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Piano Free has the largest song catalog of any piano on the app store. With over 1,500 songs to...
LilyLovesIndie (123 KP) rated Songs from the Phenomenal Nothing in Books
Nov 5, 2018
IÕll be honest, I had never heard of this author or read the blurb when I signed up to this event, but I am so grateful that this particular opportunity came knocking on my door. I have thoroughly enjoyed reading this story and have to thank the author, Steven Luna, for the chance to read and review his amazing writing. I have so much good to say about this book that IÕll waste no time in getting started, and I hope I donÕt repeat myself too much.
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
The first thing I absolutely adored about this book is how incredibly engaging and well written the plot was. In all honesty, TylerÕs struggles with his motherÕs death could have very easily become cliche and tiresome very quickly, but not once when reading this book did I feel bored or like I wasnÕt fully engaged with Tyler and his dilemma. Luna really pulls you right into his story quickly, leaving no time to Ôum and aahÕ over things, you just jump straight in and keep on going on what is a roller coaster of superbly written twists and turns. IÕve not read many books with this kind of subject matter, but I feel like I want to read more, and almost felt a little bereft when I finished the book as I so wanted there to be more to it! That is, perhaps, the only negative I have Ð I was gutted to find that the book had finished! It was just that good I didnÕt want it to ever end!
This is, in part, to how wonderful the characters are. Tyler, as the lead, is incredibly easy to invest emotionally in. HeÕs believable, much like the entire plot, and his emotions are so easy to understand, even if they do break your heart as you watch him, essentially, turn his rage and grief on himself and Tom. Xan and Chelsea, although minor characters, also leave a lasting impression, much like Trevor and Tom. This is a testament to Steven LunaÕs way of writing as it is very rare a minor character grabs my attention and thoughts much when I put the book down, but IÕve found myself not only thinking about Tyler, but also Tom and Xan quite a lot too.
Something else that really needs a mention is how emotionally charged this book is, but in all the right ways. I guess IÕd better explain exactly what I mean here, because I mean to give the highest praise to Steven Luna on this note. I love a book that not only engages my brain as IÕm reading, but also engages my heart, and ÔSongsÕ does this so completely that at times I truly wished I could reach into the kindle and make everything all right again for Tyler. Having recently experienced my own loss to cancer, this book really did touch a delicate part of my heart but in the best possible way. Steven Luna writes with such sincerity and honesty in this tale that I truly believed every word, my heart aching and my eyes moistening as I lived through TylerÕs sadness. ItÕs very hard for an author to make me cry, but within the first few pages that is exactly what was happening, and I wish to offer the highest praise for the style with which Luna manages this.
And so, IÕm going to wrap this up, partly because the superlatives are running out, and partly because I am literally dying to get onto reading some of his other writing. This book is, like the title suggests, truly phenomenal. It was difficult to put down, gripping from the first chapter and above all, a very believable and easy book to read. I cannot recommend this twisting tale highly enough, and I wish to take this opportunity to thank Steven Luna for opening my heart to a new range of emotions.
ARC received in return for an honest review as part of a blog tour on Lily Loves Indie - http://lilylovesindie.co.uk/?p=250
Naomi Forrest (42 KP) rated City of Ghosts in Books
Dec 31, 2018 (Updated Dec 31, 2018)
I haven't read any Victoria Schwab before though I do have another of her books to read and I know that she is extremely popular, particularly for fans of the young adult genre. This book piqued my interest as a middle grade ghost story so when I found it at a gorgeous second hand book store in Alnwick, Northumberland (you trade your old books in for new ones, it is amazing!), I snapped it up.
Cass is a brilliant protagonist....she's weird, she knows she's weird and she embraces her weird. We live in a world of fashion rules and being told that being different is wrong, even now in 2018. To be the generic carbon copy makes you popular. As Cass says:
'I know you're supposed to want to be one of the popular kids....It just seems like it would be exhausting...Smile, but not too wide. Laugh, but not too loud.'
From this quote alone, you just know that Schwab understands pre-teens and teens. She has been there. Cass is a brilliant character to empower the intended audience and show them it's good to be different. The other big character in the book is Cass's best friend, Jacob, who often has amusing little retorts to Cass and adds humour throughout the book. Oh yes, and he's dead! Apart from this interesting fact and also that he saved Cass's life, the bond between the two is like any other friendship and I get the feeling we will see more of these characters. It is hinted at in the story that Jacob remaining in the world of the living may create problems so it raises a lot of questions about what is coming. I was constantly questioning throughout the book, where did Jacob come from? Did he die saving Cass? Why has he not crossed over? How can he come through the veil? The writing just flows so easily and is told through Cass's eyes. I'm not always the biggest fan of present tense writing in novel's but the use of first person really put me into Cass's world and I had to know about the veil! (I was also a big Ghost Whisperer fan).
This book also has one of my favourite things, a cute little map at the start. However, unlike the often fiction maps that enhance the story, this is Cassidy's map of Edinburgh, which is pretty awesome, especially as I know the places on it, living just an hour's train ride from the city. It shows the main places you would expect, as well as Blackwell's book shop (it is a good Blackwell's too, bigger than Newcastle!). I just love maps in books, I spend ages pouring over them and it really adds to the pictures in your mind.
Of course, being a ghost story, this novel is quite edgy for middle grade but absolutely age appropriate and Schwab is so skillful at pushing the tension right up before diffusing it at just the right point. I get scared even by some young adult ghost stories (no lie) and this one was borderline comfortable for me. The description perfectly set the scene and I truly felt like I was in a foggy graveyard in the dark, or underground in Mary King's Close. I love how Schwab drew on Scottish history and Scotland's love of ghost stories and seamlessly weaves them with the fiction of this ghost hunting American family. I think a lot of children who I come across and potentially across the country may have been to Edinburgh so it makes the story a little bit more accessible while the fantasy creates a boundary from it being too scary. Cass is also a big fan of Harry Potter and the frequent references throughout will really resonate with contemporary children who also love the series.
I loved this book and can't wait for what follows on. It is definitely an exciting addition to a class bookshelf for the ghost story lover but would be a gripping book to share with your class just for pleasure. Brimming with tension, spine tingling atmosphere and completely relevant to the modern day pre-teen, I recommend whole heartedly.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Ambrose Beacon (The Solas Prophecy, #1) in Books
Jan 23, 2020
Original Review posted at <a title="The Ambrose Beacon by Alena Gouveia" href="http://bookwyrming-thoughts.blogspot.com/2013/11/review-the-ambrose-beacon-by-alena-gouveia.html">Bookwyrming Thoughts<a/>
Note: Formatting is lost due to copy and paste, along with pictures and captions
<i><b>Disclaimer:</b> Review copy provided by author for review</i>
Let me blunt about The Ambrose Beacon: it was boring. It also became the third unfortunate book that lands into my DNF list and the first fantasy book oh wait. Not exactly the first... does the Caster Chronicles count as Fantasy, or does it count as Paranormal? If it counts as paranormal, then The Ambrose Beacon became the unfortunate first fantasy book I didn't finish.
So essentially, I give fair warning: I rated and reviewed it based on what I could manage to read so far. Which, I think I was being a bit lenient about, but I didn't throw the book against the wall, so it certainly didn't deserve a lower rating.
Now allow me to tell why I found it boring, and my general thoughts on it:
Larry and Jerry. They sound so similar (they rhyme as well), that I was befuddled and mistakenly read Jerry as Larry and vice-versa when it was really the other way around. They're best friends and one of them is the main character. How confusing can that get?
The characters don't seem to be in depth. While I get the why for Harper and Arianna, the other characters simply seem virtually pancake-like (no offense). Add to the fact that it suddenly switches POVs without some sort of sign. One minute it's Cole, the next? Dinah, Jerry, Harper, Vaughn, etc. >_<
Fairies. Probably one of my favorite things to read about, and it's not because they're sparkly and pretty and whatnot. But I was actually interested in Gouveia's take on fairies when the word was
mentioned in the earliest parts of the book.
Unfortunately, it doesn't seem to be well written, nor realistic. I mean, doing magic in public. In front of human eyewitnesses. That doesn't sound like the typical faery to me that tries to not let the human world find out about them because then it's all, "IT'S THE APOCALYPSE. I must be seeing things," or maybe, "HOLY MONKEYS. FAIRIES EXIST" *rubs eyes to make sure it's not an illusion.* But the fairies here seem like a bounce off of Fantastic Four (even though I haven't watched the movie). More like superheroes than the sidhe.
The same thing is repeated, but in different variations. Oh hooray. Demons, demons and more demons. Same kind of demon, which isn't a problem for me, but the very fact that they tend to be doing the same thing over and over and over again throughout the entire book, which is the main reason why I stopped (I really did stop at exactly 50%). There's not a lot going on, although maybe if I had the time and gave the book further chances, there might be other things going on rather than "OMG, THERE'S A DEMON THAT WANTS MY HEAD ON A PLATTER. RUN." (or in the case here, it's fight to the death.)
Generally I like fantasy. I love the creative worlds and character and creatures made up that gives me a free ticket to travel okay, that applies to any book really without having to move a single inch, and the very fact that you can't exactly buy a plane ticket to the area in the first place. Someone tell me if we can really buy a plane ticket to the Faery Realms if you so disagree on that fact. Of course... I wouldn't exactly try and mess with fairies in the first place.
I tried liking the story. I thought first thought it was because of reading The Jungle, which is dreadfully boring, and it may have influenced my thoughts on this one. Then I read Allegiant for awhile and came back to it. It didn't work out well either (and Allegiant didn't bore me).
So simply put, The Ambrose Beacon is not really my cup of tea.
*eats a biscuit and avoids unsweetened tea*
I really hate giving bad reviews. Especially DNFs.
Note: Formatting is lost due to copy and paste, along with pictures and captions
<i><b>Disclaimer:</b> Review copy provided by author for review</i>
Let me blunt about The Ambrose Beacon: it was boring. It also became the third unfortunate book that lands into my DNF list and the first fantasy book oh wait. Not exactly the first... does the Caster Chronicles count as Fantasy, or does it count as Paranormal? If it counts as paranormal, then The Ambrose Beacon became the unfortunate first fantasy book I didn't finish.
So essentially, I give fair warning: I rated and reviewed it based on what I could manage to read so far. Which, I think I was being a bit lenient about, but I didn't throw the book against the wall, so it certainly didn't deserve a lower rating.
Now allow me to tell why I found it boring, and my general thoughts on it:
Larry and Jerry. They sound so similar (they rhyme as well), that I was befuddled and mistakenly read Jerry as Larry and vice-versa when it was really the other way around. They're best friends and one of them is the main character. How confusing can that get?
The characters don't seem to be in depth. While I get the why for Harper and Arianna, the other characters simply seem virtually pancake-like (no offense). Add to the fact that it suddenly switches POVs without some sort of sign. One minute it's Cole, the next? Dinah, Jerry, Harper, Vaughn, etc. >_<
Fairies. Probably one of my favorite things to read about, and it's not because they're sparkly and pretty and whatnot. But I was actually interested in Gouveia's take on fairies when the word was
mentioned in the earliest parts of the book.
Unfortunately, it doesn't seem to be well written, nor realistic. I mean, doing magic in public. In front of human eyewitnesses. That doesn't sound like the typical faery to me that tries to not let the human world find out about them because then it's all, "IT'S THE APOCALYPSE. I must be seeing things," or maybe, "HOLY MONKEYS. FAIRIES EXIST" *rubs eyes to make sure it's not an illusion.* But the fairies here seem like a bounce off of Fantastic Four (even though I haven't watched the movie). More like superheroes than the sidhe.
The same thing is repeated, but in different variations. Oh hooray. Demons, demons and more demons. Same kind of demon, which isn't a problem for me, but the very fact that they tend to be doing the same thing over and over and over again throughout the entire book, which is the main reason why I stopped (I really did stop at exactly 50%). There's not a lot going on, although maybe if I had the time and gave the book further chances, there might be other things going on rather than "OMG, THERE'S A DEMON THAT WANTS MY HEAD ON A PLATTER. RUN." (or in the case here, it's fight to the death.)
Generally I like fantasy. I love the creative worlds and character and creatures made up that gives me a free ticket to travel okay, that applies to any book really without having to move a single inch, and the very fact that you can't exactly buy a plane ticket to the area in the first place. Someone tell me if we can really buy a plane ticket to the Faery Realms if you so disagree on that fact. Of course... I wouldn't exactly try and mess with fairies in the first place.
I tried liking the story. I thought first thought it was because of reading The Jungle, which is dreadfully boring, and it may have influenced my thoughts on this one. Then I read Allegiant for awhile and came back to it. It didn't work out well either (and Allegiant didn't bore me).
So simply put, The Ambrose Beacon is not really my cup of tea.
*eats a biscuit and avoids unsweetened tea*
I really hate giving bad reviews. Especially DNFs.
Acanthea Grimscythe (300 KP) rated 100 Fathoms Below in Books
Jan 31, 2019
Contains spoilers, click to show
I love books that take place under the sea–particularly horror books. If you’ve read my review on Something’s Alive on the Titanic, you probably already know that. (It’s a great book by the way, and its author is Robert Serling–brother to Rod Serling.) It’s only natural that I selected 100 Fathoms Below when I read its nautical, and eerie, description.
And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?
The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.
Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.
The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.
Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?
The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.
Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.
The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.
Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
An Amish Christmas Bakery (4 Stories)
Beth Wiseman, Amy Clipston, Kelly Irvin and Kathleen Fuller
8.7
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Cookies and Cheer by Amy Clipston: Alyssa Byler dreaming of the next holiday window display for...
Amish Romance Amish Fiction
Dianne Robbins (1738 KP) rated 9-1-1 in TV
Jul 8, 2019 (Updated Apr 4, 2021)
Stiff acting (4 more)
Fake fake fake fake fake
Scenarios no professional first responder would ever get into.
Terrible writing
Are there no medical director/firefighter/police officer technical advisers to tell them the correct way to do ALL OF THIS?
I like Connie Britton, who was a cast member during the first season of this show. However, she is no longer there and there is nothing to hold my interest and many, many things to make me lose interest. 911 has stiff acting and outrageously fake scenarios. She was replaced by Jennifer Love Hewitt, whom I'm neutral on for the most part, but I don't like her character, the scenarios she gets into, or her lines. Her acting isn't that great in this show, either, come to think of it. The manufactured drama is too forced. I've seen her do a better job with drama so I don't know if it's the director's choice or if she's taking dramatic license, but either way, her character isn't great. The characters, for the most part, are not believable or likable. It's just not a good cast. I like the diversity of the cast. There are several black cast members, an Asian cast member, and at least one Latinx cast member, which is so much better than most other shows, and let's face it than most of society. Come on, people, Let's mingle and mix things up.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
The Tempest
William Shakespeare and Martin Butler
7.4
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Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is...
LoganCrews (2861 KP) rated Moana (2016) in Movies
Nov 3, 2020
"You're Welcome" >>> "How Far I'll Go", I said what I said 🤷♂️
Another overly-familiar, word-for-word rehash of *all* the exact same clichés from the Disney Machine with no real profundity or nuance to back up the convention. I mean even the title character the movie is named after has about as much depth as a piece of blank construction paper. That being said however, this is - what I can only describe as - terminally cute. In spite of all its heavily trod Disney-fying and formulaic cheese it's just so damn irresistible: eye-watering in how visually breathtaking it is with a handful of lively bops from Lin-Manuel Miranda who - politics aside - rarely ever misses a beat in the musical department. Treads water (no pun intended) for the first part with all the parroting of like 10 other movies from the company practically verbatim until the charming Maui shows up, who still represents the same sorts of tropes but complete with a clever design gimmick via the moving tattoos and gargantuan, blocky proportions; plus come on he's voiced by Dwayne Johnson - you can't *not* love him. The last half hour is more or less a wondrous technical showcase for peddling this beautiful, paradise-like animation and let me tell you it's a sight to see. Very funny too. Should hate it but don't, well done. 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 smokes it, though.
Another overly-familiar, word-for-word rehash of *all* the exact same clichés from the Disney Machine with no real profundity or nuance to back up the convention. I mean even the title character the movie is named after has about as much depth as a piece of blank construction paper. That being said however, this is - what I can only describe as - terminally cute. In spite of all its heavily trod Disney-fying and formulaic cheese it's just so damn irresistible: eye-watering in how visually breathtaking it is with a handful of lively bops from Lin-Manuel Miranda who - politics aside - rarely ever misses a beat in the musical department. Treads water (no pun intended) for the first part with all the parroting of like 10 other movies from the company practically verbatim until the charming Maui shows up, who still represents the same sorts of tropes but complete with a clever design gimmick via the moving tattoos and gargantuan, blocky proportions; plus come on he's voiced by Dwayne Johnson - you can't *not* love him. The last half hour is more or less a wondrous technical showcase for peddling this beautiful, paradise-like animation and let me tell you it's a sight to see. Very funny too. Should hate it but don't, well done. 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 smokes it, though.