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David McK (3557 KP) rated The Marvels (2022) in Movies
Feb 25, 2024
I think most people would agree that the MCU has been on a decline ever since Endgame.
(Despite one or two good entries since).
If so, IMO they've just hit a new low.
It probably doesn't help that you're almost required to do a lot of 'homework' (movies and TV series that introduce the key characters) prior to watching this (I have), with that knowledge all but assumed by Marvel and with no real fill-in given for those who haven't.
It's not all bad, though, Iman Vellani is infectious as Kamala Khan fan-girling out over Captain Marvel, while the mid credit tease is probably one of the best since the original from 2008s Iron Man.
(Despite one or two good entries since).
If so, IMO they've just hit a new low.
It probably doesn't help that you're almost required to do a lot of 'homework' (movies and TV series that introduce the key characters) prior to watching this (I have), with that knowledge all but assumed by Marvel and with no real fill-in given for those who haven't.
It's not all bad, though, Iman Vellani is infectious as Kamala Khan fan-girling out over Captain Marvel, while the mid credit tease is probably one of the best since the original from 2008s Iron Man.
David McK (3557 KP) rated Agatha All Along in TV
Nov 8, 2024 (Updated Nov 8, 2024)
Possibly the best of the modern MCU TV shows since their first (Wandavision), of which this is a sort of spin-off as it follows the break-out star of that pervious series in Kathryn Hahn's Agatha Harkness.
As the show starts, she is still in Westview and still under the Scarlet Witches spell, but it's not long - tail end of the first episode - before she is free of said spell, and travelling down the heretofore believed to be mythical Witches Road in search of her lost power in the company of several others, including Joe Locke's Teen and Aubrey Plaza's Rio Vidal, both of whom have connections to Agatha's past life in particular ...
As the show starts, she is still in Westview and still under the Scarlet Witches spell, but it's not long - tail end of the first episode - before she is free of said spell, and travelling down the heretofore believed to be mythical Witches Road in search of her lost power in the company of several others, including Joe Locke's Teen and Aubrey Plaza's Rio Vidal, both of whom have connections to Agatha's past life in particular ...
LeftSideCut (3776 KP) rated Eternals (2021) in Movies
Nov 5, 2021
Contains spoilers, click to show
Fair warning - I'm going to be briefly discussing some major spoilers down below...
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
Straight up, Eternals is extremely close to being a perfect movie (in my opinion of course, I understand that it's proving to be divisive).
For starters, the narrative is wonderfully crafted. As expected, it jumps all over different time periods, from anywhere between 5000 BC to present day, and manages to not feel jarring. It's pacing is a little slow within the first half an hour or so, but it's forgivable considering the whole host of new faces being introduced. It's impressive then, that each character gets a decent amount of development, you know exactly what everyone is about in a pretty swift manor. The bonds that these characters share make for some genuinely emotional moments throughout a film that frequently feels like an odyssey.
The cast is solid as hell. Gemma Chan is the closest to a lead character, and she's great as always. LAST SPOILER WARNING Richard Madden manages to be a suitable leader, and then ruthless, convincing, and cold when he takes a more villanous turn. Gave me some semi Homelander vibes. It's wonderful to see the likes of Ma Dong-Seok and Lauren Ridloff make the jump into blockbuster territory. Barry Keoghan continues to be generally awesome in everything he's in. Brian Tyree Henry, Lia McHugh, and Kumail Nanjiani are all great as well, and the heavy hitters, Angelina Jolie and Salma Hayek, are left shy of the spotlight but still feel important. I was surprised to see Bill Skarsgård's name during the credits and can't help but feel he was a little wasted as CGI villain Kro. I would have liked to have seen more of Kit Harrington but I understand that he essentially a big tease for future projects (forever keeping my fingers crossed for a Midnight Sons movie...)
It's important to celebrate how visually breathtaking Eternals is from start to finish. There are of course some familiar Marvel aesthetics here and there, but Chloé Zhao has really laid down her own stamp. Even the fight scenes look unique, the Eternals powers always looking elegant. The climactic showdown is a particular highlight. This is all complimented by what is arguably the best music score in the MCU yet, with Game of Thrones veteran Ramin Djawadi coming through with something truly special.
In terms of wider MCU connection, Eternals very much feels like it's own thing, which works well with its unique feel. I am excited however to see some of these characters interact with other properties in the future. The proper introduction of Celestials is an exciting prospect, and that one shot near the end (you know the one), shows that technology is ready for the likes of Galactus to show up in the near future.
Eternals is yet another bold step for the MCU in a new phase. A movie with a hell of an ambitious scope that manages to stick the landing. I entered the cinema with slight trepidation due to it's early critical reception, and I left thinking that it's one of the best MCU entries so far, and I continue to be hyped for the future of the franchise.
LeftSideCut (3776 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
It should have happened way sooner, but finally, Black Widow is here, and in short, it's pretty damn good.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
LeftSideCut (3776 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Rodney Barnes (472 KP) rated Captain America: Civil War (2016) in Movies
Apr 13, 2019
In my top 5 Marvel movies
Contains spoilers, click to show
This is one of my favorite movies of all time. The only reason I didn't give it a 10 is because I did not care for the Baron Zemo angle. His reason for revenge was related to his family getting killed due to the actions of the Avengers. In the comics Zemo was a power and despot that was on the same level as Captain America when it comes to battle. This story was similar to the story arc in the Civil War comics. The government wants to control heroes because innocent people get killed in their battles trying to save mankind. The last battle they had with Ultron was the catalyst for the Sokovia accords. Oversight by the allied nations. We finally see Cap and Bucky reunited as friends but it is a little tricky at first. Bucky gets blamed for a terrorist action that he is innocent of. Zemo gets a hold of a old Hydra book that was used to brainwash Bucky and he uses it again on Bucky to carry out his plan. The "Civil War" begins when Tony agrees with oversight from the UN and Cap disagrees. The highligjt for me is seeing Spider-Man finally in the MCU. The action was great, the story was great and it had a profound impact on the MCU. It ended with Tony and Steve not being the best of friends and you see that affect in Infinity War. This movie is highly recommended by me
Carma (21 KP) rated Captain Marvel (2019) in Movies
Jul 31, 2019
Pretty good origin story
I am fairly new to the Marvel world knowing more via the movies than the comics compared to diehard fans. While I only know the basics about Carol Danvers aka Captain Marvel, this movie was a good origin story for me to learn more. Or at least the more the MCU wants us to know.
Carol has no memories of her past, only flashes when she goes to the supreme intelligence. The woman she sees was apparently important to her but she can't remember why. When she gets kidnapped by Skrulls and her memories cut into she sets out to find out where she came from.
Finding herself on Earth she meets up with Nick Fury and together they try to find out about her past. Fighting off Skrull invaders has Carol and Nick on the run along with Goose the cat. Carol comes to realize all she has been told about her past has been a lie manipulated by the Kree. She then takes on the role her mentor Mar-vell had of protecting the Skrulls.
She leave Nick Fury and Earth with a way to contact her in the future if needed. And Nick comes up with the Avengers initiative based on her call name of "Avenger".
It was a typical origin story, though knowing or thinking she was going to be an important part of the Avenger storyline had me looking for more action I guess. Will have to wait to see how she figures into the MCU future phases and Endgame.
Carol has no memories of her past, only flashes when she goes to the supreme intelligence. The woman she sees was apparently important to her but she can't remember why. When she gets kidnapped by Skrulls and her memories cut into she sets out to find out where she came from.
Finding herself on Earth she meets up with Nick Fury and together they try to find out about her past. Fighting off Skrull invaders has Carol and Nick on the run along with Goose the cat. Carol comes to realize all she has been told about her past has been a lie manipulated by the Kree. She then takes on the role her mentor Mar-vell had of protecting the Skrulls.
She leave Nick Fury and Earth with a way to contact her in the future if needed. And Nick comes up with the Avengers initiative based on her call name of "Avenger".
It was a typical origin story, though knowing or thinking she was going to be an important part of the Avenger storyline had me looking for more action I guess. Will have to wait to see how she figures into the MCU future phases and Endgame.
Deano Arnott (28 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jan 18, 2018
Strange Plot (1 more)
Doesn't beat the 1st installment
Another Awesome Marvel Movie
Marvel seem to have what it takes to beat down DC comics attempts to make a good movie. No matter which director lands the job of making a MCU film, the job is 90% of the time a massive success (not including the the first 2 fantastic 4 movies, they were dreadful). Although this film had us laughing from the beginning right through til the end, volume 2 doesn't quite match the arse kicking first one. With some pretty big names making their appearance, Guardians Of the Galaxy: volume 2 does kinda fill the void while we all wait for the next marvel release: Thor: Ragnarok.
Mark Halpern (153 KP) rated Spider-Man 2 (2004) in Movies
Jan 19, 2018
MCU Sequel
As we all know sometimes sequels can let us down. This one was par for the course. We catch up with Spiderman doing his good deeds, still being love sick with Mary Jane and now dealing with his friend harry wanting the death of spiderman because he thinks he killed his dad and he is the head of Oscorp. Our new villian is Dr. Octopus. A physicist whose experiment goes wrong cause a robotic set of arms graphing to his spinal cord.
We also see Spiderman faltering during this movie losing some of his powers cause he relies on them too much and not himself. Not bad for a sequel and it keeps with the comic book better than most.
We also see Spiderman faltering during this movie losing some of his powers cause he relies on them too much and not himself. Not bad for a sequel and it keeps with the comic book better than most.
Movie Metropolis (309 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 7, 2019
Tom Holland (2 more)
Jake Gyllenhaal
Teenage romantic subplot
Spider-Man: Far From Home is another slam dunk for Tom Holland’s web-slinger. With a script that perfectly balances humour and emotion, it may be the funniest MCU film yet, this is a film with massive re-watch value with lots of nostalgia and a fabulous cast. Nevertheless, the dodgy special effects do pull you out of the illusion at times and that just stops it from achieving a perfect five stars.
Stick around for two post-credit sequences in Spider-Man: Far From Home.
Read the full review: https://moviemetropolis.net/2019/07/05/spider-man-far-from-home-review-marvels-phase-3-comes-to-a-melancholic-end/
Stick around for two post-credit sequences in Spider-Man: Far From Home.
Read the full review: https://moviemetropolis.net/2019/07/05/spider-man-far-from-home-review-marvels-phase-3-comes-to-a-melancholic-end/