"I love musicals, and so one that features the Village People AND Bruce Jenner is my kind of movie. Bruce didn’t do much else, but where can you go from there? It’s like the guy who wrote the Bible, where are you going to go? Margaret Mitchell had the good taste to get hit by a car. She knew she could never top Gone with the Wind."

"I was half tempted to put in all of The Beatles' albums. It's really hard for me to pick one because I fucking love all of them. They mean so much to me. I think Revolver, because it pointed the way forward. It's interesting that 'Tomorrow Never Knows', which still sounds like something that's coming from the future, was the first song that they started work on. They started that in early 1966 or whatever. Pretty far out when you think about it. That song always sounds contemporary to me. That thing with the bass and drums where it's just one groove, like a loop. And all the tape sounds that are coming in and out. It's very advanced for its time. The sound was so different that you knew there was something else going on, that something was changing culturally and musically for people, which of course it did the following year. The Indian influence is there as well. Obviously it's in 'Love You To', the George track, but also the way the guitars are played. You've got a slight drone going on with the guitars."

"As I said, I love filmmakers who struggle, and I’ve always gotten the feeling that De Palma struggles. I feel in his work that there’s something awkward, something that is not flowing easily, and that makes me watch the film from a different perspective. In Blow Out, the storyline is very pristine, there’s nothing distracting, and you get to see and observe all the details in a special way. There’s a lot of information in his films, but like Tati, it’s all at a deeper layer. You could see a De Palma film and think it’s very ordinary, but if you see it more than once, it always gets better."

"I think I’m going to go with Singles, and it’s because of a very specific time in my life. Soundtrack is really important to me, and I’m a child of ’90s grunge. That movie was Seattle, Nirvana, Pearl Jam — it’s the greatest soundtrack. My favorite band was Smashing Pumpkins and my favorite song by Smashing Pumpkins is “Drown,” and that’s on there. Plus, I loved all the different storylines being woven together. I love Cameron Crowe, and the idea of these people living in Seattle and looking for love. I was a senior in high school when it came out. I mean, I saw it in the theater like three times. I was like, “Oh my God, this is gonna be my life. I’m gonna move out of my parents’ house, and I’m gonna go and try to make it in the city somewhere, and it’s gonna be like this.” And, you know, Bridget Fonda as Janet was just the greatest character. I was like, “I’m gonna be like her. I am kind of like her. But not the pathetic parts of her, the great parts of her.” But everyone was just was trying to find themselves, find love, find a career, find a path, find their life. It was really aspirational for me at the time that it came out, so it really scratches that itch that I had then, and it will always be that meaningful to me. I recently made my husband watch it. I can’t remember if he had seen it or if he just didn’t remember it, but I just could tell, even though he loved it and appreciated it, like, it didn’t kill him the way it killed me. And you know, he was like, “Yeah, no, it’s good. I like it.” But he is obsessed with Almost Famous, and I love Almost Famous, but that was more meaningful for him. Singles is just… the movie, the music, the time, the look, the actors, the wardrobe, the backdrop of Seattle. Just all of it."