Search
Search results
LeftSideCut (3778 KP) rated Night Teeth (2021) in Movies
Nov 3, 2021
I honestly wasn't expecting a whole lot from Night Teeth, so I was suitably surprised by just how tight and entertaining it turned out to be.
Jorge Lendeborg Jr. is a charming and likable protagonist and a hero that's easy to root for, as is Debby Ryan. The two of them have great chemistry and carry the bulk of the film well. Lucy Fry and Alfie Allen are convincing in the more villanous roles, and smaller appearances by the likes of Sydney Sweeney, Megan Fox, and Alexander Ludwig ensure that the overall cast is a strong one.
The pacing is snappy and never gets boring, and the narrative is one that handles its multiple threads nicely, and avoids bogging down the plot with too much lore building.
Another plus is how visually pleasing the whole thing is. Night Teeth is draped with striking colour, sticking out against its night time LA backdrop.
It's certainly not without it's flaws - some of the dialogue doesn't land well, and the CGI, although minimal, is glaringly shit in places, but it's not enough to tarnish an entertaining vampire flick, that's often funny, and easy on the eyes.
Jorge Lendeborg Jr. is a charming and likable protagonist and a hero that's easy to root for, as is Debby Ryan. The two of them have great chemistry and carry the bulk of the film well. Lucy Fry and Alfie Allen are convincing in the more villanous roles, and smaller appearances by the likes of Sydney Sweeney, Megan Fox, and Alexander Ludwig ensure that the overall cast is a strong one.
The pacing is snappy and never gets boring, and the narrative is one that handles its multiple threads nicely, and avoids bogging down the plot with too much lore building.
Another plus is how visually pleasing the whole thing is. Night Teeth is draped with striking colour, sticking out against its night time LA backdrop.
It's certainly not without it's flaws - some of the dialogue doesn't land well, and the CGI, although minimal, is glaringly shit in places, but it's not enough to tarnish an entertaining vampire flick, that's often funny, and easy on the eyes.
Adam White (32 KP) rated The Darkness (2016) in Movies
Jun 19, 2020 (Updated Jun 19, 2020)
Stir of Echoes with a new twist
As a family returns home from vacation at the Grand Canyon, they innocently bring home a supernatural force that preys off their own fears and vulnerabilities, threatening to destroy them from within, while consuming their lives with terrifying consequences. THE DARKNESS stars Kevin Bacon, Radha Mitchell, David Mazouz, Lucy Fry, Matt Walsh and Jennifer Morrison. Directed by Greg McLean and written by McLean, Shayne Armstrong and S.P. Krause, the film was produced by Jason Blum, Bianca Martino and Matt Kaplan. The film will be released by BH Tilt in coordination with High Top Releasing.
Rating: PG-13
When it comes to Kevin Bacon it's hard to say it's a bad movie or an okay movie but this maybe one of those times. Don't get me wrong, Kevin is an amazing actor but with a very week story line, it's hard. Maybe it's because I'm thinking of "Stir of Echoes" during the full movie but it has its moments.
I really enjoy the work that David Mazouz brings to the film (playing Kevin's autistic son) really wasn't easy but he pulls it off and well.
A few jump scenes (dam snake on the table) but nothing to major, this gives me the same feeling as parts in Stir of Echoes, but with a weaker story line.
By the middle of this movie you are either into it fully or you are searching for something else to watch. If you do finish it, you are a true Kevin Bacon fan and you feel you owe it to him to finish it.
Note, the CGI scenes that are used (you will know) are very poor and cheesy, I feel like those parts really let me know I was watching a weak movie, shoot rotten tomatoes gave the thing 3%. 🤷‍♂️
Rating: PG-13
When it comes to Kevin Bacon it's hard to say it's a bad movie or an okay movie but this maybe one of those times. Don't get me wrong, Kevin is an amazing actor but with a very week story line, it's hard. Maybe it's because I'm thinking of "Stir of Echoes" during the full movie but it has its moments.
I really enjoy the work that David Mazouz brings to the film (playing Kevin's autistic son) really wasn't easy but he pulls it off and well.
A few jump scenes (dam snake on the table) but nothing to major, this gives me the same feeling as parts in Stir of Echoes, but with a weaker story line.
By the middle of this movie you are either into it fully or you are searching for something else to watch. If you do finish it, you are a true Kevin Bacon fan and you feel you owe it to him to finish it.
Note, the CGI scenes that are used (you will know) are very poor and cheesy, I feel like those parts really let me know I was watching a weak movie, shoot rotten tomatoes gave the thing 3%. 🤷‍♂️
Chris Sawin (602 KP) rated Last Looks (2022) in Movies
Feb 5, 2022
Charlie Hunnam (1 more)
Mel Gibson
Interesting side characters that don't pay off (1 more)
Ultimately a boring mystery
"Last Looks" (2022) Review: A Bland, Overstuffed Mystery
In Last Looks, Charlie Waldo (Charlie Hunnam) is a retired cop and former LAPD officer. He ghosted everyone he knew, parked a trailer on the top of a mountain, got rid of nearly everything he owned, and now lives a life of solitude off the grid. Waldo seems genuinely happy surrounded by nothing but nature and his chickens until his new simplistic life is interrupted by his on again and off again ex-girlfriend Lorena (Morena Baccarin) asks for Waldo’s help on a new case.
Alistair Pinch (Mel Gibson) is a talented and accomplished actor whose drinking pushes him to erratic behavior. Pinch is the prime suspect when his wife is murdered. It’s up to Waldo to come out of retirement to prove Pinch’s innocence despite his reluctance to take the case.
Based on the 2018 crime, mystery novel of the same name, Last Looks is written by Howard Michael Gould (who wrote the book and the screenplay) and directed by Tim Kirkby (Action Point). The film attempts to be quirky and funny while offering its audience something intriguing and entertaining; something along the lines of Rian Johnson’s Brick, Shane Black’s Kiss Kiss Bang Bang, or David Robert Mitchell’s Under the Silver Lake.
The biggest draw is that Waldo literally just gets his ass kicked the entire film. It’s repeatedly mentioned that Waldo is rusty in all aspects of investigating, so that likely plays a part of it. But he is knocked down and knocked out more times than you can count throughout the film. One of the only interesting aspects of the film is that Waldo is consistently given signs that he shouldn’t take this case. He’s threatened by gangsters, Pinch is arrested almost immediately after Waldo shows up in Los Angeles, and Lorena disappears without a trace. It may be as simple as Waldo still having a thing for Lorena, but you like to think that it’s also because she’d only ask him for help with a case that deserves his attention.
Last Looks is an odd film. The performances from Charlie Hunnam and Mel Gibson are relatively solid, but it’s as if they’re wasting all of their talent being trapped within the walls of a trampled and soggy paper bag. Waldo encounters all of these eccentric characters as you follow his investigation from his perspective, but it feels like it goes nowhere once it’s all said and done. In the grand scheme of things, Last Looks is boring. There’s no real humor here. The entire film can be summed up as watching Charlie Hunnam stand around and talk and get punched in the face consistently over the course of two hours.
There are some peculiar cameos in Last Looks. Method Man mostly appears in internet videos watched on a mobile phone while Dominic Monaghan shows up as a vape smoking lawyer only to never be seen again after one brief bike rack encounter. Jacob Scipio has a great introductory sequence as a gangster named Don Q who is troubled by deciding whether to get a Kindle or a Nook and then his character kind of fizzles out after that despite being featured prominently in the supporting cast. Don Q has a connection to Lorena that starts off as intriguing with a disappointing payoff.
Jayne White (Lucy Fry) is Gaby Pinch’s, Alistair’s daughter, preschool teacher and her inclusion in the story is a complete mess. White flirts with Waldo from the start, so you know where that’s going but her connection to Alistair and what that branches off into seems overly complicated for the grand scheme of things.
Last Looks is a mysterious stew that experiments with flavorful ingredients throughout its two hour duration. The film ultimately collapses under its own potential resulting in a bland and flavorless concoction. Every side character is just interesting enough to pique your interest and the film is written in a way where it seems like everyone is a suspect, but every potentially exciting aspect fizzles out before it has a chance to light up the sky; like a really expensive firecracker that turns out to be a dud. The film may be worth a look for Mel Gibson’s flashy, boisterous, and drunkenly absurd performance. The mystery in Last Looks is essentially comparable trying to discover the expiration date on a can of mystery meat that has lost its label; it may be life threatening but is otherwise a bore to experience by others.
Alistair Pinch (Mel Gibson) is a talented and accomplished actor whose drinking pushes him to erratic behavior. Pinch is the prime suspect when his wife is murdered. It’s up to Waldo to come out of retirement to prove Pinch’s innocence despite his reluctance to take the case.
Based on the 2018 crime, mystery novel of the same name, Last Looks is written by Howard Michael Gould (who wrote the book and the screenplay) and directed by Tim Kirkby (Action Point). The film attempts to be quirky and funny while offering its audience something intriguing and entertaining; something along the lines of Rian Johnson’s Brick, Shane Black’s Kiss Kiss Bang Bang, or David Robert Mitchell’s Under the Silver Lake.
The biggest draw is that Waldo literally just gets his ass kicked the entire film. It’s repeatedly mentioned that Waldo is rusty in all aspects of investigating, so that likely plays a part of it. But he is knocked down and knocked out more times than you can count throughout the film. One of the only interesting aspects of the film is that Waldo is consistently given signs that he shouldn’t take this case. He’s threatened by gangsters, Pinch is arrested almost immediately after Waldo shows up in Los Angeles, and Lorena disappears without a trace. It may be as simple as Waldo still having a thing for Lorena, but you like to think that it’s also because she’d only ask him for help with a case that deserves his attention.
Last Looks is an odd film. The performances from Charlie Hunnam and Mel Gibson are relatively solid, but it’s as if they’re wasting all of their talent being trapped within the walls of a trampled and soggy paper bag. Waldo encounters all of these eccentric characters as you follow his investigation from his perspective, but it feels like it goes nowhere once it’s all said and done. In the grand scheme of things, Last Looks is boring. There’s no real humor here. The entire film can be summed up as watching Charlie Hunnam stand around and talk and get punched in the face consistently over the course of two hours.
There are some peculiar cameos in Last Looks. Method Man mostly appears in internet videos watched on a mobile phone while Dominic Monaghan shows up as a vape smoking lawyer only to never be seen again after one brief bike rack encounter. Jacob Scipio has a great introductory sequence as a gangster named Don Q who is troubled by deciding whether to get a Kindle or a Nook and then his character kind of fizzles out after that despite being featured prominently in the supporting cast. Don Q has a connection to Lorena that starts off as intriguing with a disappointing payoff.
Jayne White (Lucy Fry) is Gaby Pinch’s, Alistair’s daughter, preschool teacher and her inclusion in the story is a complete mess. White flirts with Waldo from the start, so you know where that’s going but her connection to Alistair and what that branches off into seems overly complicated for the grand scheme of things.
Last Looks is a mysterious stew that experiments with flavorful ingredients throughout its two hour duration. The film ultimately collapses under its own potential resulting in a bland and flavorless concoction. Every side character is just interesting enough to pique your interest and the film is written in a way where it seems like everyone is a suspect, but every potentially exciting aspect fizzles out before it has a chance to light up the sky; like a really expensive firecracker that turns out to be a dud. The film may be worth a look for Mel Gibson’s flashy, boisterous, and drunkenly absurd performance. The mystery in Last Looks is essentially comparable trying to discover the expiration date on a can of mystery meat that has lost its label; it may be life threatening but is otherwise a bore to experience by others.