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Words With Friends 2-Word Game
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THE WORLD’S MOST POPULAR MOBILE WORD GAME IS BACK, beautifully redesigned and now with more ways...
Kyera (8 KP) rated The Young Elites in Books
Feb 1, 2018
Despite the fact that I found the main character disagreeable - the premise was enjoyable. Initially, Adelina is very dark and unrelatable. She relishes pain and fear, as a result, I don't have sympathy for her character. Even though her father treated her abysmally her entire life, that treatment only seemed to nurture the darkness inside her. It did not create it. The darkness is all her own.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
The only time I truly felt her humanity was when she was with the kind Gemma. It is in those moments she allows herself to feel. even concern for her sister seems forced, like familial obligation rather than a love. Her concern is usually accompanied with ill thoughts and blackened memories towards her sister.
Raffaele and Gemma are the most human of the characters and more likeable than the rest. Dante's main role is to antagonize. Enzo's role is to function as a romantic interest and future savior of the realm. The Windwalker, Lucent, and the Architect, Michel, serve more as background pieces than fully developed characters. Obviously, this is an over=simplification of their roles but it helps to illustrate the weaknesses in character development in the book. Over the course of the novel, the reader is given small glimpses into the character or their backstory but it is insufficient as these are her main and supporting characters for which the book is titled. The Young Elites.
The world the author builds draws you in with its unique holidays, three moons, elegant dress and giant rays that swim through the sky. The elaborate and opulent headquarters (Fortunata Court) of the Dagger Society rise in your mind surrounded by towers, merchants and Inquisitors. Stylistically, the world is reminiscent of Renaissance Italy with its gondolas, dress and canals that might draw you in like the world of Assassin's Creed.
During the course of the novel, we watch as Adelina trains her abilities and before long she joins the Daggers on a mission. She also seems to adopt more humanity as the book progresses which makes her a slightly more appealing character - but she is unable to hold onto that ray of light for long before succumbing to the festering darkness within. (Leaving the reader just as unsympathetic as before.)
She would be more likeable if she didn't welcome that darkness and unless her character arc leads her to light and love, changing her affinities, I have no emotional stake in her well-being. I understand that the author wants to write a dark character, but I personally just don't have an emotional stake in the outcome of this book because I don't particularly identify with any of her characters. Without redeeming qualities, you cannot justify or form an attachment to the character (especially because she is the main character). I'm sure others would like her character, and she is certainly an interesting character, but I prefer a lead who is flawed but inherently good. Perhaps an anti-hero but not the villain.
Growing up unloved, she quickly falls in with the Daggers but questions their motivation and is willing to betray them with the slightest provocation. In her mind, no one could possibly just be kind. They must have an agenda or be using her in some fashion. She is easily manipulated and swayed. Whether she follows through with her vengeance, betrays or redeems is something you must discover by reading the book yourself. Will Adelina redeems herself or succumb to the darkness?
I'm intrigued by the premise and the characters, despite the critical parts of my review. As such, I look forward to seeing where this series goes. I would definitely recommend it to YA fans who enjoy rich worlds that aren't modern or people with special abilities.
Dana (24 KP) rated Batman the Killing Joke in Books
Mar 23, 2018
I really enjoyed reading this comic.
We get the Joker's origin story. He was in a robbery gone wrong and fell into acid because his wife and unborn child died in an electrical fire accident right before the robbery. He was poor, down on his luck, trying to get a job as a comic, and needed some money fast to keep them from losing their apartment. He started off by trying to do an honorable thing and it haunts him for the rest of his life. It is one of the reasons he has gone a bit loony, he cannot face the fact that he is alone in his grief.
We get the reason for Barbara Gordon's paralysis and her origin into becoming the Oracle. (Thanks Joker)
Detective Gordon is attacked by the Joker who is trying to show him how painful it is to lose something he loves. Joker wants to turn Gordon crazy, but doesn't.
Batman does not want his fight with the Joker to end in death, but it will if it has to.
Overall, I really enjoyed this comic and recommend it to anyone who likes the Joker and wants to know more about him.
I love the Joker's last joke, so I'm going to write it out.
Two guys are living in a lunatic asylum and one night they decide they do not like living in an any night they don't like living in an asylum anymore. They decide they're going to escape. So they get up onto the roof and there, just across this narrow gap, they see the roofs of the town, stretching away in the moonlight, stretching away to freedom. The first jumps across with no trouble. The second pauses, he is afraid of falling. The first calls back and says, "I'll turn on this flashlight I've got and you can walk across the beam." The second replies "What do you think I am, crazy? You'll turn the light off once I'm half way across."
I love that joke and the fact that both Batman and the Joker crack up after it.
We get the Joker's origin story. He was in a robbery gone wrong and fell into acid because his wife and unborn child died in an electrical fire accident right before the robbery. He was poor, down on his luck, trying to get a job as a comic, and needed some money fast to keep them from losing their apartment. He started off by trying to do an honorable thing and it haunts him for the rest of his life. It is one of the reasons he has gone a bit loony, he cannot face the fact that he is alone in his grief.
We get the reason for Barbara Gordon's paralysis and her origin into becoming the Oracle. (Thanks Joker)
Detective Gordon is attacked by the Joker who is trying to show him how painful it is to lose something he loves. Joker wants to turn Gordon crazy, but doesn't.
Batman does not want his fight with the Joker to end in death, but it will if it has to.
Overall, I really enjoyed this comic and recommend it to anyone who likes the Joker and wants to know more about him.
I love the Joker's last joke, so I'm going to write it out.
Two guys are living in a lunatic asylum and one night they decide they do not like living in an any night they don't like living in an asylum anymore. They decide they're going to escape. So they get up onto the roof and there, just across this narrow gap, they see the roofs of the town, stretching away in the moonlight, stretching away to freedom. The first jumps across with no trouble. The second pauses, he is afraid of falling. The first calls back and says, "I'll turn on this flashlight I've got and you can walk across the beam." The second replies "What do you think I am, crazy? You'll turn the light off once I'm half way across."
I love that joke and the fact that both Batman and the Joker crack up after it.
Sweet Baby Girl Halloween Fun - Spooky Makeover & Dress Up Party
Games and Education
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Halloween is coming! Play with Sweet Baby Girl and have the most adventurous Halloween celebration...
Sophia (Bookwyrming Thoughts) (530 KP) rated Morrigan in Books
Jan 23, 2020
Original Review Posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/02/blog-tour-morrigan-by-laura-deluca-review-and-guest-post.html">Bookwyrming Thoughts</a>.
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Bong Mines Entertainment (15 KP) rated Good Thing by Leon Bridges in Music
Jun 7, 2019
Leon Bridges is a talented R&B/soul singer outta Fort Worth, Texas. Not too long ago, he released his second studio album, entitled, “Good Thing”.
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
BET AIN’T WORTH THE HAND
The artist sings a beautiful ballad about leaving a rocky relationship. He doesn’t want to leave because he still sees hope in making it work.
The Natalie Rae-directed video begins with Bridges walking the street. He’s hurt. The following scenes show him relating to other people going through the same emotional pain he’s experiencing.
The artist knows that’s a risky move staying in a broken relationship. Also, he looks at the cards he’s dealt with and realizes his best is to move on.
BAD BAD NEWS
The artist switches speed and takes listeners on a funky ride. It’s disco time and he celebrates on the dancefloor. Also, being there isn’t easy. So, he has to fight his way through the crowd to make it to the front.
The Natalie Rae-directed video begins with a voluptuous woman walking inside a train station. She hears someone whistling so she heads in that direction, following the whistler.
Somehow, Bridges’ music overtakes her soul and she begins to follow its funky rhythm. In the end, it leads her to the guy who was whistling in the beginning.
The artist sings a triumphant song. He questions people trying to hold him in the back. But that’s not where he belongs. So, he moves up front and kills them with style and grace.
SHY
The artist addresses a shy woman that he’s in love with. Also, he assures her that it doesn’t matter if she’s shy. He doesn’t care about her shyness because he’s into her.
BEYOND
Bridges is deep in love with the shy woman. Everything is moving fast. Also, he wants to slow things down but he can’t. Because of that, he’s scared to death that she might be the one.
FORGIVE YOU
The artist sings the blues. He admits he played the fool in the relationship where his girl took advantage of his kindness. But he forgives her even though it’s hard to. Also, his friends warned him not to be so gullible.
LIONS
The aftermath of experiencing bad love has Bridges feeling like a thirsty lion. But through his trials and tribulations, he remains true to himself. Also, he refuses to conform to who the woman wants him to be.
IF IT FEELS GOOD (THEN IT MUST BE)
The artist removes the bad love aura and freshens the air with truth and honesty. Also, he perfumes the dancefloor with a splash of funkiness and rhythm and blues.
He wants the mysterious lady bad. So, he tells her to let her guards down and enjoy herself. He doesn’t want her to act so seriously.
YOU DON’T KNOW
The artist continues dancing in the name of love. He’s head over heels for the woman in his life and he wants the world to know that. Also, he wants her to stop thinking because their loving might not go down if she continues to do so.
MRS.
The artist addresses his love and hate relationship with his girl. When they’re good they’re good, but when they’re bad they’re really bad. Also, whenever she shows him affection, he remembers that she still loves him.
GEORGIA TO TEXAS
The artist sings about his mother carrying him in her womb, while his father drove them from Atlanta to Texas. But years later, he admits that adapting to his surrounding wasn’t easy.
Apparently, the 504 black girl is Bridges’ mother, Lisa Sawyer. The number 504 is the area code where she’s from in New Orleans, Lousiana.
CONCLUSION
Leon Bridges’ “Good Thing” is a classic album perfumed with soul ballads, spicy topics, and danceable tunes. Its soulful sound is the perfect soundtrack for those who have loved and lost, and those who are in love for the very first time. It’s romantic, celebratory, with lush experiences. Also, it takes listeners on an emotional journey through the hills and valleys where love dwells.
https://www.bongminesentertainment.com/leon-bridges-good-thing/
Kara Skinner (332 KP) rated Same Time Next Year in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Contemporary
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Word Count: 4,560
Average Goodreads Rating: 3.27/5 stars
My rating: 4.5/5 stars
It’s not often a book can surprise me. But Same Time Next Year totally took me off guard.
Every year, for the past either years, Regina White and Tyler Harrison meet at the same hotel, in two connecting rooms for one night.
The receptionist, Elizabeth, thinks she has the whole situation figured out. But she doesn’t know what this night means to the mysterious couple. And somehow she can’t stop thinking about them anyway.
You can read Same Time Next Year for free on Smashwords.
At first I thought I wasn’t going to like this story. I thought it was about two people leaving their depressing and dull lives to have one night of infidelity and debauchery a year, like some sort of modern day fairy tale. On top of that, the “good” character, Elizabeth, is kind of a bitch who is quick to condemn and judge Regina, but smile and admire Tyler.
It’s one thing to disapprove of adultery, it’s another thing to have double standards about it.
But despite my misgivings at first, I got sucked into the very hot sex scene quickly.
“No, I don’t want champagne. I want you. Naked. And wet. And begging.”
Gotta love good dirty talk. Unfortunately the scene ends abruptly and before the couple gets to the really good part, if you know what I mean. 😉
For such a short story there is actually a lot of character development. We learn that Tyler and Regina met at a conference years ago, when they had those two hotel rooms by coincidence. Tyler loves how Regina’s strong and confident in public, but a little submissive in the bedroom. Regina loves how Tyler still wants her, and how he’s always willing to please her. They have great chemistry together and I love how they’re still attracted to each other after all those years, and always come back to the same hotel.
My only complaint, aside from the abrupt end to the sex scene, is Elizabeth. I get why she’s necessary to the story, but she’s undeveloped and unlikeable, and I wish she was gone.
Jon Hansen (9 KP) rated Quantum in Tabletop Games
May 2, 2019
Fun (6 more)
Replayable
Innovative
Easy to learn
Strategic
Deep
Visually Appealing
Out Of Print (1 more)
A little too strategic for older folks
Space Battle-Yahtzee
We rented Quantum from our local card shop, and ended up playing it every day. Its out of print, so it was a stroke of astounding luck that the shop was willing to sell it to us.
Quantum plays somewhat like risk, where you advance units to positions to capture objectives. The catch is that your units are dice- higher numbers can move further, but lower numbers are better in combat, and each has a special ability.
The game revolves around placing "Quantum Cubes", which your units build on planets. Each planet has a number and an amount of slots for quantum cubes to be placed, and to build a cube your units (which are literally dice) must add up the the number on the planet they are on.
Building quantum cubes allows you to select an "advancement card", which contain either permanent upgrades to your turns and abilities, or one-time powerful bonuses. All advancement cards feel meaningful and powerful, and which ones you select determine a lot of how your game will play out. You can "build" for combat, research, mobility, and even some weird other things like being able to change one of your dice once per turn either up one number or down one (and thus changing its abilities).
The game board is configurable tiles, so the "map" can be different each time, and support a faster or slower game, or more or less players (the game only comes with pieces for 4 players, but if you had the dice it wouldn't be hard to play extra with improvised pieces).
The game pacing is really well done; if all players know what they're doing, the race to place the final cube can be intense and exciting, as each player will end up with different strengths as they implement unique strategies to win.
We love quantum and have had a blast every time we've played it- we're expecting it to become a family favorite and for our copy to end up very well loved.
Quantum plays somewhat like risk, where you advance units to positions to capture objectives. The catch is that your units are dice- higher numbers can move further, but lower numbers are better in combat, and each has a special ability.
The game revolves around placing "Quantum Cubes", which your units build on planets. Each planet has a number and an amount of slots for quantum cubes to be placed, and to build a cube your units (which are literally dice) must add up the the number on the planet they are on.
Building quantum cubes allows you to select an "advancement card", which contain either permanent upgrades to your turns and abilities, or one-time powerful bonuses. All advancement cards feel meaningful and powerful, and which ones you select determine a lot of how your game will play out. You can "build" for combat, research, mobility, and even some weird other things like being able to change one of your dice once per turn either up one number or down one (and thus changing its abilities).
The game board is configurable tiles, so the "map" can be different each time, and support a faster or slower game, or more or less players (the game only comes with pieces for 4 players, but if you had the dice it wouldn't be hard to play extra with improvised pieces).
The game pacing is really well done; if all players know what they're doing, the race to place the final cube can be intense and exciting, as each player will end up with different strengths as they implement unique strategies to win.
We love quantum and have had a blast every time we've played it- we're expecting it to become a family favorite and for our copy to end up very well loved.
Phillip McSween (751 KP) rated Assassination Nation (2018) in Movies
May 3, 2019
Bad, but Could Have Been Worse
In a suburban town, four teenage girls find themselves fighting for their lives when some very private information about the townspeople gets posted online. I wanted to love this movie. I mean, it did enough to earn my respect. Unfortunately, it falls well short of being a movie I can recommend.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Director Sam Levinson begins the film by capturing the essence of the daily lives of the four girls the story revolves around. You see them joking around, getting ready for a night out on the town, texting and doing all the social media stuff. It’s not long before the movie takes an extremely jarring turn. It’s a sharp curve and I appreciate the contrast. The movie maintains its bright vitality even as people are dying all over the place. Like it or not, it’s hard to look away.
Conflict: 7
Assassination Nation is slow in a number of spots. It’s like a sputtering car: hard to get going and once it does, it’s only a matter of time before it begins to stop again. There are a number of intense moments, but they are either few and far between or too little too late. From the title, I expected more.
Genre: 2
Memorability: 1
I am racking my brain trying to remember moments from this movie. It comes to me in pieces, but not spectacular pieces. The movie overall is missing a serious punch. It’s trying to succeed at being something it’s not and it shows. I mean, REALLY shows.
Pace: 8
Plot: 4
Resolution: 7
As messy as the movie can be at times, you are always hoping that the girls get a decent payoff. I won’t ruin what happens but I will say that, although it’s not perfect, it definitely beats the movie’s saggy middle.
Overall: 67
Assassination Nation is the kind of movie you watch once to say you did then move on forever. At best, it’s meh. Just when you get a glimpse of things improving, they fall below expectations. Again and again.
Acting; 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
Director Sam Levinson begins the film by capturing the essence of the daily lives of the four girls the story revolves around. You see them joking around, getting ready for a night out on the town, texting and doing all the social media stuff. It’s not long before the movie takes an extremely jarring turn. It’s a sharp curve and I appreciate the contrast. The movie maintains its bright vitality even as people are dying all over the place. Like it or not, it’s hard to look away.
Conflict: 7
Assassination Nation is slow in a number of spots. It’s like a sputtering car: hard to get going and once it does, it’s only a matter of time before it begins to stop again. There are a number of intense moments, but they are either few and far between or too little too late. From the title, I expected more.
Genre: 2
Memorability: 1
I am racking my brain trying to remember moments from this movie. It comes to me in pieces, but not spectacular pieces. The movie overall is missing a serious punch. It’s trying to succeed at being something it’s not and it shows. I mean, REALLY shows.
Pace: 8
Plot: 4
Resolution: 7
As messy as the movie can be at times, you are always hoping that the girls get a decent payoff. I won’t ruin what happens but I will say that, although it’s not perfect, it definitely beats the movie’s saggy middle.
Overall: 67
Assassination Nation is the kind of movie you watch once to say you did then move on forever. At best, it’s meh. Just when you get a glimpse of things improving, they fall below expectations. Again and again.
Spectacles
Book
Spectacles is the hilarious, creative and incredibly moving memoir from much loved comedian, writer...