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Merissa (11791 KP) rated Black Witch Magic (Paranormal Hunters #1) in Books
Oct 27, 2020
Black Witch Magic is the first book in the Paranormal Hunters series and we are introduced to Aiden (the paranormal hunter) and Selene (the witch). Aiden is the sceptic who tries to debunk paranormal mysteries. Selene is the witch cursed never to leave her hometown or find/keep love.
Although I enjoyed this story for the most part, there are some parts that just didn't work for me. For a start, the whole build-up to the wicked witch Luna? What did she actually do that was that bad? Okay, so I know she slept with someone who was engaged but is that it? Why did she get all the flak and not the other witch who disappeared at the same time? And for that matter, why were the Blackstones black-balled? There were no explanations about them or their family tree or even what happened to make them the scape-goats in the first place.
I did enjoy the differences given between being a Lunar or a Green Witch although I also found it a bit strange that Bibi, Noelle and Selene didn't seem to know anything else about being a witch other than what they made up themselves. Bibi and Noelle aren't cursed to stay within the town limits but it reads like they are.
There were other parts in the writing that were repeated over and over - Selene's address is one example. How many addresses does she have? Just the one so why is it repeated instead of just saying she went 'home'? Also, I wear glasses and I can tell you, if my glasses fell down my nose as often as Selene's did, I'd be going back to the Optometrist and getting the fitting sorted out. 'Fleshy thighs' is another description that was repeated too often for my comfort.
There are a few supporting characters in this book. Noelle and Eddie both have their own issues but neither of them come across as particularly tactful or sensitive to their so-called best friends. I thought Officer Gustin would play a bigger part than he did but he came good in the end.
This is classed as adult but most of the time the only thing described is the kissing. There are a couple of scenes that are steamy but they still don't go into major detail so I didn't think they were that bad.
The angst level is fairly low in here with most of it being between Eddie and Aiden and the filming of the episode. Or between Noelle and Selene when they don't agree on things but that's about it.
Overall, this was a light, entertaining read with some minor things I couldn't help but take notice of. It turns out this will be part of a series/serial and ends with a "To Be Continued." If this is what you are looking for then I can recommend this read.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Although I enjoyed this story for the most part, there are some parts that just didn't work for me. For a start, the whole build-up to the wicked witch Luna? What did she actually do that was that bad? Okay, so I know she slept with someone who was engaged but is that it? Why did she get all the flak and not the other witch who disappeared at the same time? And for that matter, why were the Blackstones black-balled? There were no explanations about them or their family tree or even what happened to make them the scape-goats in the first place.
I did enjoy the differences given between being a Lunar or a Green Witch although I also found it a bit strange that Bibi, Noelle and Selene didn't seem to know anything else about being a witch other than what they made up themselves. Bibi and Noelle aren't cursed to stay within the town limits but it reads like they are.
There were other parts in the writing that were repeated over and over - Selene's address is one example. How many addresses does she have? Just the one so why is it repeated instead of just saying she went 'home'? Also, I wear glasses and I can tell you, if my glasses fell down my nose as often as Selene's did, I'd be going back to the Optometrist and getting the fitting sorted out. 'Fleshy thighs' is another description that was repeated too often for my comfort.
There are a few supporting characters in this book. Noelle and Eddie both have their own issues but neither of them come across as particularly tactful or sensitive to their so-called best friends. I thought Officer Gustin would play a bigger part than he did but he came good in the end.
This is classed as adult but most of the time the only thing described is the kissing. There are a couple of scenes that are steamy but they still don't go into major detail so I didn't think they were that bad.
The angst level is fairly low in here with most of it being between Eddie and Aiden and the filming of the episode. Or between Noelle and Selene when they don't agree on things but that's about it.
Overall, this was a light, entertaining read with some minor things I couldn't help but take notice of. It turns out this will be part of a series/serial and ends with a "To Be Continued." If this is what you are looking for then I can recommend this read.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Alice (12 KP) rated Ocean Light in Books
Jul 4, 2018 (Updated Jul 7, 2018)
A fantastic installment to a great series
This review was originally posted on my blog raptureinbooks.com
It feels like I’ve been waiting for Ocean Light for 20 years, when in reality it’s probably only 5 or 6 but Ocean Light not only marks the second installment to the Psy-Changeling Trinity it marks a pretty huge milestone in the fantabulous world of the Psy-Changeling. I have one word: BlackSea.
The BlackSea Changelings have been that mystery group for a great many and finally, Ocean Light opens the doors to the black and Nalini Singh drops us in the deep end – figuratively speaking.
This book has my favourite human in it – Bowen Knight. He’s rough, he’s ready, he’s an alpha and he’s dying. Ocean Light is the story of Bowen’s recovery and his ultimate kick-assery of the things that go bump in the night.
After the previous shit-storm where Bowen is gravely injured, we see his rise through the blackness of despair and see him take on the chip that is currently destroying his brain like a boss.
Nothing will take him down. Especially not his own choices.
Our lovely lady of the book is Kaia Luna, a shy, mysterious cook with a scientific background and a really smart pet mouse.
Their growing relationship is beautiful from the outset and Bo brings the shyness out of Kaia really well. She becomes a woman to reckon with under the sweet ministrations of Bowen Knight and I implore you to fuck with her.
Nalini’s writing style is, as always, pretty perfect with nothing bad that I can say about it. She has a way with words and characters that are to die for, plots that I’ve never seen before her and probably never will again.
Ocean Light brings us – as readers – into the deepness that is the black and into the darkness that is The Vanishings. We’re introduced to characters we’ve seen before and to new characters and species that are quite frankly sometimes not what you expect – Bebe I’m looking at you.
Ocean Light has the traditional Psy-Changeling-Human interaction that signature with Nalini’s books and that is threaded throughout each book. We’re 17 books in to the story and I just know Nalini has more to give and there is more for us to learn.
The unique plot base of the Psy-Changeling universe is something that is ever growing and ever evolving with each book. If you’ve never read one of these books I suggest you do. Although you can start with Silver Silence the first in the Psy-Changeling Trinity series – as Nalini Singh gives you plenty of background into the previous history- I highly recommend that you start from the beginning with Slave to Sensation as you will get the full force and magnitude of what is happening in the series and you’ll get the full experience of Nalini Singh’s work.
One of my favourite characters from the preceding books – Kaleb Krychek reappears as the badass that he is in Ocean Light and what I love is that He still retains the badass around everyone but his Sahara. It’s beautiful.
I always give Nalini’s books 5 stars purely because they deserve it. There’s never anything I genuinely say I didn’t like and for a series with this many books that is saying something. Other long running series I’ve read I can lose interest in. Nalini Singh’s books I await with bated breath for the next release.
It feels like I’ve been waiting for Ocean Light for 20 years, when in reality it’s probably only 5 or 6 but Ocean Light not only marks the second installment to the Psy-Changeling Trinity it marks a pretty huge milestone in the fantabulous world of the Psy-Changeling. I have one word: BlackSea.
The BlackSea Changelings have been that mystery group for a great many and finally, Ocean Light opens the doors to the black and Nalini Singh drops us in the deep end – figuratively speaking.
This book has my favourite human in it – Bowen Knight. He’s rough, he’s ready, he’s an alpha and he’s dying. Ocean Light is the story of Bowen’s recovery and his ultimate kick-assery of the things that go bump in the night.
After the previous shit-storm where Bowen is gravely injured, we see his rise through the blackness of despair and see him take on the chip that is currently destroying his brain like a boss.
Nothing will take him down. Especially not his own choices.
Our lovely lady of the book is Kaia Luna, a shy, mysterious cook with a scientific background and a really smart pet mouse.
Their growing relationship is beautiful from the outset and Bo brings the shyness out of Kaia really well. She becomes a woman to reckon with under the sweet ministrations of Bowen Knight and I implore you to fuck with her.
Nalini’s writing style is, as always, pretty perfect with nothing bad that I can say about it. She has a way with words and characters that are to die for, plots that I’ve never seen before her and probably never will again.
Ocean Light brings us – as readers – into the deepness that is the black and into the darkness that is The Vanishings. We’re introduced to characters we’ve seen before and to new characters and species that are quite frankly sometimes not what you expect – Bebe I’m looking at you.
Ocean Light has the traditional Psy-Changeling-Human interaction that signature with Nalini’s books and that is threaded throughout each book. We’re 17 books in to the story and I just know Nalini has more to give and there is more for us to learn.
The unique plot base of the Psy-Changeling universe is something that is ever growing and ever evolving with each book. If you’ve never read one of these books I suggest you do. Although you can start with Silver Silence the first in the Psy-Changeling Trinity series – as Nalini Singh gives you plenty of background into the previous history- I highly recommend that you start from the beginning with Slave to Sensation as you will get the full force and magnitude of what is happening in the series and you’ll get the full experience of Nalini Singh’s work.
One of my favourite characters from the preceding books – Kaleb Krychek reappears as the badass that he is in Ocean Light and what I love is that He still retains the badass around everyone but his Sahara. It’s beautiful.
I always give Nalini’s books 5 stars purely because they deserve it. There’s never anything I genuinely say I didn’t like and for a series with this many books that is saying something. Other long running series I’ve read I can lose interest in. Nalini Singh’s books I await with bated breath for the next release.
BankofMarquis (1832 KP) rated Spider-Man: Across the Spider-Verse (2023) in Movies
Jun 8, 2023
A Feast for the Eyes and the Heart
In 2018, Producer/Writers Phil Lord and Christopher Miller (THE LEGO MOVIE) presented the animated film SPIDER-MAN INTO THE SPIDERVERSE to unsuspecting audiences and this film burst onto the scene - and into our senses - with a visual cornucopia of comic-book styles that ushered in a new way to present a comic-book movie. In this film, multiple Spider-Mans from different “SpiderVerses” came to the home universe of the lead Spiderman (in this Universe, Spiderman is NOT Peter Parker, but rather Miles Morales), and they kept the comic book styles of their own universes while in the home universe of Miles.
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Dr Dystopian (526 KP) rated The Horus Heresy - Book 1: Horus Rising in Books
Jan 8, 2018
Brilliant intro to the characters (3 more)
Well written
Difficult to put down!
Great story arch that leads into the next books
Outstanding entry book to the series
Contains spoilers, click to show
The book is divided into 3 distinct sections with parts 1 & 3 focusing on the XVI Legion, The Luna Wolves (who are later renamed The Sons of Horus), and part 2 focusing on the III Legion, The Emperors Children.
The 1st section of the book nicely introduces the main characters of the Sons of Horus consisting of Horus Lupercal, who has recently taken over as the Warmaster of Imperium of Man's Great Crusade, and his Mournival of 1st Captain Abaddon, 2nd Captain Torgaddon, 4th Captain Sejanus and 5th Captain Little Horus. With the death of Sejanus in the opening pages of the book we are introduced to the main protagonist of this book (and the following 2) in 10th Captain Loken along with some more supporting characters such as remembrancers, the Warmaster equerry Maloghurst and various other space marines.
The book follows Loken and the Sons of Horus as they, and the 63rd Expeditionary Fleet, bring world Sixty Three Ninteen to compliance and Lokens doubts about his role within the mournival and the morality of their campaign. Towards the end of section one Loken is faced with a fellow space marine who has been corrupted by chaos and attempts to kill him. This is Lokens first experience with chaos and, as such, he is unfamiliar with what has corrupted is Astartes comrade and subsequently forced to cover it up by the rest of the mournival and Horus himself.
Part 2 brings in the III Legion, The Emperors Children, and introduces Lord Commander Eidolon, 10th Captian Tarvitz and 13th Captain Lucius who have received a distress signal from the Blood Angels legion currently engaged against Megarachnids on the world Murder.
Whilst the 63rd expedition moves to join the Emperors Children at Murder, Loken discovers the existence of forbidden warrior lodges and that a number of the crew, and indeed the rest of the mournival, are part of. This leads Loken to further question his place within the legion. This part of the book also provides the first evidence of people worshipping the emperor as a deity in opposition to Imperial Truth. The section ends with the Sons of Horus aiding the Emperors Children with their campaign on Murder before being relieved by Blood Angels reenforcements and provides a brief introduction to their Primarch, Sanguinius.
Finally the 3rd part of the book see the Sons of Horus encounter the Interex, a Human civilisation that have incorporated certain aliens and alien customs into their society which is in direct opposition to the Imperium of Man who view xenos as inferior and to be exterminated. The Interex warn Loken of the existance of Kaos however it is clear that this is unknown to Loken which the Interex find uncomfortable. During negotiations between the Interex and Horus things come to a head when the Sons of Horus are accused of stealing an anathame, a semi sentient weapon created by one of the Interex's alien subject races, and war breaks out which leads to the eventual destruction of the Interex. The book ends with the Word Bearers Legion Chaplin, Erebus, having taken the anathame for study and the 63rd fleet moving on to the moon of Davin at his request.
All in all this book is very well written and highly engaging. It was one of those books that i didn't want to stop reading until it ended and have since read twice more.
Anyone wanting to get into the lore of Warhammer 40k, the background of how the 40k universe became as it now is or simply an engaging sci fi book cannot go wrong with this one.
The only negative i can find is that it ended however this is book 1 of a trilogy !
The 1st section of the book nicely introduces the main characters of the Sons of Horus consisting of Horus Lupercal, who has recently taken over as the Warmaster of Imperium of Man's Great Crusade, and his Mournival of 1st Captain Abaddon, 2nd Captain Torgaddon, 4th Captain Sejanus and 5th Captain Little Horus. With the death of Sejanus in the opening pages of the book we are introduced to the main protagonist of this book (and the following 2) in 10th Captain Loken along with some more supporting characters such as remembrancers, the Warmaster equerry Maloghurst and various other space marines.
The book follows Loken and the Sons of Horus as they, and the 63rd Expeditionary Fleet, bring world Sixty Three Ninteen to compliance and Lokens doubts about his role within the mournival and the morality of their campaign. Towards the end of section one Loken is faced with a fellow space marine who has been corrupted by chaos and attempts to kill him. This is Lokens first experience with chaos and, as such, he is unfamiliar with what has corrupted is Astartes comrade and subsequently forced to cover it up by the rest of the mournival and Horus himself.
Part 2 brings in the III Legion, The Emperors Children, and introduces Lord Commander Eidolon, 10th Captian Tarvitz and 13th Captain Lucius who have received a distress signal from the Blood Angels legion currently engaged against Megarachnids on the world Murder.
Whilst the 63rd expedition moves to join the Emperors Children at Murder, Loken discovers the existence of forbidden warrior lodges and that a number of the crew, and indeed the rest of the mournival, are part of. This leads Loken to further question his place within the legion. This part of the book also provides the first evidence of people worshipping the emperor as a deity in opposition to Imperial Truth. The section ends with the Sons of Horus aiding the Emperors Children with their campaign on Murder before being relieved by Blood Angels reenforcements and provides a brief introduction to their Primarch, Sanguinius.
Finally the 3rd part of the book see the Sons of Horus encounter the Interex, a Human civilisation that have incorporated certain aliens and alien customs into their society which is in direct opposition to the Imperium of Man who view xenos as inferior and to be exterminated. The Interex warn Loken of the existance of Kaos however it is clear that this is unknown to Loken which the Interex find uncomfortable. During negotiations between the Interex and Horus things come to a head when the Sons of Horus are accused of stealing an anathame, a semi sentient weapon created by one of the Interex's alien subject races, and war breaks out which leads to the eventual destruction of the Interex. The book ends with the Word Bearers Legion Chaplin, Erebus, having taken the anathame for study and the 63rd fleet moving on to the moon of Davin at his request.
All in all this book is very well written and highly engaging. It was one of those books that i didn't want to stop reading until it ended and have since read twice more.
Anyone wanting to get into the lore of Warhammer 40k, the background of how the 40k universe became as it now is or simply an engaging sci fi book cannot go wrong with this one.
The only negative i can find is that it ended however this is book 1 of a trilogy !
Emma @ The Movies (1786 KP) rated Like A Boss (2020) in Movies
Jan 22, 2020
Before going in I knew this was either going to be fantastic or a total disaster, it wasn't likely to fall in the middle of the scale. For the most part that was an accurate assumption.
Mia and Mel are lifelong friends and both share a passion for make-up and a more positive way of living. Their business, while a source of joy for them, is close to an end. But when Claire Luna appears on the scene Mel thinks it could be the answer to their financial worries, Mia is a little more sceptical. It appears that Claire is up to something but can they get to the bottom of everything before they lose their business, and each other?
Let us first give a round of applause to the uncredited actors in this film... Salma Hayek's breasts. They did sterling work, everyone else rather paled in comparison.
Now on to the serious things.
Let me be upfront about this... I will never want to watch this film again, if I happened across it being shown I would probably sit in silence for 83 minutes instead.
I love so many of the actors in this and yet I couldn't even rely on them to help this along. It's a fun premise and it had a cast that could definitely have made this great and yet somehow it's really quite poorly executed. Jokes didn't hit home and while I did chuckle a couple of times towards the end the beginning was not strong enough to be drama and not amusing enough to be comedy.
Billy Porter and Karan Soni probably come out the best from the whole ensemble. Porter has a very dramatic humour throughout and his delivery really helped. Soni's bitchy assistant wasn't overly complicated and had a fairly simple storyline to follow which allowed him to be more memorable.
I was rather disappointed with the hand that Jennifer Coolidge got dealt, she is amazingly funny and the humour in Like A Boss needed to give her something better to work with. Tiffany Haddish's return to over the top comedy also left me sad, having seen her in The Kitchen and being so impressed with her dramatic role I was really hoping she would try more of the same. While Mia is perfectly matched to her comedy stylings the script was severely lacking.
Everything about this seemed dated and it's very much a 90's feeling scenario. It felt like they were going for a bit of slapstick but left out the actual slapstick element. The confusion/disappointment did not stop there, the end of the film became evident quite early on and then it was just a case of waiting for it to happen without any anticipation.
The curious thing to me is the film's rating. There is absolutely no reason for this to be rated 15... that's to say that it didn't need any of the bits that would have caused it to be a 15, it easily could have been 12 and still had the same or hopefully a better impact.
Yes, there were some minor plus points but Like A Boss was overwhelmingly poor. I say that but it obviously has an audience out there because a lot of the people in our screening were laughing. Perhaps it would have helped me if so many key laughter points weren't shown in the trailer... but I think that's a little optimistic. On the plus side it did give me a chance to have a catch up with my friend around the dire movie.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/like-boss-movie-review.html
Mia and Mel are lifelong friends and both share a passion for make-up and a more positive way of living. Their business, while a source of joy for them, is close to an end. But when Claire Luna appears on the scene Mel thinks it could be the answer to their financial worries, Mia is a little more sceptical. It appears that Claire is up to something but can they get to the bottom of everything before they lose their business, and each other?
Let us first give a round of applause to the uncredited actors in this film... Salma Hayek's breasts. They did sterling work, everyone else rather paled in comparison.
Now on to the serious things.
Let me be upfront about this... I will never want to watch this film again, if I happened across it being shown I would probably sit in silence for 83 minutes instead.
I love so many of the actors in this and yet I couldn't even rely on them to help this along. It's a fun premise and it had a cast that could definitely have made this great and yet somehow it's really quite poorly executed. Jokes didn't hit home and while I did chuckle a couple of times towards the end the beginning was not strong enough to be drama and not amusing enough to be comedy.
Billy Porter and Karan Soni probably come out the best from the whole ensemble. Porter has a very dramatic humour throughout and his delivery really helped. Soni's bitchy assistant wasn't overly complicated and had a fairly simple storyline to follow which allowed him to be more memorable.
I was rather disappointed with the hand that Jennifer Coolidge got dealt, she is amazingly funny and the humour in Like A Boss needed to give her something better to work with. Tiffany Haddish's return to over the top comedy also left me sad, having seen her in The Kitchen and being so impressed with her dramatic role I was really hoping she would try more of the same. While Mia is perfectly matched to her comedy stylings the script was severely lacking.
Everything about this seemed dated and it's very much a 90's feeling scenario. It felt like they were going for a bit of slapstick but left out the actual slapstick element. The confusion/disappointment did not stop there, the end of the film became evident quite early on and then it was just a case of waiting for it to happen without any anticipation.
The curious thing to me is the film's rating. There is absolutely no reason for this to be rated 15... that's to say that it didn't need any of the bits that would have caused it to be a 15, it easily could have been 12 and still had the same or hopefully a better impact.
Yes, there were some minor plus points but Like A Boss was overwhelmingly poor. I say that but it obviously has an audience out there because a lot of the people in our screening were laughing. Perhaps it would have helped me if so many key laughter points weren't shown in the trailer... but I think that's a little optimistic. On the plus side it did give me a chance to have a catch up with my friend around the dire movie.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/like-boss-movie-review.html
LeftSideCut (3778 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jan 23, 2020
In this day and age, where Star Wars is beloved by so many, and more recently met with sighs and trepidation by just as many, it's a franchise that easily faces scrutiny.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
We can look at both the prequel and sequel trilogies to plainly see that it doesn't take much to piss off Star Wars fans in one way or another.
The announcement of Rogue One was met with said scrutiny, some saying it wasn't needed, some feeling fatigued by the sheer amount of Star Wars being thrown at us, sentiments that I can understand.
But I truly believe that Rogue One was a surprising win, and I left the cinema feeling that it belonged up there with the top tier SW films, and my opinion hasn't budged on repeat viewings.
The story revolves around a rag tag group of mercenaries, smugglers, and outcasts, and how they managed to secure the Death Star plans that set off the events of A New Hope back in 1977.
The cast of heroes aren't fleshed out a huge deal, but were given enough backstory to understand them adequately and back their campaign against the Empire.
Just like TFA, it's great to have another female lead in the SW universe. Felicity Jones is likable enough as Jyn Erso, even if her character is a little on the vanilla side.
The duo of Chirrut Imwe and Baze Malbus (Donnie Yen and Wen Jiang) work great next to one another, and provide a lot of the films humour and emotional impact.
The droid K2-SO (voiced by Alan Tudyk) is also a surprising highlight, his dry sense of humour works fantastically with the more serious tone of the movie.
We also have Cassian Andor (Diego Luna) which is the only character from the main group I struggled to like. He's written like a poor man's Han Solo, and I just didn't care about him at all, an aspect that can hopefully be rectified in the upcoming Disney+ series.
We also have Forest Whitaker as Saw Gerrera - a concrete connection to Star Wars: Rebels no less!, Mads Mikkelsen as Jyn's father Galen, and Ben Mendelsohn as this films villain, Orson Krennic.
It's a really strong cast if mostly enjoyable characters that earn their place in the SW pantheon.
In terms of cinematography, Star Wars has arguably never looked so good. Gorgeous and colourful locations like Scarif contrast against the classic Whit and greys of the original Empire design beautifully. All of the CG effects are more or less perfect, (with a huge exception that I'll get to in a second) and the action set pieces are thrilling. The whole final act is spectacular, and then just when it's seems like it's all over, we get THAT ending sequence - Gareth Edwards knows just the right amount of nostalgia to ensure the audience laps it up, and it's one of the best minutes of any Star Wars film ever.
The exception I mentioned above is of course going to be the subject of bringing back real actors from the dead. The inclusion of Grand Moff Tarkin makes sense in this particular narrative, but it does feel a bit odd seeing Peter Cushing, who died over 20 years ago, back on screen. Another cameo late on that includes a younger version of a legendary Star Wars character looks really off as well.
Overall though, these are just nit picks at an otherwise terrific sci-fi adventure.
Rogue One is bonafide great entry into the Star Wars canon, and its my personal favourite of the Disney era so far. Top stuff.
Twisted Cysts (13 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 24, 2019
Action (2 more)
Performances
VFX
Terminator 3?
I need your clothes, your Re-boot and your motorcycle.
That’s the second l pun I’ve made out of that infamous terminator 2 line this week and I feel dirty because of it;
Dirty, much like how I imagine the Terminator franchise feels after Genisys (or however they spelt it)
Terminator:Dark Fate however is billed as a follow up to Terminator & T2;
The former an 80’s classic that sparked a franchise & its sequel that has easily landed itself as one of the best sequels of all time.
So you probably know that this one is ditching all those other terminator films that came in the couple of decades that came between & aims to be the definitive third instalment of franchise (for the third time after Rise Against The Machines & Gen-I-size also promised to do the same) and it’s actually succeeds somewhat, but maybe not in the way a lot of die-hards will want it to.
It’s the “Day After Judgement Day” and Dark Fate opens strong; using footage of Sarah Connor’s crazed speech of Judgement day & machines whilst being interviewed by doctors from T2.
you’ll immediately appreciate Linda Hamilton’s presence one again & from the first scene that follows it’s immediately clear that the previous sequels were missing her presence on screen.
We get a very brief tease of that 80’s style future of skulls on beaches and red & blue lasers that you’ve now seen in 6 films before it but This film doesn’t mess about, Judgement Day didn’t Happen, Sarah, John & The T-800 stopped it in terminator 2 and this film wants you to know that.
You see this film takes a huge risk that may divide fans, but imo it’s a risk that needed to be taken;
it’s no longer about John Connor, not anymore.
We’re introduced to Dani Ramos (Natalia Reyes) & her brother Diego (Diego Boneta) as factory workers facing replacement my machines (see what they did there, I’ll forgive it though as it gets good).
Next up is the rather brutal and badass introduction to the new Kyle Reese in the form of McKenzie Davis’s Grace & then a similar although ironically more Graceful introduction to the new Terminator (Gabriel Luna) both coming back in time via the iconic time bubble effect of series has had since 1984.
And he’s The most polite & possibly menacing Terminator since the T-1000…
Yes I said polite but I’ll get back to that later.
This new ‘black metal’ terminator or “Rev-9” as its referred to is a sort of 2 for 1 deal Terminator, like a T-800 and a T-1000 at the same time, able to split up and act independently as liquid and skeleton simultaneously.
Unlike previous attempts though this terminator is genuinely threatening, he isn’t messing around and finds his new target Dani within minutes.
He’s lightening fast, intelligent and creepy.
The VFX on him thankfully holds up as well and look fantastic other than a few shoddy cgi jumps that can be forgiven.
Within minutes we’re into an explosive highway car chase and the action rarely lets up after.
Genuinely… theres a Mexican border assault, a US detention pen riot, a fight on fucking C5-M plane (it’s big) and then some.
The action in this film Is relentless, gripping and satisfying as fuck.
But story itself, is Terminator 1984, again…
New familiar threat from the future under a different name and that’s all that’s really new at its core.
That’s because Terminator Dark Fate actually serves as a Star Wars: The Force Awakens style Reboot.
T2’s Judgement Day didn’t happen, Skynet didn’t happen, Terminators as we know and love didn’t happen…
But eventually another A.I does and forces our incredibly toned soldier & the black-metal Rev-9 to Time Travel back to our present day.
Despite the opening chase echoing T2 this film matches Terminator 1 in tone entirely,
Everything is very desperate and our character are almost constantly on the run. If anything this is a beat for beat remake that also happens to be a sequel by bringing along the old cast (No J.J Abrams was not involved.
The cast are fantastic, every single member, this film is stollen by McKenzie Davis and Natalia Reyes, they own their roles.
Gabriel Luna as mentioned before is fantastically creepy, this terminator has one mission and won’t waste time killing innocent bystanders, he’s even well mannered! Which just adds to the creep factor.
And don’t worry, his eye-rolling one liner of “my whole body is a weapon” from the trailer is thankfully immediately shut down by an extra in the full scene.
As a re-boot these cast need to be the ones you care about. Wether you like it or not this is a passing of the torch from old to new and luckily They deliver.
I cared about them more than I did about Sarah Connor!
Who Now bitter as fuck, as ruthless as ever and making it known that she had nothing in life other than a vengeance for Terminators and a fear of a Judgement Day she’s actually prevented.
Linda Hamilton is also great as expected. Her character being even more cold, cynical and sarcastic than ever and if you think about that’s how it should be. Her presence is essential though and makes it feel like a sequel to terminator 2.
The comedy of T2 is missing until we’re eventually re-introduced to Arnie’s Terminator.
I genuinely found him hilarious, and his humour it not forced, he’s the most dead-Pan he’s ever been and of course you know that Sarah Connor isn’t going to trust this weirdly humorous rust-bucket.
But his story is quite a hard one to swallow, without spoiling we get an evolution of his character, one that’s definitely an interesting take, one that also create its own Jokes out it. But it’s doesn’t quite land. It’s too much.
That having been said Arnie is also absolutely fantastic with what he’s been given but unfortunately I didn’t care for him as much as I wanted to.
You’ll have questions multiple times throughout this film but thankfully our characters are intelligent enough to ask them before too long whilst the action is unfolding.
The film never hangs around too much and suffers a little for it, the story comes off as very little more than a remake and passing of the torch.
We get the sorry of this new threatening 2042 future via flashbacks (or is it flash forwards? time travel) and it’s grittier than we’re used to.
More in vein of Salvations dusty, military future than the synth wave metal and blue lasers, which is a shame but ultimately makes sense and enforces the idea that the future we saw in T1 & T2 was actually prevented by John & Sarah back in T2.
It’s risky but it’s the deviation from the formulae of the past attempts at a new Terminator that the franchise needs.
Luckily the risks set up also give us an appropriately emotional if predictable ending. There’s just not enough of the touching character development the the first two films had.
The film succeeded in making me care about the new characters but I left feeling like I didn’t get enough despite a bit of fleshing out via flashbacks that unfold as the film progressed.
Tim Miller (Deadpool) has directed one hell of an action film, Dark Fate is a sequel that wipes the slate clean for a future of new terminator films and just about succeeds buy the skin of it’s endo-skeleton teeth.
It’s not the best, it’s essentially the first film again with new and old cast but it’s good enough for a new series to blossom off it and thrill ride for the most part.
There are few questions left for the sequel and three-quel that I know are already planned (what the fuck does Rev-9 actually stand for anyway?) but that’s understandable, I just hope we get that sequel and that it’s as good or even better because this is the only terminator film I cared about since terminator 2.
The box office will ultimately be the decider and I can already hear the keyboard warriors that haven’t even seen the movie panning it on twitter but I for one, really enjoyed Terminator: Dark Fate.
Photo courtesy of Skydance & Paramount VIa talent house media.
7/10
That’s the second l pun I’ve made out of that infamous terminator 2 line this week and I feel dirty because of it;
Dirty, much like how I imagine the Terminator franchise feels after Genisys (or however they spelt it)
Terminator:Dark Fate however is billed as a follow up to Terminator & T2;
The former an 80’s classic that sparked a franchise & its sequel that has easily landed itself as one of the best sequels of all time.
So you probably know that this one is ditching all those other terminator films that came in the couple of decades that came between & aims to be the definitive third instalment of franchise (for the third time after Rise Against The Machines & Gen-I-size also promised to do the same) and it’s actually succeeds somewhat, but maybe not in the way a lot of die-hards will want it to.
It’s the “Day After Judgement Day” and Dark Fate opens strong; using footage of Sarah Connor’s crazed speech of Judgement day & machines whilst being interviewed by doctors from T2.
you’ll immediately appreciate Linda Hamilton’s presence one again & from the first scene that follows it’s immediately clear that the previous sequels were missing her presence on screen.
We get a very brief tease of that 80’s style future of skulls on beaches and red & blue lasers that you’ve now seen in 6 films before it but This film doesn’t mess about, Judgement Day didn’t Happen, Sarah, John & The T-800 stopped it in terminator 2 and this film wants you to know that.
You see this film takes a huge risk that may divide fans, but imo it’s a risk that needed to be taken;
it’s no longer about John Connor, not anymore.
We’re introduced to Dani Ramos (Natalia Reyes) & her brother Diego (Diego Boneta) as factory workers facing replacement my machines (see what they did there, I’ll forgive it though as it gets good).
Next up is the rather brutal and badass introduction to the new Kyle Reese in the form of McKenzie Davis’s Grace & then a similar although ironically more Graceful introduction to the new Terminator (Gabriel Luna) both coming back in time via the iconic time bubble effect of series has had since 1984.
And he’s The most polite & possibly menacing Terminator since the T-1000…
Yes I said polite but I’ll get back to that later.
This new ‘black metal’ terminator or “Rev-9” as its referred to is a sort of 2 for 1 deal Terminator, like a T-800 and a T-1000 at the same time, able to split up and act independently as liquid and skeleton simultaneously.
Unlike previous attempts though this terminator is genuinely threatening, he isn’t messing around and finds his new target Dani within minutes.
He’s lightening fast, intelligent and creepy.
The VFX on him thankfully holds up as well and look fantastic other than a few shoddy cgi jumps that can be forgiven.
Within minutes we’re into an explosive highway car chase and the action rarely lets up after.
Genuinely… theres a Mexican border assault, a US detention pen riot, a fight on fucking C5-M plane (it’s big) and then some.
The action in this film Is relentless, gripping and satisfying as fuck.
But story itself, is Terminator 1984, again…
New familiar threat from the future under a different name and that’s all that’s really new at its core.
That’s because Terminator Dark Fate actually serves as a Star Wars: The Force Awakens style Reboot.
T2’s Judgement Day didn’t happen, Skynet didn’t happen, Terminators as we know and love didn’t happen…
But eventually another A.I does and forces our incredibly toned soldier & the black-metal Rev-9 to Time Travel back to our present day.
Despite the opening chase echoing T2 this film matches Terminator 1 in tone entirely,
Everything is very desperate and our character are almost constantly on the run. If anything this is a beat for beat remake that also happens to be a sequel by bringing along the old cast (No J.J Abrams was not involved.
The cast are fantastic, every single member, this film is stollen by McKenzie Davis and Natalia Reyes, they own their roles.
Gabriel Luna as mentioned before is fantastically creepy, this terminator has one mission and won’t waste time killing innocent bystanders, he’s even well mannered! Which just adds to the creep factor.
And don’t worry, his eye-rolling one liner of “my whole body is a weapon” from the trailer is thankfully immediately shut down by an extra in the full scene.
As a re-boot these cast need to be the ones you care about. Wether you like it or not this is a passing of the torch from old to new and luckily They deliver.
I cared about them more than I did about Sarah Connor!
Who Now bitter as fuck, as ruthless as ever and making it known that she had nothing in life other than a vengeance for Terminators and a fear of a Judgement Day she’s actually prevented.
Linda Hamilton is also great as expected. Her character being even more cold, cynical and sarcastic than ever and if you think about that’s how it should be. Her presence is essential though and makes it feel like a sequel to terminator 2.
The comedy of T2 is missing until we’re eventually re-introduced to Arnie’s Terminator.
I genuinely found him hilarious, and his humour it not forced, he’s the most dead-Pan he’s ever been and of course you know that Sarah Connor isn’t going to trust this weirdly humorous rust-bucket.
But his story is quite a hard one to swallow, without spoiling we get an evolution of his character, one that’s definitely an interesting take, one that also create its own Jokes out it. But it’s doesn’t quite land. It’s too much.
That having been said Arnie is also absolutely fantastic with what he’s been given but unfortunately I didn’t care for him as much as I wanted to.
You’ll have questions multiple times throughout this film but thankfully our characters are intelligent enough to ask them before too long whilst the action is unfolding.
The film never hangs around too much and suffers a little for it, the story comes off as very little more than a remake and passing of the torch.
We get the sorry of this new threatening 2042 future via flashbacks (or is it flash forwards? time travel) and it’s grittier than we’re used to.
More in vein of Salvations dusty, military future than the synth wave metal and blue lasers, which is a shame but ultimately makes sense and enforces the idea that the future we saw in T1 & T2 was actually prevented by John & Sarah back in T2.
It’s risky but it’s the deviation from the formulae of the past attempts at a new Terminator that the franchise needs.
Luckily the risks set up also give us an appropriately emotional if predictable ending. There’s just not enough of the touching character development the the first two films had.
The film succeeded in making me care about the new characters but I left feeling like I didn’t get enough despite a bit of fleshing out via flashbacks that unfold as the film progressed.
Tim Miller (Deadpool) has directed one hell of an action film, Dark Fate is a sequel that wipes the slate clean for a future of new terminator films and just about succeeds buy the skin of it’s endo-skeleton teeth.
It’s not the best, it’s essentially the first film again with new and old cast but it’s good enough for a new series to blossom off it and thrill ride for the most part.
There are few questions left for the sequel and three-quel that I know are already planned (what the fuck does Rev-9 actually stand for anyway?) but that’s understandable, I just hope we get that sequel and that it’s as good or even better because this is the only terminator film I cared about since terminator 2.
The box office will ultimately be the decider and I can already hear the keyboard warriors that haven’t even seen the movie panning it on twitter but I for one, really enjoyed Terminator: Dark Fate.
Photo courtesy of Skydance & Paramount VIa talent house media.
7/10
Dana (24 KP) rated Cress (The Lunar Chronicles, #3) in Books
Mar 23, 2018
There's going to be spoilers in the review, so be warned.
Marissa Meyer did it again! I have to say this series is a lot better than I had expected it to be. Since it is a book of fairy tale retellings, I expected it to be, not gonna lie, cliche as hell, but it isn't. Though it ties in aspects of the original fairy tales, they are still such separate things that I don't see it as a retelling as much.
Now, the introduction of the new characters, particularly Cress, Jacin, and Winter, was amazing. I love each of them in their own ways because they are not what one would expect them to be.
Cress is just a little ball of happy. I would not have expected her to be so lovely, especially after being mistreated for so much of her life! The little scenarios she makes up in order to get through each situation are just precious and super smart, if I am being completely honest! Cress is strong despite what she looks like. She has the capability of hacking anything she wishes, but even more that that, she is thrown (literally) to Earth after spending seven years basically in isolation and has to learn how to survive and keep another person (who she has a major crush on) alive as well. That's a lot to ask of a girl, but she does it with a smile on her face. If that isn't strength, then I don't know what is.
Then we go onto Jacin Clay. Now this boy is an enigma that I just can't quite figure out yet, but I have a feeling that I will in the next book. So he is a shell in the employ of Sybil, and therefore the queen, but kind of wants to rebel against them because he is in love with the princess, Winter. It gets confusing because Cinder thinks he is a supporter of Selene (her) instead of thinking of the more obvious choice. Jacin seems like he's going to be a pretty okay character, but we haven't gotten enough interaction with him for me to sort him out. There was that last scene in the book where he says he was on the Queen's side the whole time, but I don't think he's telling the truth. There's just something about him that seems trustworthy, and maybe that's myself being too naive, but I want to like him.
Finally, for the new characters, we get to Winter. She seems like a sweet girl, although going a bit mad, but understandably so. She, too, is a captive to the queen, and though it may seem that she has it better because she gets to be on Luna, that also means she is under constant scrutiny. We only get to see her really in one scene, so I can't wait to see what will come of her in the next book!
I loved getting to see all of the old characters again. Thorne is such a romantic loser, I love him so much. He just wants to act all tough, but he's got a major soft spot for Cress and Cinder. Speaking of, Cinder is getting more badass, which I appreciate. She's got some good plans too, so I want to see how that all pans out. Scarlet needs to be rescued ASAP. I need her and Wolf to be besties (and in a relationship forever because, yeah). Wolf needs to be happy, in general.
Now, I'm giving Kai his own paragraph because he is actually doing things in this book. Yay for active King!! Yes, he makes some stupid mistakes. And yes, he got misinformation about Princess Selene, but holy crap he got close to the truth! I am just happy he is taking action, but especially that he and Cinder are in the same space again. (get it...space? I crack myself up). No, but really, the laws he is trying to impose are sound and I stand by them. He is acknowledging the wrongs that have been put into place and is trying to change them for the better, all while sacrificing his own happiness for his country, and inevitably, the world. Go Kai!
I cannot wait to read the next book (but I have to buy it first!!)!!
Marissa Meyer did it again! I have to say this series is a lot better than I had expected it to be. Since it is a book of fairy tale retellings, I expected it to be, not gonna lie, cliche as hell, but it isn't. Though it ties in aspects of the original fairy tales, they are still such separate things that I don't see it as a retelling as much.
Now, the introduction of the new characters, particularly Cress, Jacin, and Winter, was amazing. I love each of them in their own ways because they are not what one would expect them to be.
Cress is just a little ball of happy. I would not have expected her to be so lovely, especially after being mistreated for so much of her life! The little scenarios she makes up in order to get through each situation are just precious and super smart, if I am being completely honest! Cress is strong despite what she looks like. She has the capability of hacking anything she wishes, but even more that that, she is thrown (literally) to Earth after spending seven years basically in isolation and has to learn how to survive and keep another person (who she has a major crush on) alive as well. That's a lot to ask of a girl, but she does it with a smile on her face. If that isn't strength, then I don't know what is.
Then we go onto Jacin Clay. Now this boy is an enigma that I just can't quite figure out yet, but I have a feeling that I will in the next book. So he is a shell in the employ of Sybil, and therefore the queen, but kind of wants to rebel against them because he is in love with the princess, Winter. It gets confusing because Cinder thinks he is a supporter of Selene (her) instead of thinking of the more obvious choice. Jacin seems like he's going to be a pretty okay character, but we haven't gotten enough interaction with him for me to sort him out. There was that last scene in the book where he says he was on the Queen's side the whole time, but I don't think he's telling the truth. There's just something about him that seems trustworthy, and maybe that's myself being too naive, but I want to like him.
Finally, for the new characters, we get to Winter. She seems like a sweet girl, although going a bit mad, but understandably so. She, too, is a captive to the queen, and though it may seem that she has it better because she gets to be on Luna, that also means she is under constant scrutiny. We only get to see her really in one scene, so I can't wait to see what will come of her in the next book!
I loved getting to see all of the old characters again. Thorne is such a romantic loser, I love him so much. He just wants to act all tough, but he's got a major soft spot for Cress and Cinder. Speaking of, Cinder is getting more badass, which I appreciate. She's got some good plans too, so I want to see how that all pans out. Scarlet needs to be rescued ASAP. I need her and Wolf to be besties (and in a relationship forever because, yeah). Wolf needs to be happy, in general.
Now, I'm giving Kai his own paragraph because he is actually doing things in this book. Yay for active King!! Yes, he makes some stupid mistakes. And yes, he got misinformation about Princess Selene, but holy crap he got close to the truth! I am just happy he is taking action, but especially that he and Cinder are in the same space again. (get it...space? I crack myself up). No, but really, the laws he is trying to impose are sound and I stand by them. He is acknowledging the wrongs that have been put into place and is trying to change them for the better, all while sacrificing his own happiness for his country, and inevitably, the world. Go Kai!
I cannot wait to read the next book (but I have to buy it first!!)!!
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
Darren (1599 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 24, 2019
Thoughts on Terminator: Dark Fate
Characters – Dani is the sweet Mexican girl that keeps her family organized with everyday events, making sure her father gets to appointments and her brother joins her for work, her family means everything to her. When Grace turns up, she finds her perfect life ruined, when she needs to go on the run with her from a Terminator, not knowing why a normal young woman has been targeted, she will learn her importance to the future and learn skills alone the way. The only negative side for Dani, is that we don’t learn enough about her before the events happen, it is hard to figure out just how old she is too. Sarah Connor hasn’t stopped hunting Terminators, she is prepared for them all and saves the day, she knows how to stay off the radar, well for the most part one giant plot hole with her talk here, but is a bitter hard as nails woman. The Terminator has many surprises this time, he helps, gets plenty of laughs and as always will fight the superior model. The bad Terminator can fuse with anything it touches, being able to break into more than one threat and isn’t going to stop for anything, he is relentless and on a similar mission focused level as the first two villainous Terminators. Grace is the enhanced soldier sent back to protect Dani, she does need to be kept alive with medicine, proving to be a different level of protection then we have seen before, she has all the human traits, she has lived, fought and battled through the future and knows why she is here and how important this mission is.
Performances – First we will go through the returning cast, Linda Hamilton is wonderful to watch, not only is she perfect here, she lets the new cast members shine, which was one of the weakness of a film that did the same trick, Halloween. Arnold Schwarzenegger gives his best action performance since his return to acting, not only does he still have the fighting down, he has got perfect dead pan comedy down too. Mackenzie Davis might well have just made her an action star for years to come here, giving a performance that could be a star making one. Natalia Reyes does everything right for her character, it isn’t her performance that lets her down, it is certain developments in her character that hold her back. Gabriel Luna as the new Terminator is great too, it is nice they picked a lesser known actor, because a big name would have shifted focus on them instead of a faceless killer.
Story – The story here follows a young Mexican woman that has been targeted by a Terminator, for a reason she doesn’t know, she has a super soldier and Sarah Connor to protect her, as she learns about a future, where like Sarah Connor, she will have a big part to play in the war against the machines. This is a sequel that feels like it has re-imagined the original, mixed with the second one, this is all good because having a new face that needs to learn their part in the future is what makes Terminator different in story, the idea that technology has moved on, also helps this story unfold nicely showing us just how much we are going to see. For a story that is 2 hours long, this barely feels that long if we are being honest and by the end you will be wanting to see more, because even though we have returning characters, they don’t feel thrown in like Arnie’s in the last film.
Action/Sci-Fi – The action here is massive, this shows some great teamwork from the stunt teams too, the fights are people bashing the hell out of an indestructible robot, which means we can hit harder and it not look stupid, while we might have a couple too many cuts during them though. The sci-fi idea has moved on from previous films, which shows us just how much could change in the future, the war will always be coming.
Settings – The film does use the settings are a plot point, where it is, we need to get here, then here, via here, all but the final battle seems simple enough locations.
Special Effects – The effects for the most part are wonderful, there are a few questionable moments, but when you see the Terminator get hit, the metal exposing, doesn’t look out of place.
Scene of the Movie – Opening Chase.
That Moment That Annoyed Me – There is one on the nose reference to gun control in America.
Final Thoughts – This is an enjoyable action movie that brings the Terminator back to life for everybody to enjoy, this is bar far the best Terminator movie since Judgement Day.
Overall: Excellent Movie.
Rating
Characters – Dani is the sweet Mexican girl that keeps her family organized with everyday events, making sure her father gets to appointments and her brother joins her for work, her family means everything to her. When Grace turns up, she finds her perfect life ruined, when she needs to go on the run with her from a Terminator, not knowing why a normal young woman has been targeted, she will learn her importance to the future and learn skills alone the way. The only negative side for Dani, is that we don’t learn enough about her before the events happen, it is hard to figure out just how old she is too. Sarah Connor hasn’t stopped hunting Terminators, she is prepared for them all and saves the day, she knows how to stay off the radar, well for the most part one giant plot hole with her talk here, but is a bitter hard as nails woman. The Terminator has many surprises this time, he helps, gets plenty of laughs and as always will fight the superior model. The bad Terminator can fuse with anything it touches, being able to break into more than one threat and isn’t going to stop for anything, he is relentless and on a similar mission focused level as the first two villainous Terminators. Grace is the enhanced soldier sent back to protect Dani, she does need to be kept alive with medicine, proving to be a different level of protection then we have seen before, she has all the human traits, she has lived, fought and battled through the future and knows why she is here and how important this mission is.
Performances – First we will go through the returning cast, Linda Hamilton is wonderful to watch, not only is she perfect here, she lets the new cast members shine, which was one of the weakness of a film that did the same trick, Halloween. Arnold Schwarzenegger gives his best action performance since his return to acting, not only does he still have the fighting down, he has got perfect dead pan comedy down too. Mackenzie Davis might well have just made her an action star for years to come here, giving a performance that could be a star making one. Natalia Reyes does everything right for her character, it isn’t her performance that lets her down, it is certain developments in her character that hold her back. Gabriel Luna as the new Terminator is great too, it is nice they picked a lesser known actor, because a big name would have shifted focus on them instead of a faceless killer.
Story – The story here follows a young Mexican woman that has been targeted by a Terminator, for a reason she doesn’t know, she has a super soldier and Sarah Connor to protect her, as she learns about a future, where like Sarah Connor, she will have a big part to play in the war against the machines. This is a sequel that feels like it has re-imagined the original, mixed with the second one, this is all good because having a new face that needs to learn their part in the future is what makes Terminator different in story, the idea that technology has moved on, also helps this story unfold nicely showing us just how much we are going to see. For a story that is 2 hours long, this barely feels that long if we are being honest and by the end you will be wanting to see more, because even though we have returning characters, they don’t feel thrown in like Arnie’s in the last film.
Action/Sci-Fi – The action here is massive, this shows some great teamwork from the stunt teams too, the fights are people bashing the hell out of an indestructible robot, which means we can hit harder and it not look stupid, while we might have a couple too many cuts during them though. The sci-fi idea has moved on from previous films, which shows us just how much could change in the future, the war will always be coming.
Settings – The film does use the settings are a plot point, where it is, we need to get here, then here, via here, all but the final battle seems simple enough locations.
Special Effects – The effects for the most part are wonderful, there are a few questionable moments, but when you see the Terminator get hit, the metal exposing, doesn’t look out of place.
Scene of the Movie – Opening Chase.
That Moment That Annoyed Me – There is one on the nose reference to gun control in America.
Final Thoughts – This is an enjoyable action movie that brings the Terminator back to life for everybody to enjoy, this is bar far the best Terminator movie since Judgement Day.
Overall: Excellent Movie.
Rating