"It's the first record produced by Stevie Wonder, and one where he plays everything himself. The contract he signed with Motown meant that he would be in complete control. There may be other albums by him where he's more consistent. Or maybe they're more classic. But it's the approach to that record, and the sound that I love. 'Love Having You Around' is one of my favourite Stevie Wonder songs. The whole record has this funkiness to it, and his drumming is unlike any other drummer I've heard. He speeds up and slows down on the track. On 'Love Having You… he's just really grooving, because he's playing music with himself. It's not done to a click track. That kind of movement and the grooves are the things I like most in the music - that's something I think about a lot when making music as well, I'm always trying to get away from using a click track. It can be much more exciting to have things constantly speeding up and slowing down. There's just something about people doing records on their own that I really like. I remember when I heard this for the first time, and it was so distorted, and maybe there was a vocoder being used. The first time I put it in, I was thinking that maybe they'd put the wrong CD in the box - maybe a Jeff Beck one, something more bluesy! I really liked that in itself. Stevie's experimenting! There's a real playfulness about this, that I try to have in the music-making that I do! It's having the confidence to play around and being aware that you might stumble on to something."

"And Labyrinth. Labyrinth was sort of the same… Loved Labyrinth. I watched it again recently and had a total adult crush on David Bowie. I used to just think he was cool, and now I’m like, “Oh my God, he’s so hot in that movie.” So 80s and glam rock. And I think both of those movies are sort of, really so fancy, but there was something… I don’t know. To me, I didn’t feel like I was suspending reality. It just was like, “That’s the world this movie exists in, and I want to be in it,” you know what I mean? I just love both of those movies."

"Number four I would have to say is the best one out of all of them: Aliens. That’s just one of those movies that I think was so well done. It was ahead of its time. [James Cameron] was just ahead of his time — it was so well written, so well acted. I loved the extended version of Aliens because it shows just a little bit more that you don’t see and what they always show on television. The drones shooting aliens, a lot of things like that, which I thought was great. I just thought Ripley was never better — I thought Sigourney Weaver was never better — than [when] she was in Aliens. Now Alien kinda had a slow start; you kinda had to get into it. These guys weren’t really prepared for [the] alien — some kind of breakdown with the crew, [that] kind of like reminded me of a play. But Aliens just kinda jumped in feet first man, and just went for it, absolutely. And by there being so many of the aliens it just heightened the danger that they all faced. You sat on the edge of your seat, you know, scared to death. So, I really love that movie."