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Sugar Run
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On the far side the view was nothing but ridgelines, the craggy silhouettes rising up against the...
The Incredible Adventures of Cinnamon Girl
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"Maybe the earth will continue to spin, and the stars won't implode for a bazillion more years, but...
Bethr1986 (305 KP) rated Shadow Guardian (Blood Shadows #1) in Books
Feb 27, 2022
Kay has never felt wanted or loved by her parents and has a strong resentment towards them. The only people she can trust in her life are Elizabeth, Zayn, James and David. When dark shadows start attacking people Kay will find out who she can trust as she battles to save everybody against the destructive shadows and their chaos.
I absolutely loved this book and did not want it to end! I finished the last page of the last chapter turned the page to see thank and was like no! I've not finished reading that yet I don't want it to finish!
I enjoyed the fight scenes they were really descriptive that you can imagine the tendrils and reactions of every character. I think the growth of the relationship between Kay and Ethan is well written and I can understand the turmoil between them both and found myself at times calling either character a name because of their reaction to an incident.
Completely gripping, with thrills, mystery, love and betrayal. Can't wait to read the next one!
Please read
I absolutely loved this book and did not want it to end! I finished the last page of the last chapter turned the page to see thank and was like no! I've not finished reading that yet I don't want it to finish!
I enjoyed the fight scenes they were really descriptive that you can imagine the tendrils and reactions of every character. I think the growth of the relationship between Kay and Ethan is well written and I can understand the turmoil between them both and found myself at times calling either character a name because of their reaction to an incident.
Completely gripping, with thrills, mystery, love and betrayal. Can't wait to read the next one!
Please read
David McK (3562 KP) rated The Incredible Hulk (2008) in Movies
Jan 30, 2021 (Updated Sep 18, 2022)
Don't make me hungry. You wouldn't like me when I'm... hungry.
One of the earliest of the Marvel Cinematic Universe (MCU) movies (2nd? 3rd? Google says 2nd), it's easy to forget that this is actually considered part of the MCU, what with the lead actor (Ed Norton) being replaced in the dual role of Bruce Banner/The Hulk in later MCU entries by Mark Ruffalo, the complete disappearance of Liv Tyler's love interest Betty Ross from any subsequent film - at least, so far - and little to no mention made of the Harlem final showdown outside the confines of the more niche TV shows (such as Daredevil) when they were still being shown on Netflix. Indeed, about the only through line onto the larger MCU is General Ross, who does appear in later MCU films...
Anyway, all that said, this is solidly mid-tier stuff: better than the Ang Lee version from circa 2003, sure, but not up there with the likes of The Winter Soldier or Avengers Assemble.
Anyway, all that said, this is solidly mid-tier stuff: better than the Ang Lee version from circa 2003, sure, but not up there with the likes of The Winter Soldier or Avengers Assemble.
Bong Mines Entertainment (15 KP) rated Just a Phone Call Away - Single by Lui Peng in Music
Jun 17, 2019
Lui Peng is a Chinese-British singer-songwriter based in London. Not too long ago, he released a groovy neo-soul tune, entitled, “Just a Phone Call Away”.
“As soon as Ali showed me the instrumental, I was in love. It was very different from what I was used to but I was up for the challenge. All in all, the song probably took around an hour and a half to write, which if you knew me, is very unusual. Normally I like to take my time. Being the last track, I wanted it to be more introspective and serve as a resolution to the EP. I think my intentions with this song was to carry on the story where ‘Disappointed’ left off and tell the listener how I feel now. I have come to terms with everything and I am over my distractions. But if you were to call me, I would still be at the ‘Same Place’.” – Lui Peng
‘Just a Phone Call Away’ is the first single from Lui Peng’s upcoming summer EP, entitled, “Unavailable”.
The likable tune tells an interesting tale of a young guy who wants to chill, smoke, and have a romantic moment with a female who he desires to be with.
Later, he explains that if she misses him as much as he wants her; he’s not very far, just a phone call away.
‘Just a Phone Call Away’ contains a relatable storyline, pleasing vocals, and groovy instrumentation scented with a neo-soul fragrance.
“‘Unavailable’ is all about the space just on the outskirts of love. When things don’t work out, we often tell ourselves another version of the same story where we didn’t come second place. My aim with this body of work is to create a small collection of happy sad love songs that fall somewhere between being in love and heartbreak. I think with online dating being the main way people meet each other these days, the way we view love and sex has been completely flipped. Suddenly everyone has a plethora of choice at the swipe of their fingertips, and as a result, the value we place on romance has become disposable.” – Lui Peng
https://www.bongminesentertainment.com/lui-peng-just-a-phone-call-away/
“As soon as Ali showed me the instrumental, I was in love. It was very different from what I was used to but I was up for the challenge. All in all, the song probably took around an hour and a half to write, which if you knew me, is very unusual. Normally I like to take my time. Being the last track, I wanted it to be more introspective and serve as a resolution to the EP. I think my intentions with this song was to carry on the story where ‘Disappointed’ left off and tell the listener how I feel now. I have come to terms with everything and I am over my distractions. But if you were to call me, I would still be at the ‘Same Place’.” – Lui Peng
‘Just a Phone Call Away’ is the first single from Lui Peng’s upcoming summer EP, entitled, “Unavailable”.
The likable tune tells an interesting tale of a young guy who wants to chill, smoke, and have a romantic moment with a female who he desires to be with.
Later, he explains that if she misses him as much as he wants her; he’s not very far, just a phone call away.
‘Just a Phone Call Away’ contains a relatable storyline, pleasing vocals, and groovy instrumentation scented with a neo-soul fragrance.
“‘Unavailable’ is all about the space just on the outskirts of love. When things don’t work out, we often tell ourselves another version of the same story where we didn’t come second place. My aim with this body of work is to create a small collection of happy sad love songs that fall somewhere between being in love and heartbreak. I think with online dating being the main way people meet each other these days, the way we view love and sex has been completely flipped. Suddenly everyone has a plethora of choice at the swipe of their fingertips, and as a result, the value we place on romance has become disposable.” – Lui Peng
https://www.bongminesentertainment.com/lui-peng-just-a-phone-call-away/
Bong Mines Entertainment (15 KP) rated Damn. by Kendrick Lamar in Music
Jun 7, 2019
Kendrick Lamar is an iconic hip-hop artist outta Compton, California. Not too long ago, he released his fourth studio album, entitled, “DAMN.”.
1) Kendrick Lamar – “BLOOD.”
Lamar tackles the issue of life and death. He poses several questions over a melodic instrumental produced by Lamar, Bēkon, and Anthony “Top Dawg” Tiffith. One of them being, “Are we gonna live or die?” Lamar tells a brilliant story about him walking down a block, and he sees a blind lady in search of something she had lost. He goes over to help, and then he asks, “Hello, ma’am, can I be of any assistance? It seems to me that you have lost something. I would like to help you find it.” She replied, “Oh yes, you have lost something. You’ve lost your life.” And then we hear a gunshot. Lamar is shot. Did he lose his life? The dire ending answers the probing question posed in the beginning—we gonna die.
2) Kendrick Lamar – “DNA.”
Lamar explains why his DNA differs from a sucker’s DNA. His deoxyribonucleic acid consists of going through the school of hard knocks. He endured a rugged street life, prisons, money, drugs, alcohol, sex, murder, mayhem, loyalty, royalty, joy, etc. This is because his DNA comprises of things shared collectively by African-Americans who have been through the struggle. Lyrically, Lamar leaves earth, while rapping over an explosive track produced by Mike WiLL Made-It. From beginning to end, he doesn’t take a bar off and shows why conscience rap has resurrected into the new norm.
3) Kendrick Lamar – “YAH.”
Lamar let it be known that he’s diagnosed with real ni^^a conditions, and keeps it a hunnit by calling out Geraldo Rivera because of criticism Lamar received from a FOX NEWS segment. The kid Capri intro adds a classic east coast authenticity over a laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, Sounwave, and DJ Dahi. Preconceived lies told by White slave masters to African slaves are melting like hot butter in the sun. Lamar, a descendant of those slaves, has awakened and knows himself.
4) Kendrick Lamar – “ELEMENT.”
Lamar, who Capri calls the ‘New Kung Fu Kenny’, continues his Shaolin-rap assault over a Wu-Tang-like track produced by Bēkon, Tae Beast, James Blake, Sounwave, and Ricci Riera. Lamar is simply on another level than his peers. He’s been through more sh*t than them, and he’s ready to put the Bible down and go eye for an eye for this sh*t. When he said, “I been stomped out in front of my mama / my daddy commissary made it to commas / B*tch, all my grandmas dead / So, ain’t nobody prayin’ for me, I’m on your head.”
5) Kendrick Lamar – “FEEL.”
Lamar beautifully expresses how he feels on a dope Sounwave-produced track, where Lamar raps, “I feel like the whole world want me to pray for ’em / But who the f*ck prayin’ for me?” Lamar feels that nobody ain’t prayin’ for him, and this void has him with a chip on his shoulders, looking at life from a dark, and troubled point of view. He feels pain and doesn’t see hope. Did the incident with the blind lady cause him to feel this way? Why does he feel this way? Kendrick raps, “I feel like it ain’t no tomorrow f*ck the world / The world is endin’, I’m done pretendin’… I feel like this gotta be the feelin’ what ‘Pac was…”
But Lamar knows ill-thinking is bad for his health, and he acknowledges the source of his negative thinking, “The feelin’ is toxic, I feel like I’m boxin’ demons / Monsters, false prophets schemin’,” and the list goes on and on. If no one is, just know that we are praying for you Kendrick, YAH-willing.
6) Kendrick Lamar – “LOYALTY” (FEAT. RIHANNA.)
Lamar and Rihanna explore one of the key elements in Lamar’s DNA, loyalty; and they pose a simple question—who are you loyal to? Is it your family? Friends? Or yourself? Maybe it’s money, weed, or alcoholic? Where does it begin and where does it end? Lamar and Rihanna do a wonderful job over a beautify track produced by Anthony “Top Dawg” Tiffith, Terrace Martin, Sounwave, and DJ Dahi.
7) Kendrick Lamar – “PRIDE.”
The Steve Lacy’s intro, “Love’s gonna get you killed, but pride’s gonna be the death of you and me,” fits perfect in the scheme of things. Lamar, a spiritual intellectual, understands Proverbs 16: 18, which states, “Pride goes before destruction, and a haughty spirit before a fall.” So, Lamar uses those reference points to further expound his faith. In the beginning, Lamar’s love for the blind lady got him shot. And now, will his pride, the great satisfaction he feels when he reviews all that he has achieved, will that be the death of him? Over a smooth/laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, and Steve Lacy, Lamar states that he can’t fake being humble, just because people are insecure.
He answers the question of pride
Lamar raps, “Sick venom in men and women overcome with pride. A perfect world is never perfect, only filled with lies. Promises are broken and more resentment come alive. Race barriers make inferior of you and I. See, in a perfect world, I’ll choose faith over riches. I’ll choose work over b*tches, I’ll make schools out of prison. I’ll take all the religions and put ‘em all in one service. Just to tell ’em we ain’t sh*t, but He’s been perfect.”
If Lamar maintains his Israelite faith over riches, and keep that equation as the top priority, he won’t be a victim of pride. But the question is—can Lamar remain humble amidst all the madness?
8) Kendrick Lamar – “HUMBLE.”
Lamar shows that being humble is easier said than done. Over a bouncy-head-nodding track produced by Mike WiLL Made-It, Lamar speaks his mind and gives zero f*cks on what people think about him. He’s braggadocios, confident, and asserts himself as the king of rap music. He sends a cryptic message to his competition, “Watch my soul speak, you let the meds talk. If I kill a ni^^a, it won’t be the alcohol. I’m the realest ni^^a after all, b*tch, be humble.”
9) Kendrick Lamar – “LUST.”
Lamar tackles the issue of lust, one of the main causes that fuel what we do. He begins by creating a scene, where lust has him trying to stick the tip of his phallus inside a woman’s vagina. She agrees, causing blood to run through his favorite vein. His logic, it doesn’t matter what you do—just make it count.
So, over a chilled- track produced by BADBADNOTGOOD, Sounwave, and DJ Dahi, Lamar raps, “Hop in the shower, put on your makeup, lace your weave up. Touch on yourself, call up your ni^^a, tell him he ain’t sh*t. Credit card scam, get you a Visa, make him pay your rent. Hop on the ‘Gram, flex on the b*tches that be hatin’ on you. Pop you a pill, call up your b*tches, have ‘em waitin’ on you. Go to the club, have you some fun, make that ass bounce. It’s whatever, just make it count.”
10) Kendrick Lamar – “LOVE.” (FEAT. ZACARI.)
Lamar turns the lights down over a contemporary R&B love song, produced by Anthony “Top Dawg” Tiffith, Greg Kurstin, Sounwave, and Teddy Walton. The theme of love and lust continues, but this time, into a more unchartered direction. Zacari’s melodic cadence compliments Kung Fu Kenny’s intimate love-lyrics to the love of his life, probably his fiancé Whitney Alford, Lamar’s high school sweetheart.
11) Kendrick Lamar – “XXX.” (FEAT. U2.)
Lamar gets political over an NWA-type track produced By Bēkon, Anthony “Top Dawg” Tiffith, DJ Dahi, Sounwave, and Mike WiLL Made-It. The theme is America and the plight and strife of young African-American males trying to make ends meet. Lamar talks about a man who calls him, needing prayer and advice because his son had been murdered. He wants to know what to do and seeks advice from Lamar because he’s anointed.
But Lamar doesn’t sugarcoat his advice. He tells the man straight up, “If somebody kills my son, that means somebody’s gettin’ killed.” Then, Lamar goes on to tell the man how he would go about doing the killing. America is an eye-for-an-eye nation, and forgiveness is hardly practiced.
12) Kendrick Lamar – “FEAR.”
Lamar deeps dig into his soul to confront his fears. He does so over a conversation track produced by The Alchemist. Lamar uses Deuteronomy 28:28 to make sense of his damnation, where the title track derived from. “The Lord shall smite thee with madness, and blindness, and astonishment of heart…,” states the biblical commandment. Lamar reasons that YAH cursed the Israelites (so-called Blacks, Hispanics, and Native American Indians) because of their iniquity. So, that explains their conditions in the wilderness of North America.
Pride
So, Lamar’s fear of lose it all like the biblical character forced him or scared him to not spend a dime. Not because he is cheap, but because he didn’t want to spend money because he feared running out of money, and going back to Section 8. Lamar raps, “30 shows a month and I still won’t buy me no Lexus.” Not a lot of people can say this.
13) Kendrick Lamar – “GOD.”
Lamar talks about the success that he doesn’t want to lose. He compares it to what it was like when he didn’t have fame and fortune. Even though he chooses faith over riches, he’s still feeling good laughing to the bank like aha. Over a laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, Cardo, Sounwave, Ricci Riera, and DJ Dahi, Lamar tells listeners, “Don’t judge me,” because this is what God feels like. Matthew 7:1 states,
14) Kendrick Lamar – “DUCKWORTH.”
Lamar uses his last name, Duckworth, as a song to explain the relationship between his father, Ducky, and Anthony Tiffith, CEO of Top Dawg Entertainment. Lamar explained if Tiffith had killed Ducky, then he would be serving life, and Lamar would’ve grown up without a father. And there would have been no Top Dawg Entertainment, and probably no Kendrick Lamar.
1) Kendrick Lamar – “BLOOD.”
Lamar tackles the issue of life and death. He poses several questions over a melodic instrumental produced by Lamar, Bēkon, and Anthony “Top Dawg” Tiffith. One of them being, “Are we gonna live or die?” Lamar tells a brilliant story about him walking down a block, and he sees a blind lady in search of something she had lost. He goes over to help, and then he asks, “Hello, ma’am, can I be of any assistance? It seems to me that you have lost something. I would like to help you find it.” She replied, “Oh yes, you have lost something. You’ve lost your life.” And then we hear a gunshot. Lamar is shot. Did he lose his life? The dire ending answers the probing question posed in the beginning—we gonna die.
2) Kendrick Lamar – “DNA.”
Lamar explains why his DNA differs from a sucker’s DNA. His deoxyribonucleic acid consists of going through the school of hard knocks. He endured a rugged street life, prisons, money, drugs, alcohol, sex, murder, mayhem, loyalty, royalty, joy, etc. This is because his DNA comprises of things shared collectively by African-Americans who have been through the struggle. Lyrically, Lamar leaves earth, while rapping over an explosive track produced by Mike WiLL Made-It. From beginning to end, he doesn’t take a bar off and shows why conscience rap has resurrected into the new norm.
3) Kendrick Lamar – “YAH.”
Lamar let it be known that he’s diagnosed with real ni^^a conditions, and keeps it a hunnit by calling out Geraldo Rivera because of criticism Lamar received from a FOX NEWS segment. The kid Capri intro adds a classic east coast authenticity over a laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, Sounwave, and DJ Dahi. Preconceived lies told by White slave masters to African slaves are melting like hot butter in the sun. Lamar, a descendant of those slaves, has awakened and knows himself.
4) Kendrick Lamar – “ELEMENT.”
Lamar, who Capri calls the ‘New Kung Fu Kenny’, continues his Shaolin-rap assault over a Wu-Tang-like track produced by Bēkon, Tae Beast, James Blake, Sounwave, and Ricci Riera. Lamar is simply on another level than his peers. He’s been through more sh*t than them, and he’s ready to put the Bible down and go eye for an eye for this sh*t. When he said, “I been stomped out in front of my mama / my daddy commissary made it to commas / B*tch, all my grandmas dead / So, ain’t nobody prayin’ for me, I’m on your head.”
5) Kendrick Lamar – “FEEL.”
Lamar beautifully expresses how he feels on a dope Sounwave-produced track, where Lamar raps, “I feel like the whole world want me to pray for ’em / But who the f*ck prayin’ for me?” Lamar feels that nobody ain’t prayin’ for him, and this void has him with a chip on his shoulders, looking at life from a dark, and troubled point of view. He feels pain and doesn’t see hope. Did the incident with the blind lady cause him to feel this way? Why does he feel this way? Kendrick raps, “I feel like it ain’t no tomorrow f*ck the world / The world is endin’, I’m done pretendin’… I feel like this gotta be the feelin’ what ‘Pac was…”
But Lamar knows ill-thinking is bad for his health, and he acknowledges the source of his negative thinking, “The feelin’ is toxic, I feel like I’m boxin’ demons / Monsters, false prophets schemin’,” and the list goes on and on. If no one is, just know that we are praying for you Kendrick, YAH-willing.
6) Kendrick Lamar – “LOYALTY” (FEAT. RIHANNA.)
Lamar and Rihanna explore one of the key elements in Lamar’s DNA, loyalty; and they pose a simple question—who are you loyal to? Is it your family? Friends? Or yourself? Maybe it’s money, weed, or alcoholic? Where does it begin and where does it end? Lamar and Rihanna do a wonderful job over a beautify track produced by Anthony “Top Dawg” Tiffith, Terrace Martin, Sounwave, and DJ Dahi.
7) Kendrick Lamar – “PRIDE.”
The Steve Lacy’s intro, “Love’s gonna get you killed, but pride’s gonna be the death of you and me,” fits perfect in the scheme of things. Lamar, a spiritual intellectual, understands Proverbs 16: 18, which states, “Pride goes before destruction, and a haughty spirit before a fall.” So, Lamar uses those reference points to further expound his faith. In the beginning, Lamar’s love for the blind lady got him shot. And now, will his pride, the great satisfaction he feels when he reviews all that he has achieved, will that be the death of him? Over a smooth/laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, and Steve Lacy, Lamar states that he can’t fake being humble, just because people are insecure.
He answers the question of pride
Lamar raps, “Sick venom in men and women overcome with pride. A perfect world is never perfect, only filled with lies. Promises are broken and more resentment come alive. Race barriers make inferior of you and I. See, in a perfect world, I’ll choose faith over riches. I’ll choose work over b*tches, I’ll make schools out of prison. I’ll take all the religions and put ‘em all in one service. Just to tell ’em we ain’t sh*t, but He’s been perfect.”
If Lamar maintains his Israelite faith over riches, and keep that equation as the top priority, he won’t be a victim of pride. But the question is—can Lamar remain humble amidst all the madness?
8) Kendrick Lamar – “HUMBLE.”
Lamar shows that being humble is easier said than done. Over a bouncy-head-nodding track produced by Mike WiLL Made-It, Lamar speaks his mind and gives zero f*cks on what people think about him. He’s braggadocios, confident, and asserts himself as the king of rap music. He sends a cryptic message to his competition, “Watch my soul speak, you let the meds talk. If I kill a ni^^a, it won’t be the alcohol. I’m the realest ni^^a after all, b*tch, be humble.”
9) Kendrick Lamar – “LUST.”
Lamar tackles the issue of lust, one of the main causes that fuel what we do. He begins by creating a scene, where lust has him trying to stick the tip of his phallus inside a woman’s vagina. She agrees, causing blood to run through his favorite vein. His logic, it doesn’t matter what you do—just make it count.
So, over a chilled- track produced by BADBADNOTGOOD, Sounwave, and DJ Dahi, Lamar raps, “Hop in the shower, put on your makeup, lace your weave up. Touch on yourself, call up your ni^^a, tell him he ain’t sh*t. Credit card scam, get you a Visa, make him pay your rent. Hop on the ‘Gram, flex on the b*tches that be hatin’ on you. Pop you a pill, call up your b*tches, have ‘em waitin’ on you. Go to the club, have you some fun, make that ass bounce. It’s whatever, just make it count.”
10) Kendrick Lamar – “LOVE.” (FEAT. ZACARI.)
Lamar turns the lights down over a contemporary R&B love song, produced by Anthony “Top Dawg” Tiffith, Greg Kurstin, Sounwave, and Teddy Walton. The theme of love and lust continues, but this time, into a more unchartered direction. Zacari’s melodic cadence compliments Kung Fu Kenny’s intimate love-lyrics to the love of his life, probably his fiancé Whitney Alford, Lamar’s high school sweetheart.
11) Kendrick Lamar – “XXX.” (FEAT. U2.)
Lamar gets political over an NWA-type track produced By Bēkon, Anthony “Top Dawg” Tiffith, DJ Dahi, Sounwave, and Mike WiLL Made-It. The theme is America and the plight and strife of young African-American males trying to make ends meet. Lamar talks about a man who calls him, needing prayer and advice because his son had been murdered. He wants to know what to do and seeks advice from Lamar because he’s anointed.
But Lamar doesn’t sugarcoat his advice. He tells the man straight up, “If somebody kills my son, that means somebody’s gettin’ killed.” Then, Lamar goes on to tell the man how he would go about doing the killing. America is an eye-for-an-eye nation, and forgiveness is hardly practiced.
12) Kendrick Lamar – “FEAR.”
Lamar deeps dig into his soul to confront his fears. He does so over a conversation track produced by The Alchemist. Lamar uses Deuteronomy 28:28 to make sense of his damnation, where the title track derived from. “The Lord shall smite thee with madness, and blindness, and astonishment of heart…,” states the biblical commandment. Lamar reasons that YAH cursed the Israelites (so-called Blacks, Hispanics, and Native American Indians) because of their iniquity. So, that explains their conditions in the wilderness of North America.
Pride
So, Lamar’s fear of lose it all like the biblical character forced him or scared him to not spend a dime. Not because he is cheap, but because he didn’t want to spend money because he feared running out of money, and going back to Section 8. Lamar raps, “30 shows a month and I still won’t buy me no Lexus.” Not a lot of people can say this.
13) Kendrick Lamar – “GOD.”
Lamar talks about the success that he doesn’t want to lose. He compares it to what it was like when he didn’t have fame and fortune. Even though he chooses faith over riches, he’s still feeling good laughing to the bank like aha. Over a laid-back track produced by Bēkon, Anthony “Top Dawg” Tiffith, Cardo, Sounwave, Ricci Riera, and DJ Dahi, Lamar tells listeners, “Don’t judge me,” because this is what God feels like. Matthew 7:1 states,
14) Kendrick Lamar – “DUCKWORTH.”
Lamar uses his last name, Duckworth, as a song to explain the relationship between his father, Ducky, and Anthony Tiffith, CEO of Top Dawg Entertainment. Lamar explained if Tiffith had killed Ducky, then he would be serving life, and Lamar would’ve grown up without a father. And there would have been no Top Dawg Entertainment, and probably no Kendrick Lamar.
Kyera (8 KP) rated Requiem (Delirium, #3) in Books
Jan 31, 2018
Requiem switches between Hana's and Lena's points-of-view. It gives us perspectives of the world and its current events through the eyes of a girl in the Wilds and one in society. Hana has chosen her path and it is different from Lena's. The action comes to a head and their existences are thrust together again.
While I enjoyed this book, it wasn't quite as good as the previous two. The book ended and I wasn't quite sure how I felt. In some ways, I was satisfied. There were no little questions or loose ends that should have been tied up. Lena has chosen her love, even if we don't see the effects of it. When you think of the immediate story everything seems good, but then you wonder about the world at large. The Resistance attacked and seemingly brought down the walls (both literally and we assume legally) in Portland. Success! But.. what happened in the rest of the world? Were those attacks conducted simultaneously across the United States? If they weren't, then the book ends with Portland no longer under government control and seemingly a new safe space for the Resistance/Invalids to live... but they're still in a world where love is a disease and the government will come for them. What happens to the people? The last we see of Hana, she's running off into the woods. I personally would like to know what happens to her. The more I think about the book, the more questions I'm faced with.
I loved the series and highly recommend reading it. Just a warning that there are more curse words in the novel than in the first. It's a great young adult series set in a world similar to our own, about learning more about yourself, growing and learning to love.
While I enjoyed this book, it wasn't quite as good as the previous two. The book ended and I wasn't quite sure how I felt. In some ways, I was satisfied. There were no little questions or loose ends that should have been tied up. Lena has chosen her love, even if we don't see the effects of it. When you think of the immediate story everything seems good, but then you wonder about the world at large. The Resistance attacked and seemingly brought down the walls (both literally and we assume legally) in Portland. Success! But.. what happened in the rest of the world? Were those attacks conducted simultaneously across the United States? If they weren't, then the book ends with Portland no longer under government control and seemingly a new safe space for the Resistance/Invalids to live... but they're still in a world where love is a disease and the government will come for them. What happens to the people? The last we see of Hana, she's running off into the woods. I personally would like to know what happens to her. The more I think about the book, the more questions I'm faced with.
I loved the series and highly recommend reading it. Just a warning that there are more curse words in the novel than in the first. It's a great young adult series set in a world similar to our own, about learning more about yourself, growing and learning to love.
Leanne Crabtree (480 KP) rated Fire Inside (Chaos, #2) in Books
Jan 8, 2021
4.5
I really, really, really liked this book! The only problem I had was it’s length (I seem to have a thing about really long books where I cant read them all at once and have to break them up with other books). There was something about it that just dragged me in and kept me reading. Maybe it was the way Hopper treated Lanie like a lady, simply because she came from a better background than him but still treated everyone fairly. Or his way of talking and thinking because he talked a lot of sense and did a lot of nice things for Lanie.
He was so easy to fall for.
There were two quotes I really liked: “Honey,” I called and his head came up. “You have a monster too.”
“I did. My woman just slayed it.”
And:
He lifted his head and looked down at me. “Have it all now, I made a baby outta love.”
He was killing me.
“Stop making me cry and kiss me.”
Both show Hop’s sweeter side and made me all awwwww…
The only downside for me was that this was my first book by Kristen Ashley, even though I have two other books by her on my Kindle, and I hadn’t read the others to understand the back story of Lanie and her relationship with her previous fiancé Elliott.
Please note: It doesn’t take away from the story at all if you haven’t read it, as it is explained throughout Fire Inside but I personally would have liked to read Lanie’s back story first.
Nevertheless, this was an amazing insight into a motorcycle club and a really nice love story. I love it!
I really, really, really liked this book! The only problem I had was it’s length (I seem to have a thing about really long books where I cant read them all at once and have to break them up with other books). There was something about it that just dragged me in and kept me reading. Maybe it was the way Hopper treated Lanie like a lady, simply because she came from a better background than him but still treated everyone fairly. Or his way of talking and thinking because he talked a lot of sense and did a lot of nice things for Lanie.
He was so easy to fall for.
There were two quotes I really liked: “Honey,” I called and his head came up. “You have a monster too.”
“I did. My woman just slayed it.”
And:
He lifted his head and looked down at me. “Have it all now, I made a baby outta love.”
He was killing me.
“Stop making me cry and kiss me.”
Both show Hop’s sweeter side and made me all awwwww…
The only downside for me was that this was my first book by Kristen Ashley, even though I have two other books by her on my Kindle, and I hadn’t read the others to understand the back story of Lanie and her relationship with her previous fiancé Elliott.
Please note: It doesn’t take away from the story at all if you haven’t read it, as it is explained throughout Fire Inside but I personally would have liked to read Lanie’s back story first.
Nevertheless, this was an amazing insight into a motorcycle club and a really nice love story. I love it!