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Dean (6925 KP) rated Pandorum (2009) in Movies
Sep 12, 2017
Mad Max in Space
A very decent Sci/Fi, thriller effort.....first time I can say that in a long time! A very good atmospheric film with plenty of action. Starts well the middle is patchy, but it picks up again towards the end. Good effects and set design, the overall feel of the film and the spaceship is quite creepy, good use of lighting etc. It's not the most original, it feels like a compilation of ideas from the best known Sci/Fi films. Overall a good effort that most should enjoy.
5 Minute Movie Guy (379 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 30, 2019 (Updated Sep 16, 2019)
Mad Max: Fury Road is an intense, action-packed, visually stunning, and wildly entertaining film. It's only when the action slows down that the film starts to show signs of decay.
30 years and a fresh face later, the Mad Max series makes an extravagant and exhilarating return to theaters with Mad Max: Fury Road. Mel Gibson’s iconic wasteland warrior hero Max Rockatansky has been recast with the talented Tom Hardy, who gives us a more visceral and damaged portrayal of the character. Having endured years in the Hellish wasteland, Max now acts on his sole instinct of surviving. He’s ravaged by the horrors of his past and has lost all semblance of hope in this bleak, post-apocalyptic future where water is scarce and mayhem is bountiful. Director and series creator George Miller does a masterful job in creating a remarkable and inventive world of chaos and destruction, with action sequences that are practically unparalleled. Mad Max: Fury Road is a movie that keeps its fat, irradiated foot firmly pressed on the gas pedal throughout almost its entire duration, resulting in a movie that’s intense, action-packed, visually stunning, perfectly bizarre, wonderfully inventive, and wildly entertaining. It’s only when the action slows down that the film starts to show signs of decay.
In Fury Road, we first encounter Max alone in the wasteland in what is about to be a very long and very bad day. He’s quickly spotted and pursued by a pack of deathly-pale skinhead warriors known as Warboys. Outnumbered and easily captured, Max is taken to The Citadel, which serves as the home of the film’s central conflict. The monstrously plagued Immortan Joe rules over The Citadel like a cult leader, promising eternal salvation to his army of Warboys who die fighting for him. The city is a place of great disparity, as Joe teases the peasants with water, while he enjoys the excesses of his precious resources. Even worse is that he’s enslaved healthy, young women, known as his Five Wives, for the sake of producing his children.
This predicament doesn’t sit well with the battle-hardened woman warrior Imperator Furiosa (Charlize Theron) who serves under Immortan Joe’s command. Tired of Joe’s tyrannous ways, Imperator Furiosa betrays her leader during a routine gas run by venturing her armored war-rig offroad with the Five Wives secretly in tow. When news spreads that Furiosa is trying to escape and has taken the Wives with her, Joe and his army of Warboys feverishly follow in pursuit. This begins an epic, elaborate, and expertly crafted chase sequence that is absolutely outrageous and unmistakably brilliant.
Meanwhile, the enslaved Max ends up being inopportunely thrust into the action at full throttle, chained to the front of a car like a hood ornament. While Max’s name may be in the title, make no mistake about it, this is Furiosa’s story. Max is primarily just along for the ride, and doing whatever he can to survive. That’s not to say that Max is simply an unfortunate onlooker to the events of the film, but he is given little in the way of dialogue and backstory, and is chained up for a substantial portion of Fury Road. Though it should be said that the movie as a whole is rather thin on story and dialogue and it merely glosses over the plot to retain its focus on the action, which is where the film really sets itself apart.
The majority of the Fury Road serves as this long, impressive chase sequence that miraculously continues to escalate as the film goes on, despite appearing to throw the whole kitchen sink at you right at the beginning. It’s explosive, crazy, and jaw-droppingly awesome from the get-go, and yet believe me, it only gets bigger and better. Just wait until later when they start adding monster trucks, mini-guns, pole-vaulters, dirt bike-riding grannies, and a guitar flamethrower. It will leave you giddy with excitement. It’s an amazing, heavy-metal, end-of-the-world spectacle that you just got to see to believe. What makes it all even more incredible is that so much of the action is achieved by practical effects, with real stunts and car crashes and explosions.
Unfortunately, in the rare moments when Fury Road lets its foot off the gas and slows down the action, it sometimes sputters. Take for instance, the film’s climactic turning point when Furiosa’s dreams are spoiled. She dramatically falls to her knees in the sand, reeling in despair, and screams out into the void. This pivotal moment should be the most powerful moment of the film, but for me it fell completely flat. The problem here is that I never felt a strong attachment to the characters. While I respect Furiosa and Max for their strength in this struggle, I also feel like I don’t know much of anything about them, except that they’re adept at surviving and have battled through Hell to get to this point. So while this brief interlude drags a bit, Max thankfully turns things back around and leads us right back into the heart of the action, where Fury Road is at its best.
Charlize Theron gives a commanding performance as Furiosa, easily establishing herself among the ranks of the great female action stars. She makes for an excellent partner to Tom Hardy’s Max (though reportedly not so much on set). Hardy, on the other hand, puts in a solid performance, but I do take some issue with it. Truthfully, he just didn’t quite feel like Mad Max. His take on the character is too rugged. He’s missing the charm and likability that Mel Gibson’s Max had. His character may be cool, but he’s difficult to relate to, and feels remarkably reduced as he grunts throughout half of the movie without uttering a word. I can’t help but feel that perhaps Hardy took Max’s madness and survival instincts a little too far. The film also stars Nicholas Hoult as Nux, the Warboy that led Max into this whole mess, who expresses a much more appealing level of craziness. Whereas Nux is an energetic, lunatic cult follower, Max seems like he’s just a few bolts short of becoming a mentally-deranged hobo, which might not bode so well for future films. Lastly, there’s Immortan Joe, played by Hugh Keays-Byrne, who has an exceptional screen presence by being imposing, frightening, and so over-the-top that he’s kind of funny.
Visually and artistically, Mad Max: Fury Road is a triumphant success. It’s more gorgeous than you would ever think possible for a decrepit, wasteland warzone. Considerable skill and attention to detail are demonstrated to bring beauty out of this decaying environment. It features first-rate cinematography and unbelievable creativity. You’ll wonder how anyone ever thought of this stuff, but you’ll be grateful they did. The characters all look outstanding, unique, and memorable. I particularly loved Furiosa’s appearance with her prosthetic arm and grease-smeared warpaint. More impressive still is the menacing Immortan Joe with his mask and elaborate body armor. Fury Road similarly has beautiful special effects which greatly enhance the atmosphere as well as the film’s many remarkable stunts. In all, this is sure to be one of the best looking films of the year.
Mad Max: Fury Road may not be a perfect film, but it makes for an explosive and unforgettable return to the series. It’s truly a creative tour-de-force, with ingenious action, stellar design, and stunning visuals. It features brilliantly choreographed fights and chases, and some of the coolest movie stunts I’ve ever seen. The movie doesn’t always get the emotional punch it’s aiming for, and it has its share of awkward moments, but it sure makes a lasting impression with its intense, adrenaline-pumping theatrics. It might be a little too strange and twisted for some (though it’s relatively tame for being rated R), however, those who can handle the wasteland are sure to find a film that is deserving of respect and admiration. While I have my gripes with Hardy’s portrayal of Max, I know that I, for one, still can’t wait to see what the future holds for everybody’s favorite road warrior.
(The review was originally posted at 5mmg.com on 5.19.15.)
In Fury Road, we first encounter Max alone in the wasteland in what is about to be a very long and very bad day. He’s quickly spotted and pursued by a pack of deathly-pale skinhead warriors known as Warboys. Outnumbered and easily captured, Max is taken to The Citadel, which serves as the home of the film’s central conflict. The monstrously plagued Immortan Joe rules over The Citadel like a cult leader, promising eternal salvation to his army of Warboys who die fighting for him. The city is a place of great disparity, as Joe teases the peasants with water, while he enjoys the excesses of his precious resources. Even worse is that he’s enslaved healthy, young women, known as his Five Wives, for the sake of producing his children.
This predicament doesn’t sit well with the battle-hardened woman warrior Imperator Furiosa (Charlize Theron) who serves under Immortan Joe’s command. Tired of Joe’s tyrannous ways, Imperator Furiosa betrays her leader during a routine gas run by venturing her armored war-rig offroad with the Five Wives secretly in tow. When news spreads that Furiosa is trying to escape and has taken the Wives with her, Joe and his army of Warboys feverishly follow in pursuit. This begins an epic, elaborate, and expertly crafted chase sequence that is absolutely outrageous and unmistakably brilliant.
Meanwhile, the enslaved Max ends up being inopportunely thrust into the action at full throttle, chained to the front of a car like a hood ornament. While Max’s name may be in the title, make no mistake about it, this is Furiosa’s story. Max is primarily just along for the ride, and doing whatever he can to survive. That’s not to say that Max is simply an unfortunate onlooker to the events of the film, but he is given little in the way of dialogue and backstory, and is chained up for a substantial portion of Fury Road. Though it should be said that the movie as a whole is rather thin on story and dialogue and it merely glosses over the plot to retain its focus on the action, which is where the film really sets itself apart.
The majority of the Fury Road serves as this long, impressive chase sequence that miraculously continues to escalate as the film goes on, despite appearing to throw the whole kitchen sink at you right at the beginning. It’s explosive, crazy, and jaw-droppingly awesome from the get-go, and yet believe me, it only gets bigger and better. Just wait until later when they start adding monster trucks, mini-guns, pole-vaulters, dirt bike-riding grannies, and a guitar flamethrower. It will leave you giddy with excitement. It’s an amazing, heavy-metal, end-of-the-world spectacle that you just got to see to believe. What makes it all even more incredible is that so much of the action is achieved by practical effects, with real stunts and car crashes and explosions.
Unfortunately, in the rare moments when Fury Road lets its foot off the gas and slows down the action, it sometimes sputters. Take for instance, the film’s climactic turning point when Furiosa’s dreams are spoiled. She dramatically falls to her knees in the sand, reeling in despair, and screams out into the void. This pivotal moment should be the most powerful moment of the film, but for me it fell completely flat. The problem here is that I never felt a strong attachment to the characters. While I respect Furiosa and Max for their strength in this struggle, I also feel like I don’t know much of anything about them, except that they’re adept at surviving and have battled through Hell to get to this point. So while this brief interlude drags a bit, Max thankfully turns things back around and leads us right back into the heart of the action, where Fury Road is at its best.
Charlize Theron gives a commanding performance as Furiosa, easily establishing herself among the ranks of the great female action stars. She makes for an excellent partner to Tom Hardy’s Max (though reportedly not so much on set). Hardy, on the other hand, puts in a solid performance, but I do take some issue with it. Truthfully, he just didn’t quite feel like Mad Max. His take on the character is too rugged. He’s missing the charm and likability that Mel Gibson’s Max had. His character may be cool, but he’s difficult to relate to, and feels remarkably reduced as he grunts throughout half of the movie without uttering a word. I can’t help but feel that perhaps Hardy took Max’s madness and survival instincts a little too far. The film also stars Nicholas Hoult as Nux, the Warboy that led Max into this whole mess, who expresses a much more appealing level of craziness. Whereas Nux is an energetic, lunatic cult follower, Max seems like he’s just a few bolts short of becoming a mentally-deranged hobo, which might not bode so well for future films. Lastly, there’s Immortan Joe, played by Hugh Keays-Byrne, who has an exceptional screen presence by being imposing, frightening, and so over-the-top that he’s kind of funny.
Visually and artistically, Mad Max: Fury Road is a triumphant success. It’s more gorgeous than you would ever think possible for a decrepit, wasteland warzone. Considerable skill and attention to detail are demonstrated to bring beauty out of this decaying environment. It features first-rate cinematography and unbelievable creativity. You’ll wonder how anyone ever thought of this stuff, but you’ll be grateful they did. The characters all look outstanding, unique, and memorable. I particularly loved Furiosa’s appearance with her prosthetic arm and grease-smeared warpaint. More impressive still is the menacing Immortan Joe with his mask and elaborate body armor. Fury Road similarly has beautiful special effects which greatly enhance the atmosphere as well as the film’s many remarkable stunts. In all, this is sure to be one of the best looking films of the year.
Mad Max: Fury Road may not be a perfect film, but it makes for an explosive and unforgettable return to the series. It’s truly a creative tour-de-force, with ingenious action, stellar design, and stunning visuals. It features brilliantly choreographed fights and chases, and some of the coolest movie stunts I’ve ever seen. The movie doesn’t always get the emotional punch it’s aiming for, and it has its share of awkward moments, but it sure makes a lasting impression with its intense, adrenaline-pumping theatrics. It might be a little too strange and twisted for some (though it’s relatively tame for being rated R), however, those who can handle the wasteland are sure to find a film that is deserving of respect and admiration. While I have my gripes with Hardy’s portrayal of Max, I know that I, for one, still can’t wait to see what the future holds for everybody’s favorite road warrior.
(The review was originally posted at 5mmg.com on 5.19.15.)
Phillip McSween (751 KP) rated Mad Max (1979) in Movies
Jan 5, 2018
Decent
Guilty confession: Typically when I watch a "classic" or a film I've really been looking forward to, I go into it expecting to like it. In other words, the film is already ahead of the curve when it comes to my grading scale. It has to do a lot to let me down. I hate to say it, but Mad Max? It let me down. Not in the sense that it was bad, but rather in the sense that I was hoping for more.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Max is a police officer in a post-apocalyptic world where biker gangs rule the road. After his partner is brutally burned by one of the most dangerous gangs, Max decides to retire but a terrible turn of events sucks him right back in.
The film got off to a slow start for me. I was confused by what was happening and why it was happening. It's not a good sign when I have to jump on to Wikipedia to clarify things. Unfortunately things never quite bounced back for me after that. I spent a good majority of the film thinking, "What are the stakes for Max? Why should I care about his character?" You're not really given a ton of insight into who he is and why he's a hero you want to root for. Read to kids in the hospital. Pull a cat out of a tree. Do something! Give me a reason to care. I don't think that's too much to ask for.
Despite my issues with the film, Mad Max is carried by a solid performance from Gibson. Visceral rage just oozes from the man as he goes out for his revenge. He's got that look, one we've seen in many films before. A look that says, "I'm crazy and I want you to know it." His passion in the role is a shining spot.
The film also benefits from solid world-building. Though you're only given a small taste, it's all you need to see. The road is what's important, the heartbeat of the film. You witness it in the attention to detail behind the cars (Max's car in the end was dope) and the gangs' constant power struggle over maintaining territory. The road is a wasteland, yet extremely vital for those living in it.
I'm giving Mad Max a 73. Perhaps that's not a bad thing. For a movie to be missing some key components and still get a decent score says a lot. It's kind of like eating at an expensive restaurant: When you see your plate, you're slightly let down because you were hoping for more, but you quickly find that the portion you received was good enough.
Kleber Mendonca recommended Lat sau san taam (Hard-Boiled) (1992) in Movies (curated)
Matthew Krueger (10051 KP) rated Mad Max (1979) in Movies
Jul 7, 2020
Mad Max (1 more)
Dystopian Future
The Man Who You Dont Want To Mess With
What a great way to start of a franchise. The action, the suspense, the drama, the adventure, the dystopian, the revenge and of course Max. You dont want to mess around with him. Cause he will find you and when he does he will kill you. He sets his target on you, and when he does you better run or hide, cause like i said he will kill you.
The plot: In a not-too-distant dystopian future, when man's most precious resource -- oil -- has been depleted and the world plunged into war, famine and financial chaos, the last vestiges of the law in Australia attempt to restrain a vicious biker gang. Max (Mel Gibson), an officer with the Main Force Patrol, launches a personal vendetta against the gang when his wife (Joanne Samuel) and son are hunted down and murdered, leaving him with nothing but the instincts for survival and retribution.
I really like dystopian films, and just the idea of a post apolcyptic future, where survival is the key. And this film is one of them.
Its a must see film, if you haven't seen it.
The plot: In a not-too-distant dystopian future, when man's most precious resource -- oil -- has been depleted and the world plunged into war, famine and financial chaos, the last vestiges of the law in Australia attempt to restrain a vicious biker gang. Max (Mel Gibson), an officer with the Main Force Patrol, launches a personal vendetta against the gang when his wife (Joanne Samuel) and son are hunted down and murdered, leaving him with nothing but the instincts for survival and retribution.
I really like dystopian films, and just the idea of a post apolcyptic future, where survival is the key. And this film is one of them.
Its a must see film, if you haven't seen it.
Movie Metropolis (309 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 10, 2019
Cinematic Redbull
Up until a week ago, I was really looking forward to this film. Mad Max as a series has a criminally underestimated impact on our pop culture psyche thanks to its unique aesthetic. Everyone now knows exactly what they want to do in the event of the apocalypse; strap dustbin lids and S&M gear to our bodies.
Then I remembered that other recent reboot of a beloved 80’s sci-fi film, 2014’s Robocop. Specifically, I remembered that it was absolutely awful, a broken train-wreck of a movie that doesn’t understand and full on resents the original film, and drained all the personality out of a film bursting with it. 2012’s Total Recall shared similar problems, so the question came; would this modern reboot of an 80’s genre classic be the first of its kind to match the quality of the original?
The answer is no. It is far, far better.
The original Mad Max films each had the budget of a school nativity play and relied entirely on the scrapyard aesthetic and charismatic villains rather than action. Fury Road, on the other hand, is the cinematic equivalent of Red Bull; fast paced, frenetic and wild. The action sequences are almost constant, only broken up when the audience’s hearts are about to burst, accompanied by one of the most energetic and brilliant soundtracks I’ve ever heard. In the hands of a lesser filmmaker it would be too much to handle, but Miller makes sure to frame and edit each scene in a way that allows the audience to always follow the action.
Visually, the film is much more in line with Alejandro Jodorowsky’s failed Dune adaptation than anything else, with its deformed mutants, impractical clothes and grungy mechanics. Every image on screen is madder than the last; the audience will probably ask “Why does that guy have a flamethrower guitar?” or “Why is there a fat dude in a business suit with his nipples exposed?” and the film just says “Because you wanted to see it and didn’t know you did.” And it is totally right. Like Big Game, the landscapes are achingly beautiful too, turning a barren desert into a sea of colours.
The plot is utter gibberish; there is absolutely no reason that any series of events would lead to the world looking the way it does and the characters looking and acting the way they do. Most films would be ashamed of this and try to handwave it away or explain it; Fury Road, however, takes the smarter option, and full on embraces the insanity. Characters spout lines like “I have seen the three gates” and “You will ride with silver and chrome” without irony, and it all just works, sweeping the audience up into a world where logic is superfluous as long as what you’re saying is cool.
This wouldn’t work if the acting wasn’t on point, but every single actor is completely game for the madcap lunacy that is the
script. Everyone sings their lines, which might be nonsense but just sound so good. The only weak spot is Tom Hardy as Max himself, who tries to be a calming anchor to contrast everyone else but instead seems like he came out of a different, much more boring film. In fact, Max seems here only so the film can be called Mad Max, because really it is Charlize Theron’s movie; Imperator Furiosa is the true main character and Theron easily gives the most nuanced performance.
Upon seeing this film, I genuinely had to go for a jog to get all of the energy out of me. This film is mad glory from beginning to end, a fireworks show for the eyes and ears. One of the best action films of the year in an already good year for the genre. Certainly a much better reboot than Robocop. Now if you excuse me, I’m going to make a suit of armour out of washing machine parts and ball gags.
https://moviemetropolis.net/2015/05/19/cinematic-red-bull-mad-max-fury-road-review/
Then I remembered that other recent reboot of a beloved 80’s sci-fi film, 2014’s Robocop. Specifically, I remembered that it was absolutely awful, a broken train-wreck of a movie that doesn’t understand and full on resents the original film, and drained all the personality out of a film bursting with it. 2012’s Total Recall shared similar problems, so the question came; would this modern reboot of an 80’s genre classic be the first of its kind to match the quality of the original?
The answer is no. It is far, far better.
The original Mad Max films each had the budget of a school nativity play and relied entirely on the scrapyard aesthetic and charismatic villains rather than action. Fury Road, on the other hand, is the cinematic equivalent of Red Bull; fast paced, frenetic and wild. The action sequences are almost constant, only broken up when the audience’s hearts are about to burst, accompanied by one of the most energetic and brilliant soundtracks I’ve ever heard. In the hands of a lesser filmmaker it would be too much to handle, but Miller makes sure to frame and edit each scene in a way that allows the audience to always follow the action.
Visually, the film is much more in line with Alejandro Jodorowsky’s failed Dune adaptation than anything else, with its deformed mutants, impractical clothes and grungy mechanics. Every image on screen is madder than the last; the audience will probably ask “Why does that guy have a flamethrower guitar?” or “Why is there a fat dude in a business suit with his nipples exposed?” and the film just says “Because you wanted to see it and didn’t know you did.” And it is totally right. Like Big Game, the landscapes are achingly beautiful too, turning a barren desert into a sea of colours.
The plot is utter gibberish; there is absolutely no reason that any series of events would lead to the world looking the way it does and the characters looking and acting the way they do. Most films would be ashamed of this and try to handwave it away or explain it; Fury Road, however, takes the smarter option, and full on embraces the insanity. Characters spout lines like “I have seen the three gates” and “You will ride with silver and chrome” without irony, and it all just works, sweeping the audience up into a world where logic is superfluous as long as what you’re saying is cool.
This wouldn’t work if the acting wasn’t on point, but every single actor is completely game for the madcap lunacy that is the
script. Everyone sings their lines, which might be nonsense but just sound so good. The only weak spot is Tom Hardy as Max himself, who tries to be a calming anchor to contrast everyone else but instead seems like he came out of a different, much more boring film. In fact, Max seems here only so the film can be called Mad Max, because really it is Charlize Theron’s movie; Imperator Furiosa is the true main character and Theron easily gives the most nuanced performance.
Upon seeing this film, I genuinely had to go for a jog to get all of the energy out of me. This film is mad glory from beginning to end, a fireworks show for the eyes and ears. One of the best action films of the year in an already good year for the genre. Certainly a much better reboot than Robocop. Now if you excuse me, I’m going to make a suit of armour out of washing machine parts and ball gags.
https://moviemetropolis.net/2015/05/19/cinematic-red-bull-mad-max-fury-road-review/
Hideo Kojima recommended Mad Max 2: The Road Warrior (1982) in Movies (curated)
David McK (3236 KP) rated Furiosa: A Mad Max Saga (2024) in Movies
Jun 9, 2024 (Updated Jun 9, 2024)
I kinda get why this was subtitled 'A Mad Max saga'.
That was to get the punters in.
I kinda don't.
He isn't in it, in either incarnation (Mel Gibson, or Tom Hardy)
Instead, we have a prequel to the breakout character from Fury Road - that of Imperator Furiosa - but here re-cast to be played by Anya Taylor-Joy instead of by Charlize Theron.
This also takes place over a longer period of time - something like 15 years - than Fury Road does, and so sacrifices the break-neck speed of that previous film for something a bit more sedate.
We also, here, have Chris Hemsworth absolutely chewing up the scenery (and loving every second of it!) as the villain Dementus!
That was to get the punters in.
I kinda don't.
He isn't in it, in either incarnation (Mel Gibson, or Tom Hardy)
Instead, we have a prequel to the breakout character from Fury Road - that of Imperator Furiosa - but here re-cast to be played by Anya Taylor-Joy instead of by Charlize Theron.
This also takes place over a longer period of time - something like 15 years - than Fury Road does, and so sacrifices the break-neck speed of that previous film for something a bit more sedate.
We also, here, have Chris Hemsworth absolutely chewing up the scenery (and loving every second of it!) as the villain Dementus!
Gareth von Kallenbach (971 KP) rated Mad Max: Fury Road (2015) in Movies
Jun 19, 2019
When we last saw former cop turned wasteland warrior Max, it was nearly 30 years ago. Writer/Director George Miller had envisioned a follow up back in 2000, but various factors delayed the film so much that star Mel Gibson believed he had become too old to play the character which opened the door for Tom Hardy to don the knee brace of the famous character.
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
In “Fury Road”, fans are given a lavish spectacle that is one non-stop ride of intensity that is as my wife put it, “pushing me so far back into my seat that I am almost in the row behind us”.
When Max is captured by a vicious group lead by Immortal Joe, he stumbles into a true hell on earth as Joe has legions of warriors, most of whom have various health issues, it is assumed from the post nuclear world in which they live. They use captured individuals as blood donors to help make the sick live longer and Joe himself controls a large supply of fresh water as well as oversees what he considers his breeding stock of women.
When Imperator Furiosa (Charlize Theron), goes rogue and abducts Joe’s harem, this begins a breakneck and deadly pursuit across the wastelands where Max finds himself literally chained to the front of a car as a blood bag for the driver.
Amidst the eventually carnage that follows, Max is able to free himself and forges an uneasy alliance with Furiosa as she is attempting to lead the women she has liberated from Joe to safety.
With Joe and his large band of followers hot on their heels, Max must once again face overwhelming odds to save the day.
The film does an amazing job of creating an intense visual spectacle as the car chases and combat take up a good half the film and they are absolutely breathtaking to watch. CGI is kept to a minimum and what you see on the screen is a clash of metal as vehicles flip through the air, crash, and explode in spectacular fashion.
The film though is light on details as much of the story is left for you to read between the lines and fill in the blanks. Theron has explained her characters motivations very well in interviews but in the film it is at times murky. The limited dialogue in the film can at times be hard to understand due to accent and a form of “New Speak” but it is Hardy himself who is most interesting. He plays Max as a strong and silent type who is haunted by ghosts of his past, the people he could not save are a constant presence in his life as he sees them in his dreams and when he is awake, this leads to a character who is reduced to little more than pure survival instinct and does not allow for much in the way of character development.
In many ways this is a reintroduction of Max to a new generation so much of the charisma and intensity that was a part of Gibson’s portrayal has been scaled back to a world weary individual who has pretty much given up on finding the better life that he lost many years ago.
Miller has said he has enough material for two more films and if they are in the same league as this one, I would love to see further adventures for Max, let us just hope the wait is not as long next time out.
http://sknr.net/2015/05/14/mad-max-fury-road/
Peter_mark84 (59 KP) rated the PlayStation 4 version of Mad Max in Video Games
Jun 30, 2019
Vast open world (3 more)
Nice mechanic of watching fuel level
Good melee combat
Investing tasks
Not many 'missions' (2 more)
Map can flee bland due to setting
Not the most compelling story
Mad To The Max
You start the game, dealing with Scrotus and his forces. This is mostly cinematic but gets you ready for the game. You wake up after being thrown from Scrotus' wagon. Chum-bucket, a slightly unhinged mechanic and side kick helps you. Early on you learn thr iconic Ford Interceptor from the films has been broken into scrap. You seek to rid the land of Scrotus' influence.
The gameplay is really interesting, allowing you to customise the car to how you like. What ever your preference of car design you will find this available. To get main missions you have to lower the 'Threat Level' of Scrotus' forces. This is done by clearing outposts, minefields and destroying Markers (Scarecrows).
As you do more upgrades for weapons and car parts become available. The story lacks as it is purely about taking down the bad guys and does not give much investment. However it is really fun, driving round taking down the bad guys.
The weapons are fun, and once you unlock the Thunderpoon, tougher enemies are beaten easy.
If you like driving games, Mad Max and games where progression of the game is purely on the player than this is for you.
However if you are interested in games with much more weight to the story or compelling missions. Then you will not enjoy this as much.
Personally I love the gameplay and way the game progresses. It is the sort of game that while being open world you can invest a small amount of time in and get loads done.
The gameplay is really interesting, allowing you to customise the car to how you like. What ever your preference of car design you will find this available. To get main missions you have to lower the 'Threat Level' of Scrotus' forces. This is done by clearing outposts, minefields and destroying Markers (Scarecrows).
As you do more upgrades for weapons and car parts become available. The story lacks as it is purely about taking down the bad guys and does not give much investment. However it is really fun, driving round taking down the bad guys.
The weapons are fun, and once you unlock the Thunderpoon, tougher enemies are beaten easy.
If you like driving games, Mad Max and games where progression of the game is purely on the player than this is for you.
However if you are interested in games with much more weight to the story or compelling missions. Then you will not enjoy this as much.
Personally I love the gameplay and way the game progresses. It is the sort of game that while being open world you can invest a small amount of time in and get loads done.