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I loved the crap out of this book, it was so compelling and had me gripped the whole way through, this was a first for me on this author, I like to read new authors all the time, I like experiencing different writing and imaginations. The premise of this book intrigued me, as to who Daniel would believe when both parents are against one another.
The pace of this book is quite slow but it slowly drips feeds you information as to what has happened to his parents on the Farm in Sweden that you cannot stop reading.
Daniel currently lives in London with his partner Mark, when he gets an unexpected call from his father stating that his mother is not well and has fled from a psychiatric ward. His parents had not long moved to Sweden to retire to his mothers homeland.
Daniel who is an only child decides he needs to go to Sweden after putting it off for several months, however when he gets to the airport, he receives a call from his mother stating that she is flying over to the UK now to meet him so she can tell him her side of the story events that has been happening over the past 6 months.
Two thirds of the book are told by Tilde (Daniel’s mother), she has a satchel with evidence and a diary which she reads from, she is very specific with what happens and adamant that things must be told in chronological order so people do not misinterpret her findings as madness.
Daniel is a very naive character thinking his parents, never argued, had a great life, owning their own garden centre and several flats around London, when actually that was the complete opposite, he didn’t want to tell his parents he was homosexual as he thought they would think they had failed in his upbringing and disappoint them. Daniel seemed to have had a very sheltered life from his parents, he had never experienced them arguing, had a good education but in the end had a job as a gardener/landscape designer thingymajig which wasn’t really going anywhere and a high-profile boyfriend which he relied on for more than just companionship.
The thing that had me thinking was what if this was my parents? who would I believe? When one is saying the other is crazy and the other believes a murder has taken place and that the father is involved. I think this is why it was so gripping, you had to continue to find out the truth and I was not let down by this.
This was just a book that I picked up as the synopsis intrigued me, I didn’t expect to love it so much. The good thing about this book is that it is a thriller without the gore and blood.
I would definitely recommend this book.
I rated this 4 out of 5 stars.
The pace of this book is quite slow but it slowly drips feeds you information as to what has happened to his parents on the Farm in Sweden that you cannot stop reading.
Daniel currently lives in London with his partner Mark, when he gets an unexpected call from his father stating that his mother is not well and has fled from a psychiatric ward. His parents had not long moved to Sweden to retire to his mothers homeland.
Daniel who is an only child decides he needs to go to Sweden after putting it off for several months, however when he gets to the airport, he receives a call from his mother stating that she is flying over to the UK now to meet him so she can tell him her side of the story events that has been happening over the past 6 months.
Two thirds of the book are told by Tilde (Daniel’s mother), she has a satchel with evidence and a diary which she reads from, she is very specific with what happens and adamant that things must be told in chronological order so people do not misinterpret her findings as madness.
Daniel is a very naive character thinking his parents, never argued, had a great life, owning their own garden centre and several flats around London, when actually that was the complete opposite, he didn’t want to tell his parents he was homosexual as he thought they would think they had failed in his upbringing and disappoint them. Daniel seemed to have had a very sheltered life from his parents, he had never experienced them arguing, had a good education but in the end had a job as a gardener/landscape designer thingymajig which wasn’t really going anywhere and a high-profile boyfriend which he relied on for more than just companionship.
The thing that had me thinking was what if this was my parents? who would I believe? When one is saying the other is crazy and the other believes a murder has taken place and that the father is involved. I think this is why it was so gripping, you had to continue to find out the truth and I was not let down by this.
This was just a book that I picked up as the synopsis intrigued me, I didn’t expect to love it so much. The good thing about this book is that it is a thriller without the gore and blood.
I would definitely recommend this book.
I rated this 4 out of 5 stars.
Gareth von Kallenbach (980 KP) rated The Girl on the Train (2016) in Movies
Jun 19, 2019
Rachael (Emily Blunt) is a woman who has hit rock bottom. Her downward spiral has cost her a marriage, her career, and everything else she cherished and left her a severe alcoholic. Rachael is so far gone that she rides the commuter train into New York every day secretly drinking along the way. There is some method to this madness as the train goes by her former home and this allows Rachael a look in at the woman who replaced her and the new family her ex now enjoys.
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
Gareth von Kallenbach (980 KP) rated Stonehearst Asylum (2015) in Movies
Jun 19, 2019
In the late 19th century in England, medicine was by today’s standards primitive and at times barbaric. The nature of psychiatric care of the times was even more frightening as maladies that today are treated with medication often resulted in a lifetime of confinement in an Asylum where all manner of treatments which today would be considered torture were used.
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
In the new thriller “Stonehearst Asylum” a young doctor named Edward Newgate (Jim Sturgess), travels to a remote asylum on Christmas Eve to being a practical study following his time at Oxford.
He is greeted upon his arrival by Silas Lamb (Ben Kingsley, who is eager to size up the new assistant upon his arrival.
Newgate is fascinated by the patients especially one named Eliza (Kate Beckinsale), who shows a grace and range of talents not normally associated with those who have been committed. It is explained that all of those assigned to Stonehearts are from the upper class of society and as such, their maladies have made them outcasts from polite society.
Edward begins to have concerns when he is told by Eliza that he must leave immediately and not return and despite her warnings, he remains and soon makes a startling discovery.
It is learned that a patient named Salt (Michael Caine) is actually the man in charge of the facility and that Lamb is a dangerous psychopath who has imprisoned or killed the asylum staff and has replaced them with his fellow inmates.
Trapped in a world gone mad, Edward must strive to do his duty as a physician to care for those in need, while trying to walk the line between the madness of Lamb and his fellow inmates.
The film is a well-cast and exciting thriller that keeps you entertained without resorting to the standard scares and tricks of other suspense films.
The characters have a complexity and compassion to them as you will find yourself engrossed by the various characters and their situations.
Director Brad Anderson is no stranger to suspense and he has crafted a captivating take that is rich with the visuals of the era yet remaining a character based drama it its core.
The film is based on a short story by Edgar Allen Poe and Mel Gibson is one of the Producers attached to the film which helps underscore how they were able to assemble such a strong cast to the film despite the lack of a major studio to finance or distribute the film.
The film does have some moments that at times make you wonder why some characters did not take more obvious courses of action but yet the film works in spite of this.
In the end the haunting setting and subject matter mesh well with the characters to create a thrilling and entertaining drama that is one of the more enjoyable surprises of the year.
http://sknr.net/2014/10/24/stonehearst-asylum/
Phillip McSween (751 KP) rated Rosemary's Baby (1968) in Movies
Jan 13, 2019
Good...Not Great
Rosemary’s Baby takes you down a rabbit hole and you have no idea what’s waiting for you at the other end. It drove me mad at times as I tried to figure out just what exactly was going on. The story follows a couple and the strange happenings that ensure when they move into a new apartment complex.
Acting: 10
Beginning: 8
I’m watching this movie as I write this as I typically try and do when I write reviews. The beginning is intriguing because it’s chocked full of foreshadowing. Hints are dropped here and there and you recognize almost instantly that something is off. Great job here of being subtle without being overbearing.
Characters: 10
Cinematography/Visuals: 8
The film succeeds with a visual jarring aspect where you never really gain your footing. You spend most of the film trying to figure out up from down and that’s in large part due to the fact that nothing really seems out of sorts…except for a few things here and there. Director Roman Polanski is like a cat owner with a laser pointer directing your attention in the right place for a bit then redirecting. Everything is under the surface waiting to boil over.
Conflict: 8
As the film progresses and Rosemary (Mia Farrow) descends into madness, you are hoping she can unravel the mystery of what exactly is happening. The conflict comes in the tension of the movements, the things moving under the surface that you know are there. Every new occurrence brings you closer to the truth and makes things more tense.
Genre: 4
This was probably a solid pass for the 1960’s, but it’s honestly pretty tame for today’s standards. I might catch some heat for not respecting the time period it was filmed in, but if we are identifying this as a horror film, then it pales in comparison to some of the horror that has kept me up at night. Also, when I compare it to a film like The Birds from the same period, it comes up short for me.
Memorability: 5
Pace: 7
Things move quickly enough, especially after the famous “dream sequence” that occurs. The pace is driven by the mystery of all the craziness unfolding. You are looking for answers along with Rosemary. A handful of scenes could have been shortened, but things never really drag on for the most part.
Plot: 10
Resolution: 4
Probably my biggest issue with the film. I won’t ruin it, but after everything that transpired, I was looking for a bit more hope for Rosemary. A few tweaks here and there may have altered my opinion of the entire film as a whole.
Overall: 74
Great cinematic storytelling isn’t quite enough to elevate Rosemary’s Baby to a classic in my opinion. Intriguing but not earth-shattering. Worth a one-time watch.
Acting: 10
Beginning: 8
I’m watching this movie as I write this as I typically try and do when I write reviews. The beginning is intriguing because it’s chocked full of foreshadowing. Hints are dropped here and there and you recognize almost instantly that something is off. Great job here of being subtle without being overbearing.
Characters: 10
Cinematography/Visuals: 8
The film succeeds with a visual jarring aspect where you never really gain your footing. You spend most of the film trying to figure out up from down and that’s in large part due to the fact that nothing really seems out of sorts…except for a few things here and there. Director Roman Polanski is like a cat owner with a laser pointer directing your attention in the right place for a bit then redirecting. Everything is under the surface waiting to boil over.
Conflict: 8
As the film progresses and Rosemary (Mia Farrow) descends into madness, you are hoping she can unravel the mystery of what exactly is happening. The conflict comes in the tension of the movements, the things moving under the surface that you know are there. Every new occurrence brings you closer to the truth and makes things more tense.
Genre: 4
This was probably a solid pass for the 1960’s, but it’s honestly pretty tame for today’s standards. I might catch some heat for not respecting the time period it was filmed in, but if we are identifying this as a horror film, then it pales in comparison to some of the horror that has kept me up at night. Also, when I compare it to a film like The Birds from the same period, it comes up short for me.
Memorability: 5
Pace: 7
Things move quickly enough, especially after the famous “dream sequence” that occurs. The pace is driven by the mystery of all the craziness unfolding. You are looking for answers along with Rosemary. A handful of scenes could have been shortened, but things never really drag on for the most part.
Plot: 10
Resolution: 4
Probably my biggest issue with the film. I won’t ruin it, but after everything that transpired, I was looking for a bit more hope for Rosemary. A few tweaks here and there may have altered my opinion of the entire film as a whole.
Overall: 74
Great cinematic storytelling isn’t quite enough to elevate Rosemary’s Baby to a classic in my opinion. Intriguing but not earth-shattering. Worth a one-time watch.
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Eleanor Luhar (47 KP) rated Ensnared (Splintered, #3) in Books
Jun 24, 2019
I read the first novel of the Splintered series and immediately fell in love with it - purchasing the entire series as paperbacks. This is book #3 in the series by A.G. Howard.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
Kristy H (1252 KP) rated The Silent Patient in Books
Sep 2, 2019
Alicia Berenson is a well-known painter married to a famous photographer, Gabriel. They have a picture-perfect life, so-to-speak. But all that changes when Gabriel returns home from work one evening and Alicia shoots him five times. Then she goes silent, refusing to speak. Her silence makes her case even more famous, causing intense public speculation. Her paintings become coveted objects. Alicia, meanwhile, is sent to the Grove, a secluded psychiatric forensic unit, for treatment. There, Theo Faber, a psychotherapist, gains a job primarily just to work with Alicia, determined to be the one to help her speak again. But he becomes consumed with her case--something that may put his own health and safety into jeopardy.
This is a book that I read solely based on the recommendations of Goodreads and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.
It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.
"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"
I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.
Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!
This is a book that I read solely based on the recommendations of Goodreads and #bookstagram friends. It was quite hyped, and sometimes I shy away from all the hype, ha. I really did enjoy it, though I probably always feel a little let down by the crazily hyped books. It's just my nature. That being said, I do think this is a really good read and extremely captivating.
It's incredibly bizarre and puzzling--told via excerpts from Alicia's journal (pre-murder) and then Theo's viewpoints. We are left to wonder if, indeed, Alicia is truly crazy. The fact that she shot her husband, Gabriel, isn't really up for debate. But why? What led this talented artist to kill, and so violently? Reading her journal, we ponder, is she mentally ill? Is what she's telling us even really happening? Some of the narratives may or may not contradict each other, and the result is a fast-paced, twisty tale that keeps you guessing the entire time. I was sucked into both Alicia and Theo's minds. One of the best things about this book is that you may not always like Theo or Alicia, but you'll want to know about them. You'll find yourself completely engaged in their story--a sign of a good read, if you ask me.
"There's so much pain everywhere, and we just close our eyes to it. The truth is we're all scared. We're terrified of each other. I'm terrified of myself--and of my mother in me. Is her madness in my blood? Is it?"
I stayed up late to finish this one, as I absolutely had to know what happened. There are several twists and turns, and, as I mentioned, it keeps you guessing. The perspective in this book is unique, and I really welcomed how different it felt. It's a consuming, shocking read that basically absorbs you and as different parts of the story are revealed, it grows more and more intense.
Overall, this is a really excellent psychological thriller. It's nearly impossible to put down. It is different, with damaged characters that will draw you in from the start. 4+ stars!
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