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Acanthea Grimscythe (300 KP) rated The Nightly Disease in Books
May 16, 2018
I really don’t know how I feel about Max Booth III’s The Nightly Disease. Published initially as a serial in DarkFuse’s magazine, The Nightly Disease follows a hotel night auditor’s descent into madness as everything that can go wrong, does go wrong. In a series of darkly comedic and horrific events, the reader joins Isaac on a crazy ride, rife with some of the most outrageous occurrences a person could encounter.
Single, living alone, and working a job where he knows he’ll go nowhere, Isaac spends most of his nights between running the audit and preparing breakfast with his nose in a book, watching Netflix, or rubbing one out on the roof of the hotel he works at. He has a clear disdain for his job and spares no love for the guests that stay at his hotel, which all appear to be exceptionally rude (not that he’s any better). After he finds a wallet and decides to keep it, things escalate quickly and soon he is hiding bodies while trying to appease his invisible companions, Chowls and Owlbert.
I think what throws me off the most about this book is that it can be a bit difficult to follow at times. As Isaac loses his mind, the writing takes on a more frantic, senseless air that seriously messed with me reading it – to the point I almost put it down. It wasn’t a bad book, by any means. In fact, I think there’s a lot to be said about the fact that I felt like I was losing my mind reading it; Isaac’s perspective is extremely well-written.
Overall, I did not care that much for The Nightly Disease. It was nice to be able to identify with the main character to some degree – if only because I work the night audit shift at a hotel myself, and most hotels seem to work pretty much the same way. Other than that, I prefer books with a lot more depth and a bit more of a serious tone. While The Nightly Disease wasn’t really something I’m into, I definitely plan to look into Max Booth III’s other books. His writing style is great.
I would like to thank NetGalley and DarkFuse for providing me with an advance copy in exchange for an honest review.
Single, living alone, and working a job where he knows he’ll go nowhere, Isaac spends most of his nights between running the audit and preparing breakfast with his nose in a book, watching Netflix, or rubbing one out on the roof of the hotel he works at. He has a clear disdain for his job and spares no love for the guests that stay at his hotel, which all appear to be exceptionally rude (not that he’s any better). After he finds a wallet and decides to keep it, things escalate quickly and soon he is hiding bodies while trying to appease his invisible companions, Chowls and Owlbert.
I think what throws me off the most about this book is that it can be a bit difficult to follow at times. As Isaac loses his mind, the writing takes on a more frantic, senseless air that seriously messed with me reading it – to the point I almost put it down. It wasn’t a bad book, by any means. In fact, I think there’s a lot to be said about the fact that I felt like I was losing my mind reading it; Isaac’s perspective is extremely well-written.
Overall, I did not care that much for The Nightly Disease. It was nice to be able to identify with the main character to some degree – if only because I work the night audit shift at a hotel myself, and most hotels seem to work pretty much the same way. Other than that, I prefer books with a lot more depth and a bit more of a serious tone. While The Nightly Disease wasn’t really something I’m into, I definitely plan to look into Max Booth III’s other books. His writing style is great.
I would like to thank NetGalley and DarkFuse for providing me with an advance copy in exchange for an honest review.
Kristy H (1252 KP) rated The Clairvoyants in Books
Feb 13, 2018
Martha has had an interesting childhood and upbringing. As a young girl, she saw the ghost of her aunt, a nun, in her grandfather's barn. As a teen, the dead frequently appeared to Martha, though she rarely knew what to do with these apparitions. Also in her teen years, Martha's younger sister, Del, wound up sent to an institution. Incredibly close as children, Del's slow decent into some sort of madness also haunted Martha. So she decides to depart her family's farm and move inland to college. Once in Ithaca, Martha falls in love, is reunited with Del, and frequently sees the ghost of Mary Rae, a missing woman from a neighboring town, who stands beneath Martha's window for hours, wearing her coat and with her hair covered in ice. Martha had hoped to escape the dead in Ithaca, but it seems like somehow everything is going to converge on her nonetheless.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
This book was not at all what I had expected; it's less a supernatural thriller and more a literary treatise as we watch Martha deal with the events in her life. The chapters switch between present-day in Ithaca and flashbacks to Martha's life growing up. Sometimes it's a little confusing, but also quite interesting. I had expected the book to be more of a mystery as we try to figure out what happened to Mary Rae, but honestly, it's pretty apparent from the beginning who is responsible for her disappearance, even if the "how" is unknown. Still, the book is incredibly suspenseful and very compelling; I found myself trying to read it every chance as I had.
The psychological/mystical aspect isn't really as much at play here as you'd think from the summary, but that's okay. I didn't find it as creepy as some of the other reviews, but as I stated, still very spellbinding. There's an "aha moment" when you're reading and things come together that is masterfully done. While I wasn't in love with the character of Martha, I was intrigued by both she and Del, and I found all of the characters to be fascinating and intricate in their own way. The ending was a little quick for me, but somewhat redeemed by one particular portion (don't want to give away a spoiler). Overall, this was a different book--unlike ones I typically read--and while I didn't find it amazing, it was an engrossing and suspenseful novel. 3.5 stars.
A story for all of you - lovers of the magical. Book that gonna feed you starvation for magic. With every page you will go deep into the Caraval's magic and secrets. But don't forget:
"Before you fully enter into our world, you must remember it’s all a game. What happens beyond this gate may frighten or excite you, but don’t let any of it trick you. We will try to convince you it’s real, but all of it is a performance."
Meet Scarlett and Tella Dragna - two sisters living in an island, governed by their father, who shows up to be such a cunt. He punishes them without any mercy. Beat and torture them and even kill a man to teach them a lesson. But Scarlett found their only way out from this bloody island- she gonna marry to a governor. Although it is an arranged marriage she can see clearly the situation and to understand that this is the only salvation for her and her sister. But life has other plans for them. When they received three tickets for the annual Caraval show, Tella kidnapped her, with the help of mysterious sails man, to the mysterious show’s island. And then the game began.
The Caraval is ruled by a man called Legend. Nobody saw his face, nobody knows his name. He is only known for his passion for games. Although his games can draw people to madness, everybody wants to play. And this year award is so tempting that nobody can resist. Who doesn’t want to get a wish come true?
It’s a magical book that took me away from reality for couple hours. But it’s not fully developed. There is not a built world, just some islands in the middle of somewhere. No world named, or government, nothing. This came as drawback for me, I missed the illusion that actually this world does exists. Another shortage for me is that the characters are not fully developed as well. I liked the way that Scar describes her feelings in colours, but there is almost nothing personal to learn about her. The major thing in the book is the Game. In some points I believed that everything that happened is true. All decisions are life treating. I’ve got lost between the pages, absorbed by the magic. I probably forgot that “it’s only a game”.
"Before you fully enter into our world, you must remember it’s all a game. What happens beyond this gate may frighten or excite you, but don’t let any of it trick you. We will try to convince you it’s real, but all of it is a performance."
Meet Scarlett and Tella Dragna - two sisters living in an island, governed by their father, who shows up to be such a cunt. He punishes them without any mercy. Beat and torture them and even kill a man to teach them a lesson. But Scarlett found their only way out from this bloody island- she gonna marry to a governor. Although it is an arranged marriage she can see clearly the situation and to understand that this is the only salvation for her and her sister. But life has other plans for them. When they received three tickets for the annual Caraval show, Tella kidnapped her, with the help of mysterious sails man, to the mysterious show’s island. And then the game began.
The Caraval is ruled by a man called Legend. Nobody saw his face, nobody knows his name. He is only known for his passion for games. Although his games can draw people to madness, everybody wants to play. And this year award is so tempting that nobody can resist. Who doesn’t want to get a wish come true?
It’s a magical book that took me away from reality for couple hours. But it’s not fully developed. There is not a built world, just some islands in the middle of somewhere. No world named, or government, nothing. This came as drawback for me, I missed the illusion that actually this world does exists. Another shortage for me is that the characters are not fully developed as well. I liked the way that Scar describes her feelings in colours, but there is almost nothing personal to learn about her. The major thing in the book is the Game. In some points I believed that everything that happened is true. All decisions are life treating. I’ve got lost between the pages, absorbed by the magic. I probably forgot that “it’s only a game”.
Jesters_folly (230 KP) rated Kiss Me First in TV
Aug 1, 2019
Kiss me first is six part T.V. series form 2018 that is (loosely) based on a book of the same title by Lottie Moggach. Set in the near future the series follows Leila, a young woman living alone in the house she shared with her mother, who had recently died. Leila spends most of her time in the Virtual Reality world of Azana where she goes by the name Shadowfax. Whilst in Azana, Shadowfax meets another play known as Mania who introduces her to a group known as ‘Red Pill’. As Shadowfax begins to spend more time with red pill she starts to realise that events in the game are being mirrored in real life.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
Gareth von Kallenbach (980 KP) rated The Suicide Squad (2021) in Movies
Aug 5, 2021
James Gunn returns with the sequel to 2016’s Suicide Squad. This time, the nefarious company woman Amanda Waller (Viola Davis), returns to Belle Reve to recruit the next iteration of Task Force X. Initially, we are introduced to the new recruits: Savant (Michael Rooker), Blackguard (Pete Davidson), Javelin (Flula Borg), Mongal (Mayling Ng), T.D.K. (Nathan Fillion) and The Weasel (Sean Gunn). We meet our favorites from the first film: Harley Quinn (Margot Robbie), Captain Rick Flag (Joel Kinnaman), Captain Boomerang (Jai Courtney). They have signed on to be dropped into a small island nation, Corto Maltese.
This country, just taken over by a military coup has a lab with a 30-year secret weapon. Ms. Waller offers them years off each team member’s sentence to “Save the World”. Or, in this case, infiltrate Corto Maltese to find and destroy the project. Our hapless but highly skilled group lands and takes on heavy fire.
Meanwhile, we have Team B led by Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka Dot Man (David Dastmalchian), King Shark (The physical, John Economos with the voice of Sylvester Stallone). As the separate teams go forth and bond in violence, we find out more about their personal childhood traumas that made them the criminals they have become.
This sequel has James Gunn’s DNA all over the film. He raised the bar from the first film by providing bright, visual treats. The action is violent in a cartoonish manner that buffers the impact when one looks at the many ways one can dispatch a human. The story goes from sarcasm, dry wit, demented clown to the stooges’ physical hilarity. As we watch the Squad fight their way across the island, there are points where these characters are skilled killers despite the humor in their murderous madness.
I was laughing throughout the film, it certainly felt like a panacea for these challenging times. Pay attention, there are little moments of snappy comebacks that feel like they’re from old-school Mad Magazine. The pace runs steadily which helps the dissonance become more impactful. The Suicide Squad was not boring, it was very entertaining and such a campy ride. FYI: there are TWO after-credit scenes.
The Soundtrack is so very good from the first shot, to the after credit, shotsThis Summer Blockbuster certainly delivers the entertainment.
4.75 out of 5 Stars
This country, just taken over by a military coup has a lab with a 30-year secret weapon. Ms. Waller offers them years off each team member’s sentence to “Save the World”. Or, in this case, infiltrate Corto Maltese to find and destroy the project. Our hapless but highly skilled group lands and takes on heavy fire.
Meanwhile, we have Team B led by Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka Dot Man (David Dastmalchian), King Shark (The physical, John Economos with the voice of Sylvester Stallone). As the separate teams go forth and bond in violence, we find out more about their personal childhood traumas that made them the criminals they have become.
This sequel has James Gunn’s DNA all over the film. He raised the bar from the first film by providing bright, visual treats. The action is violent in a cartoonish manner that buffers the impact when one looks at the many ways one can dispatch a human. The story goes from sarcasm, dry wit, demented clown to the stooges’ physical hilarity. As we watch the Squad fight their way across the island, there are points where these characters are skilled killers despite the humor in their murderous madness.
I was laughing throughout the film, it certainly felt like a panacea for these challenging times. Pay attention, there are little moments of snappy comebacks that feel like they’re from old-school Mad Magazine. The pace runs steadily which helps the dissonance become more impactful. The Suicide Squad was not boring, it was very entertaining and such a campy ride. FYI: there are TWO after-credit scenes.
The Soundtrack is so very good from the first shot, to the after credit, shotsThis Summer Blockbuster certainly delivers the entertainment.
4.75 out of 5 Stars
Ross (3284 KP) rated A Little Hatred in Books
Oct 1, 2019
The latest instalment in the world of the First Law is the start of Abercrombie's new series - The Age of Madness. The story take place some 30 years after the events of the First Law trilogy, and we are deep into that world's industrial revolution. Across the Union, tradesmen are being rendered obsolete by technological advancement. Savine dan Glokta, the daughter of the shining, shitty star of the First Law trilogy, has made her fortune by investing in such innovations and mercilessly milking their genius inventors for every mark of profit. Half of the story follows her on a trip to oversee the running of one of her investments, a trip which soon descends into riot, hostage-taking and a general shit-storm.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.
Gareth von Kallenbach (980 KP) rated Joker (2019) in Movies
Oct 7, 2019 (Updated Oct 13, 2019)
Arthur Fleck (Joaquin Phoenix) is a broken and troubled man. Arthur toils in as demeaning and berated Clown for Hire, and lives with his troubled mother in a dilapidated apartment.
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
Arthur meets with a Social Worker in an attempt as the seven medications he takes simply are not cutting it and he struggles to cope in a world that has ignored and discarded him.
Arthur dreams of being a comedian but sadly lacks the confidence and ability to pull off his material which is iffy at best. Undaunted he keeps toiling away even when life continues to beat him down mentally and physically.
This all changes when Arthur stops being the victim during and assault and fights back.
Arthur stops taking his medication and becomes more determined and is no longer afraid to confront those who antagonize him.
This leads Arthur to some renewed opportunities such as an appearance on a talk show which he has long idolized.
All of this happens against a smoldering Gotham City where tensions are high and rising even higher due to a Garbage strike and a perception that the elite of the city have abandoned those in need such as eliminating Arthur’s Social Worker due to budget cuts.
With nowhere to go but up; Arthur transforms from a disturbed individual to a violent and deeply disturbed and dangerous individual who is angry and ready for revenge.
Phoenix is fantastic and he is not afraid to let unglamorous scenes of his very thin body or lingering close ups at unflattering angels undermine him. He uses them to illustrate just how disposable Arthur is too many in the film and to also show how little he cares about such matters. The role is deeply dark and disturbing and will no doubt spark much controversy and debate ranging from making a dangerous person a sympathetic figure as well as commentary about class structure and the danger of unstable people inspiring others via a Cult of Personality.
There is a connection to the larger Batman universe even though the film is light on action and FX. This is a character study of a decent into madness and it is deeply disturbing as it is compelling.
4.5 stars out of 5
http://sknr.net/2019/10/02/joker/
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LeftSideCut (3778 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.