find their own happily ever after. The story and sweet and heart-warming. J'adore mon <s>petit chou</s>... mon livre - I fell in love with the series "the good parts and the ugly parts" and I hope you do as well.
Synopsis: Learn to live, love, and lead courageously--as you boldly choose to trust God.
Whether you're facing struggles with singleness, the mounting challenges of marriage and motherhood, health issues, a financial crisis--God has equipped you to walk in freedom and confidence as you abide in Him, strengthened by His power and provision. Through the stories of eleven brave women of the Bible who made faith-filled choices that positioned them for success, LaTan Roland Murphy exhorts, encourages, and empowers women of all ages. With warmth and wit, she illustrates how you, like Deborah, Jael, Mary, and others, can look beyond your circumstances and lay hold of the courage needed to
· draw closer to Jesus when facing illness, isolation, or rejection;
· live and give generously, even amid financial hardship; and
· step out into faithful, fearless living as a wife, mother, friend or coworker--no matter the season of life or what lies ahead.
Thought-provoking study questions and an interactive journaling section will help take you even deeper in your quest for a more courageous, confident life, either on your own or with a group.
My Thoughts: What are you afraid of? Is it stepping out and doing what God has called you to do? Is it facing an illness, a death? Or maybe some other type of hardship or even a new venture in life. LaTan Roland Murphy has written an excellent book, using women of the Bible to help illustrate how we can overcome our fear and insecurities. In this study the reader will take a look into the lives of Deborah, The woman with the issue of blood, The widow with two coins, Jael, Abigail Bathsheba, just to name a couple.
This is a working book, the author takes you on a journey into each of these women's lives and has you search and see how they found the courage they needed to live their lives and accomplish what God intended for them to do.
I love the way she has written this book, You read a chapter, then the author has you read scripture and apply what you learned by answering questions at the end of each chapter. She has a style of writing that is easy to read and understand. You can follow along and immerse yourself in the book.
This can be a study you do alone, or in a group setting. I recommend this book for all Christian women to read, young or old, it will certainly draw you closer to God, and give you the courage to carry on.
LaTan Roland Murphy is an award-winning author and speaker with writing featured in HOAwomen magazine. She is the author of Becoming a Woman of Interior Elegance and coauthor of God's Provision in Tough Times. She is also the founder of The Colors of His Love Women's Conference. She and her husband, Joe, have three adult children and two delightful grandchildren. They live in Raleigh, North Carolina. Please visit her website at www.latanmurphy.com.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Whether you're facing struggles with singleness, the mounting challenges of marriage and motherhood, health issues, a financial crisis--God has equipped you to walk in freedom and confidence as you abide in Him, strengthened by His power and provision. Through the stories of eleven brave women of the Bible who made faith-filled choices that positioned them for success, LaTan Roland Murphy exhorts, encourages, and empowers women of all ages. With warmth and wit, she illustrates how you, like Deborah, Jael, Mary, and others, can look beyond your circumstances and lay hold of the courage needed to
· draw closer to Jesus when facing illness, isolation, or rejection;
· live and give generously, even amid financial hardship; and
· step out into faithful, fearless living as a wife, mother, friend or coworker--no matter the season of life or what lies ahead.
Thought-provoking study questions and an interactive journaling section will help take you even deeper in your quest for a more courageous, confident life, either on your own or with a group.
My Thoughts: What are you afraid of? Is it stepping out and doing what God has called you to do? Is it facing an illness, a death? Or maybe some other type of hardship or even a new venture in life. LaTan Roland Murphy has written an excellent book, using women of the Bible to help illustrate how we can overcome our fear and insecurities. In this study the reader will take a look into the lives of Deborah, The woman with the issue of blood, The widow with two coins, Jael, Abigail Bathsheba, just to name a couple.
This is a working book, the author takes you on a journey into each of these women's lives and has you search and see how they found the courage they needed to live their lives and accomplish what God intended for them to do.
I love the way she has written this book, You read a chapter, then the author has you read scripture and apply what you learned by answering questions at the end of each chapter. She has a style of writing that is easy to read and understand. You can follow along and immerse yourself in the book.
This can be a study you do alone, or in a group setting. I recommend this book for all Christian women to read, young or old, it will certainly draw you closer to God, and give you the courage to carry on.
LaTan Roland Murphy is an award-winning author and speaker with writing featured in HOAwomen magazine. She is the author of Becoming a Woman of Interior Elegance and coauthor of God's Provision in Tough Times. She is also the founder of The Colors of His Love Women's Conference. She and her husband, Joe, have three adult children and two delightful grandchildren. They live in Raleigh, North Carolina. Please visit her website at www.latanmurphy.com.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Merissa (13919 KP) rated Emerge (Immortals of Indriell #1) in Books
Apr 19, 2023
This is the first book in a fantastic new series that I have loved every word of. This is a world of Immortals and mortals, where you can't die but you can be murdered, where the amount of power you have corresponds to how people react to you.
Allie has lived an unconventional life so far, globetrotting with her parents but always alone. She has made few friends as most people seem to be uncomfortable around her. She no longer questions this, but instead accepts it as inevitable. Just as she thinks she is making headway with a friend/boyfriend, her parents tell her they are moving again. This time she ends up in America. Whilst psyching herself up for starting a new school, she meets a boy called Aidan and a whole new world opens up for her.
This is incredibly well-written and I was completely drawn into the story. I LOVED Allie and her sarcasm. She seriously made me snort out loud on more than one occasion, much to the amusement of my family. The interaction and banter between her and Aidan is fantastic. I will say this, I usually hate love triangles, and I mean loathe them! This somehow didn't seem like that though, and although I like Vince, I really REALLY don't want Allie to be with him. Trust me when I say I have fingers, toes and other body parts crossed for Aidan.
If I had to say anything against this book, I would say that with the number of characters involved, and their convoluted relationships/bonds, it sometimes made it a bit confusing to figure out just who was what in relation to whom. However, this is something very minor and quickly becomes irrelevant as you become more immersed in the story.
I thoroughly enjoyed every moment of this book and found it to be over far too quickly, even though it is a good-sized book. Not only can I highly recommend this book, but I will also be on the lookout for the next in the series and waiting with bated breath!
* I received this book in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
Allie has lived an unconventional life so far, globetrotting with her parents but always alone. She has made few friends as most people seem to be uncomfortable around her. She no longer questions this, but instead accepts it as inevitable. Just as she thinks she is making headway with a friend/boyfriend, her parents tell her they are moving again. This time she ends up in America. Whilst psyching herself up for starting a new school, she meets a boy called Aidan and a whole new world opens up for her.
This is incredibly well-written and I was completely drawn into the story. I LOVED Allie and her sarcasm. She seriously made me snort out loud on more than one occasion, much to the amusement of my family. The interaction and banter between her and Aidan is fantastic. I will say this, I usually hate love triangles, and I mean loathe them! This somehow didn't seem like that though, and although I like Vince, I really REALLY don't want Allie to be with him. Trust me when I say I have fingers, toes and other body parts crossed for Aidan.
If I had to say anything against this book, I would say that with the number of characters involved, and their convoluted relationships/bonds, it sometimes made it a bit confusing to figure out just who was what in relation to whom. However, this is something very minor and quickly becomes irrelevant as you become more immersed in the story.
I thoroughly enjoyed every moment of this book and found it to be over far too quickly, even though it is a good-sized book. Not only can I highly recommend this book, but I will also be on the lookout for the next in the series and waiting with bated breath!
* I received this book in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
Emma @ The Movies (1786 KP) rated Finding Steve McQueen (2019) in Movies
Nov 9, 2020
This heist comedy (we'll come to that later) sounds pretty good from the synopsis, I can't really elaborate much on it like I normally would because, for once, it's spot on!
I had a big issue almost straight off the bat... "In 1972"... that's how the synopsis starts. I had reread it just before starting the film and as it begins it actually flashes up "1980", very quickly it's explained (and it makes sense) but I didn't enjoy starting the film with that confusion. Now, if I was seeing this in the cinema it wouldn't have been an issue because you don't tend to sit there in the trailers reading the synopsis before it starts, but with it hitting digital you will be instantly seeing it before you press play... I know it's a really minor thing to be bugged by... but it did bug me.
The reason for the jump in years is that we're seeing Harry Barber telling his girlfriend, Molly, the story of his past and the heist. Flashbacks are a time-honoured tradition in films, but they're difficult to get right. The story jumps several times, but there's very little differentiation between time unless the diner is involved on one side of the jump. At one point it jumps because he talks at the camera and we hop back to Molly talking, it stuck out... it either never happened again or it blended in so well that I didn't notice it. It wouldn't be the first film to add something random like that and abandon the style choice. Some else will have to let me know if it happened more than I think it did.
These two things, combined with some free moving camerawork (that you know I hate) meant that I found the beginning of Finding Steve McQueen, especially when the heist that is pushed in the marketing doesn't appear for quite a while.
IMDb lists crime thriller as a guide... thriller is definitely the wrong word. Heist comedy (as per the PR I saw) is definitely more accurate, though I didn't find it particularly funny. It did bring a mild laugh out of me, but not enough to stamp it with the comedy tag. Even "heist" feels like it doesn't fit well, it may be about one but what's presented is much heavier on other parts of the story. It's more like a biopic with romance than crime. In the end that's a little bit disappointing when you're looking forward to crime.
William Fichtner was an instant standout for me, I thought he handled the role of Enzo Rotella particularly well, and there was a great dynamic with Louis Lombardi as Pauly. Rachael Taylor as Molly Murphy was great too, when she wasn't freaking me out with how much she looked like Nicole Kidman. Somehow I've never noticed that before so I'll have to put it down to a cunning makeup artist.
From there though I was underwhelmed. I'm not familiar with Travis Fimmel, and sadly, from this performance I've not been convinced to check out anything in his back catalogue. Apart from two well-played emotional scenes I didn't enjoy the character of Harry Barber at all.
Had this been advertised as a biography instead of a crime/heist then I probably would have had a more favourable opinion, but we're presented with a slow and light film. I'm not expecting all crime films to be gritty and dark, but I do expect them to focus more on the actual crime and investigation. That's also where I found the flashback idea falling apart because we're shown things for context that Harry wouldn't have known and been able to tell Molly.
What I did love about this film was the setting and the look of everything. It had a wonderful freshness about it and that coupled with the costumes felt natural and like it captured the era perfectly.
I by no means hated this film, but I was extremely disappointed. The way the story was balanced means that the heist gets lost in everything else that's happening and although it's hailed as an amazing feat in American history it doesn't feel all that impressive in this portrayal. The only real criminal thing about this film was the underuse of Forest Whitaker.
As a biography I could have seen clear to give this a 3, maybe a 3.5, but as a crime I can't give it more than a 2. It feels entirely misrepresented, had it not been for the few excellent performances, and the hope of exciting crime drama, I think I would have turned it off.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/finding-steve-mcqueen-movie-review.html
I had a big issue almost straight off the bat... "In 1972"... that's how the synopsis starts. I had reread it just before starting the film and as it begins it actually flashes up "1980", very quickly it's explained (and it makes sense) but I didn't enjoy starting the film with that confusion. Now, if I was seeing this in the cinema it wouldn't have been an issue because you don't tend to sit there in the trailers reading the synopsis before it starts, but with it hitting digital you will be instantly seeing it before you press play... I know it's a really minor thing to be bugged by... but it did bug me.
The reason for the jump in years is that we're seeing Harry Barber telling his girlfriend, Molly, the story of his past and the heist. Flashbacks are a time-honoured tradition in films, but they're difficult to get right. The story jumps several times, but there's very little differentiation between time unless the diner is involved on one side of the jump. At one point it jumps because he talks at the camera and we hop back to Molly talking, it stuck out... it either never happened again or it blended in so well that I didn't notice it. It wouldn't be the first film to add something random like that and abandon the style choice. Some else will have to let me know if it happened more than I think it did.
These two things, combined with some free moving camerawork (that you know I hate) meant that I found the beginning of Finding Steve McQueen, especially when the heist that is pushed in the marketing doesn't appear for quite a while.
IMDb lists crime thriller as a guide... thriller is definitely the wrong word. Heist comedy (as per the PR I saw) is definitely more accurate, though I didn't find it particularly funny. It did bring a mild laugh out of me, but not enough to stamp it with the comedy tag. Even "heist" feels like it doesn't fit well, it may be about one but what's presented is much heavier on other parts of the story. It's more like a biopic with romance than crime. In the end that's a little bit disappointing when you're looking forward to crime.
William Fichtner was an instant standout for me, I thought he handled the role of Enzo Rotella particularly well, and there was a great dynamic with Louis Lombardi as Pauly. Rachael Taylor as Molly Murphy was great too, when she wasn't freaking me out with how much she looked like Nicole Kidman. Somehow I've never noticed that before so I'll have to put it down to a cunning makeup artist.
From there though I was underwhelmed. I'm not familiar with Travis Fimmel, and sadly, from this performance I've not been convinced to check out anything in his back catalogue. Apart from two well-played emotional scenes I didn't enjoy the character of Harry Barber at all.
Had this been advertised as a biography instead of a crime/heist then I probably would have had a more favourable opinion, but we're presented with a slow and light film. I'm not expecting all crime films to be gritty and dark, but I do expect them to focus more on the actual crime and investigation. That's also where I found the flashback idea falling apart because we're shown things for context that Harry wouldn't have known and been able to tell Molly.
What I did love about this film was the setting and the look of everything. It had a wonderful freshness about it and that coupled with the costumes felt natural and like it captured the era perfectly.
I by no means hated this film, but I was extremely disappointed. The way the story was balanced means that the heist gets lost in everything else that's happening and although it's hailed as an amazing feat in American history it doesn't feel all that impressive in this portrayal. The only real criminal thing about this film was the underuse of Forest Whitaker.
As a biography I could have seen clear to give this a 3, maybe a 3.5, but as a crime I can't give it more than a 2. It feels entirely misrepresented, had it not been for the few excellent performances, and the hope of exciting crime drama, I think I would have turned it off.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/finding-steve-mcqueen-movie-review.html
Billie Wichkan (118 KP) rated Forbidden Darkness (Immortal Desire, #1) in Books
Mar 15, 2019
The vampire race is dying, and to save it, one vampire will risk his life.
Vampire Reinis has been assigned to mate with a human to create a prophesied child that will save his coven. The rules are simple: get the job done and come home. Falling in love is out of the question.
Yet that's exactly what Reinis has unwittingly done. Now he risks execution at the hands of his own coven for breaking vampire law.
Fresh out of a bad relationship, Sarma has no clue about the dark, seductive world Reinis is from. But when he marks her as his mate, she's thrown headfirst into a secret world of vampires...painting a target on her back with a rival coven that will do anything to prevent the prophecy from coming to pass.
Dark and hauntingly sensual, the fate of the vampire world lay in the birth of one special child born of a human and a vampire, but the prophecy states they may not fall in love
A brilliant and unique story.
This is a fantastic start to a new series and I absolutely loved it. I cannot tell you how much I enjoyed this book.
The characters were well thought out and the way Scarlett wrote about them made them seem so real and unique. I loved the plot lines and I particularly loved the way all the characters interacted with each other and others.
I just found it totally unique. You cant help but feel like you really know the main characters. I cant wait to see whats going to happen in this series.
I am voluntarily reviewing a copy I received.
Vampire Reinis has been assigned to mate with a human to create a prophesied child that will save his coven. The rules are simple: get the job done and come home. Falling in love is out of the question.
Yet that's exactly what Reinis has unwittingly done. Now he risks execution at the hands of his own coven for breaking vampire law.
Fresh out of a bad relationship, Sarma has no clue about the dark, seductive world Reinis is from. But when he marks her as his mate, she's thrown headfirst into a secret world of vampires...painting a target on her back with a rival coven that will do anything to prevent the prophecy from coming to pass.
Dark and hauntingly sensual, the fate of the vampire world lay in the birth of one special child born of a human and a vampire, but the prophecy states they may not fall in love
A brilliant and unique story.
This is a fantastic start to a new series and I absolutely loved it. I cannot tell you how much I enjoyed this book.
The characters were well thought out and the way Scarlett wrote about them made them seem so real and unique. I loved the plot lines and I particularly loved the way all the characters interacted with each other and others.
I just found it totally unique. You cant help but feel like you really know the main characters. I cant wait to see whats going to happen in this series.
I am voluntarily reviewing a copy I received.
Lyndsey Gollogly (2893 KP) rated Ariadne in Books
May 31, 2022
95 of 230
Book
Ariadne
By Jennifer Saint
⭐️⭐️⭐️
Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice.
When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind?
Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.
I love Greek Mythology and I liked this I was expecting to love it as everyone is raving about it and although it was good and well written I didn’t love it like I would! It possibly deserves a 3.5 almost 4 star but I don’t know I felt a little flat about it. I would recommend it but I would advise possibly not to read the hype on TikTok then you will have a more balanced read and opinion I think.
Book
Ariadne
By Jennifer Saint
⭐️⭐️⭐️
Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice.
When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne’s decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind?
Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.
I love Greek Mythology and I liked this I was expecting to love it as everyone is raving about it and although it was good and well written I didn’t love it like I would! It possibly deserves a 3.5 almost 4 star but I don’t know I felt a little flat about it. I would recommend it but I would advise possibly not to read the hype on TikTok then you will have a more balanced read and opinion I think.
Phillip McSween (751 KP) rated The Last Dragon (1985) in Movies
Jun 7, 2019
So Bad You Just Might Like it
In his quest to find “The Master” and expand his training, black martial arts expert Bruce Leroy (Taimak) has to square off against Sho’nuff the Shogun of Harlem. With me, yet?
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
Acting: 10
The performances aren’t what killed this movie. Julius Carry pulls off one of my all-time favorite roles as Sho-Nuff, playing a villain that’s not hard to hate. His nemesis, hero Bruce Leroy is played with a sweet innocence by Taimak who harbors a fierce fighting style similar to his idol who is none other than…well, you guessed it, Bruce Lee. Sometimes a bit overdone, I thought overall the acting fit the movie’s overblown proportions as a whole.
Beginning: 3
Characters: 5
Again, the problem isn’t the acting. It’s the characters portrayed by the actors. They are as cardboard as they come, seemingly like caricatures of actual roles. This can be summed up by one role in particular: Eddie Arkadian (Chris Murney). Part business-owner, part gangster, you look at his mean scowl and listen to his horrible lines thinking, “Why are they ruining this man’s career with this role? This is awful!” I can imagine there were a lot of career-ruining roles in this movie. I haven’t even mentioned Eddie’s girlfriend, Angela whose voice alone gives me the urge to punt a baby. I can imagine director Michael Schultz walking up to Faith Prince saying, “Great take! Now, could you do me a favor? Could you sound more like Miss Piggy in distress? Please and thank you!”
Cinematography/Visuals: 4
The style that Schultz tries to establish comes off as cheesy and overdone. He takes the phrase “A little dab’ll do ya” and decides to do the complete opposite. There is nothing special to see and too much to see at the same time. As confusing as that might sound, if you watch the movie, you’ll get it. While there are glimpses of cool effects, even those are drowned by poor cinematic direction. There is one scene towards the end where Bruce Leroy’s hands starts to glow. He slowly moves them in a wavy pattern which creates a cool effect….until he starts doing it super fast and literally multiplies himself in some crazy funhouse type of way. Whomp whomp.
Conflict: 6
Because the movie struggles to find it’s way juggling back and forth between soundtrack-driven, drama, comedy, and action movie, the conflict suffers as a result. The fighting scenes aren’t terrible when they happen but there is too much of everything else to really leave you satisfied with those scenes. I would have been happier with no attempted character or story development and just two pure hours of Bruce Leroy kicking peoples’ teeth out. When I watched the last showdown between Leroy and Sho’nuff, I thought they were really on to something. Unfortunately they got lost along the way.
Genre: 7
Memorability: 5
Love it or hate it (or both), you’ll be hard-pressed leaving the movie not quoting at least a handful of lines. It’s a movie that sticks to you whether you want it to or not. It does leave something of an impact, although not very lasting.
Pace: 3
Between Leroy searching for The Master and Eddie trying to get his girl a record deal, the movie really drags on in spots. I don’t say this often, but a little more linearity in this case would have been just fine. The Last Dragon suffers from a severe case of Much Ado About Nothing. Just when you think something is about to pop off, the scene ends with a whimper.
Plot: 2
As a kid, I thought the storyline was funny. Now I think it’s just plain sad. I don’t know how much thought went into that script, but reading through it should give any aspiring screenwriter hope that they too can make it big. Stories within ridiculous stories, a meh love story, and terrible motivations all around take a machete to the movie before it even had a chance.
Resolution: 7
Overall: 52
For my 100th review, I wanted to review a movie that had some kind of value to me. I grew up with The Last Dragon and, I have to say, it is a pretty damn fun movie. Fun, unfortunately, doesn’t always equate to good. There is a reason it has an 86% audience score on Rotten Tomatoes right now, though. No matter how you feel about it, there will come a point when you’re watching, even if it’s for five minutes, where you find yourself having an actual good time. Unfortunately it’s the other 103 minutes you have to worry about.
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