"I discovered this album relatively late. I liked funk, and disco was an earlier discovery for me when I was in my late teens. But, around 1985, I found Sly And The Family Stone. I was about 23 at the time and – wow – was that a discovery, not knowing that that particular album was out there before then. I played it from morning until night before we were doing the Notorious album, which was very influenced by Fresh. For me, it is the greatest funk album. I could have picked a James Brown album – I love Live At The Apollo, which was such a terrific record – but the songs on Fresh like ‘If You Want Me To Stay’ and ‘In Time’ are just masterpieces. Fresh has got such a mood to it. It is very difficult in the studio to capture a mood. In a live show it is easier because there is an atmosphere there already – you’ve got the audience, you are playing together, there is a danger something can go wrong any minute and you will take a song off somewhere and you cannot get yourselves back. But, doing it in a studio and capturing a real vibe is the apex of music. If you can do that and you can get that – then you have something great. The Stones were always very good at that, as were The Who early on. But, this album, Fresh, is just pure vibe and every time I listen to the organ swells in the songs I can almost feel the guy playing them. You don’t get that so much in modern records. That’s what we’ve lost. Andy Newmark played drums on the album and they are some of the greatest drum tracks ever recorded. It’s not just feel – it is vibe. Love it."

"This is a comedy for you movie nerds (but that’s probably why you’re on Rotten Tomatoes anyway, because you are a film nerd). This movie is called American Movie, and it’s a documentary comedy. Man, oh man, I remember seeing this film with Horatio Sanz: we were in the theater, and we were crying so hard from laughing, we were hugging each other and punching each other because we were laughing too hard. It’s about a man trying to make a horror movie. He calls it Cove–en, and it’s about a coven, but he doesn’t like the way “coven” rhymes with “oven,” that doesn’t make sense, so he calls it, mispronounces the title for his film, and calls it Cove-en. He tries to get his dad to act in the movie, and his dad is going like, “You have something to live for. Jesus told me so.” And he’s like, “All right, Dad, do it again, but your teeth are falling out.” And he goes, “Cole, you have something to live for. Jesus told me so.” And he goes, “Geez, I hear his teeth clickety clacking in the audio, it’s unusable.” I mean it is crying funny. He takes a dentist, a local dentist [who] wants to be an actor, and he’s ramming his head into a closet that he was supposed to have scored so that it easily breaks away, but he forgets to score the wood so he’s actually ramming a human’s head into a wooden cabinet. [The man] is screaming, and he’s ramming this poor man’s head into the thing. So cut, and the guy’s holding his head. He’s like, “Oh, my gosh.” He’s like “Uh, man, I’m sorry, I forgot to cut that board.” It’s one of the best movies I’ve ever seen. It will make you cry laughing. If you love filmmaking, you will appreciate this. The two guys, the two stars of the movie, are true stars."