"He's known in the indie rock subculture as the other half of a band called The Folk Implosion that he was in with Lou Barlow from Sebadoh. They did most of the songs on the Kids soundtrack and their song 'Natural One' was a single in the 90s. John was also a member of the Palace Brothers which was Will Oldham's band from before he became Bonnie "Prince" Billy. So he has a little bit of history collaborating with other great people, but he also made a series of lo-fi home recorded records in the 90s. It is a strange, outsidery folk record. It's psychedelic and a little reminiscent of things like Syd Barrett and Skip Spence's Oar, but it also has this really interesting British folk, Incredible String Band type of 12 string guitar playing. The lyrics are very free associating, somewhat improvised, very intimate and very quiet. His records are so intimate that he broke down a wall between himself and the tape recorded that had never been broken down before. It makes you feel like you're in this tiny little space with him and his singing you this craziest record. I discovered this album at Kim's Underground, a record store in New York. I just bought one of his cassettes off a rack because it looked interesting to me. I'm really lucky I grabbed that tape because Leave Home was the most listen to record of my early teenage years. The style was so inspiring to me growing-up, that all I wanted to do was make John Davis-like songs. A lot of the early Moldy Peaches songs like 'Lucky No.9', 'Lazy Confessions' – all these things on the first album – are me trying to copy John Davis' stuff."

"George Clinton is very important to us. In fact, George, Sly Stone, Miles Davis and Curtis Mayfield are all people we're inspired by and look up to. I'm lucky to have become friends with George. We played a show last year with his band in London and he's just an amazing guy. I remember getting this album, listening to it and thinking, "Free your mind and the rest will follow." It's free, psychedelic, sexualised funk. Also, there are incredible lyrics. George is a great lyricist, one of the best. On one track, George was told to play a guitar solo and imagine that he was just told that his mother had died. Funkadelic can go from real, emotional, plaintive with a song like 'Maggot Brain' to a big, acoustic funk track. The message from the band is that you can do anything. George had many great musicians in his band and he changed it around, you just never know who was going to play on the track. It always sounds like Funkadelic because of George's vision."