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Dianne Robbins (1738 KP) rated 9-1-1 in TV

Jul 8, 2019 (Updated Apr 4, 2021)  
9-1-1
9-1-1
2018 | Drama
Racially-diverse cast (0 more)
Stiff acting (4 more)
Fake fake fake fake fake
Scenarios no professional first responder would ever get into.
Terrible writing
Are there no medical director/firefighter/police officer technical advisers to tell them the correct way to do ALL OF THIS?
I like Connie Britton, who was a cast member during the first season of this show. However, she is no longer there and there is nothing to hold my interest and many, many things to make me lose interest. 911 has stiff acting and outrageously fake scenarios. She was replaced by Jennifer Love Hewitt, whom I'm neutral on for the most part, but I don't like her character, the scenarios she gets into, or her lines. Her acting isn't that great in this show, either, come to think of it. The manufactured drama is too forced. I've seen her do a better job with drama so I don't know if it's the director's choice or if she's taking dramatic license, but either way, her character isn't great. The characters, for the most part, are not believable or likable. It's just not a good cast. I like the diversity of the cast. There are several black cast members, an Asian cast member, and at least one Latinx cast member, which is so much better than most other shows, and let's face it than most of society. Come on, people, Let's mingle and mix things up.

I recently tried to watch 911 due to a draught of medical dramas and I ended up yelling at the tv about all the technical mistakes the EMTs and firefighters were making. I mean, they took an elevator up to an upper floor when the building was unstable and at risk of collapse or having a power outage. It was ridiculous. Who does that? If you are good at suspending belief, maybe you can tolerate this show. But as a hard-core medical freak, I cannot.
  
100 Fathoms Below
100 Fathoms Below
6
6.0 (1 Ratings)
Book Rating
Contains spoilers, click to show
I love books that take place under the sea–particularly horror books. If you’ve read my review on Something’s Alive on the Titanic, you probably already know that. (It’s a great book by the way, and its author is Robert Serling–brother to Rod Serling.) It’s only natural that I selected 100 Fathoms Below when I read its nautical, and eerie, description.

And here’s where my spoiler comes in, because I’m about to go on a mini-rant. The synopsis hints at a mysterious, evil monster hunting the crew of the ship, but it does not say what that creature is. Therefore, I feel that revealing this is a book about vampires is, in fact, a spoiler–contrary to popular belief of other reviewers. It’s pretty obvious early on, with the first hint coming in at 8%, however if I’d known this was a vampire book before I chose it, I wouldn’t have taken the time to read it. The key word there is BEFORE. Because I had it spoiled by a straight up summary of the prologue on Goodreads, coupled with a pretty hearty description about the… well, vampires. So, now that you know that overly used trope is here, let’s take a moment to discuss what Kent and Kaufmann do right, shall we?

The vampires in 100 Fathoms Below are good ol’ classic boys, in the sense that they’re bloodthirsty and want nothing more than to maim and breed more of their kind. They aren’t romanticized, either–and that’s a great thing. In fact, they’re written well enough that, despite having been spoiled by a fellow reviewer, I enjoyed the book enough to finish it. Mostly because I wanted to see how things ended.

Something else Kent and Kaufmann excel at is creating a connection between the readers and characters. I found myself sharing the hopes and dreams of many of the figures we meet. That made some of the deaths a lot more difficult on me.

The plot is quick, making it an easy read; however, the sense of intrigue isn’t really there. The whole discovering a prototype Soviet submarine takes the back burner with an occasional mention and even when it does come back into play toward the end of the book, there’s not exactly any excitement or fear of them being caught. I found that to be a bit disappointing.

Overall, it’s an entertaining read, but I probably wouldn’t take the time to re-read it. I’d like to thank NetGalley and Blackstone Publishing for providing me with a free copy of this book in exchange for an honest review.
  
Moana (2016)
Moana (2016)
2016 | Adventure, Animation, Comedy
"You're Welcome" >>> "How Far I'll Go", I said what I said 🤷‍♂️

Another overly-familiar, word-for-word rehash of *all* the exact same clichés from the Disney Machine with no real profundity or nuance to back up the convention. I mean even the title character the movie is named after has about as much depth as a piece of blank construction paper. That being said however, this is - what I can only describe as - terminally cute. In spite of all its heavily trod Disney-fying and formulaic cheese it's just so damn irresistible: eye-watering in how visually breathtaking it is with a handful of lively bops from Lin-Manuel Miranda who - politics aside - rarely ever misses a beat in the musical department. Treads water (no pun intended) for the first part with all the parroting of like 10 other movies from the company practically verbatim until the charming Maui shows up, who still represents the same sorts of tropes but complete with a clever design gimmick via the moving tattoos and gargantuan, blocky proportions; plus come on he's voiced by Dwayne Johnson - you can't *not* love him. The last half hour is more or less a wondrous technical showcase for peddling this beautiful, paradise-like animation and let me tell you it's a sight to see. Very funny too. Should hate it but don't, well done. 𝘡𝘰𝘰𝘵𝘰𝘱𝘪𝘢 smokes it, though.
  
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Frank Black recommended The Threepenny Opera by Kurt Weill in Music (curated)

 
The Threepenny Opera by Kurt Weill
The Threepenny Opera by Kurt Weill
(0 Ratings)
Album Favorite

"Like a lot of people of my generation, the first time I heard a Kurt Weill song was The Doors. You go half a lifetime without realising it was written by Brecht and Weill. Recently I went on a journey. I write songs with a guy called Reid Paley. He’s a very less is more, economical songwriter and you know there’s something about him that’s very tin pan alley. He wears a black jacket and a white shirt and has no problem banging out a song. He is not going to use a word like ‘thalossocracy’ in one of his songs. I felt I needed to get into the feel of Threepenny Opera - how has it survived all these years and spawned all these cover versions which are part of the jazz songbook? I really needed to educate myself and listen to that record ten or twenty times to hear the melody and the meter and the drama, what they put together, those dudes back in pre-WW2 Berlin. They were working really hard and we’re still talking about those records today. I was just enjoying it in and my wife was listening along upstairs. She was doing laundry and I was doing pots and pans. And she said: “I could listen to this all day long, whatever it is.” I don’t speak German so I’m missing a lot outside the English part of the libretto but I still love it."

Source
  
I really liked Albus in this novel, he is different from Harry, and I would absolutely love to read more of his adventures in Hogwarts. I really liked the way characters were interacting, I liked the different friendships made in this story. It was unexpected and refreshing to me. In the series my No1 was Harry, but in this book, I didn’t really like him that much, even though he is a great father, I think he lost his charm. I loved Ron’s personality, his carelessness and fun made the whole story livelier.

I really enjoyed the storyline. I loved the adventure it had to offer as well as all the unexpected turns and twists. I really liked the topics it was discussing as well, such as father-son relationship, not fitting in, friendships etc. It was very easy to read this play, the acts are pretty short, so it was a quick and enjoyable read for me. I liked the ending of this book, I think it rounded up the story pretty nicely. The setting of this book was constantly changing, and I am very curious, how they managed to portray all this on the stage.

So, to conclude, if you enjoyed the Harry Potter series, you might like this book as well. It is different, it introduces new, unfamiliar characters as well as brings back the old and beloved ones, and it has a little bit less magic, but it is still stunning nevertheless.
  
    Unicorn Moms

    Unicorn Moms

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Becca Major (96 KP) rated Love O2O in TV

Jan 21, 2019  
Love O2O
Love O2O
2016 | International, Romance
Characters (Main and Side) (2 more)
The Story
I like the basic premise.
I'm not a fan of the ending (0 more)
A Simple Meet-Cute
Contains spoilers, click to show
One of the best things about Netflix is that there are a plethora of media that would otherwise be practically unavailable for viewing otherwise. For me, that primarily means Asian dramas, though I know many people discovered anime or other foreign television the same way. One of the most recent shows I watched via Netflix was a 2016 Chinese drama called Love 020. While it is not my favorite drama ever (that distinction belongs to Bromance) it is pretty good.

The story follows university students Bei Weiwei and Xiao Nai, who are computer technology majors at Qing University and both have a passion for game design. One day Weiwei has to log into her preferred MMORPG from a public computer and is spotted by Nai. He later finds her in-game and they begin a relationship between their characters. It isn’t long before Weiwei and Nai begin to develop real feelings, and Nai goes out of his way to pass by Weiwei in real life. Their eventual official IRL meeting is sufficiently exciting.

The best part is that Xiao Nai, while ruffling a few of my feathers for his more stalker-y actions, is not an asshole! He is nice to Weiwei from the start and is a devoted and engaged boyfriend. Weiwei herself is smart and sassy, though aloof online. One of my favorite scenes involves her putting her ex-in-game-husband in his place once they meet IRL. It also doesn’t help that these two are practically the perfect couple.

All of the characters, in fact, are fairly interesting. Both sets of roommates have different but very dynamic relationships with each other; it feels very organic. My personal favorites were K.O, Hao Mei, and Weiwei’s roommate Erxi. Though my attachments may be because they are the central characters to my favorite side-plots. If there was a character I had to choose to dislike, it would probably be Nana, the character who does the most bad in the plot but doesn’t suffer any real consequences for her actions.

I don’t want to spoil the ending for you, but most of my criticisms concern how the story wraps up, so if you want to watch the series, then go for it! It is a very simple, easy story that hits all the right buttons if you just finished a heart-wringer.

|SPOILERS|
My main points of contention with Love O2O stem almost entirely from the way the series ends. As a brief summary, Xiao Nai’s game development company goes head to head with a rival, more established company, over the right to develop a particular game that both companies really really want, and (extra spoilers) they win. The side-plot of Erxi and Cao Guang comes to a head as the two realize the misunderstanding that’s been happening for the last few months. And Hao Mei still doesn’t realize that K.O has a huge crush on him!

Ordinarily, I wouldn’t mind this ending because it flows with the narrative, every story thread is tied, and it ends on a happy note with the main couple en-route to a wedding. It’s just… Where are the stakes?! The tension, where it exists, doesn’t stem from Xiao Nai or Weiwei or their relationship with each other, like what happens in most other dramas that I watch. Almost all of that drama and tension seemed to be relegated to other characters.

Everything is wrapped up so easily, the antagonists (for what little they did to advance the plot) simply admitted to the leads that they were wrong and they’re sorry. Additionally, the final “threat” that Xiao Nai and Weiwei face is meeting Weiwei’s parents, in which Weiwei’s father doesn’t like Nai because of course he doesn’t; and that is solved easily by Nai reminiscing with his future father-in-law about Weiwei as a child and how adorable their future children will be.

I wish I could have enjoyed this series a lot more than I did, but the ending means a lot for me because it’s the last thing I tend to remember, and the emotions that go with those endings tend to stick. So, yes I enjoyed this series, but the ending left a disappointing aftertaste.