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Lyndsey Gollogly (2893 KP) rated Awaken (The A’vean Chronicles 1) in Books

Jun 28, 2023  
A(
Awaken (The A’vean Chronicles 1)
G.R. Thomas | 2023
9
9.0 (1 Ratings)
Book Rating
84 of 235
Kindle
Awaken (The A’vean Chronicles 1)
By G.R. Thomas
⭐️⭐️⭐️⭐️⭐️

SOME PEOPLE AREN'T DESTINED TO BE ORDINARY.
Sophia Woodville holds a secret gift close to her heart.
A 20-year-old nursing grad, she thought she had her future mapped out. However, destiny is about to intervene.
A night out ends in bloodshed with Sophia now hunted by an unspeakable evil. She is whisked away by her family, a family she thought she knew, a family who holds secrets more powerful and darker than her own.
Her secret is not so secret. Her gift just a hint of something far beyond her wildest imagination. Sophia is pulled, kicking and screaming, into an unseen, ancient world of angels and demons. A beautiful and terrifying world that challenges all that she thought to be true of herself, her family and the origins of humanity.
Sophia cannot simply visit this world... she must save it.
Original sin, forbidden love and her life in constant danger...
Will Sophia survive this dark twist of fate?
Will the devil be her saviour?

This was one hell of a book I don’t think I’ve read anything like it the amazing amount of detail gone into it is just extraordinary. Take everything you think you know about how the world was mad, angels and demons then add some. It was just so involved the characters were all so well thought out and intricate. Just loved it.
  
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Kirk Bage (1775 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies

Jan 22, 2021  
Valerian and the City of a Thousand Planets (2017)
Valerian and the City of a Thousand Planets (2017)
2017 | Sci-Fi
6
6.9 (54 Ratings)
Movie Rating Watch
Where to begin with Luc Besson? The masterpiece of Leon aside, he is notorious for creating beautifully bonkers visual treats that twist and turn like a monkey on cocaine, making as much sense. This comic book adaptation starts well, with some jaw dropping CG design and a decent concept – it truly is a dreamscape of glorious colour and imagination rarely matched… but so is Tim Burton’s Charlie and the Chocolate Factory, and we all know how awful that is.

He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.

I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.

I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.

One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.