"“I’m lucky to have spent my childhood in the Middle Ages, or, as Huysmans described it, that ‘painful and exquisite’ epoch—painful in terms of its material aspects, perhaps, but exquisite in its spiritual life. What a contrast to the world of today!” Luis Buñuel always reminds us of what we’re constantly losing in this rotten society."

"Channel Jean Renoir through Luis Buñuel—voilà!—Jean Vigo. This, his only feature, renders the mundane magical, the sad humorous, and the flesh transcendent as it portrays young newlyweds and their life on a river barge. “All day long it’s either smooching or squabbling,” laments a companion. And so it is in this poignant, poetic paean to the beauty and tribulations of married love."

"As I was a young film fan growing up in a VCR-less household in rural England, my access to international cinema was limited to whatever was playing on the (then) four channels of network television. Which basically meant that Sergio Leone’s Dollars trilogy and Jacques Tati were some of the only European films I saw until I was in my late teens. During a brief art college stint, my eyes were opened as I was exposed to surrealism. First Luis Buñuel’s Un chien Andalou and L’age d’or, but then later, my favorite film of his, the 1972 masterpiece The Discreet Charm of the Bourgeoisie. Dipping into the history of cinema is an exciting yet overwhelming task for some. When appreciating older works, I like to contextualize by tracing back to them from their influences. So if the work of Buñuel ever seems daunting, know this: he directly influenced Monty Python, and John Landis was inspired by this movie for a classic shock sequence in An American Werewolf in London. I know that has now inspired some of you to watch the film immediately. Buñuel has a fiendishly prankish sense of humor to go along with his endless smarts. If you have never watched a film of his, this is a good place to start."

"When Eraserhead came out in France, it came out with the weird title, The Head to Erase. It was in French. I remember I was reading my parents’ newspaper — it was a socialist newspaper — and there was a whole page of how much this famous film critic didn’t like the movie. He was really trashing the movie. But the way he was saying it was very awful, disgusting, it made me — I was a 14 or 15 year old kid — want to go to the other side of the city and see it. And then it was like my own secret. And I went there. And I loved the movie so much, that I believe I went to see it four times in one month. Then after two weeks it moved to another city and I went to see it again in a screening with my friend. Then maybe one year later, it was replaying near my house at the midnight screening, so I went again with another friend. And for me that was the confirmation that cinema could also portray your inner world, that cinema could portray dreams and nightmares. And I hadn’t seen, at that time Un Chien Andalou by [Luis] Buñuel but Un Chien Andalou is one of the rare movies that is written in a mental language, a dreamt language. Eraserhead is another one. Kubrick said once that he regrets he didn’t have the idea to do that movie. In any case, it had such a strong impact on me that I would say Eraserhead — it made me get into film school two years later. Maybe it was a mix of 2001 and Eraserhead. I don’t know how many times I saw Eraserhead in the movie theater, but I guess it was maybe 15 times. I had an addiction to this movie, which is the kind of addiction kids can have to their mother telling them a story. You want to listen to the same story over and over, and have a hypnotic feeling and relaxing feeling. It created some kind of relaxing feeling in me. That I would enjoy all these movies — that are nightmarish– as if it were a dream, especially when the girl comes out saying everything is fine in heaven. There’s a fact also that David Lynch made that movie with almost no money over a period of five years. Then when I was doing I Stand Alone, I had a lot of money issues. I had problems completing the movie, then doing the editing, also. All the time I had in mind that David Lynch did that movie in five years. And I said well, “Maybe it will take me 10 years to finish the movie. If it takes ten years I’ll do it and I shouldn’t worry.”"